For almost three decades, ΑΧΕΡΟΝΤΑΣ has not merely played music—it has performed Spiritual Art. The Great Work endures…

ΝΕΚΥΙΑ - The Necromantic Patterns marks a descent into the chthonic realms of transcendence, where the veils of mortality are torn asunder, revealing the hidden currents that weave existence. A ceremonial odyssey through the labyrinthine corridors of Death and Rebirth, this opus embodies the sacred rites of Dissolution and Ascension, invoking the wisdom of the ancients and the spectral echoes of forgotten aeons.

Each hymn within this work serves as an invocation, a key to unlocking the forgotten pathways of Necromantic Revelation. The Elder Keybearer rises once more, heralding the dissolution of ephemeral reality, while the Crimson Litany of Eternal Return chants the cycle of Destruction and Renewal, where blood becomes the offering upon the Altar of Cosmic Upheaval. The Chalice of Fiery Transmutation is raised, brimming with the essence of divine memory and the Sacred Alchemy of the Eternal Return.

For almost three decades, ΑΧΕΡΟΝΤΑΣ has not merely played music—it has performed Spiritual Art. The Great Work endures…

ΝΕΚΥΙΑ - The Necromantic Patterns marks a descent into the chthonic realms of transcendence, where the veils of mortality are torn asunder, revealing the hidden currents that weave existence. A ceremonial odyssey through the labyrinthine corridors of Death and Rebirth, this opus embodies the sacred rites of Dissolution and Ascension, invoking the wisdom of the ancients and the spectral echoes of forgotten aeons.

Each hymn within this work serves as an invocation, a key to unlocking the forgotten pathways of Necromantic Revelation. The Elder Keybearer rises once more, heralding the dissolution of ephemeral reality, while the Crimson Litany of Eternal Return chants the cycle of Destruction and Renewal, where blood becomes the offering upon the Altar of Cosmic Upheaval. The Chalice of Fiery Transmutation is raised, brimming with the essence of divine memory and the Sacred Alchemy of the Eternal Return.

The band is not newcomers, but they are bringer of new impulses. Challenging the spiritual possibilities of seeing beyond the void and into the nothingness of nothing. Opening your ears and hearts to the underworld of nihilism and despair. Taking their name from the Mesopotamian monster figure Anzû. Described as a divine storm bird who could breathe fire and water or in some descriptions as a lion-headed eagle. Either also as the personification of the southern wind and the thunder clouds.

Their music speaks for itself, however. Fabolous musicianship on every instrument and a great live band, they have managed to create their own sound and image of another world in their own special way.

This new opus plunges into the abyss, where ancient rites and mythic forces collide. From the crumbling remains of mortality to the furious storm of Sumerian fiends, KUR pulses with raw emotion, evoking despair, awe, and a confrontation with the unknown. Amidst these powerful themes, the eternal dance between life and death, pride and submission, unfolds.

Prepare to be cast into the depths of KUR, where you’ll be beckoned to confront the void—and in doing so, transcend it.

The band is not newcomers, but they are bringer of new impulses. Challenging the spiritual possibilities of seeing beyond the void and into the nothingness of nothing. Opening your ears and hearts to the underworld of nihilism and despair. Taking their name from the Mesopotamian monster figure Anzû. Described as a divine storm bird who could breathe fire and water or in some descriptions as a lion-headed eagle. Either also as the personification of the southern wind and the thunder clouds.

Their music speaks for itself, however. Fabolous musicianship on every instrument and a great live band, they have managed to create their own sound and image of another world in their own special way.

This new opus plunges into the abyss, where ancient rites and mythic forces collide. From the crumbling remains of mortality to the furious storm of Sumerian fiends, KUR pulses with raw emotion, evoking despair, awe, and a confrontation with the unknown. Amidst these powerful themes, the eternal dance between life and death, pride and submission, unfolds.

Prepare to be cast into the depths of KUR, where you’ll be beckoned to confront the void—and in doing so, transcend it.

