THEODOR BASTARD refuse to stay still. In the five years of relative silence since their previous studio venture, the world music pioneers were searching for a way out of the darkness that’s descended over reality. The path that they discovered didn’t lead back to their home in the harsh northern forest region of Karelia but away from it, into the coldness of the city and a collapsing civilization. By reconnecting with their electronic roots, THEODOR BASTARD are reborn on a new album mysteriously called 'V'.

'V' reflects just how much has changed since the world last heard from the band. While still widely recognized internationally as leaders for ritual folk and world music, THEODOR BASTARD have re-embraced their early electronic impulses because that’s now how modern life feels: cold, sharp, tense. Long-time fans were pleasantly surprised when the pulse-pounding analog synths of “Nebo” first appeared in the award-winning Russian crime drama ‘The Method’, but the album’s lead single is a sure sign that they’re bound for dark new horizons. Like a space shuttle, “Sverkay” rumbles with distorted bass before it’s suspended high above the earth by a trap-like beat.

“Vdokh – vydokh” ("inhale - exhale"), sings a bewitching Yana Veva as she glimpses what’s to come from our dangerous endgame with war, technology and social division. To a world that’s mired in its own deadly trance, 'V' arrives like a much-needed slap across the face. The album was created during a long and trying period for THEODOR BASTARD. It offers little comfort: its anger, confusion and disappointment are hurled at the outside world, which through our own actions, is tipping over the edge. The aggressive “Vedma” surges with black cosmic energy, as if summoning the apocalypse. But the band aren’t without hope. At their core, the ritual spirit remains. “Ostavlyaem” dances as light as a feather, only to transcend this earth for a place amongst the stars.

With 'V', THEODOR BASTARD return with dark electronics for dark times.

For fans of HEILUNG, GARMARNA, WARDRUNA.

THEODOR BASTARD refuse to stay still. In the five years of relative silence since their previous studio venture, the world music pioneers were searching for a way out of the darkness that’s descended over reality. The path that they discovered didn’t lead back to their home in the harsh northern forest region of Karelia but away from it, into the coldness of the city and a collapsing civilization. By reconnecting with their electronic roots, THEODOR BASTARD are reborn on a new album mysteriously called 'V'.

'V' reflects just how much has changed since the world last heard from the band. While still widely recognized internationally as leaders for ritual folk and world music, THEODOR BASTARD have re-embraced their early electronic impulses because that’s now how modern life feels: cold, sharp, tense. Long-time fans were pleasantly surprised when the pulse-pounding analog synths of “Nebo” first appeared in the award-winning Russian crime drama ‘The Method’, but the album’s lead single is a sure sign that they’re bound for dark new horizons. Like a space shuttle, “Sverkay” rumbles with distorted bass before it’s suspended high above the earth by a trap-like beat.

“Vdokh – vydokh” ("inhale - exhale"), sings a bewitching Yana Veva as she glimpses what’s to come from our dangerous endgame with war, technology and social division. To a world that’s mired in its own deadly trance, 'V' arrives like a much-needed slap across the face. The album was created during a long and trying period for THEODOR BASTARD. It offers little comfort: its anger, confusion and disappointment are hurled at the outside world, which through our own actions, is tipping over the edge. The aggressive “Vedma” surges with black cosmic energy, as if summoning the apocalypse. But the band aren’t without hope. At their core, the ritual spirit remains. “Ostavlyaem” dances as light as a feather, only to transcend this earth for a place amongst the stars.

With 'V', THEODOR BASTARD return with dark electronics for dark times.

For fans of HEILUNG, GARMARNA, WARDRUNA.

