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Valdrin is a U.S.-based melodic black metal band known for their intricate compositions, storytelling prowess, and immersive soundscapes. Since their 2010 inception, the Cincinnati-based band has been focusing on building their own narrative, skillfully crafting an elaborate sci-fi saga. Apex Violator is the latest chapter in the ongoing epic.

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CD in deluxe Digipak printed on the rough side of the board with 12-page booklet.

Ponte Del Diavolo bridges the gap between two separate worlds. After all, the band are named after the real “Bridge of the Devil”, a pointedly steep road that medieval peasants had to cross on their way to Italy.
Though formed out of a friendly jam session, Ponte Del Diavolo already made for quite the eclectic pairing when the five members officially banded together during the winter of 2020 in Turin, the finely cultivated Italian metropolis. Whereas most metal bands are spearheaded by dueling guitars, this one writhes on the slick-yet-scaly back of not one but two bassists.
Their debut album, ‘Fire Blades from the Tomb’ forges classic, cultish doom metal with modern bents of post-punk and dark wave. Lead single and opening track “Demone” is whipped along by a boiled black bassline. Heck, you could mistake vocalist Erba del Diavolo for Siouxsie Soux, the way she cooly flips between frantic talk-singing and bleak, seductive croons.
Cross over into the Italian dark arts with Ponte Del Diavolo.

For fans of ELECTRIC WIZARD, DARKTHRONE, THE DEVIL’S BLOOD, MESSA.

Gabriele Gramaglia is back with his main solo output COSMIC PUTREFACTION for another chapter of his own tale under the banner of his new LP “Emerald Fires Atop The Farewell Mountains” set for release on Oct 4th. Taking place right after “Crepuscular Dirge for the Blessed Ones”, “Emerald Fires...” takes us to an even deeper and ineluctable journey. Now that the empyrean inhabitants have fallen down for good and all the debris of physical worlds are scattered around, the main character of the tale has in-fact to walk his very last path counting only of his very last strengths to face eternal solitude and death; a path exploring both the widest astral distances imaginable and the most twisted labyrinths of the inmost self. Musically speaking, the concept is depicted through an even broader palette of influences compared with its predecessor, ranging from the most hammering death metal riffs, to progressive veins and even shades of symphonic black metal, embraced through an almost omnipresent wide atmosphere and multilayered arrangements of distant guitars, cellos and synths. Giulio Galati (ex-Hideous Divinity, Nero di Marte), once again teamed up with Gramaglia as a session drummer, to complete his effort through an extremely powerful and dynamic performance behind the kit. COSMIC PUTREFACTION was formed in 2018 as the death metal sonic incarnation of the multi-instrumentalist Gabriele Gramaglia (also behind The Clearing Path and part of Turris Eburnea, Vertebra Atlantis and Hadit), which summoned the aforementioned musical entity to re-arrange and complete the unreleased album of his first band Oaken/Throne, which begun in 2012 but was left uncompleted because the combo disbanded. This album was completed and released in 2019 under the name of “At the Threshold of the Greatest Chasm”, which comprehended six-and-a-half tracks taken from the unreleased Oaken/ Throne album. He later refined his formula through the second album “The Horizons Towards Which Splendour Withers” and Crepuscular Dirge for the Blessed Ones” which expanded the death metal roots with the multifaceted range of influences Gramaglia has developed throughout the years. For fans of Blood Incantation, Artificial Brain, Wormed, and Tomb Mold.

CD in deluxe 10-panels Digipak with gold foil.

Hailing from the frozen landscapes of Norway, 1349 have etched their mark upon the black metal pantheon, wielding their instruments like war-axes in the vanguard of the genre's relentless assault. With a legacy drenched in the blood of aural extremities, they have become the standard-bearers of unyielding sonic warfare, relentless in their pursuit of the darker arts.
Behold ‘The Wolf & The King’, the latest cataclysm to be unleashed by 1349. A tempestuous odyssey through eight tracks of pure, unadulterated black metal, flawlessly showcasing the band's mastery over chaos and carnage. From the voracious onslaught of “The God Devourer” to the sinister depths of “Fatalist”, each track is a portal into a realm where shadows reign supreme, and the air is thick with the stench of decay. “Ash of Ages” blends thrash influences with extreme black metal flourishes, crafting a journey through the heart of darkness, while “Shadow Point” and “Inferior Pathways” conjoin to forge an iron spine of classic headbanging riffs and inexorable groove.
With ‘The Wolf & The King’, 1349 continues to stretch the boundaries of the genre, infusing their relentless blast beats and searing guitars with an atmosphere of apocalyptic elegance.

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An expansive 70 minute venture through the fettered layers of the bleak existential cosmos, Black Medium Current is the sixth studio album by longstanding Norwegian avant-garde pioneers Dødheimsgard.

THIRTIETH ANNIVERSARY EDITION OF SIGH’S SECOND STUDIO ALBUM OF MASTERFULLY CRAFTED EASTERN ATMOSPHERIC BLACK METAL, NOW ON PEACEVILLE, WITH NEW AUDIO MASTER. PRESENTED ON DOUBLE CD.

Japanese black metal legends Sigh formed in 1989/1990. The genre-classic debut ‘Scorn Defeat’ followed on Euronymous’ Deathlike Silence Productions in 1993 & with each subsequent release, Sigh grew to become one of the country’s greatest & most revered metal exports. With a journey through the strange & the psychedelic, incorporating a whole eclectic mix of genre styles & experimentation throughout their career, Sigh has remained a vital creative force in the avantgarde field whilst maintaining their old school roots, as witnessed with the stellar 2022 album, ‘Shiki’. 2025 also saw Sigh reimagining their ‘Hangman’s Hymn’ album for a release on Peaceville as part of the band’s 35th anniversary celebrations, in the shape of ‘I Saw The World’s End: Hangman’s Hymn MMXXV’.

Marking thirty years since its original release & kickstarting a string of reissues of Sigh’s revered yet hard to find classic early catalogue, this edition of ‘Infidel Art’ contains a new master created by Patrick Engel at Temple of Disharmony, featuring a new transfer from the original DAT source. The release also includes a new interview with main-man Mirai Kawashima conducted by Dayal Patterson of Cult Never Dies, delving into the history & legacy of the album.

This edition of ‘Infidel Art’ is presented on double CD format, including a rare first mix of the entire album, as well as additional tracks ‘The Zombie Terror’ from the ‘Far East Gate In Inferno’ compilation, plus songs originally included for a split release with Kawir, having also received a new transfer from the original DAT source.

With their sixth full-length "Dread Emperor", SLAUGHTERDAY deliver everything that they excel in, which is also precisely what their fans want from the duo: perfectly executed old school death metal with a wicked twist. From crushing doom-ridden ultra-heavy parts to calculated outbreaks of utter brutality, this record offers everything a still beating death metal heart could ask for. And of course, those cosmic horrors of the Great Old Ones, forbidden sounds, and tentacled death metal are still rising. The German band has also added more deeper meaning to their tales of cosmic terrors as a healthy antidote to stereotypes. Lyrically, SLAUGHTERDAY have always built on the well-established foundations of their genre by taking inspiration from American author H. P. Lovecraft and other masters of horror. And while sinister things crawl and creep through the duo's timeless brutality, they have always portrayed them with a sinister flair of their own. These days, the band has repurposed those monstrous creatures as metaphorical ciphers for relevant contemporary topics.