Cult full-length from 2000 finally available again on DLP.

Very well made fan-club edition, gatefold, UV spot and poster.

Six panels digipak, Very well made fan-club edition, great mastering and nice cardboard.

One of the most underrated pearls from the Swiss underground scene, Sadness. Formed in 1989 and released two demos and three full lengths from 1991 to 1998. Inspired by the occult Hellhammer and early Celtic Frost and other first waves black metal bands. On the other hand heavily rooted in doom / death metal, and later on heavily influenced by gothic metal. Debut album Ames de Marbre is the perfect blend of doom, death, black and gothic metal. This re-issue has a total new designed artwork and insert and demo Oedipus (1992) as bonus.

One of the most underrated pearls from the Swiss underground scene, Sadness. Formed in 1989 and released two demos and three full lengths from 1991 to 1998. Inspired by the occult Hellhammer and early Celtic Frost and other first waves black metal bands. On the other hand heavily rooted in doom / death metal, and later on heavily influenced by gothic metal. Debut album Ames de Marbre is the perfect blend of doom, death, black and gothic metal. This re-issue has a total new designed artwork and insert and demo Oedipus (1992) as bonus.

Despite being called from the grave at a time when Black Metal from Norway suddenly gained worldwide popularity, MALFEITOR always remained an obscure entity. When some of their compatriots signed record deals with international labels, the horde from Askim deliberately acted from within the deepest underground. With a short lifespan of only 2 years, the output produced by MALFEITOR is naturally rather meagre. The releases spawned between 1991 and 1992 only consist of 1 rehearsal- and 2 demo tapes and were back in the day only spread on home-dubbed tapes in very limited quantities. Devoted to Black Metal of the rather stripped-down, minimalist style similar to early BATHORY, ILDJARN or DARKTHRONE, MALFEITOR had the potential to release a great first full-length. Unfortunately, this wasn’t destined to happen since shortly after the release of the very promising second demo Pandemonium MALFEITOR returned to the shadows from which it was conjured. The member’s contribution to Black Metal wouldn`t end with the demise of MALFEITOR, though since out of the ashes STRID and MANES (featuring Vicotnik from DØDHEIMSGARD) rose.

Despite being called from the grave at a time when Black Metal from Norway suddenly gained worldwide popularity, MALFEITOR always remained an obscure entity. When some of their compatriots signed record deals with international labels, the horde from Askim deliberately acted from within the deepest underground. With a short lifespan of only 2 years, the output produced by MALFEITOR is naturally rather meagre. The releases spawned between 1991 and 1992 only consist of 1 rehearsal- and 2 demo tapes and were back in the day only spread on home-dubbed tapes in very limited quantities. Devoted to Black Metal of the rather stripped-down, minimalist style similar to early BATHORY, ILDJARN or DARKTHRONE, MALFEITOR had the potential to release a great first full-length. Unfortunately, this wasn’t destined to happen since shortly after the release of the very promising second demo Pandemonium MALFEITOR returned to the shadows from which it was conjured. The member’s contribution to Black Metal wouldn`t end with the demise of MALFEITOR, though since out of the ashes STRID and MANES (featuring Vicotnik from DØDHEIMSGARD) rose.

Despite being called from the grave at a time when Black Metal from Norway suddenly gained worldwide popularity, MALFEITOR always remained an obscure entity. When some of their compatriots signed record deals with international labels, the horde from Askim deliberately acted from within the deepest underground. With a short lifespan of only 2 years, the output produced by MALFEITOR is naturally rather meagre. The releases spawned between 1991 and 1992 only consist of 1 rehearsal- and 2 demo tapes and were back in the day only spread on home-dubbed tapes in very limited quantities. Devoted to Black Metal of the rather stripped-down, minimalist style similar to early BATHORY, ILDJARN or DARKTHRONE, MALFEITOR had the potential to release a great first full-length. Unfortunately, this wasn’t destined to happen since shortly after the release of the very promising second demo Pandemonium MALFEITOR returned to the shadows from which it was conjured. The member’s contribution to Black Metal wouldn`t end with the demise of MALFEITOR, though since out of the ashes STRID and MANES (featuring Vicotnik from DØDHEIMSGARD) rose.

