• Gatefold Sleeve with interior print and lush metallic gold prints
• 180g metallic blue vinyl 

  Récits Patriotiques captures FORTERESSE in their rawest form: a rehearsal recording, originally made in preparation for Messe des Morts. Previously available only on CD, this intense snapshot of Québec black metal history now appears on vinyl for the very first time.

Black Vinyl

FLUISTERAARS return with their sixth full-length, Jacht der Mysteriën — three towering epics centered around the pursuit of the unknown.

Drawing from local legends, mysterious lights in the woods, and close observation of their immediate surroundings, the album was conceived as a live and complete band album and captured in a single take with longtime producer T. Cochrane.

Reamped through the hollow cylinder of an abandoned water tower, the record drifts between presence and disappearance — immersive, urgent, and elusive.

Luminal Blue Smoke

FLUISTERAARS return with their sixth full-length, Jacht der Mysteriën — three towering epics centered around the pursuit of the unknown.

Drawing from local legends, mysterious lights in the woods, and close observation of their immediate surroundings, the album was conceived as a live and complete band album and captured in a single take with longtime producer T. Cochrane.

Reamped through the hollow cylinder of an abandoned water tower, the record drifts between presence and disappearance — immersive, urgent, and elusive.

FLUISTERAARS return with their sixth full-length, Jacht der Mysteriën — three towering epics centered around the pursuit of the unknown.

Drawing from local legends, mysterious lights in the woods, and close observation of their immediate surroundings, the album was conceived as a live and complete band album and captured in a single take with longtime producer T. Cochrane.

Reamped through the hollow cylinder of an abandoned water tower, the record drifts between presence and disappearance — immersive, urgent, and elusive.

Limited Edition Blue Marble Vinyl

Born in Ireland's 'rebel county', Cork, in 2013, Soothsayer have built a formidable reputation, not only within the extreme metal community of the Emerald Isle, but wherever powerful, uncompromising and emotive music is treasured and held dear. After two EPs (The Soothsayer and At This Great Depth), a live album (Soothsayer Live In Malta MMXIX) and a split release with compatriots Partolón, 2021 finally saw the release of Soothsayer's full length debut album, Echoes Of The Earth. Praising the album for its ability to successfully meld “the monolithic sounds of doom with sludge, death metal and hefty doses of atmosphere”, Distorted Sound Magazine declared that Echoes Of The Earth had been “well worth the eight-year wait”. Now the time has come for Soothsayer to unveil their second album, one which builds upon the foundations laid down by Echoes Of The Earth and all that came before it, an album that absorbs and enthrals from its first note, holding you in its grasp until the very last…The Unbinding.

Opening in an irresistible shock of venom and velocity, 'Eroding The Sky' sweeps the unwary listener into Soothsayer's most compelling creation to date. Bleakly beautiful, haunted and dangerous, The Unbinding unfurls through the unpredictable power and pulsing malice of 'Sooner Acceptance', into the sombre procession of 'Endless Shesha' with its shifting movements and dark heartbeat, on to 'The Vine', a march through wind, rain and shadow, sadness and wickedness. The magnificent drumming, the colossal underpinning weight of the bass, the multifaceted guitars - fury, majesty, might and terrible sadness - and the incredible vocal performances, so wrought with raging emotion and touched by madness…each member of Soothsayer has delivered performances that lift The Unbinding to new, breathtaking levels. Final track, 'A Vague Shimmer' is perhaps the album's crowning glory, a song that captures the essence of Soothsayer, binds them to their homeland and history and engulfs the listener in momentous melancholy as it whispers of the passing of an age.

With every note imbued with resonance and portent at Last Light Recordings in Dublin (Coscradh, Diocletian, Dread Sovereign etc), The Unbinding is a living entity, rife with ghosts and memories, that has the potential to offer a different experience with every immersion in its cold waters. It will be offered up by Apocalyptic Witchcraft on July 3rd, on limited edition vinyl, digipak CD. Do not let it pass you by unheard, unexplored, unlived.

Born in Ireland's 'rebel county', Cork, in 2013, Soothsayer have built a formidable reputation, not only within the extreme metal community of the Emerald Isle, but wherever powerful, uncompromising and emotive music is treasured and held dear. After two EPs (The Soothsayer and At This Great Depth), a live album (Soothsayer Live In Malta MMXIX) and a split release with compatriots Partolón, 2021 finally saw the release of Soothsayer's full length debut album, Echoes Of The Earth. Praising the album for its ability to successfully meld “the monolithic sounds of doom with sludge, death metal and hefty doses of atmosphere”, Distorted Sound Magazine declared that Echoes Of The Earth had been “well worth the eight-year wait”. Now the time has come for Soothsayer to unveil their second album, one which builds upon the foundations laid down by Echoes Of The Earth and all that came before it, an album that absorbs and enthrals from its first note, holding you in its grasp until the very last…The Unbinding.

