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- mastered for vinyl by Satanic Audio.
- clear 12" 180 gr. wax limited to 150 pcs.
- cover (350 gsm) with gold print and glossy finish
- 12-page insert 30x30cm with texts and photos

- CRYSTAL CLEAR Heavyweight (180gsm) Vinyl Limited to 150 copies
- Thick Sleeve (360gsm) with gold print and glossy UV varnish
- 8-page vinyl size booklet with lyrics and photos
- black poly-lined innersleeve

Most innovative and the most mysterious Black Metal band on Earth, always standing alone in their own, dark world of sounds. Mournful opus of five dark, majestic, infernal symphonies with no use of guitars or bass or any "typical" metal sound, but replacing it with symphonic orchestra instruments - like piano, violins.
Obscure, ambient touches added for a special dark effect - Ambiental Infernal Symphony.
 

Most innovative and the most mysterious Black Metal band on Earth, always standing alone in their own, dark world of sounds. Mournful opus of five dark, majestic, infernal symphonies with no use of guitars or bass or any "typical" metal sound, but replacing it with symphonic orchestra instruments - like piano, violins.
Obscure, ambient touches added for a special dark effect - Ambiental Infernal Symphony.

 

Forming in 2022, Finland's Victimarum quickly set to work on upholding the sterling standards of their nation's underground black metal scene. A demo and an EP followed the next year, the latter including a Horna cover, which indeed underlines the lineage from which they spring: cold and yet intensely melodic, "freezing fire" of a most early 2000s vintage. Those who know already know the names, and it's a banner still worth raising.

And Victimarum raise it even higher with their full-length debut, Seitsemän soihdun valossa. With strength & honor and Satanic black devotion, the quartet here unload nine screeds of melancholic misery set to speeding stun. Incensed but not without a certain sense of ragged glory, Victimarum uphold that iron-clad template set out by their forebears and bolster it with strong songwriting and even-stronger execution. The sounds may be familiar, but as the album plays on, the Finns' personality shines through, with deft shifts in tempo and a slightly-more-pronounced propensity for the climatic coming to the fore. Likewise, Victimarum wisely locate a production style that's on the right side of polished, the grit coming not through the sound itself but rather through the playing: you FEEL this, every second of its 44-minute runtime.

7th studio album of the most influential black metal band of all time.
"Liturgy of Death" delivers over 45 minutes of brand-new music and doubles as a long-awaited 40th anniversary celebration, tracing the band’s legacy since their formation in Oslo in 1984 and reaffirming their status as the pioneering force of the global black metal scene

Icons of goth and doom, PARADISE LOST will release their long-awaited, 17th album Ascensionon September 19th. The band’s first album in 5 years, following 2020’s critically acclaimed Obsidian, was produced by guitarist Gregor Mackintosh and mixed/mastered by Lawrence Mackrory. Ascension is a testament to the band’s longevity and relevance over their 35+ year career, encompassing their signature styles of gothic, death and doom fans have cherished along the way.

Ascension’s album cover fittingly features the painting The Court of Death (1870-1902) by renowned British artistGeorge Frederic Watts, which hangs in the ate Gallery in London. The painting depicts Death as an enthroned angel flanked by allegorical figures of Silence and Mystery guarding sunrise and the star of hope, while a warrior surrenders his sword and a duke his coronet, showing that worldly status offers no protection. The painting’s bleak, prophetic vision embodies Ascension’s dark, tormented soundscapes as mournful verses collide with dire, foreboding riffs

South-American (Argentina) edition, released by ICARUS Music. Please note, this is an officially licensed edition, not a Russian bootleg 

https://icarusmusicstore.com/

"Neverland", the fourteenth studio album by ULVER is the sound of an escape. A journey into undiscovered lands.

Following three albums – "The Assassination of Julius Caesar" (2017), "Flowers of Evil" (2020), and "Liminal Animals" (2024) – rooted in more traditional song and production structures, "Neverland" marks a new chapter in the revered Oslo band's history.

"With 'Neverland' we embraced a more 'punk' spirit – more dreaming, less discipline – freer, quite simply", the band comments on the creative process behind the album.

Bursts of daybreak synths and whooshes of sound set the atmosphere, before the wolves start digging into the dynamics of ambient calm and anarchic mysticism. Dreamy and transportive textures develop into trippy percussive energies, and as the album unfolds, a lush and vibrant, and at times exotic space opens.

Apart from a few recurring distant voices and vocal chops, "Neverland" is a largely instrumental record, reminiscent of the mood and structure of that place where late '90s IDM sounds met the meandering structures of post-rock.

The ghost of premillennial sample culture surely haunts "Neverland", and some might even hear echoes from earlier acclaimed works like "Perdition City" (2000), or the "Silence" EPs (2001), or more recently "ATGCLVLSSCAP" (2016).

Still, "Neverland" sounds and feels like something else, something fresh in ULVER's continuous journey of perennial reinvention. Pop music from in-between worlds? A sonic hallucination? Or better: a collage of dreams. It's up to you.

The band stated: ‘Flowers of Evil‘, the new studio album from ‘Ulver‘, finds the wolf pack exploring the fear and wonder of mankind’s fall from redemption. Visions similar to those of Orsini come to mind, as untamed life abounds…’

• Deluxe CD in gatefold packaging with gold print
• 16-page booklet

Ten years ago, Panopticon released Autumn Eternal – a record that captured the fleeting fire of the season and fixed it in sound. Amber-hued and windswept, it was both a lament for change and a hymn of hope for the road ahead.

The album marked the closing chapter of the trilogy begun with Kentucky (2012) and carried forward with Roads to the North (2014). Here, Austin Lunn wove black metal with threads of Americana, folk, and postrock into an immersive journey steeped in sadness, beauty, and transcendence. From the sweeping melancholy of 'A Superior Lament' to the rustic violin of Johan Becker and the somber cello of Nostarion, Autumn Eternal is a meditation on loss, memory, and the passage of time.

A decade later, Autumn Eternal still glows with the same autumnal fire – a testament to its place as one of the most honest and affecting metal albums of its time.