ABIGOR’s 1994 full length debut captured the sudden discharge of the scene´s massive energy, which had built up in the early ’90s. As a result, Verwüstung turned out a bold, forceful but also deeply emotional album, created by adolescents who already had a sharp and individual idea how Black Metal should sound like. Although Verwüstung has in retrospect sometimes been overshadowed by the impact of Nachthymnen (From The Twilight Kingdom), its songwriting easily matches the 1995 classic and shows even more variety. No other ABIGOR album displays such a mix of demonic furore (“Kingdom Of Darkness”), complexity (“Universe Of Black Divine”) and atmosphere (“Midwintertears”), in addition Silenius delivered a vigorous peak performance and never sounded more powerful before or after.

For the first time, DSR presents a vinyl edition with the original 1994 cover collage. Verwüstung comes in a gatefold sleeve with an extensive 40 page booklet, including a comprehensive collection of photos and artefacts from that year, an A4 sticker sheet with the two blasphemous slogan-flyers made in early 1994, as well as liner notes and two detailed interviews:
one with Bruder Cle, talking about the tape-trading scene which shaped the emergence of Black Metal as well as this very album, and one with Georg Hrauda (Hörnix Studio), who recorded all the classic ABIGOR albums in the ’90s.

The vinyl sound – also for the first time – has been cut true to the original Hörnix master, while the download code leads to a new master, especially created for today´s mobile digital devices.

ABIGOR’s 1994 full length debut captured the sudden discharge of the scene´s massive energy, which had built up in the early ’90s. As a result, Verwüstung turned out a bold, forceful but also deeply emotional album, created by adolescents who already had a sharp and individual idea how Black Metal should sound like. Although Verwüstung has in retrospect sometimes been overshadowed by the impact of Nachthymnen (From The Twilight Kingdom), its songwriting easily matches the 1995 classic and shows even more variety. No other ABIGOR album displays such a mix of demonic furore (“Kingdom Of Darkness”), complexity (“Universe Of Black Divine”) and atmosphere (“Midwintertears”), in addition Silenius delivered a vigorous peak performance and never sounded more powerful before or after.

For the first time, DSR presents a vinyl edition with the original 1994 cover collage. Verwüstung comes in a gatefold sleeve with an extensive 40 page booklet, including a comprehensive collection of photos and artefacts from that year, an A4 sticker sheet with the two blasphemous slogan-flyers made in early 1994, as well as liner notes and two detailed interviews:
one with Bruder Cle, talking about the tape-trading scene which shaped the emergence of Black Metal as well as this very album, and one with Georg Hrauda (Hörnix Studio), who recorded all the classic ABIGOR albums in the ’90s.

The vinyl sound – also for the first time – has been cut true to the original Hörnix master, while the download code leads to a new master, especially created for today´s mobile digital devices.

Swedish gothic doom entity DRACONIAN is finally back! Their new studio album, In Somnolent Ruin, will creep its way from the artist’s spirit into the light of day on May 8, 2026 via Napalm Records. This promises to be one of the most personal records in the band’s discography, revealed through a dreamlike journey across nine tracks and the poetic lyricism of vocalist Anders Jacobsson. As a recurring theme, DRACONIAN explore Plato’s theory of the soul – an element that was not planned from the very beginning, but instead emerged organically during the creation of In Somnolent Ruin.

Six years have passed since the band released its predecessor, Under a Godless Veil, DRACONIAN’s most successful record to date. Much has changed since then, yet everything feels familiar: after introducing new guitarist Niklas Nord (Myteri, DeathTrap, The Random Victims) in spring 2022, the band announced the return of vocalist Lisa Johansson, who now once again shares vocal duties with Anders Jacobsson, promising even more enigmatic music to come. Johansson had been the band’s vocalist for their first five records before leaving DRACONIAN in 2011 for personal reasons. In Somnolent Ruin marks her official comeback, following several live performances at festivals over the past years. The band’s renewed lineup is rounded out by Daniel Johansson (ex-Wormwood), who joined DRACONIAN as a full member in 2025 following Jerry Torstennson’s departure. Prior to that, Johansson had served as the band’s session drummer since 2019.

