Black Vinyl in Gatefold Cover

Nightmares have never sounded so beautiful! Swedish grandeurs of melancholic heaviness, KATATONIA, return with Nightmares as Extensions of the Waking State, set for release on June 6, 2025 via Napalm Records. Once again, the Stockholm-based unit masterfully navigates the tightrope act between nocturnal darkness and Scandinavian despair while subtly weaving a sense of hope into the listener’s heart. Since emerging in the early nineties, KATATONIA has projected a beacon of light for the forgotten and the lonely ones, offering solace to those willing to lose themselves in the band’s immersive soundscapes. From their roots in death-doom metal to the post-metal entity they embody today, their art remains as haunting as ever. Nightmares as Extensions of the Waking State marks the next step in KATATONIA’s evolution, building upon the foundation of their previous album, Sky Void of Stars (2023). Crystal-clear production highlights the interplay between silence and intensity, while the contrast of heavy riffs, delicate guitar harmonies, ethereal synthesizers, and atmospheric nuances create captivating tension. Tracks like ""Thrice"" and ""Warden"" pulse with dynamic energy, while ""Lilac"" sees Jonas Renkse’s unmistakable vocals intertwining with hypnotic rhythms and progressive elements. A near-ceremonial piece, ""Wind of No Change"", merges subtle electronic textures with KATATONIA’s enigmatic soundscapes, while ""Temporal"" balances fragility and strength - its intense verses culminating in a soaring, emotionally charged chorus. The breathtaking ""Efter Solen"" (Engl. After the Sun), featuring Swedish lyrics, evokes echoes of Jonas Eika’s 2018 short story collection, with minimalistic yet striking instrumentation.

Even after more than 30 years, KATATONIA continues to redefine the emotional spectrum of their genre, effortlessly shifting between haunting vulnerability and commanding artistry. With sonic landscapes that evoke dystopia, inner demons, purity, and beauty alike, Nightmares as Extensions of the Waking State stands as a testament to their enduring brilliance. The album was produced by Jonas Renkse, recorded by Lawrence Mackrory at NBS Audio and The City of Glass, mixed by Adam Noble, and mastered by Robin Schmidt at 24-96 Mastering.

Mediabook CD with bonus track & remix + 24p booklet

Nightmares have never sounded so beautiful! Swedish grandeurs of melancholic heaviness, KATATONIA, return with Nightmares as Extensions of the Waking State, set for release on June 6, 2025 via Napalm Records. Once again, the Stockholm-based unit masterfully navigates the tightrope act between nocturnal darkness and Scandinavian despair while subtly weaving a sense of hope into the listener’s heart. Since emerging in the early nineties, KATATONIA has projected a beacon of light for the forgotten and the lonely ones, offering solace to those willing to lose themselves in the band’s immersive soundscapes. From their roots in death-doom metal to the post-metal entity they embody today, their art remains as haunting as ever. Nightmares as Extensions of the Waking State marks the next step in KATATONIA’s evolution, building upon the foundation of their previous album, Sky Void of Stars (2023). Crystal-clear production highlights the interplay between silence and intensity, while the contrast of heavy riffs, delicate guitar harmonies, ethereal synthesizers, and atmospheric nuances create captivating tension. Tracks like ""Thrice"" and ""Warden"" pulse with dynamic energy, while ""Lilac"" sees Jonas Renkse’s unmistakable vocals intertwining with hypnotic rhythms and progressive elements. A near-ceremonial piece, ""Wind of No Change"", merges subtle electronic textures with KATATONIA’s enigmatic soundscapes, while ""Temporal"" balances fragility and strength - its intense verses culminating in a soaring, emotionally charged chorus. The breathtaking ""Efter Solen"" (Engl. After the Sun), featuring Swedish lyrics, evokes echoes of Jonas Eika’s 2018 short story collection, with minimalistic yet striking instrumentation.

Even after more than 30 years, KATATONIA continues to redefine the emotional spectrum of their genre, effortlessly shifting between haunting vulnerability and commanding artistry. With sonic landscapes that evoke dystopia, inner demons, purity, and beauty alike, Nightmares as Extensions of the Waking State stands as a testament to their enduring brilliance. The album was produced by Jonas Renkse, recorded by Lawrence Mackrory at NBS Audio and The City of Glass, mixed by Adam Noble, and mastered by Robin Schmidt at 24-96 Mastering.

Nightmares have never sounded so beautiful! Swedish grandeurs of melancholic heaviness, KATATONIA, return with Nightmares as Extensions of the Waking State, set for release on June 6, 2025 via Napalm Records. Once again, the Stockholm-based unit masterfully navigates the tightrope act between nocturnal darkness and Scandinavian despair while subtly weaving a sense of hope into the listener’s heart. Since emerging in the early nineties, KATATONIA has projected a beacon of light for the forgotten and the lonely ones, offering solace to those willing to lose themselves in the band’s immersive soundscapes. From their roots in death-doom metal to the post-metal entity they embody today, their art remains as haunting as ever. Nightmares as Extensions of the Waking State marks the next step in KATATONIA’s evolution, building upon the foundation of their previous album, Sky Void of Stars (2023). Crystal-clear production highlights the interplay between silence and intensity, while the contrast of heavy riffs, delicate guitar harmonies, ethereal synthesizers, and atmospheric nuances create captivating tension. Tracks like ""Thrice"" and ""Warden"" pulse with dynamic energy, while ""Lilac"" sees Jonas Renkse’s unmistakable vocals intertwining with hypnotic rhythms and progressive elements. A near-ceremonial piece, ""Wind of No Change"", merges subtle electronic textures with KATATONIA’s enigmatic soundscapes, while ""Temporal"" balances fragility and strength - its intense verses culminating in a soaring, emotionally charged chorus. The breathtaking ""Efter Solen"" (Engl. After the Sun), featuring Swedish lyrics, evokes echoes of Jonas Eika’s 2018 short story collection, with minimalistic yet striking instrumentation.