SAOR is Andy Marshall's one-man vehicle for what he calls Caledonian Metal: an atmospheric black metal sound built from Highland landscapes and Scottish ancestral memory. Since founding the project in Glasgow in 2013, Marshall has grown SAOR from a cult curiosity into one of the genre's most distinctive voices.
‘Caledonia’ gathers five songs first heard on ‘Roots’, ‘Aura’ and ‘Guardians’ and rebuilds them from the ground up, produced by Chris Fielding. This isn't a remaster or a victory lap. Marshall wrote these songs before he had the resources or the mileage to realise them fully, and over a decade of touring has reshaped how they live and breathe on stage. The album opens with "Aura MMXXVI", a hushed procession through forests and corries that sets the record's terms early: patience, scale, and a reverence for landscape that never tips into pastiche. "The Awakening MMXXVI" answers with something more urgent, a call to old ways and older gods dressed in Marshall's most direct lyric writing on the record, the kind of song built to be shouted back at a festival crowd. "Carved in Stone MMXXVI", the album's centrepiece and lead single, carries the clearest sense of destiny and prophecy in the track list, its widescreen production giving the song's ancestral imagery real physical weight. "Hearth MMXXVI" turns inward, trading myth for something closer to memory, a meditation on home and belonging that grounds the record before its close. "Tears of a Nation MMXXVI" ends the album on its most elegiac note, mourning loss and ruin in a way that feels earned rather than performed, closing the circle the record opened with.
Guest contributions from strings, whistle, pipes and additional vocals widen the textures throughout without diluting the atmosphere, and the sequencing across all five songs traces a clear arc from landscape to legend to loss.

SAOR is Andy Marshall's one-man vehicle for what he calls Caledonian Metal: an atmospheric black metal sound built from Highland landscapes and Scottish ancestral memory. Since founding the project in Glasgow in 2013, Marshall has grown SAOR from a cult curiosity into one of the genre's most distinctive voices.
‘Caledonia’ gathers five songs first heard on ‘Roots’, ‘Aura’ and ‘Guardians’ and rebuilds them from the ground up, produced by Chris Fielding. This isn't a remaster or a victory lap. Marshall wrote these songs before he had the resources or the mileage to realise them fully, and over a decade of touring has reshaped how they live and breathe on stage. The album opens with "Aura MMXXVI", a hushed procession through forests and corries that sets the record's terms early: patience, scale, and a reverence for landscape that never tips into pastiche. "The Awakening MMXXVI" answers with something more urgent, a call to old ways and older gods dressed in Marshall's most direct lyric writing on the record, the kind of song built to be shouted back at a festival crowd. "Carved in Stone MMXXVI", the album's centrepiece and lead single, carries the clearest sense of destiny and prophecy in the track list, its widescreen production giving the song's ancestral imagery real physical weight. "Hearth MMXXVI" turns inward, trading myth for something closer to memory, a meditation on home and belonging that grounds the record before its close. "Tears of a Nation MMXXVI" ends the album on its most elegiac note, mourning loss and ruin in a way that feels earned rather than performed, closing the circle the record opened with.
Guest contributions from strings, whistle, pipes and additional vocals widen the textures throughout without diluting the atmosphere, and the sequencing across all five songs traces a clear arc from landscape to legend to loss.

Print on demad: PLEASE state your size in the order's notes:  

S - M - L - XL

After over a decade of silence, one of the best-kept secrets in the Italian underground scene is rising from the ashes. JANVS, the Roman god of beginnings, passages and endings, is a black metal entity formed in Genoa over two decades ago, which may have fallen through the tides of time for many, but never really forgotten.

In the mid ‘00s JANVS released two of the most personal and interesting black metal records ever to come out of Italy, Fulgures (2007) and Vega (2008), mixing excellent songwriting to a profound latin cultural heritage. A few years later the band re-recorded and officially released their early songs in Nigredo (2014) before disappearing into the waves of the Mediterranean sea. We were incredibly excited when composer and multi-instrumentalist Matteo “Vinctor” Barelli told us the band was working on new music once again. JANVS lineup is once again completed by Massimo "m:A Fog" Altomare on drums and Claudio "Malphas" Fogliato on bass, and the trio is ready to release the new EP Fatum Est.

In their own word, in Fatum Est, each song draws on a myth, a figure, or an episode from the Hellenic tradition, reshaping and deconstructing its narrative into an existential vision that is both intimate and universal.

This work is dedicated to those who defy the gaze of the gods, burning without oxygen in infinitesimal and eternal moments of beauty and death, drowned in the void of a cosmos eternally identical to itself, devoid of any purpose. Moving forward from the softer atmospheres of Vega, expect intensity and desperate cosmic ferocity.