Opening in an irresistible shock of venom and velocity, 'Eroding The Sky' sweeps the unwary listener into Soothsayer's most compelling creation to date. Bleakly beautiful, haunted and dangerous, The Unbinding unfurls through the unpredictable power and pulsing malice of 'Sooner Acceptance', into the sombre procession of 'Endless Shesha' with its shifting movements and dark heartbeat, on to 'The Vine', a march through wind, rain and shadow, sadness and wickedness. The magnificent drumming, the colossal underpinning weight of the bass, the multifaceted guitars - fury, majesty, might and terrible sadness - and the incredible vocal performances, so wrought with raging emotion and touched by madness…each member of Soothsayer has delivered performances that lift The Unbinding to new, breathtaking levels. Final track, 'A Vague Shimmer' is perhaps the album's crowning glory, a song that captures the essence of Soothsayer, binds them to their homeland and history and engulfs the listener in momentous melancholy as it whispers of the passing of an age.

With every note imbued with resonance and portent at Last Light Recordings in Dublin (Coscradh, Diocletian, Dread Sovereign etc), The Unbinding is a living entity, rife with ghosts and memories, that has the potential to offer a different experience with every immersion in its cold waters. It will be offered up by Apocalyptic Witchcraft on July 3rd, on limited edition vinyl, digipak CD. Do not let it pass you by unheard, unexplored, unlived.

Skuggor, the solo project of M., an Australian multi-instrumentalist based in northern Sweden, draws its essence from the meeting point between the physical and the transcendental. Deep forests and snow-covered terrain are not merely backdrops, but gateways – spaces where hypnotic states and introspection take hold. On “The Expanse”, this duality comes into sharp focus: the beauty of the northern landscape set against an undercurrent of solitude and quiet desolation.

The foundation was laid somewhere along the long, winding road between M.’s home in Moskosel and the Nordvis headquarters in Arvidsjaur – a woodland stretch largely untouched by modern intrusions. Written to accompany that journey, “The Expanse” takes shape as a series of impressions formed by both the beauty and the unforgiving nature of the environment. While echoes of Burzum, Agalloch, Urfaust, and Drudkh can be sensed throughout, Skuggor reshapes these influences into something distinctly its own.

Musically, the album moves between organic synthesiser passages and harsh, fuzz-laden guitars, with vocals that feel improvised and immediate – less bound to language than to emotion. The result is fluid and instinctive, allowing each composition to emerge as a natural extension of atmosphere rather than rigid structure. Minimalism here is mainly expressed through restraint: repetition, pacing, and subtle shifts that draw the listener deeper into the sound.

Skuggor, the solo project of M., an Australian multi-instrumentalist based in northern Sweden, draws its essence from the meeting point between the physical and the transcendental. Deep forests and snow-covered terrain are not merely backdrops, but gateways – spaces where hypnotic states and introspection take hold. On “The Expanse”, this duality comes into sharp focus: the beauty of the northern landscape set against an undercurrent of solitude and quiet desolation.

The foundation was laid somewhere along the long, winding road between M.’s home in Moskosel and the Nordvis headquarters in Arvidsjaur – a woodland stretch largely untouched by modern intrusions. Written to accompany that journey, “The Expanse” takes shape as a series of impressions formed by both the beauty and the unforgiving nature of the environment. While echoes of Burzum, Agalloch, Urfaust, and Drudkh can be sensed throughout, Skuggor reshapes these influences into something distinctly its own.

Musically, the album moves between organic synthesiser passages and harsh, fuzz-laden guitars, with vocals that feel improvised and immediate – less bound to language than to emotion. The result is fluid and instinctive, allowing each composition to emerge as a natural extension of atmosphere rather than rigid structure. Minimalism here is mainly expressed through restraint: repetition, pacing, and subtle shifts that draw the listener deeper into the sound.

