Shop

Double Marbled Gold & Black Gatefold LP (Limited to 250 copies)

REQUIEM IN WHITE was a Gothic Rock-Opera group (1985-1994) with Lisa Hammer on vocals, Doc Hammer on guitars, bassist Chris Walsh (RIP) and Drummer Javier Madariaga (Reagan Youth). The band had a loyal cult following, influencing many of the Medieval/ Ethereal/ Gothic Rock groups after them.  They played with bands such as Type-O-Negative, Christian Death, Sex Gang Children and Biohazard.

The band formed in the summer of 1985 by core members Doc and Lisa Hammer and Chris Walsh in Boston, Massachusetts, United States.
At that time, in Boston there was no organized gothic scene. Any band with a dark image had to fend for itself. Strangely enough, Requiem in White‘s eclectic, dark and romantic sound and look was gaining more fans and attention than it even knew: they were being bootlegged, widely talked and written about, imitated, and even their humble demo tapes were being hunted down by fans.

By the time they relocated to New York City in 1989, there was a healthy gothic scene, and Requiem in White had achieved a level of status which placed them at the forefront of the gothic movement. Their refusal to ever grant an interview or any kind of publicity created such an air of mystery around them, that they attracted a loyal cult following, one that still grows to this day, even after the break-up.

By 1994 the band was playing to thousands of fans at places like the Limelight, CBGB, Danceteria and the Ritz, headlining or opening up for bigger bands like Type-O Negative, Sex Gang Children, Christian Death and Biohazard. They were constantly in the fanzines, on the internet, on compilations and bootlegs, videos, stickers and on the backs of fans’ jackets. Theirs was truly a “grass roots” fame, of the sort which history has proven to be the most enduring.

The 1994 break-up was painful for all, and fans were devastated. They had seen Requiem in White as the “last original band” in a sea of “goth imitators” and “vapid drum machine clone bands”. Requiem in White had embodied the sound and image of their deepest romantic fantasies.

We are proud to announce that The Circle Music will release for first time “Hymnal of Remembrance” on vinyl, which includes the second album “Of The Want Infinite” (1994) together with the original recordings of the 2 Demos (“World Of Promise/Prodigal Son” (1987) & “Everlasting Piece” (1987)!!! “Hymnal of Remembrance” will also be released on CD in a special Luxurious Triple 7′ gatefold.

We want to sincerely thank everyone who helped find the songs from the 2 demos. We knew in advance that this would be extremely difficult, but after the public announcement of the search for the songs, many fans of Requiem In White came together and now we are delighted to announce that this very important & unique album will finally be released on vinyl after so many years!

Earlier this spring, SCHEUSAL released their debut album, Urwahn, under the banner of PURITY THROUGH FIRE. Raising those banners again, the so-far-mysterious entity strikes while the iron's red-hot with Fressfeind. Thankfully, not much has changed here on this second full-length. Pure 'n' proud Teutonic black metal is still the order of the day, but just like Urwahn did so stridently, Fressfeind further twists SCHEUSAL's unique iteration of German steel. Maybe going the martial-folkish direction more thoroughly, maybe running routes that are even more restless - whatever headspace you enter Fressfeind, the one-man band goes for the fucking throat, mischievous as ever. Indeed, that apt descriptor encompasses the mainman's vocals again, as the same crew of characters - the screamer, the shouter, the hooligan, the imp, the devil - all fight for breath here on this ever-shifting landscape. That landscape is painted with a production that's raw and rotten and yet somehow crisp and crystalline, making these nine screeds of mania all the more absurdly engaging and antagonizing.

Formed in Orleans in 2022, Les Bâtards du Roi is a melodic black metal band evolving in a medieval framework. Set in a devastated world, this project tells the story of the brothers who committed regicide, the act that plunged the kingdom into decay and torment. From this initial situation, the protagonists embark on a spiritual journey of self-examination in a tortured landscape. This is the story of the beginning of their exile.

For the first time ever, Noregs Vaapen has been remixed and remastered from the original multitrack recordings, bringing new clarity and depth to one of Taake’s most celebrated works. This collector’s edition comes in a 20-page deluxe Digibook, complete with lyrics and rare, previously unpublished photos from the album’s recording sessions. To mark the occasion, the set also includes the first official Taake DVD: the band’s anniversary concert where Noregs Vaapen was performed in its entirety – raw, uncompromising, and captured in full. Originally released in 2011, Noregs Vaapen is the fifth studio album from Norway’s black metal institution Taake – and often hailed as their strongest. It sees Hoest sharpening his trademark riffs, melodies, and biting vocals, while weaving in unexpected turns: black’n’roll grooves, chilling mellotrons, and even the now-legendary banjo solo. Songs like the anthemic Nordbundet, the relentless Myr, and the infamous Orkan have long since earned their place in the pantheon of True Norwegian Black Metal. While Hoest is once again behind all music, lyrics, instruments, and vocals, the album also features contributions from Taake’s then live-lineup — Thurzur, V’gandr, Aindiachai, and Gjermund — alongside a rare gathering of prominent guests: Nocturno Culto (Darkthrone), Attila Csihar (Mayhem), Demonaz (Immortal), Bjørnar Nilsen (Vulture Industries), and Skagg (Gaahlskagg, Deathcult).

Since 2005, Greece's SAD have been a madly prolific bastion of pure 'n' cold black metal. Their canon is vast and varied - VERY relatively so, given that this is all-caps BLACK METAL after all - with the longstanding duo of instrumentalist Ungod and vocalist Nadir exploring the darkest corridors of their souls every step of the way. They did so across a half-dozen albums for such esteemed labels as Drakkar, Obscure Abhorrence, and Old Temple among others as well as a dozen splits, but then joined forces with PURITY THROUGH FIRE in 2020 for the release of their seventh album, Misty Breath of Ancient Forests, and again in 2023 for Black Metal Craft.

Proudly remaining in the PURITY THROUGH FIRE stronghold, SAD return with their ninth(!) album, Fullmoon's Bestial Awakening. While its title might be something of an aesthetic misnomer - this is NOT bestial metal, thankfully - Fullmoon's Bestial Awakening does keep intact the nastiness of Black Metal Craft, making for a complementary record to its cantankerous predecessor. SAD here are characteristically unconcerned with anything in "black metal" during this millennium, still harkening to the glorious late '90s heyday of Sombre Records or the aforementioned Drakkar and yet tempered with the wisdom & resolve surely established by a band who've been around 25 years now. No more but definitely no less, Fullmoon's Bestial Awakening is raw & ripping orkishness shot through with a touch of the melancholic but all stirred malevolently, where hypnotic speed - cruise, gallop, headbang, or any combination thereof - often rights itself into something somewhat regal or at least triumphant. And just like that not-inconsiderable predecessor, SAD's ninth full-length similarly stretches toward the epic, encompassing eight songs in 55 minutes of righteous obsidian splendor. Cold, old, and still no surrender!