Back in 2021, Blodtår announced themselves with a self-titled EP steeped in black metal mysticism. The following full-length, “Det förtegna förflutna” (2023), revealed a project capable of refined structure and melodic discipline without sacrificing intensity. Now, on their third release, the Stockholm-based duo ventures deeper still.

Where earlier works balanced woodland atmosphere with icy composure, “Monark” is driven by something more volatile. Conceived in the aftermath of a personal tragedy, the album took shape with uncompromising urgency. The opening track, “Blodtår”, emerged directly from that moment, setting the tone for a work which moves through overwhelming spiritual pain toward a fragile yet undeniable light.

Musically, the folk-infused melodic language remains central – particularly across the first half – but now intertwines with passages evoking older, more archaic currents reminiscent of early Enslaved and Falkenbach. Norse-tinged motifs surface alongside the band’s established Scandinavian melancholy, while the latter half explores tonal shifts that feel brighter, though never unscarred. Beginning in darkness and concluding in illumination, “Monark” traces recurring cycles of mental collapse and resurgence with unflinching honesty.

Gold marbled LP.

Naglfar's debut album Vittra from 1995 is an absolute essential album when it comes to melodic black metal bands.

The 2026 LP edition comes in various vinyl colors and in a gatefold cover.

Grey/white swirl vinyl limited to 300 copies

Hailing from western Norway and Sweden, MØRKGRIM is a Norwegian/Swedish Folk-Black Metal entity devoted to occult heathen Norse traditions and the darker currents of the old ways. The debut, a concept album, is entitled "Sogur frá Norðfirði" (means "Tales from Nordfjord").
MØRKGRIM was founded in 1994 by Hrafngrímnir as a one-man Black Metal project during the golden years of the genre. Several songs were written in the early days, but never recorded, as Hrafngrímnir was active in other Black Metal bands at the time.
By 1999, he began to leave the Black Metal scene behind, feeling that the genre was losing its true soul and becoming something detached from its original spirit. He moved into other forms of music, still the old darkness never left him.
Decades later, Hrafngrímnir decided to awaken MØRKGRIM, but only if it could be done with the right spirit. He moved to a remote farm, far from modern comfort, where he still lives without ordinary modern utilities such as a flushing toilet or municipal water. There, surrounded by raw nature, silence and isolation, the first MØRKGRIM album was written and recorded. It is a tribute to raw nature, the old gods, ancient Norse magick, and the Old Ways, not as image, but as a way of life.
In 2023, Nils “Dominator” Fjellström joined MØRKGRIM. Known for his work with Dark Funeral, Aeon, In Battle, The Wretched End, Myrkskog and Nordjevel, his drumming brought a new level of violence and precision to the project.
Forged in isolation and rooted in the spirit of the early 90s, MØRKGRIM is Black Metal returned to its source with a blend of raw oldschool aggression and immersive acoustic folk/norse elements.

Hailing from western Norway and Sweden, MØRKGRIM is a Norwegian/Swedish Folk-Black Metal entity devoted to occult heathen Norse traditions and the darker currents of the old ways. The debut, a concept album, is entitled "Sogur frá Norðfirði" (means "Tales from Nordfjord").
MØRKGRIM was founded in 1994 by Hrafngrímnir as a one-man Black Metal project during the golden years of the genre. Several songs were written in the early days, but never recorded, as Hrafngrímnir was active in other Black Metal bands at the time.
By 1999, he began to leave the Black Metal scene behind, feeling that the genre was losing its true soul and becoming something detached from its original spirit. He moved into other forms of music, still the old darkness never left him.
Decades later, Hrafngrímnir decided to awaken MØRKGRIM, but only if it could be done with the right spirit. He moved to a remote farm, far from modern comfort, where he still lives without ordinary modern utilities such as a flushing toilet or municipal water. There, surrounded by raw nature, silence and isolation, the first MØRKGRIM album was written and recorded. It is a tribute to raw nature, the old gods, ancient Norse magick, and the Old Ways, not as image, but as a way of life.
In 2023, Nils “Dominator” Fjellström joined MØRKGRIM. Known for his work with Dark Funeral, Aeon, In Battle, The Wretched End, Myrkskog and Nordjevel, his drumming brought a new level of violence and precision to the project.
Forged in isolation and rooted in the spirit of the early 90s, MØRKGRIM is Black Metal returned to its source with a blend of raw oldschool aggression and immersive acoustic folk/norse elements.

