Vinyl

Second pressing limited to 200 copies on black or marble 180g heavy vinyl, includes double sided insert and pvc sleeve. Mastered for vinyl by Greg Chandler at Priory Recording Studios.

Todomal are back with "A Greater Good", their new studio album. The Spanish duo formed by Christopher B. Wildman and Javier Fernández (Asgaroth, Nexus 6, The Heretic, Dejadeath, etc.) bring a collection of "dark songs" (as they like to define it), which began with the seeds planted in "Ultracrepidarian," their debut album, has evolved into a complex, dense, and unclassifiable album that takes us on a journey through somber landscapes, existential doubts, tragicomedy, and spiritual and personal unrest.

"A Greater Good" poses challenging questions, wrapped in musicthat is sometimes dark and at other times luminous, spanning from slow-tempo to progressive rock to quasi-mystical litanies. The path they embarked upon with their debut album, leading to desolate landscapes and the emptiness of the plateau, has continued into darker territories, reminiscent of tenebrist altarpieces, where doubts about what is right or wrong, what we do in this world to earn redemption, or why we have a nefarious tendency to destroy what we love are depicted against a smoldering forest.

The journey continues, despite the obstacles.

"A Greater Good" boasts ambitious production to accommodate all its elements, like pieces of a giant mosaic. Vocal harmonies, acoustic elements, and occasional orchestral arrangements blend with serpentine opera-rock pieces, making their way by clawing through the earth.

Black 12" vinyl (33 rpm) in Jacket with 4-page insert.
First pressing 400 copies worldwide.

HULDER is a dark black metal project from the United States, driven by the creative partnership of Hulder and Necreon, whose three albums to date have steadily drawn the project toward more expansive and collaborative territory. ‘Verbolgen’, released jointly by Season of Mist and 20 Buck Spin, marks a decisive turn: the first HULDER record on which Necreon steps fully into his role as co-leader rather than session contributor.
Rooted in ancient nature worship, ancestral rite, and the shadows of pre-Christian tradition, ‘Verbolgen’ moves through nine tracks that trade in both the severity and the strange, wintry beauty that have always defined HULDER 's sound. The writing has grown more layered here, drawing on a wider palette of instrumentation: hurdy gurdy and additional keys from Keld bring an almost processional weight to certain passages, while Ianuaria's session flute drifts through the album like smoke across still water. Two drummers divide the record between them, Vapula and Vrolok each bringing their own character to their respective tracks, and the sum of it is a rhythm section that feels alive to the album's shifts in mood and tempo. The mix, handled by Ahti Kortelainen at Tico Tico Studio in Finland, gives the record an earthy, resonant quality that suits its themes of blood, soil, and the settling of old debts.
Even the visual identity signals a new chapter: the cover art, painted by Morrigan, is her first work created for a metal band in nearly three decades, with an updated logo crafted by Jannicke Wiese Hansen. Three of the album's songs are sung in Flemish, lending ‘Verbolgen’ a peculiar, incantatory dimension that sets it apart from anything in HULDER's back catalogue.

For fans of BATHORY, DISSECTION, MOONSORROW.

Track 1-4 Sorrow EP, recorded 1993.
Track 5-8 Nightswan EP, recorded 1995.

Limited Edition Brown Vinyl

Our copies on Purple / Silver Swirl vinyl

Originally released in 1995 on Osmose Productions, Cosmic Key Creations is proud to present the 2026 vinyl version which is officially licensed from Century Media with courtesy of Dark Tranquillity. Released in a deluxe trifold sleeve including the 2021 liner notes by Mikael Stanne and both original bandpictures from the same photo shoot that were used seperately on different versions of the album. For this release the 2021 vinyl re-master was used.

Vinyl reissue 2026 as olive white orange Splatter 2-LP2-LP.

Imaginary Sonicscape was the fifth studio album by Japanese avant-garde black metal band Sigh, released in 2001. It marked a significant step in the band's evolution, taking their experimental tendencies even further than in previous works. While still rooted in black metal, the album incorporated elements from a wide range of genres, including jazz, classical music, progressive rock, hard rock, psychedelic music, electronic music (including dub, disco and easy-listening), and occasional touches of stoner metal, baroque and fusion. This created a constantly shifting and unpredictable sonic landscape. It was praised by critics and fans alike and is still considered a classic landmark of avant-garde black metal.

Mithotyn’s Viking Metal classic for first time on vinyl! Remastered and with new artwork by Kris Verwimp.
 

Gold vinyl, limited to 250 copies

Mithotyn’s Viking Metal classic remastered and with new artwork by Kris Verwimp! First time on vinyl and digi-CD.
In 1999 Mithotyn released their last album “Gathered Around the Oaken Table”, an album filled with soothing and intriguing melodies, Black Metal ferocity, and your classic Metal heaviness.

The vocal work consists most of the time of strained Black Metal rasps, dark growls, some clean chanting vocals.
People who like Folk Metal, Viking Metal and Black Metal will enjoy Mithotyn’s music.

The Folk elements, the Viking lyrics and the musical influences from black metal are greatly mixed in this album.

The album is very melodic and soothing but also heavy, catchy and aggressive, and intense at times.

But the album is not as heavy as other Viking Meal bands, like Amon Amarth.