Even after more than 30 years, KATATONIA continues to redefine the emotional spectrum of their genre, effortlessly shifting between haunting vulnerability and commanding artistry. With sonic landscapes that evoke dystopia, inner demons, purity, and beauty alike, Nightmares as Extensions of the Waking State stands as a testament to their enduring brilliance. The album was produced by Jonas Renkse, recorded by Lawrence Mackrory at NBS Audio and The City of Glass, mixed by Adam Noble, and mastered by Robin Schmidt at 24-96 Mastering.

Dark orange marbled vinyl limited to 300 copies

Back in 2000, MYSTIC CIRCLE just reached their peak with the release of their third studio epic “Infernal Satanic Verses” and were rightly regarded as Germany's leading black metal band. In the summer after the millennium turn, MYSTIC CIRCLE followed up with the 5-track EP “Kriegsgötter II”, a compilation with cover versions of BATHORY, CELTIC FROST and ACHERON, and a new recording of their demo classic “Die Götter der Urväter”.

However, the founding line-up broke up and A. Blackwar left the band. Only his return in 2020 and the reunion with vocalist Beelzebub conjured up the spirit of that time again, resulting in the latest two new records “Mystic Circle” and “Erzdämon”. Now in 2025, “Kriegsgötter MMXXV” will be released as an extended new edition with 8 tracks, incl. the newly re-recorded IRON MAIDEN classic “Afraid To Shoot Strangers”, as well as the POSSESSED cover “Death Metal” and the soundtrack tune “Cry Little Sister” from the movie “The Lost Boys”.

Back in 2000, MYSTIC CIRCLE just reached their peak with the release of their third studio epic “Infernal Satanic Verses” and were rightly regarded as Germany's leading black metal band. In the summer after the millennium turn, MYSTIC CIRCLE followed up with the 5-track EP “Kriegsgötter II”, a compilation with cover versions of BATHORY, CELTIC FROST and ACHERON, and a new recording of their demo classic “Die Götter der Urväter”.

However, the founding line-up broke up and A. Blackwar left the band. Only his return in 2020 and the reunion with vocalist Beelzebub conjured up the spirit of that time again, resulting in the latest two new records “Mystic Circle” and “Erzdämon”. Now in 2025, “Kriegsgötter MMXXV” will be released as an extended new edition with 8 tracks, incl. the newly re-recorded IRON MAIDEN classic “Afraid To Shoot Strangers”, as well as the POSSESSED cover “Death Metal” and the soundtrack tune “Cry Little Sister” from the movie “The Lost Boys”.

180g red smoke vinyl edition

Step into the unsettling world of Dimsvall, the fifth full-length album from Finnish metal act Ondfødt.

The record takes you through a dark, introspective space, where the music feels heavy with the weight of time, loss, and memory. It's a collection of songs that reflect on the things we can’t hold onto and the parts of ourselves we often push aside. The sound is atmospheric, blending harsh moments with subtle, melancholic undertones that draw you into a place that feels both familiar and unsettling.

Lyrically, Dimsvall examines the ongoing tension between light and dark—how the two often coexist and shape our experience. The songs are meditative, exploring themes like the passage of time, the grip of memories, and the quiet unknowns that lie ahead. It's music that invites reflection without offering easy answers.

Recorded at Wolfthrone Studios, Dimsvall was brought to life by Owe Inborr, whose vocals and guitar work anchor the album. He’s joined by Joel Notkonen on guitar, Jere Halonen on bass, and Tommi Tuhkala on drums, with Inborr handling the mixing and mastering. Guest appearances from Alexander Kuoppala (ex-Children of Bodom), Mathias “Vreth” Lillmåns (Finntroll, ...And Oceans), and Tom Cattermole (Pravitas) add layers to the sound, enriching the already intricate compositions.

From the instrumental “Dimsvall” to the final track “Stormin,” the album is a measured exploration of shadow and light, a quiet yet potent statement on the passage of time and the things we leave behind.

The album artwork by René Thuys mirrors the tone of the music—subtle, dark, and thought-provoking.

180g black vinyl edition

Step into the unsettling world of Dimsvall, the fifth full-length album from Finnish metal act Ondfødt.

The record takes you through a dark, introspective space, where the music feels heavy with the weight of time, loss, and memory. It's a collection of songs that reflect on the things we can’t hold onto and the parts of ourselves we often push aside. The sound is atmospheric, blending harsh moments with subtle, melancholic undertones that draw you into a place that feels both familiar and unsettling.

Lyrically, Dimsvall examines the ongoing tension between light and dark—how the two often coexist and shape our experience. The songs are meditative, exploring themes like the passage of time, the grip of memories, and the quiet unknowns that lie ahead. It's music that invites reflection without offering easy answers.

Recorded at Wolfthrone Studios, Dimsvall was brought to life by Owe Inborr, whose vocals and guitar work anchor the album. He’s joined by Joel Notkonen on guitar, Jere Halonen on bass, and Tommi Tuhkala on drums, with Inborr handling the mixing and mastering. Guest appearances from Alexander Kuoppala (ex-Children of Bodom), Mathias “Vreth” Lillmåns (Finntroll, ...And Oceans), and Tom Cattermole (Pravitas) add layers to the sound, enriching the already intricate compositions.