Hailing from western Norway and Sweden, MØRKGRIM is a Norwegian/Swedish Folk-Black Metal entity devoted to occult heathen Norse traditions and the darker currents of the old ways. The debut, a concept album, is entitled "Sogur frá Norðfirði" (means "Tales from Nordfjord").
MØRKGRIM was founded in 1994 by Hrafngrímnir as a one-man Black Metal project during the golden years of the genre. Several songs were written in the early days, but never recorded, as Hrafngrímnir was active in other Black Metal bands at the time.
By 1999, he began to leave the Black Metal scene behind, feeling that the genre was losing its true soul and becoming something detached from its original spirit. He moved into other forms of music, still the old darkness never left him.
Decades later, Hrafngrímnir decided to awaken MØRKGRIM, but only if it could be done with the right spirit. He moved to a remote farm, far from modern comfort, where he still lives without ordinary modern utilities such as a flushing toilet or municipal water. There, surrounded by raw nature, silence and isolation, the first MØRKGRIM album was written and recorded. It is a tribute to raw nature, the old gods, ancient Norse magick, and the Old Ways, not as image, but as a way of life.
In 2023, Nils “Dominator” Fjellström joined MØRKGRIM. Known for his work with Dark Funeral, Aeon, In Battle, The Wretched End, Myrkskog and Nordjevel, his drumming brought a new level of violence and precision to the project.
Forged in isolation and rooted in the spirit of the early 90s, MØRKGRIM is Black Metal returned to its source with a blend of raw oldschool aggression and immersive acoustic folk/norse elements.

To celebrate the 20th anniversary of the album “Tomb of the Ancient King” – Wormphlegm are proud to re-release the album through Extremely Rotten Productions on both 2LP and CD for the first time, with a proper mastering done from the original tapes by Dan Lowndes in Sound Resonance Studios and comes with extended artwork, a few liner notes and lyrics presented for the first time.

Solid silver and black LP limited to 450 copies.

"Originally released in a limited edition of 200 hand-numbered copies in February 2009, this hidden gem is now available to a wider audience. Featuring re-recorded drum parts and a bonus track, the definitive version of this self-titled debut album by DER WEG EINER FREIHEIT showcases the immense talent of the German trio."

"Originally released in a limited edition of 200 hand-numbered copies in February 2009, this hidden gem is now available to a wider audience. Featuring re-recorded drum parts and a bonus track, the definitive version of this self-titled debut album by DER WEG EINER FREIHEIT showcases the immense talent of the German trio."

Solid Silver and Black LP limited to 450 copies.

Solid Silver and black LP limited to 450 copies

DER WEG EINER FREIHEIT masterfully achieves the feat of making their Black Metal both ethereal and incredibly intense. With a strong focus on atmosphere, they blend ultra-fast riffs and supersonic blasts with mesmerizing melodies. This German trio once again demonstrates that the Teutonic scene is one of the most exciting today. Think of KRALLICE with more brutality and LITURGY with less psychedelia; DER WEG EINER FREIHEIT modernizes Black Metal without compromising its essence. A MUST LISTEN!"

DER WEG EINER FREIHEIT masterfully achieves the feat of making their Black Metal both ethereal and incredibly intense. With a strong focus on atmosphere, they blend ultra-fast riffs and supersonic blasts with mesmerizing melodies. This German trio once again demonstrates that the Teutonic scene is one of the most exciting today. Think of KRALLICE with more brutality and LITURGY with less psychedelia; DER WEG EINER FREIHEIT modernizes Black Metal without compromising its essence. A MUST LISTEN!"

Full coloured cover with white inner jacket + Insert & A2 Poster. Limited to 150 copies on 12" Vinyl.

