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The most prominent and significant American death/funeral doom emissaries EVOKEN succeed their 2018 landmark Hypnagogia album with their seventh full-length opus Mendacium set for release on Oct 17. A work that will reveal itself as one of the darkest and most oppressive EVOKEN albums among their unparalleled repertoire.

Where 2018’s Hypnagogia would see the band capture and focus on a more melancholic, tangible, and even more of an accessible sonic design, Mendacium takes that acute shift back to the monumental dirge-like dread and woeful catacombic and disharmonious heaviness reminiscent of the band’s Quietus and Antitheses of Light masterworks. All while still encapsulating the tectonic-shifting nature of their Caress of the Void and Atra Mors releases while venturing more through classic gothic audial textures and even treading a little down experimental mire as well, reminiscing an aura seeping from such luminary artists as Dead Can Dance, Monumentum, and Disembowelment.

To signal this shift in sound harking back to this previous era, the band would recall the services of producer Ron “Bumblefoot” Thal who worked with EVOKEN on their Antithesis of Light and Quietus albums respectively. The result being Mendacium capturing a sepulchral heaviness saturated in ambience with even more of an emphasis on deathlike dread and anguish; an ambience reflecting the depths and catacombs of an ancient cathedral or monastery, ultimately defining Mendacium as EVOKEN’s most powerful sounding album to date.

Fordæðuskapr (Old Norse for ‘sorceryʼ or ‘witchcraftʼ) is a new band by S.D. which was started in early 2022. Similar to S.D.ʼs primary artistic output Árstíðir lífsins, ‘Hræflóð markar fjallaʼ is sung entirely in Icelandic and contains lyrics taken from the rich corpus of Old Norse skaldic poetry.

The texts have an apocalyptic character and mainly deal with themes related to death, violence and bloodshed. Appropriately, ‘Hræflóð markar fjallaʼ may be translated to ‘Carrion flood of the wood of the mountainsʼ. The album features six songs with a total playing time of 38 minutes and contains both modern and classic Black Metal elements stemming from older Norwegian and current Icelandic metal scenes.

While we await the anticipated sophomore album from Trondheims MISOTHEIST, their vocalist recorded an album on his own, writing, performing and producing all the music himself(with some very special guest appearances included). Four tracks spanning 40 minutes of cleverly arranged Black Metal ranging from mid-tempo fury and raging aggression, to more epic, grandiloquent parts, all blended in an impressive way.

It's a stunning debut album and yet another amazing project from Trondheim, Norway, released under Terratur Possessions exclusively.

Cover layout by O.A.A. and Kontamination Design.

Distributed by Van Records.

What better timing to release the second fullenght of ENEVELDE, aptly entitled En Gildere Død (A Grandiose Death)!

As humankind drowns in death in all it's shapes and sizes, we can all relate in unison to the current state of the world today. Will we survive another night, and who will live to tell!?

By now a household name here at Terratur Possessions, ENEVELDE continues to deliver cleverly arranged Black Metal, ranging from mid-tempo blackness and raging aggression, to epic madness and beauty.

Written, recorded and performed by B.Kråbøl (MISOTHEIST), featuring M.Hellem on bass and several other guest appearances

Kentuckian living in Minnesota returns with his most sorrowful, introspective album yet. A search for hope in a bleak world. Easily the darkest and heaviest record of his entire career. 

In the music of Forndom, the past breathes with a vitality that transcends time. “Moþir” is as complex as the deities it portrays, weaving together themes of fertility and loyalty, love and betrayal, light and shadow. It is an exploration of divine ambiguity, where the nurturing embrace of a mother can just as easily turn into the cold hand of inevitability.

Here, Ludvig Swärd strips away the modern trappings of synthesisers, embracing a purely acoustic sound. The music feels as though it has been carved from the very earth, born from instruments fashioned by hand and played with reverence for the ancient.

Recorded and mixed by Swärd himself, “Moþir” features the talents of Thomas von Wachenfeldt (Bards of Skaði), whose violin conjures both light and darkness; Janne Posti (Häxkapell, Sons of Crom), whose choral tones add a numinous depth; and Draugurinn, whose haunting presence lingers like a spirit from a forgotten age.