Thanks to a great song variety makes this album to a long-lasting album, if you like it you will definitely want to listen it over and over again.

If there are any Vikings left out there, then raise your horns and hail Mithotyn so they will always be remembered!

Black LP with 24-page booklet. Limited to 1000 copies.

Originally released on Walpurgis Night in 2006, Dissection's third and final album is widely regarded as the crowning achievement of the seminal Swedish band.

Everything about Reinkaos feels grandiose, otherworldly, and utterly complete. The timeless, majestic music, blended with lyrics pertaining to the Anti-Cosmic Current, and the stunning illustrations of the late Timo Ketola, form together a black diamond of exceptional elegance and vigour.

Unlike most bands that merely adopt Satanist symbolism and imagery for entertainment purposes, Reinkaos represents genuine Luciferian spirituality manifested as music. The eleven tracks that make up Reinkaos are truly Sonic Invocations to the Endless Dark Aeon!

Hail the dark legacy of Jon Nödtveidt!

Silver LP with 24-page booklet. Limited to 1000 copies.

Originally released on Walpurgis Night in 2006, Dissection's third and final album is widely regarded as the crowning achievement of the seminal Swedish band.

Everything about Reinkaos feels grandiose, otherworldly, and utterly complete. The timeless, majestic music, blended with lyrics pertaining to the Anti-Cosmic Current, and the stunning illustrations of the late Timo Ketola, form together a black diamond of exceptional elegance and vigour.

Unlike most bands that merely adopt Satanist symbolism and imagery for entertainment purposes, Reinkaos represents genuine Luciferian spirituality manifested as music. The eleven tracks that make up Reinkaos are truly Sonic Invocations to the Endless Dark Aeon!

Hail the dark legacy of Jon Nödtveidt!

“Music for me, is rarely complete,” says GODFLESH mastermind Justin Broadrick, “but it has to reach a point where enough is enough. Creatively, there has to be self-discipline. One has to end it.”

Broadrick is primarily referring to the nebulous process of writing and arranging songs into their various potential shapes, but he could just as easily be describing GODFLESH’s imminent conclusion. Just three years after the hypnotic crunch of Purge, 25 years after an uncertain hiatus that nearly scuttled the band, and 38 years since GODFLESH’s inception, Broadrick and bassist-at-arms Ben Green set out to mercilessly crush this cold world with their tenth and penultimate album, this year’s Decay.

“Decay was born from the same sessions as Purge,” Broadrick declares of the new record’s six tracks. “It was one huge pool of songs. I picked what I felt was appropriate for what I wanted to achieve with Purge, with the intention of releasing the songs that didn't fit as a new album within a year of Purge being released. Unfortunately, two years passed whilst considering external labels, so that I didn't have to self-release GODFLESH anymore, but it took an awful lot of time to establish a comfortable home for me. The recordings were done, but as usual for me, I did change a lot of stuff once I came back to it.”

Now, GODFLESH is ready to unleash an even bolder, bleaker series of sounds in Decay. These songs arrive shortly after Broadrick released a public statement about major abdominal surgery he underwent earlier this year. “Fortunately, all of the recordings for Decay were completed long before the surgery, vocals included… although the back end of a couple of songs were recorded with the hernia itself, and that was a struggle. I was already aware that the GODFLESH shout, so to speak, was exacerbating the hernia greatly, as was every GODFLESH performance in the lead-up to the surgery once the hernia appeared, and the hernia was mostly caused by year upon year of shouting in GODFLESH. The album was mixed post-surgery, and while I was still in some pain and considerable discomfort, but fortunately GODFLESH is generally me expressing my pain, albeit [usually] mental, philosophical and existential, whereas this was physical pain.”

While the middle of the record pulses with five-minute hate-grooves, Broadrick credits the slime-wracked opener “Master and Slave” and crawling closer “Consume Me” with Decay’s true conceptual thrust. “The bookends of Decay are the most important pieces to me. They say it all, so to speak; the album could have been just those two songs alone – the duration of them is half of the total album!”

As GODFLESH's active tenure comes to a close, Broadrick expresses gratitude that it was ever his vessel to use as he willed. “It expresses my pain, and I’ve put my body and soul into this expression for the majority of my existence. I feel quite lucky, because Godflesh is now physically impossible for me, rendering it useless. I now wish to move out of its constraints, move on creatively with heavy/ugly music to new ground.”

Shadow Records (distributed and marketed by Regain Records) proudly presents the reissue of Sorhin's debut EP, Skogsgriftens rike on LP and CD formats. Originally released in 1996, Skogsgriftens rike marks the beginning of Sorhin's journey into the pantheon of Swedish black metal, laying the foundation for the cult full-length albums “I det glimrande mörkrets djup” and “Apokalypsens ängel”. Even at this early stage, the band's identity was fully formed, a cold, evocative and unmistakably Nordic vision that would become their enduring hallmark. Nearly thirty years on, Skogsgriftens rike still stands as a monument to the cold majesty of 1990s Swedish black metal, untouched by time, uncompromising in spirit, and as haunting as the northern wilderness that inspired it. Formats: 12" vinyl LP (black vinyl) -Sturdy 300gsm vinyl-sleeve with bronze pantone print -Vinyl insert -Double-sided A2 poster -Limited to 400 copies on black vinyl -CD jewelcase -8 page booklet