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R. U. Dead? were a cult thrash band from south Germany that were formed in 1989. Prior to RU Dead, guitarist, band leader and main composer Uli Hildenbrand was in Poison, one of the most cult German thrash bands from the mid 80's. If you aren't familiar with Poison, "Into the Abyss" is certainly worth hearing, and provides a lot of context for what Hildenbrand was doing with RU Dead?. The brand of thrash he was after was a lot more elaborate than that of Destruction, Kreator, or Sodom. Much like Poison, RUD never released a full length, and instead graced us with several demos and EPs. This compilation contains tracks from three EPs and three demos spanning their existence. Rest assured, Hildenbrand's unique style that he first developed with Poison keeps following that trajectory in RUDead?!. Completely remastered, incl.: Nothing Will Be Forgiven Cd 95, A Thought Before the Kill Ep 1997, Hypnos EP 1992, Final Session 1998 demo, Live 1996.
Inde$troy is a recording by Saw Throat, the industrial and experimental side project of members of Sore Throat. While retaining the band's confrontational attitude, Saw Throat moved away from grindcore and hardcore punk, embracing a darker sound built around heavy industrial rhythms, distorted electronics, samples, noise and doom metal. The project explored themes of social decay, consumerism, war, and political corruption, creating an oppressive and uncompromising atmosphere. Inde$troy stands as a notable example of the crossover between extreme underground punk and industrial metal music in the late 1980s and early 1990s. The cover and booklet artwork for Inde$troy was created by Steve Hutton. Its stark, apocalyptic imagery complements the album's bleak industrial-crust sound and themes of environmental destruction, war, and the collapse of modern society. The artwork has become one of the album's most recognizable features and is widely regarded as an integral part of its atmosphere.
Sore Throath was an influential British hardcore punk and grindcore band that emerged in the late 1980s. Known for their raw, chaotic sound and uncompromising anti-establishment attitude, the band became a cult name within the underground extreme music scene. Their early recordings included the "Aural Butchery" demo (1987) and the "Who Killed Gumby" demo (1987), both of which showcased their fast, abrasive style and politically charged lyrics. In 1988, Sore Throath released the "Death To Capitalist Hardcore" EP, a record that challenged both mainstream society and the commercialization of the hardcore punk movement. The EP became one of the band's most recognized releases and reflected their outspoken DIY philosophy. They left a lasting impact on the development of grindcore and extreme hardcore. Their recordings continue to be appreciated by collectors and fans of underground punk and extreme metal for their intensity, originality, and uncompromising spirit.
UK’s death metallers Gomorrah Second album from 1996 is now finally re-issued. Gomorrah was formed in 1990 and released two demos and two full lenght albums. The album was produced by Paul Johnson at Rhythm Studio (Catherdral, Benediction, Vader, Napalm Death). The Gomorrah three track second demo from 1992 ‘Umbilical Divorce’ is added as bonus.
The new reissue of DIABOLIC’s Chaos in Hell / Possessed by Death is, bringing together two crushing releases from over two decades ago. Recorded and produced by long-time DIABOLIC collaborator Juan “Punchy” Gonzalez at D.O.W. Studios, whose credits include Morbid Angel, Nile, Terrorizer, and many others. This special edition also includes an in-depth interview with drummer founder Aantar Coates from veteran metal journalist Olivier “Zoltar” Badin, known for his work with Terrorizer, Zero Tolerance, and New Noise, along with extensive coverage of the international extreme-metal magazines. And completely restored cover art and booklet by RA Design (Possessed, Sodom, Vio Lence). Featuring Kelly Mclauchlin (Pessimist, ex-Horror of Horrors, , ex-Hirax, ex-Possessed, ex-Unholy Ghost, ex-I Am Morbid; Jesse Jolly (Malevolent Creation, Paths of Possession, ex Amon) Paul Ouellette (also Unholy Ghost) and of course drummer Aantar Coates (Horror of Horrors, Unholy Ghost, Exmortis).
Funereal: Killer US Doom Death Metal featuring former and current Cianide (Chicago) members and ex Novembre Dooms member. From the remains of Chicago death metal demo legends, CONTAGION, rose the even gloomier and dark death metal band FUNEREAL and their sole album testaments to misery and heaviness that was created within their short 2 year existence and are perfectly encapsulated on this majestic recording. Complete with amazing cover art by Greek artist Dimitri Patelis (Aftermath, Agent Steel).