In Somnolent Ruin captures the essence of a band that no longer needs to prove anything – and yet still does. Active since the mid-1990s and having released their debut album, Where Lovers Mourn, in 2003, DRACONIAN have continuously demonstrated their unmatched ability to craft otherworldly doom melodies and searing heavy instrumentation, complemented by lyrics that read like poetry. Their art cuts deep, compelling listeners to confront their inner demons, wander through the darkest shadows, and even embrace emotional numbness, only to emerge with a sense of inner peace. This album confronts listeners with life’s hardest questions, exploring feelings of alienation and the search for direction in unfamiliar territory.

In Somnolent Ruin’s journey begins with “I Welcome Thy Arrow”, which captivates from the very first seconds through haunting melodies and a vocal interplay that embodies fragility and strength alike. Tracks such as “The Monochrome Blade” and “The Face of God” introduce increased tempo and eruptive vocal dynamics. “Anima” features Swedish artist Daniel Änghede, adding layers of emotional depth and confronting listeners with their darker impulses, capturing the sense of being lost and questioning one’s place in the world. “Asteria Beneath the Tranquil Sea” serves as a transitional interlude between “I Gave You Wings” and “Cold Heavens”, the latter exploring the delicate balance between life and death and not finding relief in any of both, while delivering the album’s most intense vocal performance. “Misanthrope River” opens with an extended instrumental passage and narration by Simon Bibby, slowing the tempo but by no means reducing the emotional weight, reflecting life’s daily struggles and obstacles. The closing track, “Lethe”, references the river of forgetfulness in Greek mythology. Those who drank from it would lose all memory. “Oh, shooting star… Drown in me! Drink. Forget. Repeat.” mourns Jacobsson through devilish growls. And yet, In Somnolent Ruin remains a work of art one wishes not to forget – not a single blink of an eye.

Swedish gothic doom entity DRACONIAN is finally back! Their new studio album, In Somnolent Ruin, will creep its way from the artist’s spirit into the light of day on May 8, 2026 via Napalm Records. This promises to be one of the most personal records in the band’s discography, revealed through a dreamlike journey across nine tracks and the poetic lyricism of vocalist Anders Jacobsson. As a recurring theme, DRACONIAN explore Plato’s theory of the soul – an element that was not planned from the very beginning, but instead emerged organically during the creation of In Somnolent Ruin.

Six years have passed since the band released its predecessor, Under a Godless Veil, DRACONIAN’s most successful record to date. Much has changed since then, yet everything feels familiar: after introducing new guitarist Niklas Nord (Myteri, DeathTrap, The Random Victims) in spring 2022, the band announced the return of vocalist Lisa Johansson, who now once again shares vocal duties with Anders Jacobsson, promising even more enigmatic music to come. Johansson had been the band’s vocalist for their first five records before leaving DRACONIAN in 2011 for personal reasons. In Somnolent Ruin marks her official comeback, following several live performances at festivals over the past years. The band’s renewed lineup is rounded out by Daniel Johansson (ex-Wormwood), who joined DRACONIAN as a full member in 2025 following Jerry Torstennson’s departure. Prior to that, Johansson had served as the band’s session drummer since 2019.

In Somnolent Ruin captures the essence of a band that no longer needs to prove anything – and yet still does. Active since the mid-1990s and having released their debut album, Where Lovers Mourn, in 2003, DRACONIAN have continuously demonstrated their unmatched ability to craft otherworldly doom melodies and searing heavy instrumentation, complemented by lyrics that read like poetry. Their art cuts deep, compelling listeners to confront their inner demons, wander through the darkest shadows, and even embrace emotional numbness, only to emerge with a sense of inner peace. This album confronts listeners with life’s hardest questions, exploring feelings of alienation and the search for direction in unfamiliar territory.

