In 2026—marking the 40th anniversary of their original formation under the name Black Death—the legendary Norwegian duo Darkthrone, comprised of Fenriz and Nocturno Culto, returns with a new high-caliber opus devoted to old metal, under the banner of “Pre-Historic Metal.”

Pre-Historic Metal features eight tracks shaped by primordial epics and colossal riffs, driven by an organic sound infused with the ever-present spirit of the ’70s and ’80s. It stands as a worthy continuation of the mastery already showcased in It Beckons Us All (2024). This new chapter unfolds as a vast odyssey through the sonic landscapes of Thrash, Black, Heavy, and Doom Metal. Enhanced by punishing, aggressive guitar work, Darkthrone blend a cauldron of wild creativity with a nod to the songwriting methods that defined their late-’80s beginnings—now delivered with a more refined craftsmanship.

This edition of Pre-Historic Metal is available in multiple formats: CD in jewel case with a 12-page booklet, standard black vinyl, limited edition purple marble vinyl, and a deluxe limited box set. The box set includes an exclusive 180g splatter vinyl with gatefold sleeve and alternative artwork by Maciej Kamuda, an exclusive cassette edition, a CD version, a booklet featuring an interview with Harald Fossberg on the making of Pre-Historic Metal, and two posters.

In 2026—marking the 40th anniversary of their original formation under the name Black Death—the legendary Norwegian duo Darkthrone, comprised of Fenriz and Nocturno Culto, returns with a new high-caliber opus devoted to old metal, under the banner of “Pre-Historic Metal.”

Pre-Historic Metal features eight tracks shaped by primordial epics and colossal riffs, driven by an organic sound infused with the ever-present spirit of the ’70s and ’80s. It stands as a worthy continuation of the mastery already showcased in It Beckons Us All (2024). This new chapter unfolds as a vast odyssey through the sonic landscapes of Thrash, Black, Heavy, and Doom Metal. Enhanced by punishing, aggressive guitar work, Darkthrone blend a cauldron of wild creativity with a nod to the songwriting methods that defined their late-’80s beginnings—now delivered with a more refined craftsmanship.

This edition of Pre-Historic Metal is available in multiple formats: CD in jewel case with a 12-page booklet, standard black vinyl, limited edition purple marble vinyl, and a deluxe limited box set. The box set includes an exclusive 180g splatter vinyl with gatefold sleeve and alternative artwork by Maciej Kamuda, an exclusive cassette edition, a CD version, a booklet featuring an interview with Harald Fossberg on the making of Pre-Historic Metal, and two posters.

UK thrash legends Acid Reign return with their highly anticipated new album, Daze Of The Week, releasing on May 15, 2026, via Back On Black Records. Produced by Jayce Lewis, the album features ten tracks promising catchy choruses and high-speed thrash, following their 2019 release

UK thrash legends Acid Reign return with their highly anticipated new album, Daze Of The Week, releasing on May 15, 2026, via Back On Black Records. Produced by Jayce Lewis, the album features ten tracks promising catchy choruses and high-speed thrash, following their 2019 release

A descent into the most grotesque and shadowed depths of metal: For God Your Soul... For Me Your Flesh by Pungent Stench fuses visceral death metal and grindcore into a disturbing sonic mosaic.

The album shifts between ferocious bursts and sludge-soaked slowdowns, translating the macabre into pure “Gore ’n’ Roll.” Through filthy riffs and a shock-driven aesthetic, it leads the listener into an extreme reflection, suspended between black humor and a raw, unmistakable sonic violence.

A descent into the most grotesque and shadowed depths of metal: For God Your Soul... For Me Your Flesh by Pungent Stench fuses visceral death metal and grindcore into a disturbing sonic mosaic.

The album shifts between ferocious bursts and sludge-soaked slowdowns, translating the macabre into pure “Gore ’n’ Roll.” Through filthy riffs and a shock-driven aesthetic, it leads the listener into an extreme reflection, suspended between black humor and a raw, unmistakable sonic violence.

The fog-laden textures of post-punk intertwine with the aesthetics of dungeon synth and the ferocity of metal in Hymns From The Hills. Poison Ruin forge a dark, narrative-driven work where scathing riffs and medieval atmospheres transport the listener into an archaic sonic landscape.