Digipak Limited 200

NOVEMBERS DOOM return with their twelfth full-length album, which is entitled "Major Arcana". Following six long years after their acclaimed latest opus "Nephilim Grove" (2019), the American dark metal stalwarts have raised the stakes even higher by creating a conceptual album that thematically draws inspiration from tarot and divination. This overarching theme reflects in the artwork and design of "Major Arcana" as well as in the lyrical storytelling throughout the album. Founded in 1989 in Chicago, Illinois by vocalist Paul Kuhr, NOVEMBERS DOOM have continued to grow and evolve over more than three decades. Initially emerging as one of the leaders of American death doom, their debut album "Amid Its Hallowed Mirth" in early 1995 set the band firmly on a dark musical course. Over the following years, they have gradually refined and developed a style that they have coined "dark metal". NOVEMBERS DOOM's mastery of seamlessly blending their death metal and doom roots with progressive, folk, and classic rock influences has allowed the band to grow and change in fresh and surprising ways, while always retaining their signature feel and atmospheres that have remained a constant throughout the band's career. From the hauntingly ethereal vibes of the opening track, 'June', through brutally crushing songs like 'Ravenous', as well as the epic sadness and yearning of tracks like 'Mercy' and 'Bleed Static' to the frenetically energetic hooks found on 'The Fool' and 'Dusking Day', their twelfth opus witnesses NOVEMBERS DOOM covering a wide range of sounds and emotions. Get ready to hear "Major Arcana" and to see it unleashed onto an eagerly anticipating world!

Pain Effulgence, the third album from Innumerable Forms sees founder Justin DeTore (Dream Unending, Sumerlands) and crew (who comprise of members from bands such as Iron Lung, Power Trip, Mammoth Grinder, and Genocide Pact) deliver their most powerful tectonic-shifting release yet. Pain Effulgence sees IInnumerable Forms elevate the trajectory, initially brought forth with their Punishment In Flesh debut and 2022’s Philosophical Collapse, to a new plateau of megalithic death/doom artistry. Old-school early ’90s Finnish death metal coalescing with early ’90s UK death / doom (i.e. old Paradise Lost and old Anathema) continues to be the blueprint upon which Innumerable Forms contrive their sound from and with Pain Effulgence, it continues to become that much more towering and imposing. Akin to feeling the weight of an immense ancient stone of granite being lowered upon you, overwhelming suffocating darkness and monumental mournful triumph, Pain Effulgence was produced by Arthur Rizk and features art by Katie Muller.

Pain Effulgence, the third album from Innumerable Forms sees founder Justin DeTore (Dream Unending, Sumerlands) and crew (who comprise of members from bands such as Iron Lung, Power Trip, Mammoth Grinder, and Genocide Pact) deliver their most powerful tectonic-shifting release yet. Pain Effulgence sees IInnumerable Forms elevate the trajectory, initially brought forth with their Punishment In Flesh debut and 2022’s Philosophical Collapse, to a new plateau of megalithic death/doom artistry. Old-school early ’90s Finnish death metal coalescing with early ’90s UK death / doom (i.e. old Paradise Lost and old Anathema) continues to be the blueprint upon which Innumerable Forms contrive their sound from and with Pain Effulgence, it continues to become that much more towering and imposing. Akin to feeling the weight of an immense ancient stone of granite being lowered upon you, overwhelming suffocating darkness and monumental mournful triumph, Pain Effulgence was produced by Arthur Rizk and features art by Katie Muller.

Debut album of Philadelphia unholy metal band after several EP releases

For fans of Vastum, Krypts, Phrenelith, Master, Incantation, Abhorrence, Funebrarum, Disembowelment

Debut album of Philadelphia unholy metal band after several EP releases

For fans of Vastum, Krypts, Phrenelith, Master, Incantation, Abhorrence, Funebrarum, Disembowelment

Theurgion are a new doom metal entity featuring members involved in bands such as Chaos Moon, Krieg, Häxanu, Azelisassath, Kveldstimer, and Collier d’Ombre (just to name a few of the many projects the three members of this band are involved in). Theurgion play towering and melancholic death-via-traditional doom metal. All Under Heaven is comprised of seven sculptured sonic monuments that hail those that came before (Solitude Aeturnus, mid-era Bathory, old Katatonia, old Anathema, first October Tide LP etc.) while carving its solitary monolith to merge itself in the new age.