From the instrumental “Dimsvall” to the final track “Stormin,” the album is a measured exploration of shadow and light, a quiet yet potent statement on the passage of time and the things we leave behind.

The album artwork by René Thuys mirrors the tone of the music—subtle, dark, and thought-provoking.

Step into the unsettling world of Dimsvall, the fifth full-length album from Finnish metal act Ondfødt.

The record takes you through a dark, introspective space, where the music feels heavy with the weight of time, loss, and memory. It's a collection of songs that reflect on the things we can’t hold onto and the parts of ourselves we often push aside. The sound is atmospheric, blending harsh moments with subtle, melancholic undertones that draw you into a place that feels both familiar and unsettling.

Lyrically, Dimsvall examines the ongoing tension between light and dark—how the two often coexist and shape our experience. The songs are meditative, exploring themes like the passage of time, the grip of memories, and the quiet unknowns that lie ahead. It's music that invites reflection without offering easy answers.

Recorded at Wolfthrone Studios, Dimsvall was brought to life by Owe Inborr, whose vocals and guitar work anchor the album. He’s joined by Joel Notkonen on guitar, Jere Halonen on bass, and Tommi Tuhkala on drums, with Inborr handling the mixing and mastering. Guest appearances from Alexander Kuoppala (ex-Children of Bodom), Mathias “Vreth” Lillmåns (Finntroll, ...And Oceans), and Tom Cattermole (Pravitas) add layers to the sound, enriching the already intricate compositions.

From the instrumental “Dimsvall” to the final track “Stormin,” the album is a measured exploration of shadow and light, a quiet yet potent statement on the passage of time and the things we leave behind.

The album artwork by René Thuys mirrors the tone of the music—subtle, dark, and thought-provoking.

Available for the first time as standalone vinyl.
A collection of material from the demo era of the band.

Audio material was taken from the original analog sources. Aside from some slight mastering to keep the songs at an even volume, and vinyl mastering, nothing was edited or polished. This collection includes era-related artwork and photos from a January 1998 session.

Tracks 1-3: taken from "From Which of This Oak" (Omits "Foliorum Viridum")

Tracks 4-6: taken from "Of Stone, Wind and Pillor" (Omits "Kneel to the Cross" [Sol Invictus cover] and "A Poem by Yeats", which were recorded later [circa 2001] than the songs included here, which themselves were from an unreleased EP recorded in 1998)

Tracks 7-8: taken from "Promo'98".

180g black vinyl in a classy package.

CRUST have carved a unique path for themselves since their inception in 2014. They have released 5 acclaimed albums and toured extensively, fresh out of the fire of their incredible album “Wanderers” CRUST bring us further into the darkness with their latest opus “Where Light Fears To Descend”. With no aspirations of convention, CRUST have their roots firmly found balancing forward-thinking black metal and a dark, intelligent tapestry of bleak atmospherics and doom-laden Stoic mysticism. It is this dark essence that brought them to the attention of legendary USBM label Moribund Records and it was not long before an infernal pact was sealed.

CRUST's sixth album “Where Light Fears To Descend” is their most powerful and mature work to date, a monolith of bleak Avant-garde Black Metal weaving a dark cloth that is as profound as it is mesmerizing. 9 tracks to drag your soul into the abyssal pit of despair, where no light can shine and all hope erased. Abandon all hope ye who enter here….

The album is a journey into the band's observations on the pointlessness of life, the cyclical nature of death and rebirth, and the burden of human suffering. From the frozen remains of the dead to the end of the world as we know it, each track is a chapter in one long story of despair, change, and the hope that sometimes seems to flicker in the dark.

• LP (orange/black marbled vinyl ) with inlay, padded inner sleeve and protection sleeve (300 copies available) .

With their fifth album "The Stillness of Dissolution", AUSTERE embark on a dark journey that leads through the abyss of time, the inevitable return of order to chaos into the black void. In the words of the poet: everything that arises is worth that it perishes. The new album brings an overall blacker feel to their sound. This slight change of course does not constitute an easy nostalgic return to the old days as AUSTERE remain within the framework of the more mature and defined version of their particular style of depressive black metal, which reflects their greater experience and evolution as artists. AUSTERE arose from a solo-project run by multi-instrumentalist and singer Desolate alias Mitchell Keepin who joined forces with drummer, keyboard player, and vocalist Sorrow aka Tim Yatras in 2005. Signature frost-bitten guitars, alongside high-pitched screams and wails marked AUSTERE's debut album "Withering Illusions and Desolation" (2007). The sophomore album "To Lay like Old Ashes" followed in 2009 and still featured a raw sound but with a refined production. At this point in time, both musicians decided to focus on other projects and AUSTERE went into hibernation until the duo reformed in 2021. The number of followers had only grown during their absence through word of mouth. AUSTERE are back in black with "The Stillness of Dissolution", yet the Australians also keep all the subtle shades of grey that turn the ongoing evolution of their music into a thrilling experience of new sonic spaces of dark matter.