On this release, the band distills a sense of primordial urgency, stepping away from modern conventions to embrace a dusty, visceral sound. The vocals guide each track through legends and shadow, celebrating a collective capable of commanding the underground imagination with a truly unique and inimitable stylistic identity.

The fog-laden textures of post-punk intertwine with the aesthetics of dungeon synth and the ferocity of metal in Hymns From The Hills. Poison Ruin forge a dark, narrative-driven work where scathing riffs and medieval atmospheres transport the listener into an archaic sonic landscape.

On this release, the band distills a sense of primordial urgency, stepping away from modern conventions to embrace a dusty, visceral sound. The vocals guide each track through legends and shadow, celebrating a collective capable of commanding the underground imagination with a truly unique and inimitable stylistic identity.

"Taetra Philosophia" is the NEW studio album by Abysmal Grief after a few side-releases (live albums and a compilation of rarities and oddities).

second press in dark red / black marble

Cult full-length from 2000 finally available again on DLP.

Very well made fan-club edition, gatefold, UV spot and poster.

Six panels digipak, Very well made fan-club edition, great mastering and nice cardboard.

One of the most underrated pearls from the Swiss underground scene, Sadness. Formed in 1989 and released two demos and three full lengths from 1991 to 1998. Inspired by the occult Hellhammer and early Celtic Frost and other first waves black metal bands. On the other hand heavily rooted in doom / death metal, and later on heavily influenced by gothic metal. Debut album Ames de Marbre is the perfect blend of doom, death, black and gothic metal. This re-issue has a total new designed artwork and insert and demo Oedipus (1992) as bonus.

One of the most underrated pearls from the Swiss underground scene, Sadness. Formed in 1989 and released two demos and three full lengths from 1991 to 1998. Inspired by the occult Hellhammer and early Celtic Frost and other first waves black metal bands. On the other hand heavily rooted in doom / death metal, and later on heavily influenced by gothic metal. Debut album Ames de Marbre is the perfect blend of doom, death, black and gothic metal. This re-issue has a total new designed artwork and insert and demo Oedipus (1992) as bonus.

Despite being called from the grave at a time when Black Metal from Norway suddenly gained worldwide popularity, MALFEITOR always remained an obscure entity. When some of their compatriots signed record deals with international labels, the horde from Askim deliberately acted from within the deepest underground. With a short lifespan of only 2 years, the output produced by MALFEITOR is naturally rather meagre. The releases spawned between 1991 and 1992 only consist of 1 rehearsal- and 2 demo tapes and were back in the day only spread on home-dubbed tapes in very limited quantities. Devoted to Black Metal of the rather stripped-down, minimalist style similar to early BATHORY, ILDJARN or DARKTHRONE, MALFEITOR had the potential to release a great first full-length. Unfortunately, this wasn’t destined to happen since shortly after the release of the very promising second demo Pandemonium MALFEITOR returned to the shadows from which it was conjured. The member’s contribution to Black Metal wouldn`t end with the demise of MALFEITOR, though since out of the ashes STRID and MANES (featuring Vicotnik from DØDHEIMSGARD) rose.

Despite being called from the grave at a time when Black Metal from Norway suddenly gained worldwide popularity, MALFEITOR always remained an obscure entity. When some of their compatriots signed record deals with international labels, the horde from Askim deliberately acted from within the deepest underground. With a short lifespan of only 2 years, the output produced by MALFEITOR is naturally rather meagre. The releases spawned between 1991 and 1992 only consist of 1 rehearsal- and 2 demo tapes and were back in the day only spread on home-dubbed tapes in very limited quantities. Devoted to Black Metal of the rather stripped-down, minimalist style similar to early BATHORY, ILDJARN or DARKTHRONE, MALFEITOR had the potential to release a great first full-length. Unfortunately, this wasn’t destined to happen since shortly after the release of the very promising second demo Pandemonium MALFEITOR returned to the shadows from which it was conjured. The member’s contribution to Black Metal wouldn`t end with the demise of MALFEITOR, though since out of the ashes STRID and MANES (featuring Vicotnik from DØDHEIMSGARD) rose.