Truly an american underground classic, originally released by the band themselves back in 1988 now the time has finally come for a proper re-issue of Legion of Death. Remastered, new inlay with lots of old flyers and including the ‘89 demo as bonus. Imagine a band with the bonecrushing heaviness like Slaughter's "Strappado" or Necrophagia"s "Season of the Dead" overdosing on aggressive US hardcore a la Reagan Youth then you have a good idea what to expect here. Early proto USA death metal. For the first time released on CD.
S.L. Coe was the frontmen in great German speed and power metal bands. This was the case for Scanner's Terminal Earth, Reactor's Farewell to Reality and Angel Dust's To Dust You Will Decay. Metal is his solo album from 2000, fans described his voice as: ‘he had the potential to hang with some of the best: Scheepers, Dirkschneider, Deris, Wagner and Hansen’. The C.O.E. project is similar to most other German power metal in that it features a series of anthems with flighty, melodic mute picking and massive chorus parts. Maybe somewhere like some of Gamma Ray's mid-pe,or a more matured translation of the debut Scanner, and of course like Angel Dust best album, the one with Coe on vocals.
It’s time to resurrect a true gem that’s been buried in the underground for too long. We’re proud to bring the criminally overlooked debut album Surreality from Afterlife - Death Metal from Indiana back to life. Midwestern UD death metal with a technical touch and low guttural vocals, Complete and extensive artwork restoration. Remastered, extensive liner notes with vocalist Paul Ritchings. Many bonus tracks (demo, rehearsal, outtakes, live).
Rectal Smegma comes from the Netherlands and plays an intentionally disgusting, chaotic form of goregrind, combining extremely fast grindcore rhythms, distorted guitars, guttural vocals, and crude/absurd humor. Because We Care is their 3rd full-length album released in 2011. Mixed and mastered by J.B. van der Wal (Graceless, Soulburn). Bonus tracks are taken from split album ‘69% of Porngrind’ from 2015.
Rectal Smegma is a Dutch extreme-metal band, formed in 2003, associated primarily with goregrind, grindcore, and pornogrind. Their music is deliberately crude, grotesque, absurd, and heavily built around shock humor. It's a 16-track, roughly 28-minute album. The lineup credited for the record is Baard (bass), Jim (guitars), Walter (drums), and Yannic Ophorst (vocals). It was recorded at Dirty Bird Studio in Hoogeveen in March 2013 by Fredde Kaddeth (Entrapment, Massive Assault). Mixed and mastered by J.B. van der Wal (Graceless, Soulburn). Bonus tracks are taken from the spit CD Porn Grind Excess (Cuntgrinder / Rectal Smegma), 26 tracks in total.
This is a collection of all early recordings from Varathron, one of the pioneering bands of the Greek Black Metal scene, formed in 1988. The album contains: ‘Procreation of the Unaltered Evil’ (1989): Rawer, more primitive, with noticeable Death/Thrash Metal influences. ‘Genesis of Apocryphal Desire’ (1991): More developed Greek Black Metal, with darker melodies, atmospheric guitar work and a more distinctive sound, an unreleased, track from 1989 and a studio bonus track 1993 (guitar by Sakis Tolis from Rotting Christ). Besides founding member and vocalist Stefan Necroabyssious the albums contains contributions of: Themis Tolis on drums (Rotting Christ), Jim Mutilator (ex Rotting Christ) on bass and guest guitars by Sakis Tolis (Rotting Christ). Extensive interview with Stefan Necroabyssious by Steven Willems (Celtic Frost, Deicide, Destruction). Complete demos recordings 1989-1993, carefully restored and remastered from Stefan Necorabyssious’ old tapes.
