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Selling vinyl - Extreme Metal and Dark music
THE FIRST SHINING ALBUM ON VINYL
STRICTLY LIMITED TO 100 COPIES
PRESENTED IN GATE-FOLDED 12" SLEEVE
INCLUDES A "VINYL-ONLY" EXCLUSIVE A2 POSTER!!!
THE FIRST SHINING ALBUM ON VINYL
STRICTLY LIMITED TO 100 COPIES
PRESENTED IN GATE-FOLDED 12" SLEEVE
INCLUDES A "VINYL-ONLY" EXCLUSIVE A2 POSTER!!!
PRESENTED IN GATE-FOLDED 12" SLEEVE
INCLUDES A "VINYL-ONLY" EXCLUSIVE A2 POSTER!!!
Reissue of this timeless classic of macabre heavy/doom metal. All songs written between 1976 and 1983.
regular edition double LP on black vinyl, with
SPECIAL 30TH ANNIVERSARY PRESSING OF THE CULT DEBUT ALBUM OF INDUSTRIAL BLACK METAL FROM THE NORWEGIAN PIONEERS. PRESENTED ON LIMITED MARBLE VINYL.
One of the pioneering industrial black metal forces to emerge in the early 90's, Mysticum brought to the world a completely unique brand of extreme & psychedelic discordant black metal with insane drum machine patterns & synths. They were originally signed to Euronymous' Deathlike Silence Productions label, such was his belief in the band (Mysticum even featured Hellhammer from Mayhem in their line-up for a brief period). However, this venture proved to be cut short following his death, forcing Mysticum to look elsewhere for the release of their eventual debut album, 'In The Streams Of Inferno', finally surfacing in 1996.
A perfect concoction of cold, primitive black metal & forward-thinking ideas from an act unafraid to push boundaries, the hell of 'In The Streams Of Inferno' has had a lasting & profound impact on many since 1996. For its Peaceville reissue, the album had received some extensive remastering work courtesy of Tom Kvålsvoll at Strype Studios in Oslo to give a better representation of the sound the band initially intended, & includes 2 bonus songs in the form of 'Eriaminell' & 'Black Magic Mushrooms'.
This special 30th anniversary pressing of 'In The Streams Of Inferno' is presented on limited marble vinyl.
Blood red 12" vinyl Incl. a 12-page booklet with lyrics and exclusive photos. Limited to 100 copies.
Black 12" vinyl (33rpm) in gatefold with 12-page insert.
First pressing 300 copies worldwide!
NORDJEVEL formed in Askim, Norway in 2015 around vocalist Doedsadmiral, drawing straight from Scandinavian black metal's established ranks. Three albums in, the addition of guitarist Destructhor (ex-Morbid Angel, Myrkskog, Zyklon) pushed the band from a melodic, folk-inflected debut toward a denser, death-informed attack.
'Damnous', the band's fourth full-length and first release for Season of Mist Underground Activists, carries Doedsadmiral's lyrics of war, death, anti-Christianity and Norse mythology across a set that moves between blistering black metal, death metal weight and slower, melodic passages sung in both Norwegian and English. Guitars, bass and guest vocals were tracked at Studio Nyhagen with engineer Kjartan Hesthagen, and the album was mixed and mastered at Studio Fredman by Fredrik Nordström, who also handled the band's previous album 'Gnavhòl'. Guest musicians round out the record's atmosphere without diluting its intent, appearing across select tracks including a closing cover.
'Damnous' reads as the most fully assembled statement in a catalogue built from the start on a close reading of Norwegian landscape and folklore.
For fans of MARDUK, 1349, WATAIN.
Gold 12" vinyl (33rpm) with black splatters in gatefold with 12-page insert.
Limited to 200 copies worldwide!
NORDJEVEL formed in Askim, Norway in 2015 around vocalist Doedsadmiral, drawing straight from Scandinavian black metal's established ranks. Three albums in, the addition of guitarist Destructhor (ex-Morbid Angel, Myrkskog, Zyklon) pushed the band from a melodic, folk-inflected debut toward a denser, death-informed attack.
