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Back in stock - Extreme Metal and Dark music
Black vinyl version, limited to 100 copies with gold foil stamped jacket.
Tracks 1-4 taken from "Death to Christianity" demo released in 1986.
Tracks 5-10 taken from "Desire for Immortality" demo released in 1991.
Tracks 11-12 taken from "Gore (War of Blood" 7" released in 1992.
Tracks 13-14 taken from "Exorcisin' the Pain" 7" released in 1993.
Track 15 taken from "Screams from Italy" compilation released in 1994.
Tracks 16-18 are 2021 bonus tracks.
This CD release compiled those three tapes "Come Here With Us..." 1990, "Domine a Morte...Libera Me" 1992, "Promo xxx '95" and 6 never before released songs from a 1991 rehearsal tape. CD featuring 12 pages booklet with rare photos and interview with founding members.
Two years after their last album Italian Dark Sound's masters Abysmal Grief uncovers their dusty coffin to reveal the 5th album of their haunted career. More gloomy than ever, Abysmal Grief has crafted 6 long new tracks (plus intro and interlude) that will cast the listener into a misty void of cracked tombstones. The sound of a violin, that will be featured in another track too, is the prelude to the impending horror: sulphorous riffs and menacing (equally growling and high pitched as in their trademark) vocals perfectly intertwine with lugubrious keyboard that will haunt you along these 37 minutes of sepulchral Doom Metal, achieving what it could be considered their most sinister album to date.
Horrific like claws drawing near your neck, Blasphema Secta embodies all the bleak elements that made Abysmal Grief a well renowned and respected band and represents a step further down the damned path leading to the sepulchre.
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Two years since the release of Saturnian Bloodstorm, Lamp of Murmuur has once again raised the chalice of victory for the masses with a new beckoning of devotion and elegance, titled “The Dreaming Prince in Ecstasy”. Gradually ascended these past years as one of the furthermost esteemed and sought luminaries within the new wave of black metal, Lamp of Murmuur is still a force to be reckoned with.
Where “Saturnian Bloodstorm” raged with untameable fire and “Submission and Slavery” plunged into catharsis and purgatory, this new opus stands as the synergy of both sides of a bloodstained coin.
Triumph and grief, transcendence and torment. Beneath the soundscapes of blackened vigour and madness lies a narrative that reaches beyond dreams, exploring instead the unyielding pursuit of absolute spiritual liberation through sacrifice, manifesting the will of the Seven Spears with a delicate, yet more menacing gesture than in previous efforts, birthing the project’s most adventurous and daring offering yet.
300x heavyweight swamp green 12" (180g) in a microtene innerbag, printed innersleeve, full-color on 220g carton (coated paper), download card, gatefold jacket, full-color printed on 350g carton, coated paper (semi-gloss), all assembled in a plastic overbag.
Svekkelse is the sixth full-length album from the Trondheim based black metal band Gjendød. The second album as a three-piece.
Svekkelse continues where the previous album Livskramper quit, but this time, the band has turned it all up a notch. The band never worked with their compositions with such an intensity before.
The eight songs presented goes from epic to deranged, from technical to primitive, and from sheer passiveness to outraged despair.
The lyrics are inspired by dark local lore and legends, both self experienced and learned. This might be the strongest album by Gjendød to now, again draped by the crushing sounds of the infamous NordStern studios.
The vinyl version of Fuath's third album comes in gatefold cover, in limited editions of 199 copies on white/black marble vinyl and 199 copies on sky blue/white marble vinyl, incl. download.
Formed in 2015, Fuath is Marshall’s outlet for a colder, more ferocious vision, melding relentless aggression with haunting, melancholic melodies. The music channels a timeless frostbitten spirit, weaving immersive soundscapes steeped in winter’s bleak beauty, ancient mysticism, and dark folklore.
Though rarely performed live, Fuath’s selective appearances have left a lasting impact, immersing audiences in its stark, otherworldly realm.
Fuath's III, arriving five years after the last album, features four expansive tracks with a running time exceeding 40 minutes. III embodies a cold, atmospheric, harsh, and hypnotic sound, driven by blistering speed and raw intensity, while retaining the haunting melodic depth that defines Fuath’s essence.