Risk is a German Thrash/Speed Metal band from Witten, and existed from 1987-1993. Known since 1967 as Faithful Breath, they decided to rename after changing their style from plain heavy metal to thrashy speed metal in 1986. They are well known by the singular artwork in the first four albums, which contain cartoons of savage animals made by Sebastian Krüger (Destruction, Tankard, Running Wild , Sodom). Featuring singer, vocalist and producer Heimi Mikus who produced besides all Risk album also Morgoth, Despair and Raven albums) and guitar player Romme Keymer (ex-Angel Dust). Also featuring Thilo Herman (ex-Running Wild, Grave Digger, Holy Moses). The sound of Risk is particularly hard, with a many-sided vocal work, slicy guitars and a careful work of musical production, that making this band one of the classics of the German Metal. The Ratman Ep is now a full length with two live bonus tracks and the original and the remastered version on one disk.
Florida Death metals legends most obscure release ever, the ultra-rare mini cd from 2006, now available. Kevin Astl (Epitaph - Florida) joined his brother John again and recorded a four track mini album in 2007 to show the metal world Resurrection was back! This mini led to a deal with Massacre records to recorded their second album after their mile stone debut Embalmed Existence from 1993. Recorded by Mark Prator (Morbid Angel, Deicide, Vital Remains) at The Red Room Recordings, Florida. Mixed and mastered by James Murphy (Death, Testament, Obituary). Artwork by Thomas Pinheiro (Possessed, Vio Lence, Defiance). Liner notes by Kevin Astl.
Resurrection emerged from the legendary Florida Death Metal scene around 1990. They released their debut album, Embalmed Existence, in 1993, which is considered part of the classic Florida Death Metal tradition. This EP was released on April 23, 2014, through Old School Metal Records and isn’t available anymore and much sought after. Think of a mixture of early Florida Death Metal, with elements reminiscent of Malevolent Creation, Brutality and the rawer side of early Death. These were the final Resurrection recordings, the original six tracks now re-issued with four bonus songs. Featuring: Michael Estes guitars (Acheron), founding member John Astl, Gabe Lewandowski ( Killing Addiction, Hellwitch, Equinox) and Damian Chavez on bass and vocals. – Recorded at Blakk Magik Studios, Orlando, Florida by by Tony Blakk (Druid Lord, The Grotesquery).
One month after the recordings of ‘Mallevs Maleficarvm’ and 2 months before the actual release date, Pestilence played at one of the biggest metal festivals in The Netherlands: Metal Attack Festival. This is a particularly valuable document of Pestilence during the transition from their early thrash-influenced death metal sound towards the style heard on Malleus Maleficarum, released later in 1988. It also captures an important moment in the Dutch underground metal scene. Pestilence performed a cover of Infernal Majesty's Night of the Living Dead. Infernal Majesty had been scheduled to play but unfortunately could not attend. The other bands that played that day were: Kreator, Death Angel, Holy Moses, Disabuse, Thanatos and Mandator. Featuring the classic line up of: Patrick Mameli (vocals/guitar), Randy Meinhard (guitar), Martin van Drunen (bass/ vocals) and Marco Foddis (drums). Carefully restored and remastered from the original VHS files by Achilleas Kalantzis at Suncord Audiolab, Greece (Vio Lence, Varathron, Possessed). Liner notes by Patrick Mameli. Cover and booklet design by RaDesign (Possessed, Brutality, Defiance).
Dead Unburied is PAGANIZER’s third album, originally from 2002. Recorded at Sunlight Studios with Tomas Skogsberg (Entombed, Grave, Dismember). Mastered by Dan Swano at Unisound (Katatonia, Bloodbath, Opeth), Cover art by Mike Bohatch (Rotting Christ, Dew-Scented). The album is remastered and contains three bonus tracks. The booklet contains exclusive liner notes from main man Rogga. Old school Swedish death metal the way its ment to be
Complete discography 1991 – 1995 (six demos / promos) of old school Swedish Death metal. ‘These guys from Mariestad \ Västra Götaland went into the scene at the end of the so-called 1st wave of Swedish Death Metal when the Swedish magic 'touch' was almost gone. In 1992 OBSCURE INFINITY, recorded with Thomas Skogsberg's Sunlight Studio (Entombed, Grave , Dismember) one of the best and almost last great Svenska downtuned demo of the era, the ultimate "Beyond The Gate" demo #1 24-25/03/92. More flesh came the following year with the second brilliant "Requiem".. After that they definitely morphed into something more avantgardish, leaving the scene after two more promos and an unreleased split with FULMINATION’. Nicola Costantini (Svenska Totsmetal Encyclopedia). Furthermore recordings from Unisound Studios (Opeth, Katatonia, Edge of Sanity) with Dan Swano. All songs remastered by Jocke (Wolfbrigade, Obscure Infinity) in Wolfdenstudio Wolfbrigade / Wolfpack, Protector, Hypnos). OBSCURE INFINITY is actually pre Wolfbrigade (aka Wolfpack).
