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+ Bonus live tracks "Bestial Death" , "The Awakening" ,"Nuclear Attack" , and "Pure Hate". Complete new artwork close to the original with lyrics.

Av Norrøn Ætt, HELHEIM`s second album released in 1997 basically continues where the band left off with their predecessor. All the elements present on Jormundgand are part of their sound again – only intensified and more proficient. Thus, Av Norrøn Ætt features more chaotic Black Metal, more pronounced folk and Viking influences, and an even grander epic scope. Only the high-pitched screaming vocals are gone and have been replaced by grim croaking. The album is intense and ambitious, with long, complex tracks that showcase intricate arrangements. Its title track especially stands out as a fusion of Black Metal, Viking music, and even prog-rock influences. Often compared to early ENSLAVED, particularly their Eld album from the same year, Av Norrøn Ætt represents a peak of creativity for HELHEIM. It remains their most ambitious work and a unique, unmatched moment in their discography. Av Norrøn Ætt truly ranks among the masterpieces of Norwegian Black Metal.

For the 30th anniversary we are proud to present you this special edition of HELHEIMs classic debut-album Jormundgand in various formats.

In 1995, only one year after their second demo, HELHEIM’s eponymous debut album Jormundgand made its appearance.
Marked by its nearly eight-minute title track, it immediately establishes a powerful presence with sharp drums, piercing guitars, intense musicianship, and a distinct vocal performance reminiscent of early screams of Count Grishnackh. The track “Jormundgand” stands as a defining moment in Black Metal, encapsulating the band’s epic style and Norwegian roots. However, it’s the consistent quality and cohesion of the entire album that truly cements its legendary status. Although musically and thematically still drawing inspiration from early ENSLAVED “Jormundgand” is far from being a carbon copy of said band.
Even thirty years after its release, “Jormundgand” retains its raw power and enduring energy, solidifying its place as a classic in the Black Metal genre.

Recorded in the legendary Grieghallen Studio, this album is still a living witness of a time full of awakening, rebellion, creativity and nordic coldness.
A truly timeless creation released exactly 30 years ago and which has lost none of its hseer power nor energy.

NORDIC METAL

HELHEIM, founded in Bergen, Norway in 1992 were eager to establish themselves in the Norwegian Black Metal scene and released their first demo in 1993. Heavily influenced by BATHORY and including a cover of VENOM`s “Countess Bathory” to pay tribute to one of their foremost influences, the first demo, while being an interesting document of the time and showing potential, still lacked the depth and ambition of their later work.

Their second demo entitled Niðr Ok Norðr Liggr Helvegr and released in 1994 marked a major leap in style and quality. With a for a demo unusually long playing time of nearly 50 minutes, HELHEIM`s second effort saw the horde introducing female vocals, folk and Viking elements and even trumpets. Obviously influenced by compatriots ENSLAVED, it featured non-linear compositions and a unique sound. This demo is considered a landmark in Norwegian Metal and far surpasses the typical expectations of a demo release. It`s with Niðr Ok Norðr Liggr Helvegr that HELHEIM found their sound and catapulted themselves to the forefront of Norwegian Black Metal.

Remastered from the original DATs by Patrick W. Engel at Temple of Disharmony.

A long and detailed new interview about the time from 1992-1997 was conducted with the band exclusively for these current reissues.
The jewel-case CD comes with a 20-page booklet including the interview and many never before-seen pictures.

3x LP

Herein are 6 songs of profound introspection and honesty, unbridled by norms or trends, adhering to tenents of belief that should resonate with the seeker, the curious, the outsider. ALTAR OF PERVERSION emerges from the void after twelve years of searching, reflection, shattering the known and invoking the unattainable in the quest for the numinous. Rather than scratching the surface, these songs reveal what lies beneath the surface and unravel the illustrious blackness within. This is the vision of Pan-European Satanism. This is timeless Black Metal as it was understood from it’s nascent core.

By their hammer let none be saved – Misþyrming return to lay down the law. Með hamri is the sound of the iron heel of Black Metal trampling the face of musical modernity.

Með hamri is deeply saturated with the vibrantly alive energy that Misþyrming capture so effectively on stage. The drums sound organic and powerful, the guitar distortion has a vicious bite, and D.G.’s vocals are as brutal and evocative as ever. The underlying spirit is one of action. There is melancholy, bitterness, and filth, but one of the album’s foremost characteristics is its relentless surge of determination. Never before have Misþyrming sounded livelier and more confrontational.
 

Teitanblood returns to claim underground metal’s most lawless frontier. “From the Visceral Abyss” is an all-engulfing tide of unfettered, raging chaos – where black and death metal collapse into a maelstrom of destruction. Its force is neither random nor aimless but guided by an instinct sharpened over decades.

This is Teitanblood at their most unhinged, yet wholly assured in execution. Dissonance and precision collide in monstrous, writhing riffs, underpinned by percussive violence that shifts between merciless blasting and dirge-like weight. Layer upon layer of bile-drenched vocals coil through the cacophony, forging a suffocating atmosphere of grotesque grandeur.

As ever, the album is steeped in the restless spirit of the late Finnish artist Timo Ketola, who stood as both interpreter and architect of Teitanblood’s visual world. Ketola’s oracular visions provided the scripture from which these lyrics emerged – his legacy not merely preserved but carried forth beyond the grave. The tradition of transmuting sound into imagery continues, with Dávid Glomba filling the booklet’s pages with a dense tapestry of illustrations, sigils, and hand-scribed invocations.