Shop

Gold vinyl limited to 300 copies

Unleashed Hymns is the second album from the Norwegian artist Fjøsnisse.
The one-man project was launched last year by vocalist and multi-instrumentalist Anders Vada.

This album it’s released on vinyl for the first time.
They are a good example of very well executed Norwegian black metal with thrash metal elements.
Great vocals, thrash metal style abrasive riffs and relentless drumming there is actually a fair bit of ambiance and melody on here.

All the tracks have a very balanced amount of both melodic and harsh elements with smooth transitions in the guitar passages.
Then there is the beautifully serie and frostbitten instrumental The Wanderer, the closing song to what has been a very enjoyable album.

Unleashed Hymns is a cult-classic album, in particularly for those who enjoyed the bands that emerged as part of the Norwegian black metal scene in the 1990s.
A few de- cades later Fjøsnisse is continuing with the legacy.

Gold double vinyl limited to 500 copies

Draconian Times" is Paradise Lost's most recognized and successful album and for good reason, they managed to take a genre of Metal that didn't much recognition until the mid-90's and take it to the next level.

Doom metal and more specifically goth metal itself didn't exist that much in the 80's....outside of say Candlemass and Celtic Frost just barely touching upon the basics of the genre, and they did so with style, but nobody had done it like Paradise Lost.

Paradise Lost sound is pure grimly doom/death metal. "Draconian Times" starts out with a somber-sounding piano, excellent way to start off an album.
"Hallowed Land" is one of favorite song: the lead guitar work of Gregor Mackintosh makes this an epic fist-banger.
"The Last Time" is probably their most blatant attempt at making light of the Goth sound with guitars for a huge hit.
After that depressing-induced song comes the way more upbeat and angrier "Once Solemn".
"Elusive Cure" is one song that should have been the leading single off this album: Gregor just lets his fingers hit those wailing, somber melodies.

This is one of the better cuts off the album. "Yearn For Change" continues the song and picks the mood up a notch.
So this album is their creative peak between their older material and the new style of the band.
Even though recently their last two albums have gone back to their original style of their older material, it's all just more of a nostalgia trip.

There's enough doom and gloom here to almost combat with the previous 2 albums and enough progression that surpasses the rest of their discography.

Limited Edition, Reissue, Red, TripleGatefold

Limited Edition, Gold

Limited Edition, Reissue, Gold

Black 12" vinyl (33rpm) in jacket sleeve, printed on unfinished card stock with double sided deluxe insert.
First pressing 350 copies.

Though they came together from far corners of the Nordic underground, Night Shall Drape Us are united by blood and an unwavering spirit for fast, melodic, uncompromising black metal.
Their debut album features eight perfectly executed hymns sung by a relentless choir of lunatics. ‘Lunatic Choir’ offers fast blast beats together with raw yet melodic traditional black metal riffs.
“One with the beasts of the black flame”, the band chant in dedication during "Under the Dead Sky", giving themselves into the arms of Holy Death.

For fans of CRAFT, MGLA, DØDHEIMSGARD, SATYRICON, DISSECTION.

"Epic Metal in literal sense! What an album!"

"Sea Blue" vinyl is limited to 200 pressings.
 

Digipack

Re-release including bonus tracks “Les Sévices de la Peste’’ et ‘‘Corpus et Anima’’.

When SETH released their legendary debut “Les Blessures de l’Âme” in 1998 it was greeted with enthusiasm by reviewers and fans alike. The French combined harsh but melodic Black Metal with a well thought out concept on vampirism. The fiendish shrieks and rasps of vocalist Vicomte Vampyr Arkames combined with the fierce and cold buzzing of the crushing guitars delivered the ideal sound for their artistic expression. Brutal, dark and surprisingly catchy “Les Blessures de l’Âme” creates gothic atmospheres supported by intelligent keyboard textures. The album quickly gained the status of a cult classic that is hard to find as it is long sold out.

A festering entity (de)composed of dwellers from the Viennese underworld.
Let their ri -laden, rotten death metal lead you on a pilgrimage into the furthest corridors of morbidity.

Metalstorm‘s Review (metalstorm.net) about Prigrims of Morbidity:
´This release is irresistibly repugnant; it is dripping all sorts of revolting liquids, and you can bet your ass that they all smell disgustingly awful.
If you ever feel like lurking in a suffocating, dark, and bat-filled cave, or if you get an urge to open up a coffin at your local cemetery and desecrate its content, Pilgrims of Morbidity should be on your headphones.
The band has a knack for groove, and the fact that Brenton Weir from MOLTEN CHAINS is behind FESSUS explains a lot.
The cavernous riffs are paired with sickening growls and some blazing drumming, and this demo is pure delight for fans of old-school, rotten death metal, who get satisfaction when the riffs make them pick up their jaw from the floor´.

second album “God Damned You To Hell” of this super band made up by Tas Danazoglou (Satan's Wrath/ex-Electric Wizard/Mirror), Taneli Jarva (ex-Impaled Nazarene e Sentenced), Hellbutcher (Nifelheim), Beelzeebubth (Mystifier) e Sprits (Mirror, Solitary Sabre).