Despite being called from the grave at a time when Black Metal from Norway suddenly gained worldwide popularity, MALFEITOR always remained an obscure entity. When some of their compatriots signed record deals with international labels, the horde from Askim deliberately acted from within the deepest underground. With a short lifespan of only 2 years, the output produced by MALFEITOR is naturally rather meagre. The releases spawned between 1991 and 1992 only consist of 1 rehearsal- and 2 demo tapes and were back in the day only spread on home-dubbed tapes in very limited quantities. Devoted to Black Metal of the rather stripped-down, minimalist style similar to early BATHORY, ILDJARN or DARKTHRONE, MALFEITOR had the potential to release a great first full-length. Unfortunately, this wasn’t destined to happen since shortly after the release of the very promising second demo Pandemonium MALFEITOR returned to the shadows from which it was conjured. The member’s contribution to Black Metal wouldn`t end with the demise of MALFEITOR, though since out of the ashes STRID and MANES (featuring Vicotnik from DØDHEIMSGARD) rose.

ABIGOR’s 1994 full length debut captured the sudden discharge of the scene´s massive energy, which had built up in the early ’90s. As a result, Verwüstung turned out a bold, forceful but also deeply emotional album, created by adolescents who already had a sharp and individual idea how Black Metal should sound like. Although Verwüstung has in retrospect sometimes been overshadowed by the impact of Nachthymnen (From The Twilight Kingdom), its songwriting easily matches the 1995 classic and shows even more variety. No other ABIGOR album displays such a mix of demonic furore (“Kingdom Of Darkness”), complexity (“Universe Of Black Divine”) and atmosphere (“Midwintertears”), in addition Silenius delivered a vigorous peak performance and never sounded more powerful before or after.

For the first time, DSR presents a vinyl edition with the original 1994 cover collage. Verwüstung comes in a gatefold sleeve with an extensive 40 page booklet, including a comprehensive collection of photos and artefacts from that year, an A4 sticker sheet with the two blasphemous slogan-flyers made in early 1994, as well as liner notes and two detailed interviews:
one with Bruder Cle, talking about the tape-trading scene which shaped the emergence of Black Metal as well as this very album, and one with Georg Hrauda (Hörnix Studio), who recorded all the classic ABIGOR albums in the ’90s.

The vinyl sound – also for the first time – has been cut true to the original Hörnix master, while the download code leads to a new master, especially created for today´s mobile digital devices.

ABIGOR’s 1994 full length debut captured the sudden discharge of the scene´s massive energy, which had built up in the early ’90s. As a result, Verwüstung turned out a bold, forceful but also deeply emotional album, created by adolescents who already had a sharp and individual idea how Black Metal should sound like. Although Verwüstung has in retrospect sometimes been overshadowed by the impact of Nachthymnen (From The Twilight Kingdom), its songwriting easily matches the 1995 classic and shows even more variety. No other ABIGOR album displays such a mix of demonic furore (“Kingdom Of Darkness”), complexity (“Universe Of Black Divine”) and atmosphere (“Midwintertears”), in addition Silenius delivered a vigorous peak performance and never sounded more powerful before or after.

For the first time, DSR presents a vinyl edition with the original 1994 cover collage. Verwüstung comes in a gatefold sleeve with an extensive 40 page booklet, including a comprehensive collection of photos and artefacts from that year, an A4 sticker sheet with the two blasphemous slogan-flyers made in early 1994, as well as liner notes and two detailed interviews:
one with Bruder Cle, talking about the tape-trading scene which shaped the emergence of Black Metal as well as this very album, and one with Georg Hrauda (Hörnix Studio), who recorded all the classic ABIGOR albums in the ’90s.

The vinyl sound – also for the first time – has been cut true to the original Hörnix master, while the download code leads to a new master, especially created for today´s mobile digital devices.

Swedish gothic doom entity DRACONIAN is finally back! Their new studio album, In Somnolent Ruin, will creep its way from the artist’s spirit into the light of day on May 8, 2026 via Napalm Records. This promises to be one of the most personal records in the band’s discography, revealed through a dreamlike journey across nine tracks and the poetic lyricism of vocalist Anders Jacobsson. As a recurring theme, DRACONIAN explore Plato’s theory of the soul – an element that was not planned from the very beginning, but instead emerged organically during the creation of In Somnolent Ruin.