This winter & historical Black Metal is true Marchigian Black Metal!
“Picenum (True Marchigian Black Metal Renaissance)“ is the natural continuation of “Fra Li Monti Sibillini”, expanding its concept to the entire Marche region (the title Picenum indicates the ancient name for a large part of this region). The album is set mostly in the late Middle Ages but also at the beginning of the Renaissance (here highlighted in its darker sides, experienced through the darkness of my region and the places where I was born).
After a brief intro about the region’s ancient origins, the album is divided into 3 parts:
• The first is dedicated to the history and the very dark legends of the region Marche: the Da Varano Lords who rebelled against the Church by joining the Cursed League in 1375; the history and legend of the Rocca di Pitino (Pitino Fortress) and its deconsecrated church and cemetery; the history and legend of the very dark Roccaccia (The Ugly Fortress) and its warlord necromancer, a servant of the devil.
• The second is dedicated to the folklore and legends of my region: lu lupu mannà (the Marchigian werewolf), the Mazzamurello (a dark Marchigian sprite), the Sdrega (the Marchigian witch), before returning once again to the Sibilline Mountains... In this part, Hesperus’ grandmother’s voice (R.I.P.) narrates these folklore legends a couple of times (she knew quite a few). Here a bigger amount of Marchigian dialect than italian (more than Fra li Monti Sibillini)
• The third and longest part is, in fact, a continuation that closes the circle with the previous album, and the part is “Ritorno fra li monti Sibillini” (Return to the Sibilline Mountains), with two tracks focusing on the goat-fairies and the Sibylla, and another two tracks that speak of the geographical novel of the Chevalier De la Sale, a real historical figure who was tasked with exploring the Sibilline Mountains and understanding what was inside the Sibylla’s cave (thus, not a knight from an epic poem like in the previous album); he truly met the inhabitants of Montemonaco (Mons Daemoniacus) who led him to the vestibule of the Sibylla’s cave (on the summit of Monte Sibilla)
and told him numerous stories of those who entered the cave, including that of a German knight who returned because he was not forgiven by the Church and remained there... forever (the last track: the final 12’ suite).
Stylistically, the album has many similarities with the previous record (a Mediaval Black Metalin the vein of ‘90s) but adds some Renaissance parts and some ‘80s proto Black Metal passages.

As you will notice, there are folk/ambient interludes as in the previous album, but they are not on separate tracks; they are at the end of each track (incorporated into the tracks even if they appear in the tracklist).

This winter & historical Black Metal is true Marchigian Black Metal!
“Picenum (True Marchigian Black Metal Renaissance)“ is the natural continuation of “Fra Li Monti Sibillini”, expanding its concept to the entire Marche region (the title Picenum indicates the ancient name for a large part of this region). The album is set mostly in the late Middle Ages but also at the beginning of the Renaissance (here highlighted in its darker sides, experienced through the darkness of my region and the places where I was born).
After a brief intro about the region’s ancient origins, the album is divided into 3 parts:
• The first is dedicated to the history and the very dark legends of the region Marche: the Da Varano Lords who rebelled against the Church by joining the Cursed League in 1375; the history and legend of the Rocca di Pitino (Pitino Fortress) and its deconsecrated church and cemetery; the history and legend of the very dark Roccaccia (The Ugly Fortress) and its warlord necromancer, a servant of the devil.
• The second is dedicated to the folklore and legends of my region: lu lupu mannà (the Marchigian werewolf), the Mazzamurello (a dark Marchigian sprite), the Sdrega (the Marchigian witch), before returning once again to the Sibilline Mountains... In this part, Hesperus’ grandmother’s voice (R.I.P.) narrates these folklore legends a couple of times (she knew quite a few). Here a bigger amount of Marchigian dialect than italian (more than Fra li Monti Sibillini)
• The third and longest part is, in fact, a continuation that closes the circle with the previous album, and the part is “Ritorno fra li monti Sibillini” (Return to the Sibilline Mountains), with two tracks focusing on the goat-fairies and the Sibylla, and another two tracks that speak of the geographical novel of the Chevalier De la Sale, a real historical figure who was tasked with exploring the Sibilline Mountains and understanding what was inside the Sibylla’s cave (thus, not a knight from an epic poem like in the previous album); he truly met the inhabitants of Montemonaco (Mons Daemoniacus) who led him to the vestibule of the Sibylla’s cave (on the summit of Monte Sibilla)
and told him numerous stories of those who entered the cave, including that of a German knight who returned because he was not forgiven by the Church and remained there... forever (the last track: the final 12’ suite).
Stylistically, the album has many similarities with the previous record (a Mediaval Black Metalin the vein of ‘90s) but adds some Renaissance parts and some ‘80s proto Black Metal passages.

As you will notice, there are folk/ambient interludes as in the previous album, but they are not on separate tracks; they are at the end of each track (incorporated into the tracks even if they appear in the tracklist).

THE EPIC NEW STUDIO ALBUM FROM THE LONG-STANDING JAPANESE METAL PIONEERS, INCLUDING GUEST APPEARANCE FROM OPETH'S MIKAEL ÅKERFELDT.

Japanese metal pioneers Sigh formed in 1989/1990. Their genre-classic Black Metal debut ‘Scorn Defeat’ arrived in 1993, & with a subsequent journey through the strange & the psychedelic, incorporating a whole eclectic mix of genre styles & ideas throughout their career, Sigh has remained a vital creative force in the avantgarde field whilst maintaining their old school roots, as witnessed on the 2022 album (& first for Peaceville Records), ‘Shiki’. This was followed by the remaking of their ‘Hangman’s Hymn’ album as part of the band’s 35th anniversary celebrations, in the shape of ‘I Saw The World’s End: Hangman’s Hymn MMXXV’ (2025).