In Somnolent Ruin’s journey begins with “I Welcome Thy Arrow”, which captivates from the very first seconds through haunting melodies and a vocal interplay that embodies fragility and strength alike. Tracks such as “The Monochrome Blade” and “The Face of God” introduce increased tempo and eruptive vocal dynamics. “Anima” features Swedish artist Daniel Änghede, adding layers of emotional depth and confronting listeners with their darker impulses, capturing the sense of being lost and questioning one’s place in the world. “Asteria Beneath the Tranquil Sea” serves as a transitional interlude between “I Gave You Wings” and “Cold Heavens”, the latter exploring the delicate balance between life and death and not finding relief in any of both, while delivering the album’s most intense vocal performance. “Misanthrope River” opens with an extended instrumental passage and narration by Simon Bibby, slowing the tempo but by no means reducing the emotional weight, reflecting life’s daily struggles and obstacles. The closing track, “Lethe”, references the river of forgetfulness in Greek mythology. Those who drank from it would lose all memory. “Oh, shooting star… Drown in me! Drink. Forget. Repeat.” mourns Jacobsson through devilish growls. And yet, In Somnolent Ruin remains a work of art one wishes not to forget – not a single blink of an eye.

Including 12-page 10″ booklet and double-sided A2 poster.

The LPs are limited to 666 copies in total.

The following LP versions are available:
333 x classic black vinyl
333 x white vinyl

Warning!
If you discovered IMMORTAL after 1995, this record might not be for you.
These recordings capture the band during the 1993 Fuck Christ Tour and the 1995 Battle Of The Ages Tour — raw fan-recordings, unpolished, and unapologetically real. No sterile soundboard perfection. No studio correction. Just the unfiltered force of a band in its purest form.
These recordings breathe the spirit of a time when Black Metal was still young, dangerous, and defiantly outside the mainstream. A time before trends, before marketing, before compromise. When the scene was built on tape trading, dedication, and cold conviction.
This is a document of an era that will never return — a glimpse into the formative years of a band that reshaped Black Metal from the shadows.

Including 12-page 10″ booklet and double-sided A2 poster.

The LPs are limited to 666 copies in total.

The following LP versions are available:
333 x classic black vinyl
333 x white vinyl

Warning!
If you discovered IMMORTAL after 1995, this record might not be for you.
These recordings capture the band during the 1993 Fuck Christ Tour and the 1995 Battle Of The Ages Tour — raw fan-recordings, unpolished, and unapologetically real. No sterile soundboard perfection. No studio correction. Just the unfiltered force of a band in its purest form.
These recordings breathe the spirit of a time when Black Metal was still young, dangerous, and defiantly outside the mainstream. A time before trends, before marketing, before compromise. When the scene was built on tape trading, dedication, and cold conviction.
This is a document of an era that will never return — a glimpse into the formative years of a band that reshaped Black Metal from the shadows.

Warning!
If you discovered IMMORTAL after 1995, this record might not be for you.
These recordings capture the band during the 1993 Fuck Christ Tour and the 1995 Battle Of The Ages Tour — raw fan-recordings, unpolished, and unapologetically real. No sterile soundboard perfection. No studio correction. Just the unfiltered force of a band in its purest form.
These recordings breathe the spirit of a time when Black Metal was still young, dangerous, and defiantly outside the mainstream. A time before trends, before marketing, before compromise. When the scene was built on tape trading, dedication, and cold conviction.
This is a document of an era that will never return — a glimpse into the formative years of a band that reshaped Black Metal from the shadows.

Warning!
If you discovered IMMORTAL after 1995, this record might not be for you.
These recordings capture the band during the 1993 Fuck Christ Tour and the 1995 Battle Of The Ages Tour — raw fan-recordings, unpolished, and unapologetically real. No sterile soundboard perfection. No studio correction. Just the unfiltered force of a band in its purest form.
These recordings breathe the spirit of a time when Black Metal was still young, dangerous, and defiantly outside the mainstream. A time before trends, before marketing, before compromise. When the scene was built on tape trading, dedication, and cold conviction.
This is a document of an era that will never return — a glimpse into the formative years of a band that reshaped Black Metal from the shadows.

