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Il carrello è vuoto
Il carrello è vuoto
Vendita vinili - musica Black Metal e Dark estrema
A work of bleak grandeur, elemental force and restless transformation, Marrow Of The Spirit marked the beginning of a new chapter in the history of AGALLOCH.
Mixed at Klangschmiede Studio E and newly mastered by Gus Elg, this 2026 reissue edition brings the album's original vision closer to the foreground. Stock focused on the emotional impact of the recording and on the way its instruments merge into one enveloping soundscape.
A work of bleak grandeur, elemental force and restless transformation, Marrow Of The Spirit marked the beginning of a new chapter in the history of AGALLOCH.
Mixed at Klangschmiede Studio E and newly mastered by Gus Elg, this 2026 reissue edition brings the album's original vision closer to the foreground. Stock focused on the emotional impact of the recording and on the way its instruments merge into one enveloping soundscape.
A work of bleak grandeur, elemental force and restless transformation, Marrow Of The Spirit marked the beginning of a new chapter in the history of AGALLOCH.
Mixed at Klangschmiede Studio E and newly mastered by Gus Elg, this 2026 reissue edition brings the album's original vision closer to the foreground. Stock focused on the emotional impact of the recording and on the way its instruments merge into one enveloping soundscape.
Info : Forged in the underground of Romania, RUYNED unleash their most ferocious and unrelenting material, Profanum Sacrificium, a blasphemous speed metal assault infused with elements of black, thrash, heavy metal.
The Intro sets the calm before the storm. From the ripping assault of “Speedchain” to the depraved madness of "Sex'N Speed" and “Sex Commander 666”, going through the sinister tale of “Vampire of Düsseldorf” inspired by Peter Kürten, RUYNED channel raw violence and decadence in its purest form.
From “Daemonium Ritualis” onward, the record descends into a dark conceptual journey through the European witch hunts of the 15th–17th centuries. Through Profanum Sacrificium, Malleus Maleficarum and Witches Gallow, the band conjures a world of fire, mysticism and ritual death.
The closing Outro retells this tale as a melody sung by a bard at a royal banquet.
Fast. Raw. Rabid. Merciless. Total speed metal violence.
Gatefold sleeve with gold pantone overprint and A3 poster
Eight years after the acclaimed Slow Motion Death Sequence, Norwegian experimental visionaries Manes return with To Burn Is To Shine, their sixth full-length album and the beginning of a new chapter in a career defined by fearless artistic evolution. Since their inception in Trondheim in 1992, Manes have consistently refused to remain confined within stylistic boundaries. Emerging from the early Norwegian black metal underground with the cult debut Under Ein Blodraud Maane, the band soon embarked on a remarkable transformation that culminated in the landmark Vilosophe, an album that would become one of the defining statements of avant-garde metal. Throughout the following decades, Manes have continued to blur the lines between metal, dark electronica, alternative rock, trip-hop and experimental music, developing a sound that remains unmistakably their own.
To Burn Is To Shine also features contributions from several distinguished guests, including Ana Carolina Skaret (Mourning Sun), Eskil Blix (Djevel, Vemod), Marita Hellem (Enevelde), Rune Folgerø (Atrox, Drontheim) and Tom Christian Engelsøy (Drontheim), while Vegar Larsen (Whoredom Rife) performs drums on two tracks. The striking visual identity of the album has been created by New York-based designer Michael Houtz, whose handcrafted artwork extends across the physical editions and accompanying merchandise.
Rooted in atmospheric black metal and post-depressive black metal, “A Caress of Autumn for All the Lost” refuses to remain confined within genre boundaries. Balzarini continuously shifts between textures and dynamics, allowing songs to unfold through subtle transformations rather than predictable contrasts. Instead of relying on the conventional loud-quiet formula, each composition develops organically, revealing unexpected turns while maintaining a remarkable sense of cohesion. Throughout the album, delicate melodic brushstrokes occasionally recall the melancholic elegance of fellow Italian visionaries Novembre, enriching an already expansive emotional palette.
The result is a work enveloped in an autumnal melancholy that permeates every note. Its atmosphere is fragile yet piercing, intimate yet expansive, balancing moments of despair with glimpses of fragile beauty. Every transition feels purposeful, every melody carefully placed, allowing the album to flow naturally from beginning to end without sacrificing intensity or emotional depth.