Considered as somewhat of a natural evolution, yet an even more diverse leap over the already compositionally & dynamically accomplished ‘Shiki’ opus, Sigh returns with ‘Goh-ka’; a new highlight of atmosphere, technical mastery, & meticulously arranged epics of metallic grandeur.

Main-man Mirai Kawashima notes this as being as equally personal an album as ‘Shiki’, both musically & lyrically. From a musical perspective, if you were to place the main ingredients of Celtic Frost, Voivod, Black Sabbath, horror movies & Japan into a cauldron & stir it, you will get ‘Goh-ka’. Numerous additional spices such as psychedelic rock, prog rock & classical music are also evident over the album’s close to one-hour duration.

The primary theme permeating the album is Kuso-zu; a series of Buddhist paintings or illustrations depicting the nine stages of a human body's decomposition after death, created to encourage meditation on the impermanence of life, the inevitability of death, & the detachment from physical beauty & worldly attachment. It openly shows the harsh reality that no matter how beautiful you are, you’ll be dead & rot sooner or later. And Kuso-shi is a poem based on these paintings. The artworks on the cover & in the booklet of ‘Goh-ka’ are therefore Kuso-zu themselves.

Among the additional contributors to the album, Mikael Åkerfeldt of Opeth notably delivers a special guest guitar solo on the track, ‘Unputenpu’.

Limited edition light green and blue combination double vinyl. Incl. bonus track

Gold Black Smoke LP

8 previously unreleased songs — 7 new studio recordings and one live track.

Guest appearance by Shagrath (Dimmu Borgir) and Sakis Tolis (Rotting Christ) — a historic convergence of extreme metal's most iconic voices.

Formed in Gdansk, Poland in 1991, Behemoth are one of the most important and inffuential extreme metal acts of all time. Fronted by the visionary Adam Nergal Darski, the band have spent over three decades pushing the boundaries of black and death metal — building a global fanbase through uncompromising artistry, incendiary live performances, and a catalogue of landmark records. From their first Billboard 200 entry with The Apostasy (2007) to the record-breaking No. 34 debut of The Satanist (2014) — one of the highest-charting black or death metal albums in Billboard 200 history — through to The Shit Ov God debuting at No. 1 in Poland and No. 19 in Germany in 2025, Behemoth stand as both commercial titans and true underground icons. Their live pedigree is equally formidable: the band shared the stage with Slayer on multiple occasions during the legendary farewell tour, including the North American and Australian legs.

I, Scvlptor is an exclusive release from Behemoth featuring 8 previously unreleased songs — 7 new studio recordings and one live track. It is an autonomous body of work that bridges the band's foundational past with their present creative fire. The release features brand-new studio material embodying the full force of Behemoth's live energy and intensity. Two tracks — Rise of the Blackstorm of Evil (from The Return of the Northern Moon, 1992) and In Thy Pandemaeternum (from Pandemonic Incantations, 1998) — are newly re-recorded versions of early Behemoth material, reshaped with modern sonics while preserving their original spirit; a tribute to the bands who had a huge inffuence on Behemoth: “In League With Satan” (originally by Venom, feat. Shagrath of Dimmu Borgir) and “The Return of Darkness and Evil” (originally by Bathory, feat. Sakis Tolis of Rotting Christ). Available on CD, LP, MC and Limited Edition Box Set.

"I, Scvlptor is Behemoth's latest full-length release — an autonomous work that bridges our past with what is new and fresh. It features brand-new, previously unreleased tracks that embody the full force of our live energy, intensity, and the flre that has driven this band for decades. Get ready for 40 minutes of a sonic pilgrimage forged at the highest level!" — Nergal, Behemoth

8 previously unreleased songs — 7 new studio recordings and one live track.

Guest appearance by Shagrath (Dimmu Borgir) and Sakis Tolis (Rotting Christ) — a historic convergence of extreme metal's most iconic voices.

Formed in Gdansk, Poland in 1991, Behemoth are one of the most important and inffuential extreme metal acts of all time. Fronted by the visionary Adam Nergal Darski, the band have spent over three decades pushing the boundaries of black and death metal — building a global fanbase through uncompromising artistry, incendiary live performances, and a catalogue of landmark records. From their first Billboard 200 entry with The Apostasy (2007) to the record-breaking No. 34 debut of The Satanist (2014) — one of the highest-charting black or death metal albums in Billboard 200 history — through to The Shit Ov God debuting at No. 1 in Poland and No. 19 in Germany in 2025, Behemoth stand as both commercial titans and true underground icons. Their live pedigree is equally formidable: the band shared the stage with Slayer on multiple occasions during the legendary farewell tour, including the North American and Australian legs.