Six years have passed since the band released its predecessor, Under a Godless Veil, DRACONIAN’s most successful record to date. Much has changed since then, yet everything feels familiar: after introducing new guitarist Niklas Nord (Myteri, DeathTrap, The Random Victims) in spring 2022, the band announced the return of vocalist Lisa Johansson, who now once again shares vocal duties with Anders Jacobsson, promising even more enigmatic music to come. Johansson had been the band’s vocalist for their first five records before leaving DRACONIAN in 2011 for personal reasons. In Somnolent Ruin marks her official comeback, following several live performances at festivals over the past years. The band’s renewed lineup is rounded out by Daniel Johansson (ex-Wormwood), who joined DRACONIAN as a full member in 2025 following Jerry Torstennson’s departure. Prior to that, Johansson had served as the band’s session drummer since 2019.

In Somnolent Ruin captures the essence of a band that no longer needs to prove anything – and yet still does. Active since the mid-1990s and having released their debut album, Where Lovers Mourn, in 2003, DRACONIAN have continuously demonstrated their unmatched ability to craft otherworldly doom melodies and searing heavy instrumentation, complemented by lyrics that read like poetry. Their art cuts deep, compelling listeners to confront their inner demons, wander through the darkest shadows, and even embrace emotional numbness, only to emerge with a sense of inner peace. This album confronts listeners with life’s hardest questions, exploring feelings of alienation and the search for direction in unfamiliar territory.

In Somnolent Ruin’s journey begins with “I Welcome Thy Arrow”, which captivates from the very first seconds through haunting melodies and a vocal interplay that embodies fragility and strength alike. Tracks such as “The Monochrome Blade” and “The Face of God” introduce increased tempo and eruptive vocal dynamics. “Anima” features Swedish artist Daniel Änghede, adding layers of emotional depth and confronting listeners with their darker impulses, capturing the sense of being lost and questioning one’s place in the world. “Asteria Beneath the Tranquil Sea” serves as a transitional interlude between “I Gave You Wings” and “Cold Heavens”, the latter exploring the delicate balance between life and death and not finding relief in any of both, while delivering the album’s most intense vocal performance. “Misanthrope River” opens with an extended instrumental passage and narration by Simon Bibby, slowing the tempo but by no means reducing the emotional weight, reflecting life’s daily struggles and obstacles. The closing track, “Lethe”, references the river of forgetfulness in Greek mythology. Those who drank from it would lose all memory. “Oh, shooting star… Drown in me! Drink. Forget. Repeat.” mourns Jacobsson through devilish growls. And yet, In Somnolent Ruin remains a work of art one wishes not to forget – not a single blink of an eye.

Media Condition: Near Mint 
Sleeve Condition: Mint 

more info

Metallica ‎– ...And Justice For All
Label: Vertigo ‎– 836062-1
Format: 2 × Vinyl, LP, Album, Stereo, PRS Pressing
Country: Europe
Released: 1988
 

Vinyls NM   Sleeve VG+

Numbered, unplayed 

Bootleg version released on tape.
Xerox cover / white  tape.
B1 - Recorded in Grieghallen Lystudio September 1992, Previously unreleased.
B2 - First Version from the original DSP version 1992. Recorded Mid-Winter 1992 during Fullmoon of Grieghallen.

A few light scratches on disc surface

(PLEASE NOTE_  The human skull is decoration and not part of the box!)

"The Northern Silence Years" Box-Set compiles the three albums the band released under Northern Silence Productions (which were also licensed to Nuclear Blast USA).

It is limited to 100 copies and includes:

- "Moonlover" DigiCD
- "Starmourner" DigiCD
- "Self Loather" DigiCD
- flag (100cm x 55cm with the "Reaper" artwork)
- woven logo patch
- logo metal pin
- sticker with the "Reaper" artwork
- handnumbered certificate

Vinyl :NM

Sleeve VG++  

Sealed

more info

Gatefold embossed cover, double black vinyl

This special edition comes with an exclusive silkscreened hand-printed and numbered slipcase, printed innersleeve, 12-page 12"x12" booklet and a download card. Pressed on exclusive gold nugget heavy vinyl. Limited to 102 copies.