Bloedmaan, returns with its third studio album “Circle of the Moon”, barely 1 year after the second full length album «Vampyric War in Blood» and 3 years since the debut album “Castle Inside the Eclipse. Like its predecessors the ingredient to Bloedmaan’s music varies very little from the main course, so those who are familiar with the previous records already know what to expect.

Rönarg’s signature guitar sound filled with the illustrious melodies never wavers to fail to draw the complete attention of the audience, Once again, one can drift away into the world of vampirism and linger on a journey leaded by the splendid guitar work accompanied by blasting drums and sharp bass elements which are entangled in a raw, yet clear production.

Just like on the previous record, there’s also room for a little bit of experimental addition, such as the ghost like ballad which’s magic really comes to life due to the haunting clean vocals. Furthermore Rönarg delivers again a disgusting form of shrieking vocals throughout the entire album that praises the sound of the dead.

Each song stands as a milestone on this record and yes, Bloedmaan has done it again! Another masterpiece of a record has been added to its fast growing discography! Every old school black metal fan, yet, fans of melodic black metal or even symphonic black metal (old emperor fans) will most likely enjoy this record from start til finish. Vampyric Melodic Black Metal at its finest!

The album comes with a 16 page booklet + Poster and full artwork design. Limited to 500 copies on CD.

Bloedmaan, returns with its third studio album “Circle of the Moon”, barely 1 year after the second full length album «Vampyric War in Blood» and 3 years since the debut album “Castle Inside the Eclipse. Like its predecessors the ingredient to Bloedmaan’s music varies very little from the main course, so those who are familiar with the previous records already know what to expect.

Rönarg’s signature guitar sound filled with the illustrious melodies never wavers to fail to draw the complete attention of the audience, Once again, one can drift away into the world of vampirism and linger on a journey leaded by the splendid guitar work accompanied by blasting drums and sharp bass elements which are entangled in a raw, yet clear production.

Just like on the previous record, there’s also room for a little bit of experimental addition, such as the ghost like ballad which’s magic really comes to life due to the haunting clean vocals. Furthermore Rönarg delivers again a disgusting form of shrieking vocals throughout the entire album that praises the sound of the dead.

Each song stands as a milestone on this record and yes, Bloedmaan has done it again! Another masterpiece of a record has been added to its fast growing discography! Every old school black metal fan, yet, fans of melodic black metal or even symphonic black metal (old emperor fans) will most likely enjoy this record from start til finish. Vampyric Melodic Black Metal at its finest!

Full coloured cover with white inner jacket + Insert. Limited to 100 copies on 12" Vinyl.

Draugr, a frequently new band hailing from the Carinthia area in Austria delivers forth their second full length album “Ahnenfeuer - Ginnungagap Chaos Pt. I”.

On this record Draugr shows a more mature side as their musicianship has drastically evolved compared to their debut album “Unter Yggdrasils Schatten”, which was released 2 years ago. The production of the album is clear, yet heavy and the overall sound is super professional which is exactly what this type of music needs.

The music itself can be compared to second wave black metal, old school riffing, furious blasting, pumping basslines and harsh shrieking vocals although the album. The guitars deliver some nice melodic parts, to beautiful tremolo picking and back to super-fast classic chord riffing, where the drums come in as a natural support to the guitars if not being the leading instrument that takes this album to a higher level with all the extra elements that are hearable in the background. The bass guitars riffs its way through the album with fury and absolute aggressiveness which gives the album that heavy low sound to bang your heads too. And the vocals as said above are harsh, shrieking and above all well mixed into the music which makes the album very pleasant to listen too.

Draugr definitely managed to deliver a fantastic beast of a second album that all fans of Classic Black Metal to Pagan Black Metal will be able to enjoy from start til end. Pure Black Metal Madness is what you can expect on this record! Hail Loki. 

The album comes with a 16 page booklet and full artwork design. Limited to 500 copies on CD.

Draugr, a frequently new band hailing from the Carinthia area in Austria delivers forth their second full length album “Ahnenfeuer - Ginnungagap Chaos Pt. I”.