I, Scvlptor is an exclusive release from Behemoth featuring 8 previously unreleased songs — 7 new studio recordings and one live track. It is an autonomous body of work that bridges the band's foundational past with their present creative fire. The release features brand-new studio material embodying the full force of Behemoth's live energy and intensity. Two tracks — Rise of the Blackstorm of Evil (from The Return of the Northern Moon, 1992) and In Thy Pandemaeternum (from Pandemonic Incantations, 1998) — are newly re-recorded versions of early Behemoth material, reshaped with modern sonics while preserving their original spirit; a tribute to the bands who had a huge inffuence on Behemoth: “In League With Satan” (originally by Venom, feat. Shagrath of Dimmu Borgir) and “The Return of Darkness and Evil” (originally by Bathory, feat. Sakis Tolis of Rotting Christ). Available on CD, LP, MC and Limited Edition Box Set.

"I, Scvlptor is Behemoth's latest full-length release — an autonomous work that bridges our past with what is new and fresh. It features brand-new, previously unreleased tracks that embody the full force of our live energy, intensity, and the flre that has driven this band for decades. Get ready for 40 minutes of a sonic pilgrimage forged at the highest level!" — Nergal, Behemoth

8 previously unreleased songs — 7 new studio recordings and one live track.

Guest appearance by Shagrath (Dimmu Borgir) and Sakis Tolis (Rotting Christ) — a historic convergence of extreme metal's most iconic voices.

Formed in Gdansk, Poland in 1991, Behemoth are one of the most important and inffuential extreme metal acts of all time. Fronted by the visionary Adam Nergal Darski, the band have spent over three decades pushing the boundaries of black and death metal — building a global fanbase through uncompromising artistry, incendiary live performances, and a catalogue of landmark records. From their first Billboard 200 entry with The Apostasy (2007) to the record-breaking No. 34 debut of The Satanist (2014) — one of the highest-charting black or death metal albums in Billboard 200 history — through to The Shit Ov God debuting at No. 1 in Poland and No. 19 in Germany in 2025, Behemoth stand as both commercial titans and true underground icons. Their live pedigree is equally formidable: the band shared the stage with Slayer on multiple occasions during the legendary farewell tour, including the North American and Australian legs.

I, Scvlptor is an exclusive release from Behemoth featuring 8 previously unreleased songs — 7 new studio recordings and one live track. It is an autonomous body of work that bridges the band's foundational past with their present creative fire. The release features brand-new studio material embodying the full force of Behemoth's live energy and intensity. Two tracks — Rise of the Blackstorm of Evil (from The Return of the Northern Moon, 1992) and In Thy Pandemaeternum (from Pandemonic Incantations, 1998) — are newly re-recorded versions of early Behemoth material, reshaped with modern sonics while preserving their original spirit; a tribute to the bands who had a huge inffuence on Behemoth: “In League With Satan” (originally by Venom, feat. Shagrath of Dimmu Borgir) and “The Return of Darkness and Evil” (originally by Bathory, feat. Sakis Tolis of Rotting Christ). Available on CD, LP, MC and Limited Edition Box Set.

"I, Scvlptor is Behemoth's latest full-length release — an autonomous work that bridges our past with what is new and fresh. It features brand-new, previously unreleased tracks that embody the full force of our live energy, intensity, and the flre that has driven this band for decades. Get ready for 40 minutes of a sonic pilgrimage forged at the highest level!" — Nergal, Behemoth

Transparent red smoke effect heavy vinyl

Now in their 37th year of blasphemous brutality, Finnish Black Metal iconoclasts ARCHGOAT remain one of the most single-minded and relentlessly visceral bands in extreme music.

New album "Nightbringer, Lightbringer" once again taps into the guts of ancient evil to unearth a noxious stench of horror. Undiminished and eternal, the band's patented synthesis of mystical first wave Black/Death Metal, Punk hostility, primal Thrash and bestial Grindcore is destructive as ever in its magickal raw power.

This time around a slightly less-dank production ensures each putrid note is assimilated and felt. Mind-altering atmospherics and cryptic synth embellishments remain a feature, with some grandly melodic leads and – gasp – lower gain arpeggios in place for fleeting relief before the returning waves of pummelling satanic violence.

Uncompromising, unaffected, unbowed, and capped with another inimitable cover from the legendary Chris Moyen, this is pure ARCHGOAT: corrupted, devastating and - considering the dissolving certainties around us - still necessary.

Recommended if you like: BLASPHEMY, BEHERIT, HELLHAMMER

Now in their 37th year of blasphemous brutality, Finnish Black Metal iconoclasts ARCHGOAT remain one of the most single-minded and relentlessly visceral bands in extreme music.

New album "Nightbringer, Lightbringer" once again taps into the guts of ancient evil to unearth a noxious stench of horror. Undiminished and eternal, the band's patented synthesis of mystical first wave Black/Death Metal, Punk hostility, primal Thrash and bestial Grindcore is destructive as ever in its magickal raw power.