Gold vinyl

Three years after their crushing debut Defiled In Oblivion, Castrator return with Coronation Of The Grotesque, an album that not only exceeds all expectations but leaves them shattered in its wake, firmly cementing the band among the North American death metal elite. 

Three years after their crushing debut Defiled In Oblivion, Castrator return with Coronation Of The Grotesque, an album that not only exceeds all expectations but leaves them shattered in its wake, firmly cementing the band among the North American death metal elite. 

A bludgeoning autopsy of death metal, gore and deathgrind, the low-tuned grooves, discordant leads and mid-tempo rumble of Cerebral Rot is evident in tracks like “Spinous Forms Of Mortal Abhorrence” and the title-track while setting the bar for a melted transformation into more ghastly liquified forms. The gargling slime vox of Ian Schwab are dangerously radioactive, summoned straight from the sealed basement of a nuked morgue narrating a splatter-fest of morbid poetry, decomposing flesh, absurd experiments, and gruesome transgression. Each song plays out like a medical examiner’s case file crossed with the fevered ramblings of a psychopath—precise in its anatomical horror and repugnant in its bizarre depravity.

A bludgeoning autopsy of death metal, gore and deathgrind, the low-tuned grooves, discordant leads and mid-tempo rumble of Cerebral Rot is evident in tracks like “Spinous Forms Of Mortal Abhorrence” and the title-track while setting the bar for a melted transformation into more ghastly liquified forms. The gargling slime vox of Ian Schwab are dangerously radioactive, summoned straight from the sealed basement of a nuked morgue narrating a splatter-fest of morbid poetry, decomposing flesh, absurd experiments, and gruesome transgression. Each song plays out like a medical examiner’s case file crossed with the fevered ramblings of a psychopath—precise in its anatomical horror and repugnant in its bizarre depravity.

• Blackened, funereal psychedelic death metal from Denmark

• Featuring members of Undergang, Sulphurous, Sequestrum and more

Decrepisy returns with brutally gothic doom-laden death metal on their second full-length album, Deific Mourning. Leaning heavier on the doom side of death than their first output, Emetic Communion, Deific Mourning pulls from goth-industrial influences that seep through the infected wounds that comprise the decomposing body of the album. Each track a stage of grief and unbelief as life abandons form into the mystery of the unknown. Stillborn in anxiety, grief, and sickness, every riff agonizingly culled from terror, despair and disintegration of a dying form. A body desecrated by vaccine damage, an inflamed nervous system and dysautonomia, pumping fear into every heart beat and waking moment. Deific Mourning was recorded by Charles Koryn (Ascended Dead, Chthonic Deity, Thanamagus) at Elektric City Recording with Vocal tracking, Reamping, mixing, and mastering handled by Greg Wilkinson (Autopsy, Necrot, Mortuous) at Earhammer Studio. Additional vocals, synths, and noisescapes performed by Leila Abdul-Rauf (Hammers of Misfortune, Saros, Vastum) and Gabriel Lageson. Cover illustrations by Kyle House (Acephalix, Necrot, Vastum) with an additional inner sculpture by Emil Melmoth.