On this record Draugr shows a more mature side as their musicianship has drastically evolved compared to their debut album “Unter Yggdrasils Schatten”, which was released 2 years ago. The production of the album is clear, yet heavy and the overall sound is super professional which is exactly what this type of music needs.

The music itself can be compared to second wave black metal, old school riffing, furious blasting, pumping basslines and harsh shrieking vocals although the album. The guitars deliver some nice melodic parts, to beautiful tremolo picking and back to super-fast classic chord riffing, where the drums come in as a natural support to the guitars if not being the leading instrument that takes this album to a higher level with all the extra elements that are hearable in the background. The bass guitars riffs its way through the album with fury and absolute aggressiveness which gives the album that heavy low sound to bang your heads too. And the vocals as said above are harsh, shrieking and above all well mixed into the music which makes the album very pleasant to listen too.

Draugr definitely managed to deliver a fantastic beast of a second album that all fans of Classic Black Metal to Pagan Black Metal will be able to enjoy from start til end. Pure Black Metal Madness is what you can expect on this record! Hail Loki. 

PRINT ON DEMAND

Please state your size in the order's notes:

MEDIUM / LARGE / XL / XXL

Formed in Kraków in 2019, Cursebinder set out to dissolve the lines between extreme metal and just about anything else. The self-produced demo EP (2020) announced the intention; the debut full-length Drifting (Avantgarde Music, April 2023) delivered on it, with forty minutes of haunting atmosphere, nuanced guitar work and shifting rhythms that earned the band a reputation for music impossible to pin down and difficult to forget.

Three years later, Psychohazard is a force with no shape and no mercy. The second full-length by Cursebinder hits harder and cuts deeper than anything they’ve done yet. Their latest release sees the band push for a more introspective, organic and life-affirming direction, circling the existential clash between the urban rat race and the human desire for love and connection.

At its center is raw human experience with all its contradictions; its veins overflow with a burning desire to look ever closer at the intangible forces that drive our lives. The band smashes their way through eight tracks of demolishing riffs dissolving into hazy atmospheres, jazz-inflected drift surfacing from the dark and layered rhythms drenched in pure psychedelic rage, baring their souls to those willing to listen. 

Their commitment to the ideas, unrelenting emotional power and the intensity of their live shows spill all over this record. So does everything else.  Unpredictable, elemental and intimate, Psychohazard is an invitation to ask the questions we’ve been avoiding. 

Limited edition of the entire discography of Mistress Of The Dead. that contain all the 15 CDs (4 albums - just for this boxing) + booklet of 35-40 pages and a coffin-shaped box ( wooden box made of birch )

Please see complete list of albums here at this link

11 full-length albums + bonus CD recorded specially for this edition. New artwork. Complete and strictly limited edition of 300 copies of the discography in the Book of Elffor.

Media Condition: Near Mint 
Sleeve Condition: Mint 

more info

A few light scratches on disc surface

(PLEASE NOTE_  The human skull is decoration and not part of the box!)

"The Northern Silence Years" Box-Set compiles the three albums the band released under Northern Silence Productions (which were also licensed to Nuclear Blast USA).

It is limited to 100 copies and includes:

- "Moonlover" DigiCD
- "Starmourner" DigiCD
- "Self Loather" DigiCD
- flag (100cm x 55cm with the "Reaper" artwork)
- woven logo patch
- logo metal pin
- sticker with the "Reaper" artwork
- handnumbered certificate

Vinyl :NM

Sleeve VG++  

Sealed

more info

Gatefold embossed cover, double black vinyl

This special edition comes with an exclusive silkscreened hand-printed and numbered slipcase, printed innersleeve, 12-page 12"x12" booklet and a download card. Pressed on exclusive gold nugget heavy vinyl. Limited to 102 copies.

#076/102

digipack edition, numbered copy   

Small cut on the sleeve, 5 mm long, on the bottom part, as they used to do back then to mark nice-price / overstock or store promo copies

Lavish vinyl edition on 180g black vinyl, housed in a hardcover folder made of black rough solid-coloured cartonstock with embossing. Including 12" sized booklet made of solid-coloured black cartonstock with lyrics.
All folded into two pieces of cartonstock with hotfoil embossing and sealed with wax.
Limited to 300 handnumbered copies.