This time around a slightly less-dank production ensures each putrid note is assimilated and felt. Mind-altering atmospherics and cryptic synth embellishments remain a feature, with some grandly melodic leads and – gasp – lower gain arpeggios in place for fleeting relief before the returning waves of pummelling satanic violence.

Uncompromising, unaffected, unbowed, and capped with another inimitable cover from the legendary Chris Moyen, this is pure ARCHGOAT: corrupted, devastating and - considering the dissolving certainties around us - still necessary.

Recommended if you like: BLASPHEMY, BEHERIT, HELLHAMMER

Opaque red smoke effect heavy vinyl

REISSUE.

After 20 years the legendary debut album from Finnish iconoclasts ARCHGOAT remains an unstoppable and irresistible demonstration of angel-ripping Black/Death Metal profanity.

These initial ten blasphemies hailed the rising darkness, welcomed the Luciferian unlight and inaugurated ARCHGOAT's relentless ongoing black crusade against the religion of the weak. Filthy and grimy in the best tradition of venom-encrusted sacrilege, "Whore Of Bethlehem" expresses ruthless contempt for all things holy - sneering openly at Golgotha amid a torrent of trampled crucifixes and weeping, violated archangels. A dark, ritualistic symphony of impurity, "Whore Of Bethlehem" is a single-minded and destructive masterpiece of twisted black Art to snuff out all the light.

Recommended if you like: BLASPHEMY, BEHERIT, HELLHAMMER

REISSUE.

After 20 years the legendary debut album from Finnish iconoclasts ARCHGOAT remains an unstoppable and irresistible demonstration of angel-ripping Black/Death Metal profanity.

These initial ten blasphemies hailed the rising darkness, welcomed the Luciferian unlight and inaugurated ARCHGOAT's relentless ongoing black crusade against the religion of the weak. Filthy and grimy in the best tradition of venom-encrusted sacrilege, "Whore Of Bethlehem" expresses ruthless contempt for all things holy - sneering openly at Golgotha amid a torrent of trampled crucifixes and weeping, violated archangels. A dark, ritualistic symphony of impurity, "Whore Of Bethlehem" is a single-minded and destructive masterpiece of twisted black Art to snuff out all the light.

Recommended if you like: BLASPHEMY, BEHERIT, HELLHAMMER

"If the Werewolves aesthetic is violence, then Faustian's is fear and horror"...

Australian black metal force, Faustian, have been referred to as a super group of the Antipodean extreme metal scene; the members of this formidable three-piece having set their demons loose with the likes of Werewolves, The Berzerker, The Amenta, The Antichrist Imperium, Psycroptic, Abramelin and more. However, when confronted with the atmospheric, majestic inferno that is the sound of Faustian, whatever else its creators may have achieved is inconsequential - nothing else matters beyond experiencing the firestorm they unleash in this particular incarnation to its fullest enticing, exhilarating, unnerving extent. With a new deal signed with Apocalyptic Witchcraft, the band are now prepared to unveil their latest collection of unholy hymns. Following in the scorched earth wake of 2023s We Come As Angels, Faustian present Parable Of The Sewer…

From the first, breathless assault of 'I Curse You', with its storm torn atmosphere, dramatic darkness and furious speed, to the warped denouement of 'The Rot Shall Inherit The Earth', a sickly melodious foretelling of putrefaction and degradation, Parable Of The Sewer careers through fear-filled twilight and tenebrous realms of profane secrets. A combination of powerfully evocative lyrics and soul scarring music creates an unequivocal, yet irresistible invitation to damnation. From the indefatigable velocity of the wicked 'Cephalophore' to the precision guitar patterns and chanted revelations of 'Immaculate', the cruel, haunting and surely damned 'We Do Not Use Names Here' to the cold menace of 'Tenements (Only The Wicked Walk In Circles), steeped in the sweat and stench of terror, every moment of Parable Of The Sewer is a masterful expression of black metal art. Sinister and insidious, overwhelming and darkly glorious, walking the edge of a sacrificial blade between repulsion and temptation, Parable Of The Sewer is music at its most potent and dangerous.

The malevolence of Faustian will be unleashed once more on July 24th, as Apocalyptic Witchcraft present Parable Of The Sewer on Limited Edition Splatter Vinyl, Digipak CD. The return of darkness and evil is upon us.

One-off limited edition

Gatefold, black flood print, with insert!

Marble vinyl

​​​​​​​

Limited edition of the entire discography of Mistress Of The Dead. that contain all the 15 CDs (4 albums - just for this boxing) + booklet of 35-40 pages and a coffin-shaped box ( wooden box made of birch )

Please see complete list of albums here at this link

11 full-length albums + bonus CD recorded specially for this edition. New artwork. Complete and strictly limited edition of 300 copies of the discography in the Book of Elffor.

Media Condition: Near Mint 
Sleeve Condition: Mint 

more info

A few light scratches on disc surface

(PLEASE NOTE_  The human skull is decoration and not part of the box!)

