€ 0,00
Il carrello è vuoto
Ricerca personalizzata
Eagerly awaited, Miserere Luminis sees Gris and Sombres Forêts merge for one joint album. Don't see this as a conventional "split" album, but rather as a collaboration between Annatar from Sombres Forêts and Icare and Neptune from Gris, both bands yearning to stray away from their usual register to venture into darker and more tortured paths. Sometimes more atmospheric, sometimes heavier, but always enthralling, Misere Luminis will both surprise and delight fans of the bands...
Diabolical Masquerade was the solo-project created by Katatonia's Anders 'Blakkheim' Nyström in 1996, to let off more creative steam away from the gothic/doom metal styling of Katatonia.
Nightwork, DM's third album, was recorded at The Sanctuary in April 1998 and produced by Dan Swan (Opeth, Katatonia) with Blakkheim.
Although a solo-project, Blakkheim enlisted the help of Dan Swan to perform the drums, as well as contributing with some keyboards and backing vocals.
Diabolical Masquerade was based primarily around symphonic/melodic black metal; creating eerie atmospheres through keyboards and utilizing more high energy & technical compositions than those of his main band, with complex patterns of riffs and hooks. This particular album saw a greater integration of synths than previously, to convey a strong horror theme. To further expand this atmosphere, cello and flute were also incorporated.
The ambitious Death’s Design was the fourth and final album by Katatonia's Anders 'Blakkheim’ Nyström's Symphonic Extreme Metal solo-project, Diabolical Masquerade.
Containing atmospheric synth and sound effects throughout and featuring the Maalten Quartet (Estonia), Death’s Design offers ab orchestral and epic experience mixed with Black and traditional Metal influences. The album consists of 61 seamlessly flowing segments, grouped into 20 movements.
A highpoint in Blakkheim’s impressive discography.
The second studio opus of meticulously crafted epic Black Metal from Katatonia's Anders ‘Blackheim’ Nyström.
Released in 1997, The Phantom Lodge was the second of four albums from this symphonic extreme Metal solo-project (before the band was ended in September 2004).
Diabolical Masquerade was based primarily around symphonic/melodic Black Metal. Strong atmospheres were created through layered guitar and keyboards (and notably, flute, on this album), and Blackheim’s compositions contained more up tempo and extreme elements than those of Katatonia, with cold, dark riffs with a firm emphasis on mood, given life with strong fantasy-based lyrics.
The Phantom Lodge was a natural progression from debut album Ravendusk In My Heart; delving further into the realm of experimentation and atmospherics.
The album was recorded at Unisound, September 1996 and was produced and mixed by Dan Swano (Opeth, Marduk, Dissection) and Blackheim.
Official reissue in limited edition six panel Digipak Cd of the legendary Ep originally released in 1997 with restored original cover artwork and unreleased photos.
A masterpiece made of epic songs, furious harsh vocals, tight drumming and a strong romanticism which built the very essence of 90's Black Metal.
Second press with slightly modified layout.
The first two tracks were intended for a never released 7inch EP. The other three tunes are some rehearsal recordings without vocals.
6-Panel digipak CD limited to 100 hand-numbered copies.
Demoncy's second demo, 1993's Faustian Dawn,.
Reissue 2016
Digipack CD with 8 pages booklet.
Handnumbered