Vinyl unplayed. Seal was detached to unpack it, but it's still in the evenlope: in general, sleeve is in perfect conditions

the heirs of Nortt?

Raging,repetitve yet diverse black/death metal
with a discreet yet ever present droning vibe.
Hypnotic and hysterical,channeled through the virtues
of a sharp,
strict but eventually warm sound production,
Υπνωσίνοσις provides a sonic guidance to the subsconscious and beyond!

8 panels digipack

Exactly 8 years after June 2010's 'The Grave of Civilization' Void of Silence are back with a brand new album.
Although still based on the classic Conforti/Zara line-up core, the new album features again a new lead vocalist (Luca Soi, of Arcana Coelestia and Visthia past).

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4 panels digipack with booklet!
you can preorder it now but this is not a limited edition or anything.
will be in stock on the 2nd week of February

"This what I call imagination and talent employed to produce true art. I have chills from that song and it is followed up “Curse”, a hymn filled with almost nothing but black voices, gasps, growls, hissing, vomit-like emanations, ghost-like screams of anguish – this album is a journey I assure you. I am mentally exhausted. A brilliant release that takes many elements you have heard, many you have not and combines them in a unique way that makes this record an absolute must own."

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New Mini-CD 7 tracks of blasphemy

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These songs revolve around the transformation from man to The Übermensch (German for "Overman, Overhuman, Superman, Superhuman), through the purification of the fire and the metaphor of the warrior, mainly taking inspiration from parts of Vijnanabhairava as well as personal experiences of meditation.

Fire is the main element manifested by Shiva, seen as a purifying factor and dissolving, regenerating and annihilating.
In this case also seen as the awakening of a burning and dissolving energy, which brings chaos and destroys the boundaries of mortality to reach immortality.

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Sebastian Montesi is a prolific artist, probably best known for his endeavors in Mitochondrion and for being one of the founding members of Auroch.
With Saturn’s Cross, the Canadian took a very different path, delving into cold wave territories, which little have to share with the bands he is usually associated to. Yet, when we listened to what Sebastian crafted, we had no doubt, and we gladly welcomed this new project to our roster. With neither hope nor fear, Saturn’s Cross unveils Cheat Death.  Now operating as a two piece, with 1908 entering the fold on bass and
vocals, Cheat Death disregards genre with wild abandon in favour of something that is at times overwhelmingly abrasive and at others intoxicating.
This is a willing exploration of the endless labyrinth and a lamp of pitch black glass intended to serve as a beacon in the lightless depths of the human spirit. This is a headlong dive into the soul's psychic darkness, with nothing to break the fall. This ushers in a new era Saturn's Cross.

Digipack limited to 500 Copies
Orchestral Fantasy Music / Epic Dungeon Synth

“Show My Mercy” is an EP about the remorse that humans will feel, when they are stuck in the swirl
of karma made by themselves. Blinded by fury, greed, sorrow, heading for their destruction step by step.

The digipak comes as four-sided panel with booklet-sleeve and eight-sided booklet.

“Our goal – call to blight the life existance. Our weapon – weaknesses and vices of human scum.”
Virvel Av Morkerhatet, Ukraine: a hard atom that represents the defect of the human thought, that is multiplied by self-destruction of transcendental consciousness. Anticosmos through Black Magic.
We know you dreamt about a violent and ruthless edge of Ved Buens Ende, if we can figure this out in our minds.
This is a record that will not leave you indifferent and will nail your soul, a marvellous mix of avantgarde metal and evil fury where every second minute is unpredictable although not pushing too much over the reasonable boundaries of experimentation that every black metal band should safely keep….

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Collector's Edition in 4-panel Digipack with 8-page booklet, limited to 999 copies.

Bloodbark is a project of unknown origin made by an unknown number of people embracing that nature is the creator, storyteller and the artist behind it all. This idea sprouted with the 2018’s album Bonebranches, where no human presence tarnished the art. The human aspect remained hidden, covered by snow while nature and emotion sang across beautiful landscapes and whispered verses with melodies to every listener, so it welcomed them into its utterly cold embrace of winter to lull into a cozy and familiar slumber.