B-side collection of doom-laden dark heavy metal band’s 2024 critical juggernaut The Stygian Rose (Decibel Magazine’s Best Album Of The Year)

Features a transcendental revisioning of Mayhem’s “Dem Mysteriis Doom Sathanas”

B-side collection of doom-laden dark heavy metal band’s 2024 critical juggernaut The Stygian Rose (Decibel Magazine’s Best Album Of The Year)

Features a transcendental revisioning of Mayhem’s “Dem Mysteriis Doom Sathanas”

Icons of goth and doom, PARADISE LOST will release their long-awaited, 17th album Ascensionon September 19th. The band’s first album in 5 years, following 2020’s critically acclaimed Obsidian, was produced by guitarist Gregor Mackintosh and mixed/mastered by Lawrence Mackrory. Ascension is a testament to the band’s longevity and relevance over their 35+ year career, encompassing their signature styles of gothic, death and doom fans have cherished along the way.

Ascension’s album cover fittingly features the painting The Court of Death (1870-1902) by renowned British artistGeorge Frederic Watts, which hangs in the ate Gallery in London. The painting depicts Death as an enthroned angel flanked by allegorical figures of Silence and Mystery guarding sunrise and the star of hope, while a warrior surrenders his sword and a duke his coronet, showing that worldly status offers no protection. The painting’s bleak, prophetic vision embodies Ascension’s dark, tormented soundscapes as mournful verses collide with dire, foreboding riffs

New copy, but comes with the bottom lid of the box scratched as unfortunately this box was released without shrinkwrap (Please check out actual photo here below, although the scratches seem quite wild in the photo due to the high light/contrast of the phone camera, in reality they are not THAT huge)

Includes the 4 SPITE EXTREME WING albums on colored vinyl (with various booklets and posters included), patch and sticker  

Media Condition: Near Mint 
Sleeve Condition: Mint 

more info

just a small shred (7mm) on the open side sleeve (where you put record in). Insert is Missing !!!!

A near Mint copy of this edition

near mint

Mexican edition on AVANZADA METALICA records 
MINT COPY

Metallica ‎– ...And Justice For All
Label: Vertigo ‎– 836062-1
Format: 2 × Vinyl, LP, Album, Stereo, PRS Pressing
Country: Europe
Released: 1988
 

Vinyls NM   Sleeve VG+

Numbered, unplayed 

Sleeve mint, Disc near mint (just a couple of light scratches)

Mint

NEAR MINT! like new ! Gold vinyl, includes printed card (numbered)  

"777 – Sects(s)" is an organic, cascading volume of deviant, dark art that exhibits BLUT AUS NORD’s natural habitat, a cleansing blade amid transitory moments of non-importance. Hypnotic guitars, discomforting beats and alienating voices clash with the ferocity of aural tectonic plates to produce horrific Black Metal decadence for an anonymous, lost, irrelevant generation.
 

"An over 40 minute journey through the demo years of Irish raw black metal entity Fuil Na Seanchoille (“Blood of The Old Forest” in Gaelic), this CD collects the long out-of-print “Bitter Dusk of Futures Past” [2009] and “Demo MMVIII” (2008) cassettes, subsequently reissued on vinyl by Me Saco En Ojo in 2012. Remastered for Tour de Garde in 2019 by Jack Control at Enormous Door, these early emanations demonstrate a range of influences from Von, Beherit and Ulver to Darkthrone and pre "Si Monvmentvm Reqvires, Circvmspice." Deathspell Omega. Inspired by the history of Ireland from 12th Century B.C. until 1580 A.D., shamanic rage collides with hulking evil, channelled through a cavernous assault of primitive darkness. By turns darkly ambient and doom-laden, the sound veers from threateningly wild chaos to menacingly measured assault. Timeless black metal in the old-school tradition."

8 panels digipack

Exactly 8 years after June 2010's 'The Grave of Civilization' Void of Silence are back with a brand new album.
Although still based on the classic Conforti/Zara line-up core, the new album features again a new lead vocalist (Luca Soi, of Arcana Coelestia and Visthia past).

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the heirs of Nortt?

Second album by Yorkshire’s White Medal. “Lyke Wake” features 9 new tracks recorded in 2015. The new songs follow on from “Guthmers Hahl” (2013) in terms of song writing and over all feeling but with a more refined sound. All lyrics in Yorkshire dialect with very personal themes of graft, death, grief, loss and paganism.