LP (black vinyl) with inlay, padded inner sleeve and protection sleeve

With their fifth album "The Stillness of Dissolution", AUSTERE embark on a dark journey that leads through the abyss of time, the inevitable return of order to chaos into the black void. In the words of the poet: everything that arises is worth that it perishes. The new album brings an overall blacker feel to their sound. This slight change of course does not constitute an easy nostalgic return to the old days as AUSTERE remain within the framework of the more mature and defined version of their particular style of depressive black metal, which reflects their greater experience and evolution as artists. AUSTERE arose from a solo-project run by multi-instrumentalist and singer Desolate alias Mitchell Keepin who joined forces with drummer, keyboard player, and vocalist Sorrow aka Tim Yatras in 2005. Signature frost-bitten guitars, alongside high-pitched screams and wails marked AUSTERE's debut album "Withering Illusions and Desolation" (2007). The sophomore album "To Lay like Old Ashes" followed in 2009 and still featured a raw sound but with a refined production. At this point in time, both musicians decided to focus on other projects and AUSTERE went into hibernation until the duo reformed in 2021. The number of followers had only grown during their absence through word of mouth. AUSTERE are back in black with "The Stillness of Dissolution", yet the Australians also keep all the subtle shades of grey that turn the ongoing evolution of their music into a thrilling experience of new sonic spaces of dark matter.

With their fifth album "The Stillness of Dissolution", AUSTERE embark on a dark journey that leads through the abyss of time, the inevitable return of order to chaos into the black void. In the words of the poet: everything that arises is worth that it perishes. The new album brings an overall blacker feel to their sound. This slight change of course does not constitute an easy nostalgic return to the old days as AUSTERE remain within the framework of the more mature and defined version of their particular style of depressive black metal, which reflects their greater experience and evolution as artists. AUSTERE arose from a solo-project run by multi-instrumentalist and singer Desolate alias Mitchell Keepin who joined forces with drummer, keyboard player, and vocalist Sorrow aka Tim Yatras in 2005. Signature frost-bitten guitars, alongside high-pitched screams and wails marked AUSTERE's debut album "Withering Illusions and Desolation" (2007). The sophomore album "To Lay like Old Ashes" followed in 2009 and still featured a raw sound but with a refined production. At this point in time, both musicians decided to focus on other projects and AUSTERE went into hibernation until the duo reformed in 2021. The number of followers had only grown during their absence through word of mouth. AUSTERE are back in black with "The Stillness of Dissolution", yet the Australians also keep all the subtle shades of grey that turn the ongoing evolution of their music into a thrilling experience of new sonic spaces of dark matter.

• Gatefold 2LP (arctic pearl vinyl) incl. etching on side D, polylined inner sleeves, insert and protection sleeve (500 copies available).

With their seventh full-length "Nocturne", HEXVESSEL explore the liminal spaces between light and darkness, nature and solitude on an epic album. The ever evolving and shifting Finnish band has reawakened their treasured roots in folk music and psychedelic rock as they artfully weave acoustic interludes, cosmic synths, and spectral piano into the frost-spun threads on their black metal loom. "Nocturne" sounds both familiar and fearlessly progressive as echoes of tradition entwine with a fresh reinvention of their characteristic sound. The seed of this masterpiece was sown by the performance of a commissioned work at Roadburn Festival 2024 that was originally entitled: "Music for Gloaming: A Nocturne". With this album, it arrives fully fleshed in recorded form. This opus magnum blends the raw spirit of Quorthon's black metal with the intricate minimalism of contemporary composers such as Philip Glass, György Ligeti, and Avro Pärt. Its eclectic nature is elevated and underlined by select guest performances, including the vocals of Saara Nevalainen, as well as the avant-garde black metal luminaries Yusaf Vicotnik Parvez (DHG/DØDHEIMSGARD), and ORANSSI PAZUZU's Juho Vanhanen. While HEXVESSEL are based in Tampere, Finland, they were founded by English singer & songwriter Kvohst aka Mat McNerney after he moved to the country in 2009. In many ways, HEXVESSEL reflect their founder. The vocalist and songwriter has instigated and been involved in various bands ranging from UK black metal act CODE, a stint in Norwegian legends DØDHEIMSGARD, and to rock shooting stars BEASTMILK – later 'continued' with GRAVE PLEASURES to name but a few of his success stories. With "Nocturne", HEXVESSEL invite all souls on earth to a transcendental night ritual that is imbued with DARKTHRONE, TANGERINE DREAM, Philip Glass, and sounds unearthed from the dead past, now instilled with new life.

• Gatefold 2LP (black) incl. etching on side D, polylined inner sleeves, insert and protection sleeve.

With their seventh full-length "Nocturne", HEXVESSEL explore the liminal spaces between light and darkness, nature and solitude on an epic album. The ever evolving and shifting Finnish band has reawakened their treasured roots in folk music and psychedelic rock as they artfully weave acoustic interludes, cosmic synths, and spectral piano into the frost-spun threads on their black metal loom. "Nocturne" sounds both familiar and fearlessly progressive as echoes of tradition entwine with a fresh reinvention of their characteristic sound. The seed of this masterpiece was sown by the performance of a commissioned work at Roadburn Festival 2024 that was originally entitled: "Music for Gloaming: A Nocturne". With this album, it arrives fully fleshed in recorded form. This opus magnum blends the raw spirit of Quorthon's black metal with the intricate minimalism of contemporary composers such as Philip Glass, György Ligeti, and Avro Pärt. Its eclectic nature is elevated and underlined by select guest performances, including the vocals of Saara Nevalainen, as well as the avant-garde black metal luminaries Yusaf Vicotnik Parvez (DHG/DØDHEIMSGARD), and ORANSSI PAZUZU's Juho Vanhanen. While HEXVESSEL are based in Tampere, Finland, they were founded by English singer & songwriter Kvohst aka Mat McNerney after he moved to the country in 2009. In many ways, HEXVESSEL reflect their founder. The vocalist and songwriter has instigated and been involved in various bands ranging from UK black metal act CODE, a stint in Norwegian legends DØDHEIMSGARD, and to rock shooting stars BEASTMILK – later 'continued' with GRAVE PLEASURES to name but a few of his success stories. With "Nocturne", HEXVESSEL invite all souls on earth to a transcendental night ritual that is imbued with DARKTHRONE, TANGERINE DREAM, Philip Glass, and sounds unearthed from the dead past, now instilled with new life.