Forndom’s latest offering is a meditation on the eternal cycle of life, death, and rebirth, seen through the lens of ancient Scandinavian spirituality. Ludvig Swärd continues to stand at the crossroads of the past and present, offering a glimpse into the heart of ancient wisdom through the eyes of a modern seeker.

Mediabook CD with bonus track & remix + 24p booklet

Nightmares have never sounded so beautiful! Swedish grandeurs of melancholic heaviness, KATATONIA, return with Nightmares as Extensions of the Waking State, set for release on June 6, 2025 via Napalm Records. Once again, the Stockholm-based unit masterfully navigates the tightrope act between nocturnal darkness and Scandinavian despair while subtly weaving a sense of hope into the listener’s heart. Since emerging in the early nineties, KATATONIA has projected a beacon of light for the forgotten and the lonely ones, offering solace to those willing to lose themselves in the band’s immersive soundscapes. From their roots in death-doom metal to the post-metal entity they embody today, their art remains as haunting as ever. Nightmares as Extensions of the Waking State marks the next step in KATATONIA’s evolution, building upon the foundation of their previous album, Sky Void of Stars (2023). Crystal-clear production highlights the interplay between silence and intensity, while the contrast of heavy riffs, delicate guitar harmonies, ethereal synthesizers, and atmospheric nuances create captivating tension. Tracks like ""Thrice"" and ""Warden"" pulse with dynamic energy, while ""Lilac"" sees Jonas Renkse’s unmistakable vocals intertwining with hypnotic rhythms and progressive elements. A near-ceremonial piece, ""Wind of No Change"", merges subtle electronic textures with KATATONIA’s enigmatic soundscapes, while ""Temporal"" balances fragility and strength - its intense verses culminating in a soaring, emotionally charged chorus. The breathtaking ""Efter Solen"" (Engl. After the Sun), featuring Swedish lyrics, evokes echoes of Jonas Eika’s 2018 short story collection, with minimalistic yet striking instrumentation.

Even after more than 30 years, KATATONIA continues to redefine the emotional spectrum of their genre, effortlessly shifting between haunting vulnerability and commanding artistry. With sonic landscapes that evoke dystopia, inner demons, purity, and beauty alike, Nightmares as Extensions of the Waking State stands as a testament to their enduring brilliance. The album was produced by Jonas Renkse, recorded by Lawrence Mackrory at NBS Audio and The City of Glass, mixed by Adam Noble, and mastered by Robin Schmidt at 24-96 Mastering.

Before Chat Pile took on sold out tours and widespread critical acclaim, they played Roadburn 2023, their biggest show to date, in front of a packed room of 3,000 on the festival's main stage. Fresh off the release of God’s Country, the Oklahoma quartet brought their suffocating, sludgy noise rock to Tilburg for their first ever European performance, delivering a set that felt like a milestone. The bleakness, the anguish, the raw absurdity—it all scaled up effortlessly, proving that Chat Pile’s chaos could consume any audience, no matter the size.

The set was recorded and later remixed by the band’s longtime engineer Jared Stimpfl, capturing the full weight of the performance. The result is something both massive and unrelenting, a document of Chat Pile at a pivotal moment, pushing their sound to its heaviest and most visceral extremes.

Twelve years after its original release, Nordvis proudly presents this remastered version of Waldgeflüster’s “Femundsmarka – Eine Reise in drei Kapiteln”. The album chronicles a trek undertaken by the band’s mastermind, Winterherz, and his brother, P, through the Femundsmarka National Park in Norway.

Building on a foundation of atmospheric black metal, Winterherz uses various samples of wilderness and sea to weave a sonic tapestry that blends seamlessly with meticulously crafted acoustic melodies. Instrumental interludes play a pivotal role, serving as introductions, transitions, and a grand finale – all enhancing the conceptual nature of the album. The vocal performances of both brothers intertwine harmoniously, complementing each other's strengths. Their diverse range, from powerful growls to ethereal chants, adds depth and intensity to the music, creating a captivating blend.

Prepare yourself for an unforgettable musical odyssey; let Waldgeflüster transport you to untamed realms, where the beauty of nature meets the raw power of black metal. Open your heart, close your eyes, and embark on an extraordinary escapade.

Tracklist:

Slipcase is missing

this version

1. The End of Laughter 12:15
2. Discidium 09:44
3. Ephemeral Cure 13:33
4. Once Supreme 12:29