Swedish doom metallers Memory Garden’s debut mini cd from 1995 is finally available again. Back in 1996 released on a small Swedish underground label and sold out for over a decade. Recorded at the famous Studio Fredman (In Flames, HammerFall) and produced by Swedish top producer Fredrik Nordstrom. All songs are remastered by Mike Wead (King Diamond / Mercyful Fate) an five bonus tracks are added, 9 in total with a total playing time of 45 minutes . The album has a newly designed booklet and the original Kristian Wåhlin cover art and logo (Bathory, Dissection, Cemetary).
Malfeitor was an US extreme metal band active in the early death/thrash metal scene of the late 1980s. They played a raw, aggressive mixture of early Death Metal and Thrash Metal. Aggressive guitar riffs, fast drumming, harsh vocals, dark atmosphere and an unpolished underground production. It represents the rawer, more primitive side of the extreme US underground metal before the death metal genre became more developed in the early 1990s. This album contains: ‘Diabolic Youth demo’, the band's original 1987 demo recording. And as bonus the Demo 1988: (also known as the Malediction demo, featuring Malfeitor guitar player / vocalist Phil and Malfeitor bassist Mike plus ex Exmortis drummer Chris Gallo). Carefully restored and remastered by Achilleas Kalantzis at Suncord Audiolab (Possessed, Vio Lence, Defiance).
Descendent was an underground US death metal from Toledo, Ohio. Old-school, mid-1990s US death metal deluxe! Formed in the early 90’s and release two demos prior their debut album. Their self-released debut album ‘Degeneration’ now re-issued. Much sought after album (eBay prices over 200 euros). The re-issue contains both 1993 and ’94 demo as bonus, extensive liner notes with vocalist Brion, rare and old pictures, flyers and posters. All artwork by tattoo artist and vocalist Brian Norwalk. Produced by Rob Tylak (Gutted, Summon and Revile). Remastered by Mark Ditch (Gutted
This is the official live album of Cianide, an American underground Death Metal band from Chicago, Illinois, formed in 1988. Recorded at Reggie's Chicago - Live July 21, 2017. The album is an overview of the bands best songs from the 3 decades they existed back then. Cianide are known for their particularly heavy, dark and crushing approach to Old School Death Metal, with strong Death/Doom influences. This is not technical or polished modern Death Metal. It is heavy, primitive, crushing underground American Death Metal with plenty of darkness. Artwork by Nev from Gruesome Graphx (Demilich, Molder, Cardiac Arrest).
Being sold out since a couple of years, finally again available for Xmas !
The long work is coming to an end: Italian/Polish black metal band Amalekim, with a new line-up, is ready to reveal their latest work, Avodah Zarah.
Once again, the ultimate aim is to question all that is sacred and all that is profane in this age of ours. Avodah Zarah contains many influences and many different experiences, both on a musical and a personal level, seeking to present itself as something new in the purest tradition of the genre. With this work, Amalekim decisively turn over a new leaf compared to their previous work, HVHI, with conceptual and musical maturity, seeking to maintain the melodic aspects that distinguish them, implemented by dissonances and greater compositional complexity.
Avodah Zarah revolves around the concept of the inversion of values, taking much from the Old Testament tradition, occultism and alchemy, always in an attempt to bring to the ears and eyes (starting from the cover) of the listeners an ever-present revolt, but without the obviousness and generality that too often mark today's world.
New press, December 2026: 200 copies in green/black ripple vinyl
Gatefold with extensive book, now comes in "Sea Blu" vinyl color
It’s about time to reveal all the faces of the night! Moonlight Sorcery will release their first full-length album entitled Horned Lord of the Thorned Castle on September 29th. Expect nothing but an ice cold blizzard that will conquer your castles, crumble your towers and withhold the daylight forever!