2CD hardcover artbook (18x18 cm, 36 pages) with bonus CD “Music for Gloaming, A Nocturne by the Hexvessel Folk Assembly, Live at Roadburn Festival 2024” (53 minutes), preface, enhanced artwork & photography.

With their seventh full-length "Nocturne", HEXVESSEL explore the liminal spaces between light and darkness, nature and solitude on an epic album. The ever evolving and shifting Finnish band has reawakened their treasured roots in folk music and psychedelic rock as they artfully weave acoustic interludes, cosmic synths, and spectral piano into the frost-spun threads on their black metal loom. "Nocturne" sounds both familiar and fearlessly progressive as echoes of tradition entwine with a fresh reinvention of their characteristic sound. The seed of this masterpiece was sown by the performance of a commissioned work at Roadburn Festival 2024 that was originally entitled: "Music for Gloaming: A Nocturne". With this album, it arrives fully fleshed in recorded form. This opus magnum blends the raw spirit of Quorthon's black metal with the intricate minimalism of contemporary composers such as Philip Glass, György Ligeti, and Avro Pärt. Its eclectic nature is elevated and underlined by select guest performances, including the vocals of Saara Nevalainen, as well as the avant-garde black metal luminaries Yusaf Vicotnik Parvez (DHG/DØDHEIMSGARD), and ORANSSI PAZUZU's Juho Vanhanen. While HEXVESSEL are based in Tampere, Finland, they were founded by English singer & songwriter Kvohst aka Mat McNerney after he moved to the country in 2009. In many ways, HEXVESSEL reflect their founder. The vocalist and songwriter has instigated and been involved in various bands ranging from UK black metal act CODE, a stint in Norwegian legends DØDHEIMSGARD, and to rock shooting stars BEASTMILK – later 'continued' with GRAVE PLEASURES to name but a few of his success stories. With "Nocturne", HEXVESSEL invite all souls on earth to a transcendental night ritual that is imbued with DARKTHRONE, TANGERINE DREAM, Philip Glass, and sounds unearthed from the dead past, now instilled with new life.

With their seventh full-length "Nocturne", HEXVESSEL explore the liminal spaces between light and darkness, nature and solitude on an epic album. The ever evolving and shifting Finnish band has reawakened their treasured roots in folk music and psychedelic rock as they artfully weave acoustic interludes, cosmic synths, and spectral piano into the frost-spun threads on their black metal loom. "Nocturne" sounds both familiar and fearlessly progressive as echoes of tradition entwine with a fresh reinvention of their characteristic sound. The seed of this masterpiece was sown by the performance of a commissioned work at Roadburn Festival 2024 that was originally entitled: "Music for Gloaming: A Nocturne". With this album, it arrives fully fleshed in recorded form. This opus magnum blends the raw spirit of Quorthon's black metal with the intricate minimalism of contemporary composers such as Philip Glass, György Ligeti, and Avro Pärt. Its eclectic nature is elevated and underlined by select guest performances, including the vocals of Saara Nevalainen, as well as the avant-garde black metal luminaries Yusaf Vicotnik Parvez (DHG/DØDHEIMSGARD), and ORANSSI PAZUZU's Juho Vanhanen. While HEXVESSEL are based in Tampere, Finland, they were founded by English singer & songwriter Kvohst aka Mat McNerney after he moved to the country in 2009. In many ways, HEXVESSEL reflect their founder. The vocalist and songwriter has instigated and been involved in various bands ranging from UK black metal act CODE, a stint in Norwegian legends DØDHEIMSGARD, and to rock shooting stars BEASTMILK – later 'continued' with GRAVE PLEASURES to name but a few of his success stories. With "Nocturne", HEXVESSEL invite all souls on earth to a transcendental night ritual that is imbued with DARKTHRONE, TANGERINE DREAM, Philip Glass, and sounds unearthed from the dead past, now instilled with new life.

Silver and dark green marbled 12" vinyl (33 rpm) in deluxe gatefold with gloss lamination.
Limited to 400 copies worldwide!

Carved from the cold marrow of Norway’s enigmatic and revered black metal scene, GAAHLS WYRD conjure a spellbinding fusion of chaos and beauty. Under the commanding presence of Kristian “Gaahl” Espedal, the band carve a sweeping saga of sound - both primal and transcended.
With ‘Braiding the Stories’, GAAHLS WYRD embark on an alchemical journey through the realms of consciousness and dreams, crafting a sonic narrative that explores the seamless dance between the seen and the unseen. Each track is a profound exploration of reality's veils, crystallizing the ephemeral through the powerful conjunction of philosophical introspection and audacious musical composition. From the haunting echoes of "The Dream Master" to the ethereal resonance of "Flowing Starlight," the album invites the listener to traverse its labyrinthine soundscapes - a place where reflective melodies intersect with visceral power. In this realm, GAAHLS WYRD channels raw lyrical introspection and potent sonic prowess, guided by the adept hands of Ole "Lust Kilman" Walaunet, Andreas "Nekroman" Salbu, and Kevin "Spektre" Kvåle.
At the heart of the album lies a journey of self-discovery, one that resonates with the timeless voice of Gaahl, inviting listeners to not merely hear, but to experience, to reflect, and transcend.