In the same vein Sacred Sound of Solitude banishes all humanity and captures the snow, spirits and creatures in a world that was born anew. And there, little stories form like snowflakes within forests and mountains to bring out majestic melodies intertwined with harsh winds and thundering avalanches. It dwells into emotional journeys of spirits, battles of elements and disintegration of living beings into eternal nature. While Bloodbark started as a perfect representation of the Majestic in Atmospheric Black Metal, it now evolved into a crisp, cold and yet more complex distinction of the Majestic. However, it does not stray too far from Atmospheric Black Metal but deepens its roots. All of this is accompanied by stunning photography of nature in winter and art that is not outsourced.

• Gatefold Sleeve with interior print and lush metallic gold prints
• 180g metallic blue vinyl 

  Récits Patriotiques captures FORTERESSE in their rawest form: a rehearsal recording, originally made in preparation for Messe des Morts. Previously available only on CD, this intense snapshot of Québec black metal history now appears on vinyl for the very first time.

Especially released for the VINTERLAND concert at the "Avantgarde Music Festival II" on 05/09/2026 in a numbered and limited to 350 copies edition.

The copies not sold at the gig are on sale now besides a few tens (band's private copies) 
The EP includes two demo songs and comes in bone-white vinyl

Double LP in solid silver vinyl - 100 copies printed

Russian blackgaze duo Olhava is back with their new studio album. Frozen Blooom is the natural follow-up to self-titled Olhava (2019) and Ladoga (2020), and integrates some dronescapes the band experimented on Never Leave Me Alone (2020), the drone version of their debut.

Multi-instrumentalist Andrey Novozhilov and drummer Timur Yusupov describe their new journey with words of thoughtful contemplation: “When winter is just starting to fade and give some space to the first steps of spring… When life starts to reappear and the very early flowers peek through the thawing soil, a sudden drop of the temperature can leave them petrified and frozen back again, punished by the “Queen of Fields”. This statuesque dead beauty, being infinitely alive and dead at the same time is the main metaphor of this album. Frozen Bloom is about unfulfilled dreams. About how we sacrifice everything today for some abstract “tomorrow”, which may never come. But tomorrow and yesterday don’t exist – only this very moment of static contemplation is real”.

Frozen Bloom is Olhava’s fourth opus in three years, and here the duo took some different routes compositionally. Two of the four tracks are traditionally storm-like blackgaze passages, while the other two are leaning towards a more meditative drone experience. The album also features A. Lunn, who kindly agreed to record an electric guitar solo as well as acoustic parts and choral parts on “Frozen Bloom I”.

Frozen Bloom was recorded at Olhava home studios, as well as at the local rehearsal space. Mikhail Kurochkin took care of mixing and mastering.

While waiting for a real new album, what we get here released by WTC is a collection of all Sargeist songs which were previously available solely on vinyl, tape and compilation releases. All songs have been carefully re-mastered to keep up the audio quality.

Track 1 is taken from the split with Merrimack.
Track 2 is taken from the compilation CD entitled "Jatkosota."
Track 3 is taken from the compilation tape entitled "..and Jesus Wept."
Track 4 is taken from the split with Temple of Baal.
Track 5 was originally a bonus track from the "Satanic Black Devotion" LP.
Track 6 is taken from the compilation LP entitled "Tormenting Legends."
Track 7 is taken from the compilation LP entitled "Finnish-German Alliance."
Track 8 was originally a bonus track from the "Disciple of the Heinous Path" LP.
Track 9 is taken from the split with Bahimiron.
Track 10 is taken from the split with Drowning the Light.
Tracks 11 and 12 are taken from the the "Dark Embrace" 7" EP.
Tracks 13 and 14 are taken from the the "Lair of Necromancy" 7" EP.

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Comes in gatefold sleeve.

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With a full decade under their belts now, Ascension are no longer plucky newcomers; with Under Ether, they've truly become masters. Prepare to go under, deeper than ever...

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