#076/102

Triple LP in trifold cover! Neon orange vinyls, 200 copies limited 

Please note: mock-ups are purely indicative computer graphics: the final product sometimes varies considerably

The Burning Circle and Then Dust is Lycia’s fourth studio recording, originally released on double CD via Projekt Records in 1995. Save for a small CD re-release in 2006 by Silber Records, the album has never been reissued since. It is hence with great pride that here at Avantgarde Music we officially announce a new edition of one of Lycia’s masterworks from the ‘90s, due out on 2CD as well as triple LP, making this the first Burning Circle vinyl release ever.
Mike VanPortfleet himself commented: “After several years of doing more synth oriented material I wanted a return to my guitar roots (in particular English post punk and 4AD). Lycia started as a guitar based band and I wanted to reaffirm that with disc one, which was originally going to be the release. I was also listening to a lot of shoegaze then, which inspired a return of making the guitars, as opposed to the synths, the focal point of the atmospherics.”.
Many things have been said about the album along the last twentyeight years, and the band chose the following to describe the record.
Per Projekt.com. - The Burning Circle And Then Dust was a groundbreaking point in Lycia’s career. It marked a shift from more atmospheric music towards song-oriented music with tracks like “Pray” & “Slip Away.” It marked the first collaborations between Mike VanPortfleet & Lycia members David Galas & Tara Vanflower. It marked the transformation of Lycia into a honed out live touring machine.
Per Pandamonium Magazine via Projekt.com. - Moving back into more formal song structures, Burning Circle returns to true song-writing, and places equal emphasis on guitar as the electronics. However, the music is as intense and powerful as ever, conjuring up vast vistas of soundscapes which are captured in delicate webs of song and structure. Songs like “Pray” are positively dance friendly, while others find Lycia moving towards the fertile ground of darkpop. breathtaking in scope and beauty, exultant in vision, exhilarating in sensory delight. Lycia have arrived.
Per Ned Raggett of AllMusic - a high point of American dark rock and the band's greatest and most ambitious work.

Lavish vinyl edition on 180g black vinyl, housed in a hardcover folder made of black rough solid-coloured cartonstock with embossing. Including 12" sized booklet made of solid-coloured black cartonstock with lyrics.
All folded into two pieces of cartonstock with hotfoil embossing and sealed with wax.
Limited to 300 handnumbered copies.

Vinyl unplayed. Seal was detached to unpack it, but it's still in the evenlope: in general, sleeve is in perfect conditions

the heirs of Nortt?

Second album by Yorkshire’s White Medal. “Lyke Wake” features 9 new tracks recorded in 2015. The new songs follow on from “Guthmers Hahl” (2013) in terms of song writing and over all feeling but with a more refined sound. All lyrics in Yorkshire dialect with very personal themes of graft, death, grief, loss and paganism.

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The Clearing Path is a very young and talented solo-artist recording project. 'Watershed...' was initially released only as digital, and benefits of a promotional campaign conducted by Earsplit PR, receiving a lot of web-media consensus.
It's bleak, noisy, extremely emotional, but listening to it is so easy that you won't realize you are giving it a 3rd spin in two hours without getting bored. It appeals to a wide range of extreme music fans, from black metal to Neurosis and Pelican

Comes in a radical chic essential-design digipack

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Raging,repetitve yet diverse black/death metal
with a discreet yet ever present droning vibe.
Hypnotic and hysterical,channeled through the virtues
of a sharp,
strict but eventually warm sound production,
Υπνωσίνοσις provides a sonic guidance to the subsconscious and beyond!

8 panels digipack

Exactly 8 years after June 2010's 'The Grave of Civilization' Void of Silence are back with a brand new album.
Although still based on the classic Conforti/Zara line-up core, the new album features again a new lead vocalist (Luca Soi, of Arcana Coelestia and Visthia past).

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4 panels digipack with booklet!
you can preorder it now but this is not a limited edition or anything.
will be in stock on the 2nd week of February

"This what I call imagination and talent employed to produce true art. I have chills from that song and it is followed up “Curse”, a hymn filled with almost nothing but black voices, gasps, growls, hissing, vomit-like emanations, ghost-like screams of anguish – this album is a journey I assure you. I am mentally exhausted. A brilliant release that takes many elements you have heard, many you have not and combines them in a unique way that makes this record an absolute must own."

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New Mini-CD 7 tracks of blasphemy

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These songs revolve around the transformation from man to The Übermensch (German for "Overman, Overhuman, Superman, Superhuman), through the purification of the fire and the metaphor of the warrior, mainly taking inspiration from parts of Vijnanabhairava as well as personal experiences of meditation.