For fans of MAYHEM, WARDRUNA, GORGOROTH, ENSLAVED.

Black 12" vinyl (33 rpm) in deluxe gatefold with gloss lamination.
First pressing: 900 copies worldwide.

Carved from the cold marrow of Norway’s enigmatic and revered black metal scene, GAAHLS WYRD conjure a spellbinding fusion of chaos and beauty. Under the commanding presence of Kristian “Gaahl” Espedal, the band carve a sweeping saga of sound - both primal and transcended.
With ‘Braiding the Stories’, GAAHLS WYRD embark on an alchemical journey through the realms of consciousness and dreams, crafting a sonic narrative that explores the seamless dance between the seen and the unseen. Each track is a profound exploration of reality's veils, crystallizing the ephemeral through the powerful conjunction of philosophical introspection and audacious musical composition. From the haunting echoes of "The Dream Master" to the ethereal resonance of "Flowing Starlight," the album invites the listener to traverse its labyrinthine soundscapes - a place where reflective melodies intersect with visceral power. In this realm, GAAHLS WYRD channels raw lyrical introspection and potent sonic prowess, guided by the adept hands of Ole "Lust Kilman" Walaunet, Andreas "Nekroman" Salbu, and Kevin "Spektre" Kvåle.
At the heart of the album lies a journey of self-discovery, one that resonates with the timeless voice of Gaahl, inviting listeners to not merely hear, but to experience, to reflect, and transcend.

For fans of MAYHEM, WARDRUNA, GORGOROTH, ENSLAVED.

CD in deluxe 6-panel Digipak

Carved from the cold marrow of Norway’s enigmatic and revered black metal scene, GAAHLS WYRD conjure a spellbinding fusion of chaos and beauty. Under the commanding presence of Kristian “Gaahl” Espedal, the band carve a sweeping saga of sound - both primal and transcended.
With ‘Braiding the Stories’, GAAHLS WYRD embark on an alchemical journey through the realms of consciousness and dreams, crafting a sonic narrative that explores the seamless dance between the seen and the unseen. Each track is a profound exploration of reality's veils, crystallizing the ephemeral through the powerful conjunction of philosophical introspection and audacious musical composition. From the haunting echoes of "The Dream Master" to the ethereal resonance of "Flowing Starlight," the album invites the listener to traverse its labyrinthine soundscapes - a place where reflective melodies intersect with visceral power. In this realm, GAAHLS WYRD channels raw lyrical introspection and potent sonic prowess, guided by the adept hands of Ole "Lust Kilman" Walaunet, Andreas "Nekroman" Salbu, and Kevin "Spektre" Kvåle.
At the heart of the album lies a journey of self-discovery, one that resonates with the timeless voice of Gaahl, inviting listeners to not merely hear, but to experience, to reflect, and transcend.

For fans of MAYHEM, WARDRUNA, GORGOROTH, ENSLAVED.

DOUBLE-DISC EDITION OF DARKTHRONE’S LEGENDARY 1994 BLACK METAL ALBUM, INCLUDING THE 30TH ANNIVERSARY MASTER, PLUS ADDITIONAL DISC WITH COMMENTARY FROM FENRIZ.

Darkthrone began life in the late 80’s as a thrash/death metal act & progressed through technical death/doom metal experimentation to become legends of the black metal world & one of the original leading bands of the Norwegian scene, as well as inspiring a whole generation of metal bands.

Famously written & recorded over a period of just 2 weeks & featuring the iconic photocopied front cover, ’Transilvanian Hunger’ features primitive guitar riffs over a monotonous drum beat creating a feel of hypnotic starkness with its blend of Von, Burzum & Bathory. Over the years the album has become representative of the definitive 90’s Norwegian black metal sound & style, often copied but never bettered over the past 2 decades. The album was recorded with Fenriz’ ’Necrohell’ studio & was the first release where the band became a duo, following the departure of guitarist Zephyrous.

This edition of ‘Transilvanian Hunger’ is presented on double-disc CD format & includes an audio master created for the album’s 30th anniversary in line with the original 1994 version, plus the 2014 commentary disc from Fenriz with his recollections on the tracks & the time period.

DOUBLE-DISC EDITION OF DARKTHRONE'S 1993 PURE NORWEGIAN BLACK METAL MASTERPIECE, INCLUDING THE 30TH ANNIVERSARY MASTER, PLUS ADDITIONAL DISC WITH COMMENTARY FROM FENRIZ.

Darkthrone began life in the late 80’s as a thrash/death metal act & progressed through technical death/doom metal experimentation to become legends of the black metal world & one of the original leading bands of the Norwegian scene, as well as inspiring a whole generation of metal bands, as they continue as strong as ever to this day.

‘Under A Funeral Moon’, Darkthrone's third album, was originally released by Peaceville in 1993. The album is a bleak reflection of contemporary times, featuring harsh guitar riffage & hateful vocals in what was the band’s first 100% pure black metal opus; a work completely stripped of the death metal traces of former releases & in its place, a stark & primitive execution. This was aided by an intentionally lo-fi sound that is powerfully cold & entirely unconcerned with any modern-day aesthetics. ‘Under A Funeral Moon’ is the album that many Darkthrone fans hail as the ultimate manifesto for Black Metal.