Sisyphean from Vilnius, Lithuania is one the most exciting bands of the genre. So far, they have released two full-length albums – This new album entitled Divergence which will be out on all formats in April 2026, released by Norway´s Edged Circle Productions.

Perfect for the quietness of the winter forest, but also well suited for a walk through the city centre. Earphones on. A bleak drizzle of rain in the city or a hazy mist in the forest. No stars in the sky, or sun in the morning, just gloom and a sense of hopelessness. But there is always a way to retaliate. To stand up to the poison of lies, deceit and oppression. The feeling of the song is both solitude and anger. Still the solitude is by choice and not by force. Is there a plot for revenge in the making?

Sisyphean provides us with a inspiring creative outlet of their unique-sounding black metal. True to their musical legacy and their history, it´s also open to new inspirations. This makes it both fresh sounding and timeless.

Brilliantly written, this fierce black metal track is built on dense guitars and relentless grooves and is dark and confrontational, but melodic within it´s consistent chord progression. It´s both straight forward and complicated at the same time. The gives you the opportunity to lose yourself in the music without pushing unnecessary changes or be troubled by unneeded breaks. Everything has a function to back up to story.

Sisyphean from Vilnius, Lithuania is one the most exciting bands of the genre. So far, they have released two full-length albums – This new album entitled Divergence which will be out on all formats in April 2026, released by Norway´s Edged Circle Productions.

Perfect for the quietness of the winter forest, but also well suited for a walk through the city centre. Earphones on. A bleak drizzle of rain in the city or a hazy mist in the forest. No stars in the sky, or sun in the morning, just gloom and a sense of hopelessness. But there is always a way to retaliate. To stand up to the poison of lies, deceit and oppression. The feeling of the song is both solitude and anger. Still the solitude is by choice and not by force. Is there a plot for revenge in the making?

Sisyphean provides us with a inspiring creative outlet of their unique-sounding black metal. True to their musical legacy and their history, it´s also open to new inspirations. This makes it both fresh sounding and timeless.

Brilliantly written, this fierce black metal track is built on dense guitars and relentless grooves and is dark and confrontational, but melodic within it´s consistent chord progression. It´s both straight forward and complicated at the same time. The gives you the opportunity to lose yourself in the music without pushing unnecessary changes or be troubled by unneeded breaks. Everything has a function to back up to story.

Limited to 175 copies.

Second press in milkly clear vinyl.

North American fans may consider ordering this vinyl from Out of Season, they will have one exclusive color (bone white vinyl).
Please note: we will not accept cancellation requests for this reason... so if you order from us, the label, this galaxy vinyl edition you will get it from us.
All shipments to USA are Duty Delivery exempt!

'Masks of the Magi' Trilogy, opus II

THE OUTSIDER 

The dreams die and the firmament drowns. Amidst the ashes of a dead forest rises a solitary kingdom. These towers breathe the blackest of magic…

Old Sorcery is a dungeon synth / black metal project from Lahti, Finland, born in 2017 from the ever-creative mind of Juuso “Vrajitor” Peltola (Warmoon Lord, Argenthorns, Vrajitor’s Tenebrarium and many more), which is now in the middle of a trilogy of releases shared between labels Out Of Season and Avantgarde Music.

The Outsider is the second part of this fantasy concept, which here blends dungeon synth with the more atmospheric and escapist part of black metal.
Over 70 minutes long, The Outsider is a real journey through fabled lands and mysteries unknown.

Gatefold cover - extended king size booklet 

Half orange half black

Kanonenfieber's debut Menschenmühle has been one of the self-produced highlights of early 2021. With its mature songwriting and uncommon thematic approach, the album is intended to commemorate the countless victims of World War I.

