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Double deluxe gatefold sleeve,Limited Edition, Clear Vinyl

Reissue from the 1988 album.

"Epitaph" is a cover of a song by King Crimson.

Gold vinyl limited to 300 copies

Unleashed Hymns is the second album from the Norwegian artist Fjøsnisse.
The one-man project was launched last year by vocalist and multi-instrumentalist Anders Vada.

This album it’s released on vinyl for the first time.
They are a good example of very well executed Norwegian black metal with thrash metal elements.
Great vocals, thrash metal style abrasive riffs and relentless drumming there is actually a fair bit of ambiance and melody on here.

All the tracks have a very balanced amount of both melodic and harsh elements with smooth transitions in the guitar passages.
Then there is the beautifully serie and frostbitten instrumental The Wanderer, the closing song to what has been a very enjoyable album.

Unleashed Hymns is a cult-classic album, in particularly for those who enjoyed the bands that emerged as part of the Norwegian black metal scene in the 1990s.
A few de- cades later Fjøsnisse is continuing with the legacy.

Gold double vinyl limited to 500 copies

Draconian Times" is Paradise Lost's most recognized and successful album and for good reason, they managed to take a genre of Metal that didn't much recognition until the mid-90's and take it to the next level.

Doom metal and more specifically goth metal itself didn't exist that much in the 80's....outside of say Candlemass and Celtic Frost just barely touching upon the basics of the genre, and they did so with style, but nobody had done it like Paradise Lost.

Paradise Lost sound is pure grimly doom/death metal. "Draconian Times" starts out with a somber-sounding piano, excellent way to start off an album.
"Hallowed Land" is one of favorite song: the lead guitar work of Gregor Mackintosh makes this an epic fist-banger.
"The Last Time" is probably their most blatant attempt at making light of the Goth sound with guitars for a huge hit.
After that depressing-induced song comes the way more upbeat and angrier "Once Solemn".
"Elusive Cure" is one song that should have been the leading single off this album: Gregor just lets his fingers hit those wailing, somber melodies.

This is one of the better cuts off the album. "Yearn For Change" continues the song and picks the mood up a notch.
So this album is their creative peak between their older material and the new style of the band.
Even though recently their last two albums have gone back to their original style of their older material, it's all just more of a nostalgia trip.

There's enough doom and gloom here to almost combat with the previous 2 albums and enough progression that surpasses the rest of their discography.

Limited Edition, Reissue, Red, TripleGatefold

Limited Edition, Gold

Limited Edition, Reissue, Gold

Black 12" vinyl (33rpm) in jacket sleeve, printed on unfinished card stock with double sided deluxe insert.
First pressing 350 copies.

Though they came together from far corners of the Nordic underground, Night Shall Drape Us are united by blood and an unwavering spirit for fast, melodic, uncompromising black metal.
Their debut album features eight perfectly executed hymns sung by a relentless choir of lunatics. ‘Lunatic Choir’ offers fast blast beats together with raw yet melodic traditional black metal riffs.
“One with the beasts of the black flame”, the band chant in dedication during "Under the Dead Sky", giving themselves into the arms of Holy Death.

For fans of CRAFT, MGLA, DØDHEIMSGARD, SATYRICON, DISSECTION.

"Epic Metal in literal sense! What an album!"

"Sea Blue" vinyl is limited to 200 pressings.
 

Green Vinyl

Genre-defying Dutch death metal legends PESTILENCE have singled-out and re-recorded twelve emblematic anthems from across their 38-year career into "Levels of Perception".

Patrick Mameli - whose signature vocal, guitar and songwriting skills constitute the hallmark of PESTILENCE - finds "Levels of Perception" to be a testament to the band's role in death metal's progression. "I've always wanted to do a best-of album, because it would mean that I've achieved something in the past; something that still has its value today," Mameli reflects. "To be able to choose from songs that I composed in the distant past, transporting them into the now, with the line-up of the recordings that consisted of Michiel van der Plicht (drums), Rutger van Noordenburg (guitar) and Joost van der Graaf (bass) - I found this to be of great value and sheer awesomeness."

Re-recording of the tracks has not only managed to breathe new life into them - half thanks to new line-up, and other half by implementing subtle changes which reflect Mameli's matured vision and refined with years of experience aesthetic - but also sets them apart from cheap, unimaginative compilations, by unifying the album's sound as befits a full-length release. "The album's title is Levels of Perception. Why? Because this is what has happened with the songs," Mameli explains. "Performed by different musicians, with their own views, musical abilities and interpretations, shining a new light on them. So here we are with new Levels of Perception."

Genre-defying Dutch death metal legends PESTILENCE have singled-out and re-recorded twelve emblematic anthems from across their 38-year career into "Levels of Perception".

Patrick Mameli - whose signature vocal, guitar and songwriting skills constitute the hallmark of PESTILENCE - finds "Levels of Perception" to be a testament to the band's role in death metal's progression. "I've always wanted to do a best-of album, because it would mean that I've achieved something in the past; something that still has its value today," Mameli reflects. "To be able to choose from songs that I composed in the distant past, transporting them into the now, with the line-up of the recordings that consisted of Michiel van der Plicht (drums), Rutger van Noordenburg (guitar) and Joost van der Graaf (bass) - I found this to be of great value and sheer awesomeness."

Re-recording of the tracks has not only managed to breathe new life into them - half thanks to new line-up, and other half by implementing subtle changes which reflect Mameli's matured vision and refined with years of experience aesthetic - but also sets them apart from cheap, unimaginative compilations, by unifying the album's sound as befits a full-length release. "The album's title is Levels of Perception. Why? Because this is what has happened with the songs," Mameli explains. "Performed by different musicians, with their own views, musical abilities and interpretations, shining a new light on them. So here we are with new Levels of Perception."

Digibook CD with patch. Limited to 1000 copies worldwide.

"Devotion" is the ninth studio album from Italy's brutal tech-death masters HOUR OF PENANCE.

"It has been almost five years since Misotheism [last studio album], but we are finally ready to unveil our new opus," comments the band. "Devotion is our anthem to the futility of war, with no light at the end of the tunnel. The main theme of the album is the misguided devotion which we, the people, give to our leaders, who mercilessly send us to our deaths under the pretense of democracy; while being guided only by imperialist ambitions and greed. The faceless crowd of the artwork stands in worship of these deformed statues of false deities. Musically, the album builds on the 20-year-old, fast-paced trademark style of Hour of Penance, and enhances it with more technicality and catchiness, interspersed with epic landscapes."

Digipack