Vinili

Vinile nuovo ancora incellophanato, con angolo della copertina rovinato durante la spedizione.

First pressing in a edition of 300 in a gatefold jacket
-200 Black Copies (THIS)
-100 Clear

It’s been 9 years since Sonne Adam’s death-doom masterpiece “Transformation” has been released, and the world of underground death metal hasn’t been the same ever since.
Countless death metal bands tried to emulate the cavernous sound of the Israeli compound, but no one really managed to reach the same peaks of sublime, transcendental darkness that the masters themselves achieved in 2011.
VENOMOUS SKELETON is a new creature featuring 3 members of Sonne Adam and “Drowning In Circles” is the bands first full-length release.
Instead of simply picking up where Sonne Adam left off, VENOMOUS SKELETON injects a lethal dose of proto Metal Of Death to their sound, exposing more of their musical roots, roots that are deeply buried into the same rotten soil that the pioneers of death metal walked on in late 80’s and early 90’s.

This version has only been made available to friends/family of the band and label.
A small amount of this version has also been made available to those who placed a pre-order

Single Sided, Etched, Limited Edition, Red [Blood] With Smoke
-180g Vinyl with Etched B-side
-Heavy Weight Sleeves
-Printed heavy-weight insert
-Limitation undisclosed

Second vinyl pressing limited to 300 copies. Pressed on 180g vinyl. Housed in a matte gatefold jacket. Includes a double-sided, matte, heavy weight 12"x12" insert.
- 200 copies Black
- 100 copies White/Black Marble (THIS)

After several years of silence, North Carolina black metal entity WORSEN returns with the long-awaited follow up to 2014's Blood EP in the form of a violent and somber 40 minute full length album called Cursed to Witness Life. Worsen mastermind and sole member Rick Contes speaks further on the new album, "If there was something I wasn't completely satisfied with I would trash it and start over. That's one of the reasons it took several years for this album to come together. The best riffs or sections of songs would naturally find their way back and there was more focus on guitars and song structure as a whole." Regarding the recording process he continues, "Just like previous releases, all vocals and instruments were recorded and/or programmed by me. For me this ones a pretty personal and cathartic record, so I wanted to put my best effort forward and cut no corners. It's something I started alone that I needed to finish alone."

First pressing in a edition of 300
-200 Black Copies (THIS)
-100 Transparant Red with Smoke (Band & Label Exclusive)

Zwolle’s, NL, solitary Black Metal entity OSSAERT has completed its first full-length recording and will unload it upon the masses through Argento Records on February 14th 2020.
Fuelled by hatred and disgust towards everything sacred, “Bedehuis” is a superbly written debut that balances an almost theatrical dramatic charge with a malignant atmosphere which permeates through every sound wave of the record.
This 35 minute long sonic journey seamlessly shifts between savage Black Metal predatory aggression and contemplative melodic passages, wall of sound pummelling oppression and a subtle but omnipresent macabre beauty.
“Bedehuis” will be available on limited blood/smoke vinyl, black vinyl and digital on February 14th, with more formats following later.

100 copies on "Miasmal Green & Smoke" (THIS) and 150 black copies.
Includes double sided insert and polysleeve.

the opening of a thousand eyes in utter blackness.
the soft weeping of countless souls who lost all.
the smile of blood as a throat is cut
and the soft sigh as life escapes the wound.

take these as talismans in the waking world,
a crystallization of utter dread and despair.
take these dark gifts, this music of suffering.
let this woe entrance you and surrender.

Limited to 300 copies
-200 Black
-100 White (THIS)

Affliction Vector has been conceived as an introspective exploration by Ans in 2018.
After the dissolution of Ooze and his separation from Grime, the artist decided to embrace a solitary journey through his own inner demons, choosing isolation and his dissolving mental health as a fuel for his creative flame.
In 2019 drummer Christian Musich (The Secret, Grime) joined the project, projecting his primordial percussive ferocity into the compositions and solidifying the line up.
Inspired by masters like Mayhem, Bolt Thrower and Voivod, Affliction Vector regurgitates its influences into a completely new, unique, self-devouring Death and Black Metal magma that annihilates every boundary between nightmare and reality.
“Death Comes Supreme” is a spirit-possessed descent into suffering without any expectation of catharsis or cleansing. It’s the sound of an artist abandoning his mind into his own inner chaos, a realm dominated by demons.

At long last, the full fathom of MOONCITADEL's now-transcendent powers arrives with the band's long-awaited debut album, Night's Scarlet Symphonies. If past MOONCITADEL recordings bore titles evocative of their respective contents, then surely Night's Scarlet Symphonies trumps them all: here is a bountiful feast of splendorous, widescreen black metal mysticism that's reverent of the mid '90s whilst channeling energies new and untold. Everything about MOONCITADEL's debut album - spiraling melodicism, folkloric atmosphere, impassioned performance, engrossing totality - maximizes the duo's previous works to their fullest potential, all threaded together by a never-too-raw soundfield that heightens these elements further. Which is to say nothing of its attendant song titles; over the course of its impossibly vast 47-minute runtime, some of Night's Scarlet Symphonies include "Ablaze My Heart With Falling Stars," "Nightwind was the Passage Between Worlds," "Whispering Cry of Magick Undying," and especially "Monumental Silver Thorns" all conveying this (monumental, silvery, magickal) headspace.

A new modern classic of old mystical black metal has hereby been born with MOONCITADEL's Night's Scarlet Symphonies!

FORHIST is the latest incarnation of Vindsval, the faceless entity behind the legendary BLUT AUS NORD.
Inspired by the ‘90s Norwegian Black Metal scene, FORHIST is purely a raw, intimate and poetic Black Metal act: a solitary walk in deep woods, a haunted dreamworld which exposes the roots of one of the most anomalous protagonists in Black Metal’s history with entrancing cohesion.

Comes with a download card. Pressed on black heavy vinyl.

Comes with an A3 poster and download card. Pressed on black heavy vinyl. Once sold out, there will be no repress.

A compilation of early WHITE WARD material leading up to their debut record, “Origins” is more than a hint of greater things to come, these nine tracks evincing their own merits through an uncompromisingly despondent blend of stygian atmospheric black metal, post metal, and dark ambient. Moody spoken word and notes of somber jazz recall gloomy walls of rain and the rotting thoroughfares of darkened alleyways in a dismal omnibus which will appeal to die-hard fans and newcomers alike. Opening with a standout re-recording of “Walls”, the first WHITE WARD song ever written, and featuring tracks from the 2012 EP “Illusions” the 2014 split release with SAUROCTONOS and SILENCE OF THE OLD MAN, and the previously unreleased “Riptide” EP, “Origins” offers an unfiltered glimpse into the minds that would eventually craft such masterworks as “Futility Report”, and “Love Exchange Failure”.