This edition of ‘Under A Funeral Moon’ is presented on double-disc CD format & includes an audio master created for the album’s 30th anniversary in line with the original 1993 version, plus the 2013 commentary disc from Fenriz with his recollections on the tracks & the time period.

DOUBLE-DISC EDITION OF THE ICONIC 1992 BLACK METAL CLASSIC FROM DARKTHRONE, INCLUDING THE 30TH ANNIVERSARY MASTER, PLUS ADDITIONAL DISC WITH COMMENTARY FROM FENRIZ.

’A Blaze In The Northern Sky’, Darkthrone's official second album, was originally released in 1992 & was without question one of the blueprints for the Black Metal scene, spearheading the evolution of the early second wave movement in Norway & beyond. It was hailed on release as an album of true scene-shifting greatness, following their more death metal focussed debut, ’Soulside Journey’.

The rawness apparent on the album (recorded at Creative Studios, the same location as Mayhem's legendary Deathcrush was put to tape), was unusual for the time & an antithesis to the usual metal production values & standards during the period. With this, Darkthrone's statement of attitude & intent was clear & their status as masters of Norwegian black metal was set.

This edition of 'A Blaze In The Northern Sky' is presented on double-disc CD format & includes the audio master created for the album’s 30th anniversary in line with the original 1992 version, plus the 2012 commentary disc from Fenriz with his recollections on the tracks & the time period.

many sellers would rate this as a NM--- there's moderate physiological signs of use and storage, but all in all great shape

Media Condition: Near Mint 
Sleeve Condition: Mint 

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Sleeve mint, Disc near mint (just a couple of light scratches)

NEAR MINT! like new ! Gold vinyl, includes printed card (numbered)  

"777 – Sects(s)" is an organic, cascading volume of deviant, dark art that exhibits BLUT AUS NORD’s natural habitat, a cleansing blade amid transitory moments of non-importance. Hypnotic guitars, discomforting beats and alienating voices clash with the ferocity of aural tectonic plates to produce horrific Black Metal decadence for an anonymous, lost, irrelevant generation.
 

(PLEASE NOTE_  The human skull is decoration and not part of the box!)

"The Northern Silence Years" Box-Set compiles the three albums the band released under Northern Silence Productions (which were also licensed to Nuclear Blast USA).

It is limited to 100 copies and includes:

- "Moonlover" DigiCD
- "Starmourner" DigiCD
- "Self Loather" DigiCD
- flag (100cm x 55cm with the "Reaper" artwork)
- woven logo patch
- logo metal pin
- sticker with the "Reaper" artwork
- handnumbered certificate

Small cut on the sleeve, 5 mm long, on the bottom part, as they used to do back then to mark nice-price / overstock or store promo copies

Media Condition: Mint 
Sleeve Condition: Near Mint 

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This special edition comes with an exclusive silkscreened hand-printed and numbered slipcase, printed innersleeve, 12-page 12"x12" booklet and a download card. Pressed on exclusive gold nugget heavy vinyl. Limited to 102 copies.

#076/102

12", Unofficial Release, Blue

Media Condition: Near Mint (NM or M-)
Sleeve Condition: Near Mint (NM or M-)

Small (2 cm)  cut on the bottom side of the cover, as typical in those years, to mark nice-price, ovestocks or promo copies, they either drilled or cut the sleeve

Black vinyl version. Compilation of the "Satanist Stryken" demo tape and "Hail Satanas, We Are The Black Legions" 7" EP.

Media Condition: Mint (M)
Sleeve Condition: Near Mint (NM or M-)

700 copies on black vinyl 
Includes A2 poster, lyric insert and 12x12cm sticker

Near Mint / Near Mint

8 panels digipack

Exactly 8 years after June 2010's 'The Grave of Civilization' Void of Silence are back with a brand new album.
Although still based on the classic Conforti/Zara line-up core, the new album features again a new lead vocalist (Luca Soi, of Arcana Coelestia and Visthia past).

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the heirs of Nortt?

Second album by Yorkshire’s White Medal. “Lyke Wake” features 9 new tracks recorded in 2015. The new songs follow on from “Guthmers Hahl” (2013) in terms of song writing and over all feeling but with a more refined sound. All lyrics in Yorkshire dialect with very personal themes of graft, death, grief, loss and paganism.

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The Clearing Path is a very young and talented solo-artist recording project. 'Watershed...' was initially released only as digital, and benefits of a promotional campaign conducted by Earsplit PR, receiving a lot of web-media consensus.
It's bleak, noisy, extremely emotional, but listening to it is so easy that you won't realize you are giving it a 3rd spin in two hours without getting bored. It appeals to a wide range of extreme music fans, from black metal to Neurosis and Pelican

Comes in a radical chic essential-design digipack

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Contains the last 3 Demos of the finnish Horde. Bestial Black/Death/Doom Metal with members of Witchcraft and Ceremonial Torture 

Raging,repetitve yet diverse black/death metal
with a discreet yet ever present droning vibe.
Hypnotic and hysterical,channeled through the virtues
of a sharp,
strict but eventually warm sound production,
Υπνωσίνοσις provides a sonic guidance to the subsconscious and beyond!