Horned Lord Of The Thorned Castle is a perfect combination of the atmosphere from Piercing Through the Frozen Eternity and the rawness of Nightwind: The Conqueror from the Stars, the band’s two EPs released in 2022 and early 2023.
Moonlight Sorcery wants to raise the bar, and these new nine songs have even more melodic hooks and shreddy guitar work. Frozen synth walls further develop the Finnish trio’s unique sound, a vibe you cannot find in any other black metal record.
Horned Lord Of The Thorned Castle follows a specific narrative, and its nine compositions tell a single tale, with every song starting where the previous one left off. “Basically, our debut could be a single 44-minute song”, the band said. Yet, the pleasure of learning such a tale is yours. Prepare, wanderer, to meet the Horned Lord of the Thorned Castle!
Mixed and mastered at Unisound by legendary producer and musician Dan Swanö
Soliloquium is a progressive death/doom metal band formed in 2011 by Stefan Nordström from Stockholm (Sweden).
The lyrics deal with modern life struggles, existential issues and other hard-hitting topics, personal and universal. Loss and strife is a constant, but so is hope and determination.
Expect alternating soundscapes both heavy and mellow, tied together by the atmosphere and musical language.
'Upheaval' is a wide open story of being an outsider, living in a role and a world you never asked for. It's about powerlessness, divergence and the existential question if it's really worth it all. Is there enough laughter and connection left in 2026 for it to make sense to be alive?
style and sound among the likes of bands such as Symphony Of Grief, Winter, Autopsy, Obituary, and create a raw, crushing heaviness that is extreme within the genre, more akin to slow death metal than melodic doom.
Described as “uplifting as a post-genocide funeral procession” and “what real funeral doom should sound like”, their tone becomes immediately identifiable once you hear it.
Driven by low vocal delivery and buzzing guitar riffs, it’s difficult not to be moved in some way.
'Diatriba Deorum' is the 8th album from the band. It continues the bands legendary sonic style with refinement that comes with exposure. Dangerously slow and agonizingly heavy, it pummels forth a vile element of rage directed at mans concept and names of god.
With an outlook that will herald no hopes for human salvation it delivers a limbic listening experience that is dense and existential with dread.
The band merges crushing doom with relentless death metal, forging a vast wall of suffocating sonic darkness.
'Beneath The Earth, At One With Fear' sounds distinctively oppressive, dense and hard hitting while still including dynamic and exciting elements and twists. Only Worms Left balances these contrasts with their own unique character and approach throughout every track.
The songs range from fast erratic guitars supported by blasting drums to slow, rhythmic riffs with compositions so heavy they feel like clawing your way out of a decaying grave.
Some tracks shift into hypnotic and ethereal-sounding passages before changing back to full-on sonic assault. Piercing vocals, painful shrieks as well as bellowing gutturals support the intensity and meaning of the lyrics.
The band includes members from Svart Vinter, Veil of Conspiracy and Handful of Hate.
The sound is deeply rooted in the early ’90s doom/death tradition, recalling the atmospheres of early Katatonia and Anathema, while developing a distinctly introspective and contemporary approach. Through melancholic melodies and expressive growls, In Vespro create rarefied soundscapes where pain never erupts but instead settles, layers and slowly dissolves.
Ilienses Tree is a Doom/Death metal band formed in 2013 in Cagliari (Sardinia)
Their sound is deeply rooted in the darkest and most oppressive sides of doom and death metal, blending slow and heavy riffs, melancholic atmospheres, and a strong emotional core. The band crafts an essential and visceral musical language, where crushing heaviness supports deeply introspective lyrics.
Driven by authenticity and expressive coherence, Ilienses Tree deliver an intense, emotional, and deeply human form of doom/death metal, where silence, slowness, and sonic weight become integral parts of the narrative.
With 'Grave Monolith', the band delivers a debut album of remarkable scale, emotional depth, and sonic power. Drawing from funeral doom’s tormented atmosphere, traditional doom’s epic weight, heavy metal’s commanding riff structures, and black metal’s cold emotional intensity, they've created a work that feels both timeless and deeply personal.
