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country: SWE
label: Avantgarde Music
year: 2021
format: DIGI CD
Condition: New
Disc MINT
digi: VG+
The startling 1996 debut album of dark atmospheric Black Metal from Katatonia mastermind Anders 'Blackheim' Nyström.
“A work of considerable depth and power.” - Metal Archives
Ravendusk In My Heart combines fantastic imagery, which work alongside accomplished atmospherics mixed with cold Black Metal (bringing to mind the early works of Emperor).
The album was recorded at the famous Unisound Studio in September 1995, produced by Dan Swanö and Blackheim, and mixed by Swanö (Opeth, Dissection, and Marduk).
The fourth and final album of symphonic extreme metal from 2001, from Katatonia mastermind Anders ‘Blakkheim’ Nyström.
180g translucent gold vinyl in single sleeve with printed inner.
The ambitious Death’s Design was the fourth and final album by Katatonia's Anders 'Blakkheim’ Nyström's Symphonic Extreme Metal solo-project, Diabolical Masquerade.
Containing atmospheric synth and sound effects throughout and featuring the Maalten Quartet (Estonia), Death’s Design offers ab orchestral and epic experience mixed with Black and traditional Metal influences. The album consists of 61 seamlessly flowing segments, grouped into 20 movements.
A highpoint in Blakkheim’s impressive discography.
Diabolical Masquerade was the solo-project created by Katatonia's Anders 'Blakkheim' Nyström in 1996, to let off more creative steam away from the gothic/doom metal styling of Katatonia.
Nightwork, DM's third album, was recorded at The Sanctuary in April 1998 and produced by Dan Swan (Opeth, Katatonia) with Blakkheim.
Although a solo-project, Blakkheim enlisted the help of Dan Swan to perform the drums, as well as contributing with some keyboards and backing vocals.
Diabolical Masquerade was based primarily around symphonic/melodic black metal; creating eerie atmospheres through keyboards and utilizing more high energy & technical compositions than those of his main band, with complex patterns of riffs and hooks. This particular album saw a greater integration of synths than previously, to convey a strong horror theme. To further expand this atmosphere, cello and flute were also incorporated.