Men were thrown into a differing reality where only survival would count. Death, fear and hunger as a steady companion in the waist-deep trenches filled with mud. One order transferred people into cannon fodder in the human mill - World War I. The lyrical background of Menschenmühle is based on factual reports, letters and other documents from the surviving and deceased soldiers. The album was written, recorded and produced by Kanonenfieber from September 2020 to January 2021 in the Noisebringer studio

Media Condition: Near Mint 
Sleeve Condition: Mint 

more info

Metallica ‎– ...And Justice For All
Label: Vertigo ‎– 836062-1
Format: 2 × Vinyl, LP, Album, Stereo, PRS Pressing
Country: Europe
Released: 1988
 

Vinyls NM   Sleeve VG+

Numbered, unplayed 

Bootleg version released on tape.
Xerox cover / white  tape.
B1 - Recorded in Grieghallen Lystudio September 1992, Previously unreleased.
B2 - First Version from the original DSP version 1992. Recorded Mid-Winter 1992 during Fullmoon of Grieghallen.

A few light scratches on disc surface

(PLEASE NOTE_  The human skull is decoration and not part of the box!)

"The Northern Silence Years" Box-Set compiles the three albums the band released under Northern Silence Productions (which were also licensed to Nuclear Blast USA).

It is limited to 100 copies and includes:

- "Moonlover" DigiCD
- "Starmourner" DigiCD
- "Self Loather" DigiCD
- flag (100cm x 55cm with the "Reaper" artwork)
- woven logo patch
- logo metal pin
- sticker with the "Reaper" artwork
- handnumbered certificate

Vinyl :NM

Sleeve VG++  

Sealed

more info

Gatefold embossed cover, double black vinyl

This special edition comes with an exclusive silkscreened hand-printed and numbered slipcase, printed innersleeve, 12-page 12"x12" booklet and a download card. Pressed on exclusive gold nugget heavy vinyl. Limited to 102 copies.

#076/102

Triple LP in trifold cover! Neon orange vinyls, 200 copies limited 

Please note: mock-ups are purely indicative computer graphics: the final product sometimes varies considerably

The Burning Circle and Then Dust is Lycia’s fourth studio recording, originally released on double CD via Projekt Records in 1995. Save for a small CD re-release in 2006 by Silber Records, the album has never been reissued since. It is hence with great pride that here at Avantgarde Music we officially announce a new edition of one of Lycia’s masterworks from the ‘90s, due out on 2CD as well as triple LP, making this the first Burning Circle vinyl release ever.
Mike VanPortfleet himself commented: “After several years of doing more synth oriented material I wanted a return to my guitar roots (in particular English post punk and 4AD). Lycia started as a guitar based band and I wanted to reaffirm that with disc one, which was originally going to be the release. I was also listening to a lot of shoegaze then, which inspired a return of making the guitars, as opposed to the synths, the focal point of the atmospherics.”.
Many things have been said about the album along the last twentyeight years, and the band chose the following to describe the record.
Per Projekt.com. - The Burning Circle And Then Dust was a groundbreaking point in Lycia’s career. It marked a shift from more atmospheric music towards song-oriented music with tracks like “Pray” & “Slip Away.” It marked the first collaborations between Mike VanPortfleet & Lycia members David Galas & Tara Vanflower. It marked the transformation of Lycia into a honed out live touring machine.
Per Pandamonium Magazine via Projekt.com. - Moving back into more formal song structures, Burning Circle returns to true song-writing, and places equal emphasis on guitar as the electronics. However, the music is as intense and powerful as ever, conjuring up vast vistas of soundscapes which are captured in delicate webs of song and structure. Songs like “Pray” are positively dance friendly, while others find Lycia moving towards the fertile ground of darkpop. breathtaking in scope and beauty, exultant in vision, exhilarating in sensory delight. Lycia have arrived.
Per Ned Raggett of AllMusic - a high point of American dark rock and the band's greatest and most ambitious work.

Lavish vinyl edition on 180g black vinyl, housed in a hardcover folder made of black rough solid-coloured cartonstock with embossing. Including 12" sized booklet made of solid-coloured black cartonstock with lyrics.
All folded into two pieces of cartonstock with hotfoil embossing and sealed with wax.
Limited to 300 handnumbered copies.

