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The term ‘back from the grave’ takes on a whole new meaning with the release of this (thought to be long lost) epic recording by the much-missed British Doom Metal lords: Cathedral. Society’s Pact With Satan was the last ever recording made by the band, back in 2012. It was recorded at the end of the sessions for their swan song album; 2013’s The Last Spire. But, for some reason, the 30-minute track was not mixed at the time, thus pretty much forgotten about by everyone involved, until very recently.
Rediscovered by producer Jaime Gomez Arellano, whilst sorting through his old studio recordings, he excitedly alerted the band, saying that he had discovered a long-lost gem. Upon hearing it, the band members were convinced enough to agree that it should see a commercial release.
So, here we have it: the final sermon by Cathedral and what a way to go out. It’s an unapologetic, uncompromising exercise in macabre observations, musical eccentricity, brutal riffing and general arcane self-indulgence. There genuinely was/is no other band like Cathedral. Just ask Tony Iommi.
The term ‘back from the grave’ takes on a whole new meaning with the release of this (thought to be long lost) epic recording by the much-missed British Doom Metal lords: Cathedral. Society’s Pact With Satan was the last ever recording made by the band, back in 2012. It was recorded at the end of the sessions for their swan song album; 2013’s The Last Spire. But, for some reason, the 30-minute track was not mixed at the time, thus pretty much forgotten about by everyone involved, until very recently.
Rediscovered by producer Jaime Gomez Arellano, whilst sorting through his old studio recordings, he excitedly alerted the band, saying that he had discovered a long-lost gem. Upon hearing it, the band members were convinced enough to agree that it should see a commercial release.
So, here we have it: the final sermon by Cathedral and what a way to go out. It’s an unapologetic, uncompromising exercise in macabre observations, musical eccentricity, brutal riffing and general arcane self-indulgence. There genuinely was/is no other band like Cathedral. Just ask Tony Iommi.
The Garden Of Unearthly Delights was the eighth studio album by British Doom legends Cathedral, for which they were signed by Nuclear Blast Records in Germany. The album received a lot of critical acclaim and was well received by fans alike. Tracks such as Corpsecycle and North Berwick Witch Trials were firm favourites and staples in the live setlists right up until the bands end.
Produced by warren Riker (Fugees, Corrosion Of Conformity, Down, Cynic etc), it had a revitalised energy, which saw the band touring relentlessly around the globe once again.
Choc full of the usual monstrous riffs, strange subject matter and non-conforming twists and turns that Cathedral became known for, it’s crowning achievement was epic 27-minute track simply titled The Garden. It’s a Doom prog odyssey which took the listener through a myriad of arcane environments and odd musical passages.
The Garden Of Unearthly Delights was the eighth studio album by British Doom legends Cathedral, for which they were signed by Nuclear Blast Records in Germany. The album received a lot of critical acclaim and was well received by fans alike. Tracks such as Corpsecycle and North Berwick Witch Trials were firm favourites and staples in the live setlists right up until the bands end.
Produced by warren Riker (Fugees, Corrosion Of Conformity, Down, Cynic etc), it had a revitalised energy, which saw the band touring relentlessly around the globe once again.
Choc full of the usual monstrous riffs, strange subject matter and non-conforming twists and turns that Cathedral became known for, it’s crowning achievement was epic 27-minute track simply titled The Garden. It’s a Doom prog odyssey which took the listener through a myriad of arcane environments and odd musical passages.
Freak Winter was recorded live in London on December 23rd 2010, as part of Cathedral’s 20th Anniversary concert. It features a setlist of favourites performed to mark the dark celebration of their illustrious career up to that point. The double album comes housed in a gatefold sleeve, featuring exclusive artwork by long-time Cathedral collaborator and acclaimed artist, Dave Patchett
Return to the Forest was recorded live in London on December 23rd 2010, as part of Cathedral’s 20th Anniversary concert. For this event, the original line-up that recorded the milestone 1991 Doom Metal album, Forest of Equilibrium, re-united for a one-off performance of the album. It was the one and only time this album has been performed live in its entirety, which was thankfully recorded onto multitrack and mixed by Jaime Gomez Arellano. The double album comes housed in a gatefold sleeve, featuring exclusive artwork by long-time Cathedral collaborator and acclaimed artist, Dave Patchett.
Standard sleeve, printed lyrics and notes inner sleeve.
Tracklist:
01 Voodoo fire
02 The unnatural world
03 Satanikus Robotikus
04 Freedom
05 Captain Clegg
06 Earth Messiah
07 The caravan
08 Revolution
09 Kaleidoscope of desire
10 Heavy load
11 The omega man
12 Dust of paradise
Tracklist:
01 Violet vortex
02 Ride
03 Enter the worms
04 Midnight mountain
05 Fountain of innocence
06 Grim luxuria
07 Jaded entity
08 Ashes you leave
09 Phantasmagoria
10 Imprisoned in flesh
https://www.discogs.com/release/670391-Cathedral-Forest-Of-Equilibrium
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