Vinili

 HULDER is a dark black metal project from the United States, driven by the creative partnership of Hulder and Necreon, whose three albums to date have steadily drawn the project toward more expansive and collaborative territory. ‘Verbolgen’, released jointly by Season of Mist and 20 Buck Spin, marks a decisive turn: the first HULDER record on which Necreon steps fully into his role as co-leader rather than session contributor. Rooted in ancient nature worship, ancestral rite, and the shadows of pre-Christian tradition, ‘Verbolgen’ moves through nine tracks that trade in both the severity and the strange, wintry beauty that have always defined HULDER 's sound. The writing has grown more layered here, drawing on a wider palette of instrumentation: hurdy gurdy and additional keys from Keld bring an almost processional weight to certain passages, while Ianuaria's session flute drifts through the album like smoke across still water. Two drummers divide the record between them, Vapula and Vrolok each bringing their own character to their respective tracks, and the sum of it is a rhythm section that feels alive to the album's shifts in mood and tempo. The mix, handled by Ahti Kortelainen at Tico Tico Studio in Finland, gives the record an earthy, resonant quality that suits its themes of blood, soil, and the settling of old debts. Even the visual identity signals a new chapter: the cover art, painted by Morrigan, is her first work created for a metal band in nearly three decades, with an updated logo crafted by Jannicke Wiese Hansen. Three of the album's songs are sung in Flemish, lending ‘Verbolgen’ a peculiar, incantatory dimension that sets it apart from anything in HULDER's back catalogue. For fans of BATHORY, DISSECTION, MOONSORROW

With the release of her Godslastering: Hymns Of A Forlorn Peasantry, Hulder made it known that the pure traditional black metal of earlier releases could be classical, rich in detail and creatively novel once again. A triumphant debut that indicated much more to come. On her new mini-album The Eternal Fanfare, Hulder expands the scope laid out on the debut, taking the production value to new places with more low-end depth and forceful resonance. The songwriting capability continues to sharpen into a dense confluence of her disparate influences such as on the cinematically expansive “Burden Of Flesh And Bone” and “Sylvan Awakening,” to the cold stormblast ferocity of the title track. Opener “Curse From Beyond” is a celestial atmospheric piece akin to Dead Can Dance at their most mysteriously plaintive, while the pensive lament of closer “A Perilous Journey” concludes The Eternal Fanfare with an aura of melancholic finality. The Eternal Fanfare presents a stark interlude between the Godslastering album and the forthcoming second full length. Yet on its own, its a powerful statement of haunting new horizons and evolving mastery, ascendent and bottomless at once.

 The hauntingly grandiose new Hulder album Verses In Oath, created during the dreariest cold months of the Northwest winter, constitutes the most majestic, untamed manifestation thus far in the band’s journey of conquest, as new territory is put to flame and conquered by sword and shield.

• Majestic black metal from the colds of the Pacific Northwest

Black vinyl limited to 200 copies

After years of silence and dedication, Ováte return from the abyss with their new offering Rúin, forged by Aindiachaí (Gorgoroth) on guitars/bass and Brodd (ex-Taake) on drums. Eight years have passed since the band’s self-titled debut, and Rúin now reopen the wound; deeper, colder, and more deliberate.
Rúin is here. Not to be understood, but to be endured, an arcane, insidiously pernicious incursion beyond the veil.
A defining hallmark of Ováte’s sound remains intact: once again, every track is a collaboration with a different guest vocalist, turning the album into a shifting procession of voices and maledictions. Each performance adds a new layer to the record’s blackened craft, while the core duo keeps the blade steady. Sharp riffs, ritualistic momentum, and a trance-like pull that feels both predatory and strangely ceremonial.
On Rúin, Ováte list an exceptional cast from the Norwegian and wider extreme metal underground: Spellgoth (Horna), H’grimmr (Helheim), Thomas S. Øvstedal (Cor Scorpii), Sanrabb (Gehenna), Ødemark (The Last Eon / The Third Attempt) and Hoest (Taake). The result is a record that moves with relentless intent, yet rich in atmosphere, with each track carrying its own curse.