Fire is the main element manifested by Shiva, seen as a purifying factor and dissolving, regenerating and annihilating.
In this case also seen as the awakening of a burning and dissolving energy, which brings chaos and destroys the boundaries of mortality to reach immortality.

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Digipack limited to 500 Copies
Orchestral Fantasy Music / Epic Dungeon Synth

“Our goal – call to blight the life existance. Our weapon – weaknesses and vices of human scum.”
Virvel Av Morkerhatet, Ukraine: a hard atom that represents the defect of the human thought, that is multiplied by self-destruction of transcendental consciousness. Anticosmos through Black Magic.
We know you dreamt about a violent and ruthless edge of Ved Buens Ende, if we can figure this out in our minds.
This is a record that will not leave you indifferent and will nail your soul, a marvellous mix of avantgarde metal and evil fury where every second minute is unpredictable although not pushing too much over the reasonable boundaries of experimentation that every black metal band should safely keep….

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Nietzsche's Zarathustra created the mountain beneath him where he could only teach himself. He went down among the people in this infinite joy. But still he returned and plunged into the Gogolian depths of desperation. He left his work to the world, just as Gogol let the dead souls be lost among the flames. Joy and loneliness were both present on the mountain, where Zarathustra finally found nothing but himself.

Numbered copy of 5 manufactured

North American fans may consider ordering this vinyl from Out of Season, they will have one exclusive color (bone white vinyl).
Please note: we will not accept cancellation requests for this reason... so if you order from us, the label, this galaxy vinyl edition you will get it from us.
All shipments to USA are Duty Delivery exempt!

'Masks of the Magi' Trilogy, opus II

THE OUTSIDER 

The dreams die and the firmament drowns. Amidst the ashes of a dead forest rises a solitary kingdom. These towers breathe the blackest of magic…

Old Sorcery is a dungeon synth / black metal project from Lahti, Finland, born in 2017 from the ever-creative mind of Juuso “Vrajitor” Peltola (Warmoon Lord, Argenthorns, Vrajitor’s Tenebrarium and many more), which is now in the middle of a trilogy of releases shared between labels Out Of Season and Avantgarde Music.

The Outsider is the second part of this fantasy concept, which here blends dungeon synth with the more atmospheric and escapist part of black metal.
Over 70 minutes long, The Outsider is a real journey through fabled lands and mysteries unknown.

Trhä truly stands in a league of its own. The sheer volume of material, combined with its distinctive, otherworldly approach to raw black metal, makes it feel like an inexhaustible well of inspiration. Even among the genre’s most prolific anonymous acts, few manage to be this consistently innovative.

This latest album is an excellent example of Trhä’s ability to push boundaries—blazing fast, drenched in atmosphere, yet never falling into predictability. That comparison to Liturgy on track 6 is fascinating, especially since Trhä usually leans more into dreamlike, folkish textures rather than the kind of rhythmic

deconstruction Liturgy does. And that synth closer? Just breathtaking. It’s rare for a project this prolific also to feel like it’s evolving constantly.

A5 digipack with 8 pages booklet with a completely different artwork than the standard digipack edition (or the vinyl one). Strictly limited to one-edition only


Initially announced as a complementary ep to last year's album 'oltreLuna', q[T]p eventually found in their hands a giant work, almost worth calling it a new album.

Digipack with booklet, designed by by stagandserpent.com

Lineup:
BSB - Vocals, Guitar, Bass, Drums
Vinterriket – Keyboards

After some silence Battle Dagorath returns with their fourth full-length album, an inspirational & evocative Opus of eccentric Black Art entitled “Dark Dragons of the Cosmos”. This cyclic bombastic journey is an ode to the serpent that resides in the black sky above us. Six royal symbols that echo the Omens of celestial and atmospheric phenomena and the cataclysmic order of the stars that manifests into our collective unconscious. The undiscovered black sun is used to illuminate the dissolution of the body, the divine infinity and the forms of our magical essence. DDOTC is devotion and catharsis through worship of our ancient powers and magnetism.

This is part I of a two-part release with part II coming later this year.

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As usual, during preorder weeks price is fairly reduced.
This will be increased to 10.00 euro after release date
We have a total of 60 copies in preorder set to a nice-price!
Price will be increased since copy sold 61 or after release date in any case!