- limited to 50 copies
- booklet
- A3 poster
After the lucky "Usurp The Throne", well-reviewed and extensively played on tour, UBUREN are back with a new harsh, unrelenting strain of black metal full of the usual viking metal edge. Once again, in the new batch of songs their sound sits cold and atmospheric, raw and haunting, built on tremolo-driven riffing in the best tradition of the second-wave black metal. Nonetheless, the underlying melody is never completely lost, highlighting melancholic passages that give the songs a Majestic weight.
Formed in 2010 in Sandnes, Rogaland, Uburen took shape around a shared obsession with Norse mythology and old Norwegian culture — a mutual ideology of resurfacing viking folklore through music built to be felt as much as heard. Following a lineup change in late 2019, Uburen entered the studio with new drummer Wrage Steinarson for what would become 2023's "Usurp the Throne" — an eight-track opus marking a new highpoint for the band. Cold, atmospheric and uncompromising, the album stood as Uburen's most fully realized record up to that point. The new opus, "Dødsdans I Aske", promises to raise the bar even higher.
Limited to 50 copies
w insert and poster
For over two decades, ISKALD have stood among the leading names in Norwegian melodic black metal. Now performing as a five-piece, the band expands its trademark northern sound with its most ambitious and immersive work to date.
Built as a conceptual journey, "Curse of the Mind" unfolds through four interconnected chapters linked by ritualistic invocations, exploring themes of psychological torment, inner conflict, fragile hope and ultimate sacrifice. Framed within a stark, Norse-inspired vision of Helheim, the story is mythological in setting but deeply psychological at its core. Helheim is not merely a place, it is the shape taken by inner darkness. The true battlefield is the mind itself.
The album unfolds in four movements, connected by four ritual Invocations.
After three years and Ten Thousand Hells… SPIRIT POSSESSION unleash their third Full Length album Cathedral Speech to be released on Oct 2.
Seven attacking labyrinths of far venturing Black Heavy Metal, with all spires pointed down.
Where 2023’s Of the Sign… held a knifelike gaze into more erratic, adventurous hymns, Cathedral Speech sees SPIRIT POSSESSION awaken their most piercing, deranged, and narratively epic form yet. Spiraling guitar storms and explosive drum batterings channel first wave Black/Death assaults in the same breath as expansive ‘70s composition.
With Four steps into madness followed by a side long suite - These are vicious electric chants as towering as they are blasphemous.
Featuring S. Peacock (Black Curse / Ulthar / Mastery) on Strings and Vocals, and A. Spungin (Ormus) on Drums and Handmade Synthesizers.Recorded in the depths of the S•P Dungeon / and studio mixed at The New Menegroth, The Thousand Caves. Artwork by Luciana Lupe Vasconselos.
2026 ninth album from Finnish DESECRESY, the one-man project of Tommi Grönqvist, continuing to develop his distinctive vision of dark, heavy and cavernous Finnish Death Metal. Since taking over vocal duties after the first four albums, Grönqvist has handled all the music himself, consolidating a style built around dense, crushing riffs, predominantly mid-paced and slow tempos, abyssal vocals and an oppressive atmosphere that connects classic Death Metal with darker Death/ Doom territory. “The Secret of Death” retains this unmistakable identity while introducing a more prominent use of synthesizers and more varied rhythmic structures, adding an almost cosmic and hallucinatory dimension.
6th album from 2026 by Swedish MEGASCAVENGER, the long-running project led by the ever-prolific Rogga Johansson, one of the most respected and productive figures in European Death Metal. Staying true to his passion for filthy old-school Death Metal, "Toxic Noxious Undeath" delivers another crushing dose of rotten riffs, morbid atmospheres and sinister melodies rooted firmly in the classic Scandinavian tradition, while taking the concept a step further through an exceptionally ambitious guest lineup.
Debut album from 2026 by Bulgaria's NECROMONGER and a true celebration of the foulest and most primitive early 1990s Death Metal. Featuring musicians from projects such as FECAL BODY INCORPORATED and COCKLUSH, the band embraces a vision deeply rooted in the genre's origins, rejecting modern trends in favor of the darkest and most repulsive sounds of the extreme underground.
