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Founded in 2004, Finsterforst have released 5 albums and 2 EPs so far. Starting as a folk metal act with high usage of accordion, the band has evolved its sound to some kind of epic and cinematic mix of post, post black, black and folk metal featuring an enormous range of different singing styles and heavy riffing. The band itself calls this sound Black Forest Metal, referencing their roots in the Black Forest region. During the covid pandemic Finsterforst asked their fans to help funding a new EP with only one song clocking in at almost 40 minutes. The fans came to help, Jenseits was born. Definitely not made for streaming, Finsterforst continue to go their own way of creating mind-bending art that will stand the test of time. The new mini album has only one song clocking in at almost 40 minutes. This album is divided into 4 chapters.

FIVE YEARS AFTER THEIR LAST ALBUM, VREID RETURN WITH “THE SKIES TURN BLACK”!

On March 6th, 2026, Vreid will release The Skies Turn Black, their first studio album in five years and a powerful statement from one of Norway’s most enduring metal bands. The album marks a renewed creative chapter, shaped through a challenging but ultimately transformative process in which the band reconnected with the essence of their Sognametal roots while exploring new dimensions of their sound.

Throughout the album’s eleven tracks, Vreid merges fragments of their past with a revitalized artistic drive. The early breakthrough came with From These Woods, written during a late-night session in a remote mountain cabin. The song captured the emotional core of the album and helped steer the band back toward the heart of their identity.

The title track The Skies Turn Black also holds a central place on the album. Written by bassist and songwriter Jarle Kvåle as a tribute to Ozzy Osbourne and the music that has shaped his life, the song carries a deeply personal foundation. Kvåle’s experience attending Black Sabbath’s farewell concert in Birmingham, after previously helping to organize the band’s final Norwegian shows along with Ozzy’s, left a profound mark and sparked the creative energy that shaped the song’s weight and atmosphere.

The album also highlights Vreid’s cinematic side. Kraken was composed for a major upcoming film project and carries a personal dimension, as the film’s producer was the band’s first music teacher and helped them record their earliest demos more than thirty years ago. In contrast, Loving the Dead expands Vreid’s musical territory with a striking guest performance from Agnete Kjølsrud of Djerv, adding intensity and emotional depth that pushes the track into new terrain.

With hand-drawn artwork by Kim Holm and a powerful production shaped together with producer Anders Nordengen, The Skies Turn Black stands as one of Vreid’s most focused and expressive works to date. It reflects pride, resilience and a renewed creative fire that defines the next era of the band.

The Skies Turn Black will be released on March 6th 2026, with pre-orders opening on December 10th. The release aligns with Vreid’s return to European stages as they join Hypocrisy, Abbath and Vomitory on a major tour in 2026.

Vreid remains one of Norway’s most resilient and forward-driven metal bands, shaped by history, strengthened by adversity and still driven by an unshakable creative fire.

Comes in a 4-panel Digipak with black tray and with 4-page booklet.

Double black vinyl, gatefold, insert, Abyss of Wrathful Deities is GRAVE MIASMA´s fifth release, the latest in a 19-year sonic exploration of the transcendental essence and nature of death. Nine tracks of pounding, dark Death Metal, rooted in the adoration of mysterious Tibetan burial rites and shamanic passages to other worlds. Trading a little of the cavernous atmospheres of previous releases for the traditional Metal currency of speed and aggression, ?Abyss of Wrathful Deities? still sounds immediately and inimitably like GRAVE MIASMA. Recorded mixed and mastered by Jamie Gomez Arellano at Orgone Studios (Paradise Lost, Primordial, Vltimas, Angel Witch) Experience the hellish descent towards otherworldly chasms through a thousand shades of death!

For the first time in any format, Pier Paolo Pasolini’s controversial 1975 adaptation of the Marquis de Sade’s *The 120 Days of Sodom*, characterized by classical compositions of great beauty and dissonance, stands in stark contrast to the shocking and cruel events unfolding on screen. Three weeks before the scandalous release of “Salò, or the 120 Days of Sodom,” Pasolini was brutally murdered in Ostia, Italy. In the wake of the tragedy, legendary composer Ennio Morricone wrote “Addio a Pier Paolo Pasolini” for the late director, which was included in the final cut. Following the narrative of one of Pasolini’s most significant cinematic moments, the soundtrack opens with Ennio Morricone’s “Son Tanto Triste,” descends into the melancholic minor chords of Bach, Chopin, Orff, Puccini, and Graziosi, incorporates sinister interpretations by the cast, and includes Morricone’s somber tribute to the director.

In 2026—marking the 40th anniversary of their original formation under the name Black Death—the legendary Norwegian duo Darkthrone, comprised of Fenriz and Nocturno Culto, returns with a new high-caliber opus devoted to old metal, under the banner of “Pre-Historic Metal.”

Pre-Historic Metal features eight tracks shaped by primordial epics and colossal riffs, driven by an organic sound infused with the ever-present spirit of the ’70s and ’80s. It stands as a worthy continuation of the mastery already showcased in It Beckons Us All (2024). This new chapter unfolds as a vast odyssey through the sonic landscapes of Thrash, Black, Heavy, and Doom Metal. Enhanced by punishing, aggressive guitar work, Darkthrone blend a cauldron of wild creativity with a nod to the songwriting methods that defined their late-’80s beginnings—now delivered with a more refined craftsmanship.

This edition of Pre-Historic Metal is available in multiple formats: CD in jewel case with a 12-page booklet, standard black vinyl, limited edition purple marble vinyl, and a deluxe limited box set. The box set includes an exclusive 180g splatter vinyl with gatefold sleeve and alternative artwork by Maciej Kamuda, an exclusive cassette edition, a CD version, a booklet featuring an interview with Harald Fossberg on the making of Pre-Historic Metal, and two posters.

In 2026—marking the 40th anniversary of their original formation under the name Black Death—the legendary Norwegian duo Darkthrone, comprised of Fenriz and Nocturno Culto, returns with a new high-caliber opus devoted to old metal, under the banner of “Pre-Historic Metal.”

Pre-Historic Metal features eight tracks shaped by primordial epics and colossal riffs, driven by an organic sound infused with the ever-present spirit of the ’70s and ’80s. It stands as a worthy continuation of the mastery already showcased in It Beckons Us All (2024). This new chapter unfolds as a vast odyssey through the sonic landscapes of Thrash, Black, Heavy, and Doom Metal. Enhanced by punishing, aggressive guitar work, Darkthrone blend a cauldron of wild creativity with a nod to the songwriting methods that defined their late-’80s beginnings—now delivered with a more refined craftsmanship.

This edition of Pre-Historic Metal is available in multiple formats: CD in jewel case with a 12-page booklet, standard black vinyl, limited edition purple marble vinyl, and a deluxe limited box set. The box set includes an exclusive 180g splatter vinyl with gatefold sleeve and alternative artwork by Maciej Kamuda, an exclusive cassette edition, a CD version, a booklet featuring an interview with Harald Fossberg on the making of Pre-Historic Metal, and two posters.

 500x orange crush with heavy black splatter 2x12