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Il carrello è vuoto
Il carrello è vuoto
Vendita vinili - musica Black Metal e Dark estrema
Transparent grey Vinyl
'Esi um ninu - Heal us, Mother' is the first chapter of Rakinua's saga, an atmospheric folk and progressive met'Esi um ninu - Heal us, Mother' is the first chapter of Rakinua's saga, an atmospheric folk and progressive metal album blending powerful riffs, harsh vocals, intimate acoustic passages and ethereal harmonies. Rooted in ancient Raetic culture and its sacred rites, the music moves from the crushing depth of Opeth to the ethereal heights of Eivør, weaving harp, extreme vocals and cinematic arrangements into a cohesive concept album experience.al album blending powerful riffs, harsh vocals, intimate acoustic passages and ethereal harmonies. Rooted in ancient Raetic culture and its sacred rites, the music moves from the crushing depth of Opeth to the ethereal heights of Eivør, weaving harp, extreme vocals and cinematic arrangements into a cohesive concept album experience.
The fourth Woewarden full-length album “The Roots Of My Neglect” is the natural successor to their previous work but is intentionally more visceral. Woewarden have maintained the melodic, melancholic approach to depressive black metal – inspired by the likes of Silencer, Psychonaut 4, and Insomnium— but they have injected a heavier, more abrasive edge reminiscent of the raw torment and fury of 90s Scandinavian legends like Dissection and Emperor.
Musically, this has allowed them to push the contrasts of their songwriting further. In one breath, the arrangements deliver some of the heaviest passages to date; in the next, they are bittersweet, embroiled in vocals ranging from maniacal wails and throat chants to screams of anguish and haunting croons. It is an exploration of neglect, both self-inflicted and external, and the rot that settles when hope is finally abandoned.
Expanded edition of Oslo black metal cultists Isvind's 1996 debut full-length, incl. the tracks from the self-titled 7" EP.
LP (transparent/schwarz-marmoriert) incl. polylined inner sleeve, Din A2 poster and protection sleeve (250 copies available)
Transparent turquoise 12" vinyl (33 rpm) in gatefold.
Limited to 100 copies worldwide.
TODOMAL emerged from the arid heartlands of eastern Spain in 2020, forging a deeply personal sound from the solemnity of doom metal, the sweep of cinematic rock and the quiet weight of lived experience. ‘Graveyards of Joy’ is the third album from this Anglo-Spanish duo, and the closing chapter of a trilogy that began with ‘Ultracrepidarian’ (2021) and deepened with ‘A Greater Good’ (2023).
Written in solitude following personal tragedy, ‘Graveyards of Joy’ channels grief, anger and hard-won hope into nine tracks of slow-burning, widescreen doom. The music breathes: vast Hammond-driven passages give way to desolate folk, Morricone-like strings open onto dusty, cinematic plains, and heavy, uncompromising riffs anchor songs that never lose sight of melody. Lyrically, the album conjures a landscape drawn from the ghost towns and depopulated provinces of rural Spain, a terrain that is raw, honest and untamed. Loss runs through every song, but so does the search for something on the other side.
This is a record that balances the dramatic with the delicate, the dark with light, and arrives fully formed: a DIY work of striking emotional depth and modern, alternative edge.
For fans of Katatonia, Candlemass, Anathema, Hamferð.
Firtan are one of Germany's most uprising extreme metal acts, delivering their very own mixture of styles to fans all over Europe since 2010. Having supported Rotting Christ, Imperium Dekadenz, and Der Weg einer Freiheit and played festivals like Summer Breeze and Metaldays, their sound originates from black metal involving atmospheric and progressive elements alongside intense vocal performances and accentuating ambient sounds. Firtan known for their intensive live shows, which, to date, they have delivered to ten European countries.
Now, after two EPs and one full-length, Firtan hereby present their strongest work, Okeanos. Inspired by avant-garde intellectuals like Nietzsche and Lovecraft, Okeanos is a dazzling display of epic black metal grandeur, suffused with autumnal atmosphere and winding-yet-captivating compositions. But, although deeply rooted in black metal, the overt muscle Firtan display here - not to mention the panoramic approach to songwriting, daring and boundless - helps Okeanos elude easy categorization. It's an immediately captivating experience, expanding the listener's consciousness whilst whisking the listener away to worlds yet unexplored. And its soundfield is as robust as it is majestic, which is no surprise considering it was recorded at the esteemed studio Klangschmiede E with Markus Stock of The Vision Bleak/Empyrium. At six songs in 40 breathtaking minutes, Okeanos is the album by which Firtan enter into the elite.