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The Clearing Path is a very young and talented solo-artist recording project. 'Watershed...' was initially released only as digital, and benefits of a promotional campaign conducted by Earsplit PR, receiving a lot of web-media consensus.
It's bleak, noisy, extremely emotional, but listening to it is so easy that you won't realize you are giving it a 3rd spin in two hours without getting bored. It appeals to a wide range of extreme music fans, from black metal to Neurosis and Pelican

Comes in a radical chic essential-design digipack

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Raging,repetitve yet diverse black/death metal
with a discreet yet ever present droning vibe.
Hypnotic and hysterical,channeled through the virtues
of a sharp,
strict but eventually warm sound production,
Υπνωσίνοσις provides a sonic guidance to the subsconscious and beyond!

A bludgeoning autopsy of death metal, gore and deathgrind, the low-tuned grooves, discordant leads and mid-tempo rumble of Cerebral Rot is evident in tracks like “Spinous Forms Of Mortal Abhorrence” and the title-track while setting the bar for a melted transformation into more ghastly liquified forms. The gargling slime vox of Ian Schwab are dangerously radioactive, summoned straight from the sealed basement of a nuked morgue narrating a splatter-fest of morbid poetry, decomposing flesh, absurd experiments, and gruesome transgression. Each song plays out like a medical examiner’s case file crossed with the fevered ramblings of a psychopath—precise in its anatomical horror and repugnant in its bizarre depravity.

For fans of All Out War, Bolt Thrower, Earth Crisis, Xibalba, Kruelty, Gatecreeper

Olio Tähtien Takana is one of the artistic expressions of Finnish multi-instrumentalist v-KhaoZ (Vargrav, Druadan Forest and many others), here joined in his artistic endeavour by singer Hellwind Inferion (Desolate Shrine, Sargeist).

Spectral Katharsis is the third album by Olio Tähtien Takana, and is described by Hellwind with a series of key terms: “Cosmic, majestic misanthropy and ultimate devil worship”. Expect fury, rage and patterns of keyboards to surround you and bring you on your journey through the cosmos.

On the musical side of things, v-KhaoZ says: “We wanted something different than our other bands, a more straightforward, yet melodic approach. To this we added a varied singing style and otherworldly, space-like keyboards, to reach the multidimensionality we were aiming for”. Spectral Katharsis will tickle fans of Limbonic Art, Odium and the mid-’90s symphonic black metal scene.

The band's very name is probably the best expression to describe what v.KhaoZ and Hellwind Inferion are trying to accomplish with their collaboration, as Olio Tähtien Takana is Finnish for 'A Creature Beyond the Stars'.

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Stjärnfält is a musical project led by M. Originally from Australia, at some point the mysterious multi-instrumentalist relocated to Sweden, where he still lives to this day.

Lapporten is the project sophomore album and follows two years after the debut Ascension. These four, atmospheric, trancey tracks are a detail of M.'s travels through northern Sweden, and attempt to capture it's contradicting nature of isolation and expanse; bleakness and beauty.

Let Stjärnfält guide you up the “Kebnekaise”, Sweden’s highest mountain, wander with him through the green area of “Bruksleden” and behold the magnificent “Polarsken” and Séracs. Lapporten itself stands for “The Lapponian Gate”, a u-shaped valley located in Lapland.

Merging dreamy, hypnotic atmospheric metal with icy electronic trance soundscapes, M. describes Stjärnfält's music as "melancholic optimism".

Windfaerer's Breaths of Elder Dawns is the black/folk metal quintet's latest and most elaborate output in its more than a decade of existence. As the band from New Jersey puts it, “Breaths of Elder Dawns explores themes of hope, kinship, destruction of the natural world, shattered illusions and longing for the numbing comfort of death. It is a journey of mourning through the ruins of abandonded dreams and aspirations. This record is an homage to a romantaicized past as much as it is a rejection of its glorification.

