Vinyl

Recorded live in Belgium in 1998, at the Nights Of The Abyss II festival, this was the first ever The Stargate performance. Over a year prior to the album's eventual release on Halloween 1999.

Released in 1998, "Odin Owns Ye All" is the second full-length studio album by Einherjer. It’s a fascinating, if slightly polarizing, chapter in the history of Viking Metal because it marked a distinct departure from the cold, black-metal-influenced sound of their debut "Dragons of the North". While their earlier work was rooted in the atmospheric and aggressive Second Wave of Black Metal, "Odin Owns Ye All" leans heavily into Heavy Metal territory. The guitar work is much more rhythmic and "groove-oriented" than the tremolo-picking found in traditional Norwegian metal and the sound is cleaner and punchier, losing the raw, lo-fi aesthetic of the mid-90s in favor of a more polished, rock n' roll Viking vibe. One of the most notable changes is the vocal delivery of Ragnar Vikse: instead of the typical black metal shriek, Vikse utilizes a unique, raspy, and melodic approach. It feels more theatrical and storytelling-driven, which fits the epic themes of Norse mythology but was quite a surprise to fans at the time.

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DYMNA LOTVA are taking a quantum leap in their rapid musical evolution with their fourth album "Vyraj". The rebellious Belarus dissidents are powerfully demonstrating that they are far more than a 'one-trick pony' in every conceivable artistic aspect. Although "Vyraj" is still based on a solid foundation of black and post-black metal, DYMNA LOTVA move far beyond any easy labelling by also drawing inspiration from doom, heavy, and progressive metal, while venturing even deeper by incorporating elements from electronic music, goth, and folklore. The album is a cornucopia of great songs that are atmospherically dense and invite the listener onto an emotional roller-coaster ride from the darkest depths of depression and fear, via raw anger and defiance, to heights of ecstatic exhilaration. "Vyraj" is a musical kaleidoscope with ever changing patterns and sonic colours of remarkable beauty – that often dissolves into captivating melodies that at times even achieve a pop-like appeal. DYMNA LOTVA continue to carry the torch of rebellion, which is only natural as the founding members had to flee their native Belarus due to political persecution and continued attempts by the Lukashenka regime to censor and suppress their art. Yet on "Vyraj", they put their lyrical focus elsewhere. The album's main concept could be described as 'Belarusian ethno-astronomy.' In Slavonic legends, the starry sky is associated both with the afterlife and with journeys, which becomes closely intertwined with the musicians' personal experience of forced emigration. This idea is captured in the album title "Vyraj", which is a mythical realm to where birds migrate for the winter, and where the souls of the departed find their final rest. DYMNA LOTVA take another big step with "Vyraj" in their breathtakingly rapid artistic evolution. It is easy to predict that this unique and highly original band will soon appear on even bigger festival billings and European stages.

What one could describe as resolutely nihilistic Black Metal, fueled by the layered experiences of its contributors, is based on the cold pronouncement of an undeniable truth: all is vanity; all that exists is doomed to fade into naught.

Thy Killing Hand, a faceless Polish duo, wields Black Metal stripped to bone and rust. Their debut full-length, "Infernal Commands", follows two tape-borne warnings - "Scarlet Ceremonies" (2023) and "Ixaxar" (2024) - and distils those impulses into a heavier, more oppressive form.

Second press

Limited edition, gatefold colored vinyl with transparent "black ice" vinyl