'Damnous', the band's fourth full-length and first release for Season of Mist Underground Activists, carries Doedsadmiral's lyrics of war, death, anti-Christianity and Norse mythology across a set that moves between blistering black metal, death metal weight and slower, melodic passages sung in both Norwegian and English. Guitars, bass and guest vocals were tracked at Studio Nyhagen with engineer Kjartan Hesthagen, and the album was mixed and mastered at Studio Fredman by Fredrik Nordström, who also handled the band's previous album 'Gnavhòl'. Guest musicians round out the record's atmosphere without diluting its intent, appearing across select tracks including a closing cover.
'Damnous' reads as the most fully assembled statement in a catalogue built from the start on a close reading of Norwegian landscape and folklore.
For fans of MARDUK, 1349, WATAIN.
Bone white 12" vinyl (33 rpm) in deluxe gatefold printed on unfinished, heavy card stock with bone white foil and 12-page insert incl. lyrics and background information.
limited to 300 copies worldwide!
HEILUNG are known around the world for mending the spiritual gap between modern life and our historical roots. Over the past decade, the ritual collective have brought amplified history to major festivals, the Billboard charts and Hollywood films. Now, with 'Sagas', they fully immerse themselves in the realm of video games.
'Sagas' holds a special place in HEILUNG’s discography. It collects recordings that core members Maria Franz, Kai Uwe Faust and Christopher Juul created in collaboration with Ninja Theory for Hellblade II: Senua’s Saga. Taken together, these 11 tracks reveal a more cinematic and environmental side to their unmistakable sound. Performed live during The Game Awards, the entrancing “Seidh” invokes the Norse mythology that guides Senua on her quest through 9th century Iceland.
While it captures the epic journey of Hellblade II, 'Sagas' takes on a life of its own. Franz, Faust and Juul returned home from a 10-day trip across Iceland so inspired by the brute force of nature that they recorded more tracks than the ones that were included in the game. Awakened by rumbling drums and fiery chanting, the previously unheard “Slagt” prophesizes the coming apocalypse with the unstoppable force of a volcano. And yet, even when faced with the inevitable end of the world as we know it, HEILUNG’s music offers a space for healing. Lead single “Laeknisgaldr” remedies an affliction through the simple act of repetition, like water washing over stone.
With 'Sagas', HEILUNG return from the land of Hellblade with immersive new sounds.
For fans of WARDUNA, EIVØR, SOWULO, NYTT LAND.
Cover by Kai Uwe Faust & Layout by Christopher Juul, Maria Franz and Adrien Bousson.
After the unexpected success of the first & second presses, here comes a 3rd press in Smoke, black on clear vinyl
BIANCA is an exploration steeped in the subversive fire of black metal, with a penchant for doom and atmospheric resonances, centered around a female identity that spans different dimensions, from an ethereal presence to a primal rawness.
The music was born in 2024 with a series of demos composed by β and Ͷ. ES (from Hideous Divinity and Patristic) stepped in, shapeshifting the songs and giving the band a new form. Sathrath (Nocturnal Depression) joined the final recording sessions with his thunderous black metal touch.
BIANCA's first self-titled album is an enigmatic eight-step journey into the power of the human mind and the unconscious dimension as a messenger of precious insights for interpreting reality. A deep dive into the non-material aspects of human life and their transformative potential. No idea of religion, but a radical atheist and humanistic stance within the musical language of black metal, merging melodic nuances in an atmospheric embrace. A sorrowful struggle runs through the veins of BIANCA’s music, chilling to the core, yet captivating and transporting the listener to uncertainty.
Pressed on opaque red smoke effect heavy vinyl. Comes with a 2-page insert and download card. Colors on final record may vary to a degree from the mockup.
Classic brooding riffs, malignant atmospheres, primordial blastbeats and deathly guttural vocals are the hallmarks of ARCHGOAT's black art and "The Light-Devouring Darkness" is a monument to their unending vitriol and malice. Pungent as the stench of rotting flesh and supercharged with vitriol, this album exudes the reek of authentic, uncontrolled Satanic decadence.