Edition 2015 on Metal Command records (official license)

Collectors edition - first press digipak

Nel Buio, Italian for In the Dark, is a black wave project born by Clod "the Ripper" De Rosa (Blasphemer, ex-Septycal Gorge) in the Autumn of 2023 to combine black metal and 80s darkwave. The Line up was completed by
Neil Grotti on guitars and Francesco Vellacifer on drums (both of Electrocution and Blasphemer's fame, among the many).
Avantgarde Music is glad to announce the release of Nel Buio self-titled debut EP. Frontman Clod the Ripper chose the following words to introduce the five songs composing the record: “In the shadow of the metropolis, where the echo of alienation seeps through the cracks in the concrete, our music is born. A work that reflects the isolation and hypocrisy of lives obscured by the lights of big cities. Through a feminine eye, our "pure Italian blackwave" is a manifesto for those who find beauty in decay and truth in shadows, a comfort in the darkness for the souls lost within it”.
Uncompromising, dark and sorrowful, Nel Buio debut will leave a mark on all those looking for something more than mere fury in black metal. On June 21st, let the dark guide you.

Semi-transparent beer color vinyl

Underground sensation Kanonenfieber recorded their performance at Dark Easter Metal Meeting 23 on a live recording, initially available on cd and dvd only, but now on vinyl too!

Metal, magic and freedom. Three words to describe Hellenic black metallers YOTH IRIA. Lead by the legendary Jim Mutilator, YOTH IRIA holds nothing back in recreating, reinventing and reigning in the light of the spirits of old. Although modern and exciting in their approach, the darkness YOTH IRIA thrust ahead into the nothingness of modern music, comes from an ancient place. A place untouched by the plagues of conformity and compromise. BLAZING INFERNO offers no pardon but provides you with a visit to the occult spirituality the modern world lacks to offer. Humanity used to be linked with nature and was respectful of the forces we weren’t capable of understanding. YOTH IRIA sends a strong spiritual reminder to all of us, to not ignore the past at the cost of your future.

“YOTH IRIA is the rays of Lucifer the first, Satan the second and Devil the third sent to the earth to help and give courage to the simple people and help mother earth to survive. After YOTH IRIA came in, the earth took shape and form. Magic as a way of life and freedom without fear.”
If you want to hear some new music that looks back without hesitation, but still creates something new and exciting - Check out BLAZING INFERNO!

Gatefold LP (black bio vinyl) with a 12 pages-booklet, padded inner sleeve and protection sleeve

TRELLDOM are the brainchild of Kristian Eivind Espedal, who is better known under his artist's name Gaahl. The Norwegian became one of the leading figures of the Nordic black metal scene after joining the notorious Bergen outfit GORGOROTH in 1998. For many years, the vocalist was pigeonholed for his extreme vocals and attracted many, often dark rumours about his person. If any notion is true about Espedal, it is to always expect the unexpected. TRELLDOM have already written black metal history. The band founded by Gaahl in Sunnfjord, Vestland in 1992 released their debut album "Til evighet..." (1995) to great acclaim in underground black metal circles. Having changed the line-up to include guitarist Valgard and Stian "Sir" Kårstad on bass, TRELLDOM unleashed their sophomore full-length "Til et annet..." (1999) to already much attention of mainstream metal media. This album was produced by the legendary sound engineer Pytten at Grieghallen Studios in Bergen. Pytten also recorded the third milestone "Til minne..." (2007), which became highly regarded both by critics and fans. One of the key aspects of TRELLDOM's first trilogy has always been that in his own band Gaahl was free of the strict limitations under which GORGOROTH operated, and therefore able to explore his voice at will. With "...by the shadows..." the Norwegian artist breaks free from another mould. Returning after many years of dormancy, in which the musicians involved went on to work with several other projects, there is both continuity and change. The crucial collaboration with Stian Kårstad remains at the musical heart of the band. The by far the largest part of all songs on "...by the shadows..." has been created by Sir, who has also taken over all guitar duties. Yet Espedal has changed other aspects of TRELLDOM, which created fascinating effects. Now the renowned percussionist Kenneth Kapstad sits on the drum-stool,who was formerly of MOTORPSYCHO and is also driving the beats in SPIDERGAWD, MØSTER!, and THORNS. Kapstad also brought the internationally acclaimed jazz musician and saxophone player Kjetil Møster (MØSTER!, RÖYKSOPP, THE END) into the fold. The inclusion of Møster's unorthodox saxophone sounds can already be taken as an indication that TRELLDOM are no longer shackled by the narrowest definition of black metal. The music on "...by the shadows..." does remain dark and fierce. It is also clearly still growing out of its roots in the black past. Yet Espedal has willed his band into becoming a far more layered beast and set it free to roam in an avant-garde dimension – with the dissonant sound at times even turning towards the experimental. TRELLDOM have awakened from their slumber and "...by the shadows..." is a spirited manifesto for artistic freedom as well as a grand declaration of war against nostalgic stagnation. This album poses a challenge that states: love it or leave it!

Gatefold Double LP with golden UV spot laque and 16 pages booklet in 30x30cm with illustrations and lyrics.

3rd press on black vinyl

Gatefold Double LP in black vinyl and with 12 pages booklet with a size of 30x30 cm

As pioneers of the post movement, mixing haunting black metal with post rock moments, the Austrians have, ever since their conception in 2011, drawn fans and critics deeper and deeper into their maelstrom of melancholy, self hate and anger, and even reached #4 in the German charts, #22 in Switzerland, #35 in Austria & #78 Indie Rock Charts UK

Second album completely new recorded with Krimh on drums!

The LP comes in Gatefold Cover, black flood inside and an A2 poster of the coverartwork.

3rd press

Gatefold LP with black vinyl