"The Northern Silence Years" Box-Set compiles the three albums the band released under Northern Silence Productions (which were also licensed to Nuclear Blast USA).

It is limited to 100 copies and includes:

- "Moonlover" DigiCD
- "Starmourner" DigiCD
- "Self Loather" DigiCD
- flag (100cm x 55cm with the "Reaper" artwork)
- woven logo patch
- logo metal pin
- sticker with the "Reaper" artwork
- handnumbered certificate

Vinyl :NM

Sleeve VG++  

Sealed

more info

Gatefold embossed cover, double black vinyl

This special edition comes with an exclusive silkscreened hand-printed and numbered slipcase, printed innersleeve, 12-page 12"x12" booklet and a download card. Pressed on exclusive gold nugget heavy vinyl. Limited to 102 copies.

#076/102

Small cut on the sleeve, 5 mm long, on the bottom part, as they used to do back then to mark nice-price / overstock or store promo copies

Lavish vinyl edition on 180g black vinyl, housed in a hardcover folder made of black rough solid-coloured cartonstock with embossing. Including 12" sized booklet made of solid-coloured black cartonstock with lyrics.
All folded into two pieces of cartonstock with hotfoil embossing and sealed with wax.
Limited to 300 handnumbered copies.

Vinyl unplayed. Seal was detached to unpack it, but it's still in the evenlope: in general, sleeve is in perfect conditions

Test pressing, numbered  X/5 copies

the heirs of Nortt?

Raging,repetitve yet diverse black/death metal
with a discreet yet ever present droning vibe.
Hypnotic and hysterical,channeled through the virtues
of a sharp,
strict but eventually warm sound production,
Υπνωσίνοσις provides a sonic guidance to the subsconscious and beyond!

8 panels digipack

Exactly 8 years after June 2010's 'The Grave of Civilization' Void of Silence are back with a brand new album.
Although still based on the classic Conforti/Zara line-up core, the new album features again a new lead vocalist (Luca Soi, of Arcana Coelestia and Visthia past).

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4 panels digipack with booklet!
you can preorder it now but this is not a limited edition or anything.
will be in stock on the 2nd week of February

"This what I call imagination and talent employed to produce true art. I have chills from that song and it is followed up “Curse”, a hymn filled with almost nothing but black voices, gasps, growls, hissing, vomit-like emanations, ghost-like screams of anguish – this album is a journey I assure you. I am mentally exhausted. A brilliant release that takes many elements you have heard, many you have not and combines them in a unique way that makes this record an absolute must own."

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New Mini-CD 7 tracks of blasphemy

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These songs revolve around the transformation from man to The Übermensch (German for "Overman, Overhuman, Superman, Superhuman), through the purification of the fire and the metaphor of the warrior, mainly taking inspiration from parts of Vijnanabhairava as well as personal experiences of meditation.

Fire is the main element manifested by Shiva, seen as a purifying factor and dissolving, regenerating and annihilating.
In this case also seen as the awakening of a burning and dissolving energy, which brings chaos and destroys the boundaries of mortality to reach immortality.

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Sebastian Montesi is a prolific artist, probably best known for his endeavors in Mitochondrion and for being one of the founding members of Auroch.
With Saturn’s Cross, the Canadian took a very different path, delving into cold wave territories, which little have to share with the bands he is usually associated to. Yet, when we listened to what Sebastian crafted, we had no doubt, and we gladly welcomed this new project to our roster. With neither hope nor fear, Saturn’s Cross unveils Cheat Death.  Now operating as a two piece, with 1908 entering the fold on bass and
vocals, Cheat Death disregards genre with wild abandon in favour of something that is at times overwhelmingly abrasive and at others intoxicating.
This is a willing exploration of the endless labyrinth and a lamp of pitch black glass intended to serve as a beacon in the lightless depths of the human spirit. This is a headlong dive into the soul's psychic darkness, with nothing to break the fall. This ushers in a new era Saturn's Cross.

Digipack limited to 500 Copies
Orchestral Fantasy Music / Epic Dungeon Synth

“Show My Mercy” is an EP about the remorse that humans will feel, when they are stuck in the swirl
of karma made by themselves. Blinded by fury, greed, sorrow, heading for their destruction step by step.

The digipak comes as four-sided panel with booklet-sleeve and eight-sided booklet.

“Our goal – call to blight the life existance. Our weapon – weaknesses and vices of human scum.”
Virvel Av Morkerhatet, Ukraine: a hard atom that represents the defect of the human thought, that is multiplied by self-destruction of transcendental consciousness. Anticosmos through Black Magic.
We know you dreamt about a violent and ruthless edge of Ved Buens Ende, if we can figure this out in our minds.
This is a record that will not leave you indifferent and will nail your soul, a marvellous mix of avantgarde metal and evil fury where every second minute is unpredictable although not pushing too much over the reasonable boundaries of experimentation that every black metal band should safely keep….