As with previous Windfaerer releases this record was a collaborative effort. Each member brought their own influences, perspectives and compositions and forged them into the spirit of the band. Extensive attention to detail was paid to all of the sonic elements—from the mic placements to the string orchestrations—in an effort to create a towering and expansive sound. Sorrow-laden melodies spiral through rugged, mountainous song structures in a synthesis of vulnerability and power. Breaths of Elder Dawns is a journey through aesthetic desolation and saudade. Here, the light of the sun exposes the anguished disfigurement of the soul”.

This edition of 'It Beckons Us All' is presented on Nocturno Culto’s own limited grey marble vinyl, with printed inner sleeve containing lyrics. 

With a legacy of audial treasures now spanning more than 35 years & with the fountain of creativity ever flowing, Norway’s Darkthrone return with their latest venture through classic riffs & vintage sounding metal in the shape of the epic new seven track studio opus, ‘It Beckons Us All’. 

Seeing the longstanding duo of Fenriz & Nocturno Culto uniting once more, ‘It Beckons Us All’ follows on the heels of 2022’s revered ‘Astral Fortress’ album, with what could be considered an even more refined, challenging & diverse set of timeless metal anthems from the uncompromising trailblazers; from the melodic, to the sombre & atmospheric, to the blackened dirges emanating from Darkthrone’s highly distinguishable riffing, as well as a nod to influences such as Celtic Frost along the way. 

Recorded once again at Chaka Khan Studios in the band’s native Norway, ‘It Beckons Us All’ was mastered by Jack Control at Enormous Door, with artwork courtesy of Polish artist Zbigniew Bielak. 

With an expansive catalogue consisting of a multitude of various genre classics, Darkthrone first arrived on the global stage with their atmospheric & technically accomplished death metal debut, ‘Soulside Journey’ back in 1991, followed by the milestone in black metal that is ‘A Blaze In The Northern Sky’ released only the following year, after the intended second album ‘Goatlord’ was essentially scrapped to make way for something more primitive & paving the way for Darkthrone’s close association with the black metal genre over many years. And so, with an endlessly progressing (and even regressing) evolution which has seen the band successfully delving into many sub-genres of metal & punk, ‘It Beckons Us All’ stands as one of the band’s most complete & vast works to date. 

-sturdy 4 panel digipak
-12 page booklet

Until 2016, very few people had access to the original version of CRADLE OF FILTH follow-up to their hugely successful debut album The Principle Of Evil Made Flesh.
Entangled in legal problems with their former label and with few of their key members about to jump ship to form THE BLOOD DIVINE, this recording was seemingly doomed to fail. It thus remained locked up in the vault for over twenty-one years, the band having decided ultimately to shelve it and quickly record and release the V Empire, Dark Faerytales In Phallustein EP instead, before committing to tape another version of this album with a revamped line-up and new arrangements.

Having heard the fans’ plea, Dani Filth finally agreed to issue it officially for the first time in 2016 after remastering it with the help of famed producer and longtime collaborator Scott Atkins (AMON AMARTH, VADER, GAMA BOMB, BENEDICTION).

Cream black marbled 2-LP limited to 850 copies with a 12-page 12” booklet incl. new liner-notes by Olivier ‘Zoltar’ Badin, a double sided A2 poster and a download-card.

This is where it all began, the 1994 debut which shook the European Black Metal scene upon its foundations.
Originally released on cult imprint Cacophonous Records, CRADLE OF FILTH first album is now available for the first time over a decade on noble vinyl but also on picture vinyl, digibook-CD and tape.

While still bearing few traces of their Death Metal roots, The Principle Of Evil Made Flesh remains an unique sounding album to this day, drenched in gothic atmospheres and vampiric themes. A true masterpiece which immediately spawned many imitators, although none managed to match their intensity and undeniable British flair.

Pure cult!

Aqua blue black marbled LP limited to 850 copies with a 12-page 12” booklet incl. new liner-notes by Olivier ‘Zoltar’ Badin, a double sided A2 poster and a download-card.