Vinyl unplayed. Seal was detached to unpack it, but it's still in the evenlope: in general, sleeve is in perfect conditions

the heirs of Nortt?

Second album by Yorkshire’s White Medal. “Lyke Wake” features 9 new tracks recorded in 2015. The new songs follow on from “Guthmers Hahl” (2013) in terms of song writing and over all feeling but with a more refined sound. All lyrics in Yorkshire dialect with very personal themes of graft, death, grief, loss and paganism.

Ascolta su YouTube

The Clearing Path is a very young and talented solo-artist recording project. 'Watershed...' was initially released only as digital, and benefits of a promotional campaign conducted by Earsplit PR, receiving a lot of web-media consensus.
It's bleak, noisy, extremely emotional, but listening to it is so easy that you won't realize you are giving it a 3rd spin in two hours without getting bored. It appeals to a wide range of extreme music fans, from black metal to Neurosis and Pelican

Comes in a radical chic essential-design digipack

Ascolta su BandCamp

Raging,repetitve yet diverse black/death metal
with a discreet yet ever present droning vibe.
Hypnotic and hysterical,channeled through the virtues
of a sharp,
strict but eventually warm sound production,
Υπνωσίνοσις provides a sonic guidance to the subsconscious and beyond!

8 panels digipack

Exactly 8 years after June 2010's 'The Grave of Civilization' Void of Silence are back with a brand new album.
Although still based on the classic Conforti/Zara line-up core, the new album features again a new lead vocalist (Luca Soi, of Arcana Coelestia and Visthia past).

Ascolta su YouTube

4 panels digipack with booklet!
you can preorder it now but this is not a limited edition or anything.
will be in stock on the 2nd week of February

"This what I call imagination and talent employed to produce true art. I have chills from that song and it is followed up “Curse”, a hymn filled with almost nothing but black voices, gasps, growls, hissing, vomit-like emanations, ghost-like screams of anguish – this album is a journey I assure you. I am mentally exhausted. A brilliant release that takes many elements you have heard, many you have not and combines them in a unique way that makes this record an absolute must own."

Ascolta su YouTube

New Mini-CD 7 tracks of blasphemy

Ascolta su YouTube

These songs revolve around the transformation from man to The Übermensch (German for "Overman, Overhuman, Superman, Superhuman), through the purification of the fire and the metaphor of the warrior, mainly taking inspiration from parts of Vijnanabhairava as well as personal experiences of meditation.

Fire is the main element manifested by Shiva, seen as a purifying factor and dissolving, regenerating and annihilating.
In this case also seen as the awakening of a burning and dissolving energy, which brings chaos and destroys the boundaries of mortality to reach immortality.

Ascolta su BandCamp

Sebastian Montesi is a prolific artist, probably best known for his endeavors in Mitochondrion and for being one of the founding members of Auroch.
With Saturn’s Cross, the Canadian took a very different path, delving into cold wave territories, which little have to share with the bands he is usually associated to. Yet, when we listened to what Sebastian crafted, we had no doubt, and we gladly welcomed this new project to our roster. With neither hope nor fear, Saturn’s Cross unveils Cheat Death.  Now operating as a two piece, with 1908 entering the fold on bass and
vocals, Cheat Death disregards genre with wild abandon in favour of something that is at times overwhelmingly abrasive and at others intoxicating.
This is a willing exploration of the endless labyrinth and a lamp of pitch black glass intended to serve as a beacon in the lightless depths of the human spirit. This is a headlong dive into the soul's psychic darkness, with nothing to break the fall. This ushers in a new era Saturn's Cross.

Digipack limited to 500 Copies
Orchestral Fantasy Music / Epic Dungeon Synth

Note:
Previously owned copy
Disc VG ++
Cover parts: VG ++
Limited special edition for italian fans

Nota bene:
Copia usata
Dischetto in condizioni buone
Copertine in ottime condizioni
Edizione speciale limitata per i fan italiani