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180g black vinyl in a classy package.

This winter & historical Black Metal is true Marchigian Black Metal!
“Picenum (True Marchigian Black Metal Renaissance)“ is the natural continuation of “Fra Li Monti Sibillini”, expanding its concept to the entire Marche region (the title Picenum indicates the ancient name for a large part of this region). The album is set mostly in the late Middle Ages but also at the beginning of the Renaissance (here highlighted in its darker sides, experienced through the darkness of my region and the places where I was born).
After a brief intro about the region’s ancient origins, the album is divided into 3 parts:
• The first is dedicated to the history and the very dark legends of the region Marche: the Da Varano Lords who rebelled against the Church by joining the Cursed League in 1375; the history and legend of the Rocca di Pitino (Pitino Fortress) and its deconsecrated church and cemetery; the history and legend of the very dark Roccaccia (The Ugly Fortress) and its warlord necromancer, a servant of the devil.
• The second is dedicated to the folklore and legends of my region: lu lupu mannà (the Marchigian werewolf), the Mazzamurello (a dark Marchigian sprite), the Sdrega (the Marchigian witch), before returning once again to the Sibilline Mountains... In this part, Hesperus’ grandmother’s voice (R.I.P.) narrates these folklore legends a couple of times (she knew quite a few). Here a bigger amount of Marchigian dialect than italian (more than Fra li Monti Sibillini)
• The third and longest part is, in fact, a continuation that closes the circle with the previous album, and the part is “Ritorno fra li monti Sibillini” (Return to the Sibilline Mountains), with two tracks focusing on the goat-fairies and the Sibylla, and another two tracks that speak of the geographical novel of the Chevalier De la Sale, a real historical figure who was tasked with exploring the Sibilline Mountains and understanding what was inside the Sibylla’s cave (thus, not a knight from an epic poem like in the previous album); he truly met the inhabitants of Montemonaco (Mons Daemoniacus) who led him to the vestibule of the Sibylla’s cave (on the summit of Monte Sibilla)
and told him numerous stories of those who entered the cave, including that of a German knight who returned because he was not forgiven by the Church and remained there... forever (the last track: the final 12’ suite).
Stylistically, the album has many similarities with the previous record (a Mediaval Black Metalin the vein of ‘90s) but adds some Renaissance parts and some ‘80s proto Black Metal passages.

As you will notice, there are folk/ambient interludes as in the previous album, but they are not on separate tracks; they are at the end of each track (incorporated into the tracks even if they appear in the tracklist).

Fellwarden was a concept forged by The Watcher (Fen, De Arma) back in 2014 to give voice to an epic, exultant form of black metal that nonetheless carries with it echoes of deep lamentation and remembrance. The Watcher’s goal was simple – to tell tales of sacrifice, of long-forgotten heroism and the rearing timelessness of the storm-forged landscape against a backdrop of windswept extreme metal. Fellwarden’s sound is steeped passionate vocals, subtle waves of keyboards, acoustic guitars, booming choirs and powerful riffs, underpinned by a cavernous percussive battery courtesy of Havenless (also of Fen).

Comes in a 6 panel digipak with matt varnish and metallic prints, with artwork from Adam Allain (Fen) and layout by IK (House of Inkantation).

"Wreathed in Mourncloud" is inspired by countless wanderings amongst the crags and fells of England’s Lake District, howls defiance, regret and remembrance to the bitter grey skies. The Watcher has spent the best part of three years painstakingly crafting the material that not only matches the power of its predecessor but takes every aspect of Fellwarden’s sound to the next level.

By their hammer let none be saved – Misþyrming return to lay down the law. Með hamri is the sound of the iron heel of Black Metal trampling the face of musical modernity.

Með hamri is deeply saturated with the vibrantly alive energy that Misþyrming capture so effectively on stage. The drums sound organic and powerful, the guitar distortion has a vicious bite, and D.G.’s vocals are as brutal and evocative as ever. The underlying spirit is one of action. There is melancholy, bitterness, and filth, but one of the album’s foremost characteristics is its relentless surge of determination. Never before have Misþyrming sounded livelier and more confrontational.
 

1. Sword of Faith 04:34
2. White Stone 04:13
3. Jesus Saves! 08:12
4. A New Light 04:51
5. Blessed Curse 11:53
6. Living Temples 06:2
7. Anathema Maranatha 06:10
8. Anti-Flesh Nimbus 07:14

DEATHSPELL OMEGA “The Furnaces of Palingenesia” CD/LP

11 songs, 45 minutes, recorded live and mixed on analog gear, 2018

Grim, evil and obscure, a new masterpiece for this elitarian black metal band from France

It is the band's first release of new material since their 2010 album Paracletus.