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Il carrello è vuoto
Il carrello è vuoto
NACHTMYSTIUM are back! And after all that was said and done, mastermind Blake Judd is still standing. Not only that, but Judd has also clawed himself back from the abyss of a most extreme life imaginable to a much more quiet, observant, and matured artist and person. His return will not be met with universal applause – even from the black metal scene. For anybody following the tumultuous career of Blake Judd and his pioneering band that has pushed the borders of their genre into new territories, this comes hardly as a surprise. With their ninth studio album "Blight Privilege", NACHTMYSTIUM are once again presenting a masterpiece that can even compete with the trilogy of albums that many view as the peak of the earlier career of the American black metal (USBM) trailblazers: "Instinct: Decay" (2006), "Assassins: Black Meddle Pt. I" (2008), and "Addicts: Black Meddle Pt. II" (2010). Like an infernal sniper, every song on "Blight Privilege" hits straight on target. All the darkest elements, required and longed for, are there: harsh, rasping vocals, the fierce hum and whirr of guitars burning with an ice cold fire, moments of ecstatic and exalted beauty in hellish soundscapes. Yet there are also those fine details that the musically well-versed Judd has always cunningly hidden in the general sonic onslaught such as post-punk and wave elements, and now even a knife-tip of outlaw country. "Blight Privilege" connects NACHTMYSTIUM to its glory-days – not as a nostalgic reminiscence but as a forward-looking continuation and next evolutionary step. If anything, this ninth album is marked by a maturity derived from experience and learning. Judd's often diabolically catchy tunes are sharper than ever and have lost none of their bite. This might be due to the fact that it is the first album of the USBM spearheads which Judd composed in a fully sober state. With "Blight Privilege", NACHTMYSTIUM demand the throne of USBM back. This album clearly has the musical force and lyrical daring to do give credit to this claim. Love it or hate it, NACHTMYSTIUM have set a tall milestone with "Blight Privilege"!
“Resilient” is the start of a new chapter for Judd and Nachtmystium. The EP kicks off with the title track, a full-bodied churn of sadness, desperation, and determination. The main melody is powered by a dreamy keyboard line with Judd employing a despairing riff as counterpoint. “Silver Lanterns” is more traditional Nachtmystium but with a shimmering centerpiece. Between the half-blasts and tremeloed riffs, the keyboards act as a foil, providing lift to the overall song. “Desert Illumination” is almost uplifting in its doom-like tempo and sing-song melody line.
“Resilient” is the start of a new chapter for Judd and Nachtmystium. The EP kicks off with the title track, a full-bodied churn of sadness, desperation, and determination. The main melody is powered by a dreamy keyboard line with Judd employing a despairing riff as counterpoint. “Silver Lanterns” is more traditional Nachtmystium but with a shimmering centerpiece. Between the half-blasts and tremeloed riffs, the keyboards act as a foil, providing lift to the overall song. “Desert Illumination” is almost uplifting in its doom-like tempo and sing-song melody line.
LP (180g vinyl, black) incl. printed inner sleeve and protection sleeve (300 copies)
“Resilient” is the start of a new chapter for Judd and Nachtmystium. The EP kicks off with the title track, a full-bodied churn of sadness, desperation, and determination. The main melody is powered by a dreamy keyboard line with Judd employing a despairing riff as counterpoint. “Silver Lanterns” is more traditional Nachtmystium but with a shimmering centerpiece. Between the half-blasts and tremeloed riffs, the keyboards act as a foil, providing lift to the overall song. “Desert Illumination” is almost uplifting in its doom-like tempo and sing-song melody line.
"The World We Left Behind" is Nachtmystium's swansong, the final chapter in a tumultuous, controversial and always provoking history. A black metal memorial, oozing of desperation, gloom and depravity.
"The World We Left Behind" is Nachtmystium's swansong, the final chapter in a tumultuous, controversial and always provoking history. A black metal memorial, oozing of desperation, gloom and depravity.
Ltd digipack
This album is an absolute monster of vital and forward-thinking black metal, very much meeting the expectations everyone had for them after they set the bar high with the two-part 'Black Meddle' albums before this.
This is a collection of the Nachtmystium demos and unreleased songs. This collection was assembled from the original 4 track tapes and remastered for this release.
Tracks 1-5: "Holocaust of Eternity Demo" originally self-released, then re-issued by Sombre Records. Both releases were limited to 200 and sold out.
Tracks 6-10: "Nachtmystium / Zalnik - Split Demo" self-released, limited to 200 copies, sold out.
Tracks 11-12: were recorded during the "Unholy Terrorist Cult" sessions and were never released until now.
Track 13: recorded in a session between "Nachtmystium / Zalnik" split and the "Reign of the Malicious" LP recordings, never released until now.
black/red splatter vinyl, released by Mexican Summer records 2008
