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Back in stock - Extreme Metal and Dark music
3rd album from '03 by this legendary Spanish Death Metal band, includes 3 live bonus recorded in Madrid on 12.03.2005
Writhing woe upon a rotting mass of murderous rats comes forth Ecuador’s Wampyric Rites with its latest unholy resurrection of melodic black metal malfeasance, Under the Tragic Fullmoon of the Vampire, a full throttle incantation featuring some of the greatest spells of audial sanguine slaughter to date. Writ mostly in the home tongue of Wampyric Rites, Under the Tragic Fullmoon of the Vampire, presents a truly matured and eldritch exercise of black metal mutiilation; one slaked in infested tremolo melodies, howling oratory necromancy, dark gothic poetics and the same epic alchemical composition this entity is now infamous for. Wrought from spirals of diseased rat tails entwined, Under the Tragic Fullmoon of the Vampire, only proves the unwavering mastery of sonic hypnosis Wampyric Rites have staked their bloodstained moniker upon time and time again. A must have for any acolyte craving the melancholic bloodlust of the perditious.
Reissue, remastered
Coroner – R.I.P.
Label: Death Cult Switzerland – DCS-001
Format: CD, Album, Reissue
Country: Switzerland
Released: 2013
DOUBLE DISC EDITION OF SIGH’S 1997 RELEASE OF ECLECTIC DARK & ATMOSPHERIC METAL, NOW ON PEACEVILLE. WITH NEW AUDIO MASTER, EXTENSIVE EXTRA MATERIAL & BOOKLET CONTAINING AN INTERVIEW WITH MIRAI KAWASHIMA.
Japanese black metal legends Sigh formed in 1989/1990. The genre-classic debut ‘Scorn Defeat’ followed on Euronymous’ Deathlike Silence Productions in 1993 & with each subsequent release, Sigh grew to become one of the country’s greatest & most revered metal exports. With a journey through the strange & the psychedelic, incorporating a whole eclectic mix of genre styles & experimentation throughout their career, Sigh has remained a vital creative force in the avantgarde field whilst maintaining their old school roots, as witnessed with the stellar 2022 album, ‘Shiki’. 2025 also saw Sigh reimagining their ‘Hangman’s Hymn’ album for a release on Peaceville as part of the band’s 35th anniversary celebrations, in the shape of ‘I Saw The World’s End: Hangman’s Hymn MMXXV’.
Maintaining the core trio of Mirai Kawashima, Shinichi Ishikawa & Satoshi Fujinami & on the back of the epic & darkly symphonic opus ‘Infidel Art’ (1995), Sigh adopted a more boundary-defying approach to their writing, whilst still keeping the dark foundations & traits of the band’s fundamental sound. The result was ‘Ghastly Funeral Theatre’ which surfaced in 1997 & draped in Eastern & horror-based atmospherics, the band also embraced elements outside of metal with what was their most experimental offering to date; utilising instruments such as the saxophone as well as acoustic passages & notoriously drawing comparisons to the moods of bands such as The Beatles at times, featuring catchy hooks & structures in line with the rock music genre, but masterfully woven into Sigh’s unique blackened metal tapestry.
Continuing with Peaceville’s re-issues of Sigh’s classic early ( & until now, hard to find) works, this edition of ‘Ghastly Funeral Theatre’ contains a new master created by Patrick Engel at Temple of Disharmony, featuring a new transfer from the original DAT source.
In addition to the original studio tracks, this special double-disc release contains an expansive selection of material from the time, from unreleased mixes of album tracks & rare cover songs, to the inclusion of the very rare ‘Funeral Theatre’ Promo tape created by Mirai Kawashima in 1995.
The release also includes a new interview with main-man Mirai Kawashima conducted by Dayal Patterson of Cult Never Dies, delving into the history & inspirations behind ‘Ghastly Funeral Theatre’.
DOUBLE DISC EDITION OF SIGH’S CLASSIC THIRD ALBUM OF SINISTER & ATMOSPHERIC BLACKENED METAL, NOW ON PEACEVILLE. WITH NEW AUDIO MASTER, BONUS CONTENT & INSERT CONTAINING AN INTERVIEW WITH MIRAI KAWASHIMA.
Japanese black metal legends Sigh formed in 1989/1990. The genre-classic debut ‘Scorn Defeat’ followed on Euronymous’ Deathlike Silence Productions in 1993 & with each subsequent release, Sigh grew to become one of the country’s greatest & most revered metal exports. With a journey through the strange & the psychedelic, incorporating a whole eclectic mix of genre styles & experimentation throughout their career, Sigh has remained a vital creative force in the avantgarde field whilst maintaining their old school roots, as witnessed with the stellar 2022 album, ‘Shiki’. 2025 also saw Sigh remaking their ‘Hangman’s Hymn’ album for a release on Peaceville as part of the band’s 35th anniversary celebrations, in the shape of ‘I Saw The World’s End: Hangman’s Hymn MMXXV’.
Featuring the line-up of Mirai Kawashima, Shinichi Ishikawa & Satoshi Fujinami, Sigh created arguably their darkest work to date with third album ‘Hail Horror Hail’ in 1997; an epic of nightmare-inducing soundscapes & lyrics concerning topics such as murder & mortality. With at times more melodic compositions compared to its predecessors & a more traditionally metallic experience than some of the material witnessed on the cult ‘Ghastly Funeral Theatre’ EP released not long before, Sigh continued to embrace deeply atmospheric & symphonic elements, along with what was now becoming an increasingly experimental added dimension to their art, in creating this at times unnerving horror masterpiece.
Continuing with Peaceville’s re-issues of Sigh’s classic early ( & until now, hard to find ) works, this edition of ‘Hail Horror Hail’ contains a new master created by Patrick Engel at Temple of Disharmony, featuring a new transfer from the original DAT source.
The release also includes a bonus disc containing rough mixes of album tracks, plus other rarities, along with a new interview with main-man Mirai Kawashima conducted by Dayal Patterson of Cult Never Dies, with his thoughts & reflections on the album, the recording process & the influences surrounding its creation.
2021 CD reissue of the 1996 debut of cult classic medieval black metal mastery from Monaco's Godkiller.
A prime example of finely crafted, grandiose yet raw mid-90s Black Metal, the release creatively developed out of 1995's demo, The Warlord (incorporating music from that release, with anti-Christian themes prevalent throughout and an overall concept of the battle between good and evil).
With a cold, stripped down production, plus triumphantly dark yet epic riffs mixed with tortured vocals and highly effective synthesizer melodies, the EP evokes a strong Medieval atmosphere throughout, and shows why The Rebirth of the Middle Ages is still highly regarded as a glorious touch of darkness from the past.
Presented with its original artwork, plus lyrics. Remastered by Godkiller’s Duke Satanaël himself.