White vinyl limited to 300 copies

After years of silence and dedication, Ováte return from the abyss with their new offering Rúin, forged by Aindiachaí (Gorgoroth) on guitars/bass and Brodd (ex-Taake) on drums. Eight years have passed since the band’s self-titled debut, and Rúin now reopen the wound; deeper, colder, and more deliberate.
Rúin is here. Not to be understood, but to be endured, an arcane, insidiously pernicious incursion beyond the veil.
A defining hallmark of Ováte’s sound remains intact: once again, every track is a collaboration with a different guest vocalist, turning the album into a shifting procession of voices and maledictions. Each performance adds a new layer to the record’s blackened craft, while the core duo keeps the blade steady. Sharp riffs, ritualistic momentum, and a trance-like pull that feels both predatory and strangely ceremonial.
On Rúin, Ováte list an exceptional cast from the Norwegian and wider extreme metal underground: Spellgoth (Horna), H’grimmr (Helheim), Thomas S. Øvstedal (Cor Scorpii), Sanrabb (Gehenna), Ødemark (The Last Eon / The Third Attempt) and Hoest (Taake). The result is a record that moves with relentless intent, yet rich in atmosphere, with each track carrying its own curse.

Les Chants de Nihil was formed in 2007, serving as a creative outlet for the inspirations of its composer, Jerry. Drawing energy from the surrounding landscapes, he naturally enlisted his longtime collaborator, Mist, to assist with recording. This collaboration led to the creation of the band's first cassette demos. By 2010, LCDN had evolved into a serious project, performing live with a full lineup. Their debut CD, *La Liberté Guidant le Fer*, was released. Jerry then developed a satirical, meta-political concept that gave rise to a new album, *Propagande Érogène*, in which each band member played a specific character. The band continued to tour across France. In 2015, they released a more personal album titled *Armor*—a collection of poems exploring themes of nostalgia, desire, solitude, and friendship—issued in a digipack format. Over the following years, the lineup underwent changes, eventually stabilizing in 2015 with Sistre on drums and in 2019 with ÖberKommander 666 on bass, while Mist returned to guitar. After four years of songwriting, Jerry announced the follow-up to *Propagande Érogène*. This new album would plunge unreservedly into the theatrical setting established a decade earlier, indulging in excess and surrealism. *Le Tyran et l'Esthète* was released via Les Acteurs de l'Ombre Productions on January 22, 2021. After promoting the album at around ten shows, LCDN performed on the iconic Temple stage at Hellfest in Clisson in 2022. The band's sixth album, titled *Graines*, was released via Les Acteurs de l'Ombre on November 6, 2026; it addresses themes of creation and ecology with the band's characteristic blend of fierce advocacy and introspection.

Formed in Orléans in 2022, Les Bâtards du Roi is a melodic black metal band set within a medieval universe. Taking place in a devastated kingdom, the project tells the story of the brothers who committed regicide, an act that plunged the realm into ruin and torment. From this pivotal event, the protagonists embark on a spiritual journey of introspection through a scarred and desolate landscape. It is the story of their endless exile.

30TH ANNIVERARY RED & WHITE SUNBURST VINYL PRESSING OF THE CLASSIC THIRD ALBUM OF ATMOSPHERIC, EMOTIONAL DOOM-TINGED ROCK FROM THE UK LEGENDS. INCLUDES NEW AUDIO REMASTER FROM JAIME GOMEZ ARELLANO.

Anathema formed in Liverpool in the summer of 1990 & quickly became a major force in the doom metal genre with their early works such as the 1993 debut album, 'Serenades', before branching out and integrating more rock & progressive elements and influences over time to great success on subsequent releases.

‘Eternity’, the band’s third full-length studio album, was released in 1996 and marked Anathema's transition from Doom Metal Gods to more contemplative purveyors of atmospheric rock, utilising some strong Pink Floyd influences for an entrancing and emotional journey, featuring an eclectic series of songs such as ‘Far Away’, ‘Cries on the Wind’, plus fan favourite, 'Angelica'. 'Eternity' was recorded at The Windings in Wales, UK. Roy Harper appears on the track ‘Hope’.

This special 30th anniversary pressing of ‘Eternity’ is presented on limited red & white sunburst vinyl, and features a new audio remaster courtesy of Jaime Gomez Arellano at Orgone Studios.

THE FIRST SHINING ALBUM ON VINYL

STRICTLY LIMITED TO 100 COPIES
PRESENTED IN GATE-FOLDED 12" SLEEVE
INCLUDES A "VINYL-ONLY" EXCLUSIVE A2 POSTER!!!

THE FIRST SHINING ALBUM ON VINYL

STRICTLY LIMITED TO 100 COPIES
PRESENTED IN GATE-FOLDED 12" SLEEVE
INCLUDES A "VINYL-ONLY" EXCLUSIVE A2 POSTER!!!

PRESENTED IN GATE-FOLDED 12" SLEEVE
INCLUDES A "VINYL-ONLY" EXCLUSIVE A2 POSTER!!!