The album succeeds not only through heaviness, but through atmosphere, pacing, and emotional conviction. Every composition is carefully constructed to consume the listener completely, allowing the music to unfold like a cacophonic ritual of grief, ruin, and existential reflection.
After more than a decade, Falling Leaves returns with their second full-length, The Silence That Binds Us, featuring guest appearances by Paul Kuhr (vocalist – Novembers Doom) and renowned session musicians like Fabio Alessandrini (drummer – Bonfire, Annihilator), Ariel Perchuk (keyboards – Kenziner, Roger Staffelbach). Mixed by Alessandro Comerio at Daemon Star Studio in Italy and mastered by the incomparable Dan Swano, the album stands as a mature and emotionally charged testament to the band’s growth and perseverance.
The songs unfold with emotive leads and dark, bending chords layered over rich keys and steady, precise drumming — mostly slow, but sometimes breaking out into fierce blast beats. Those rare moments of intensity, paired with pulsating riffs and restless melodies, prevent the sound from slipping fully into funeral doom’s bleakest corners, even though it borrows from that style.
Travis Smith’s haunting tableau of faceless figures tied by invisible threads fits perfectly with Murad Juneydi’s lyrics, which explore anonymity, isolation, and the quiet connections between presence and absence — where silence is both the scar and the solace.
Over a decade after their debut, Falling Leaves returns with “The Silence That Binds Us” a melancholic journey through sorrow, resilience, and the beauty of decay. Blending the heavy weight of doom metal with the emotive depth of melodic death metal, the album delves into themes of loss, memory, and silent battles within.
Doomcult is a Death-Doom Metal band from The Netherlands formed in 2014.
Their sound is a chilling blend of harsh screams, deep death growls, eerie atmospheres, and haunting melodies, all crafted in the name of doom.
Doomcult draws inspiration from iconic 90s doom/death bands such as Anathema, Paradise Lost, and My Dying Bride, while also embracing the somber tones of funeral doom acts like Worship and Aphonic Threnody.
Elements of sludge and black metal further enrich their sound. At the heart of each composition are the rhythm guitars, with intricate leads weaving around them.
Lyrically, Doomcult delves into misanthropic themes, interspersed with blasphemous and anti-establishment undertones. These dark narratives are delivered through deep death growls, complemented by thrash-metal-style screams. Subtle mellotron accents are added where needed to enhance the eerie atmosphere.
ATONE is a Funeral Doom Metal band formed in 2024 in Lisbon (Portugal).
The project is built around a single obsession: humanity’s self-inflicted collapse. The band does not write songs. It constructs visions.
The band’s core proposition is uncompromising: despair is inherited, illusion is chosen, and transcendence is possible only through recognition. The music exists to force that recognition.
'Rebirth in Despair' unfolds as a premonitory dream where creation, illusion, decay, and rebirth repeat without mercy. Each track is a fractured scene rather than a linear chapter. Order is irrelevant. Meaning emerges only at the end, when the dreamer wakes.
The journey begins with 'Rebirth in Despair', exposing existence as a closed loop where suffering is not an accident but a structural feature. 'Living Ghosts in the Shattered Dome' shifts the vision into a synthetic metropolis, revealing freedom as a manufactured lie and identity as a fragile simulation. In 'Asylum for the Unmoored', refuge decays into madness, and borrowed dreams replace truth. 'Eidolon’s Remnant' confronts the residue of abandoned ideals, the ghosts of what humanity almost became.
Aeturna is a Death Doom band formed in 2023 in Tilburg (The Netherlands).
The band was originally formed with the idea of bringing back old school Death / Doom in the vein of the early 90’s. Plans were made to hit the stage and start recording the debut album until fate struck and vocalist William died in 2024.
Already being booked for the Little Devil Doom Day in Tilburg (The Netherlands), that show would go as planned as a tribute to William. Matt Small from Welsh Doom band The Drowning stepped in as (initially) a guest vocalist for the show.
This went so well that de decision was made to continue with this line up with, among others, shows at Little Devil and Haunting the Castle Festival.
'Aeturna' contains the very first 5 songs written. William has contributed to all the songs so his spirit is well alive on this album and it can be considered as a final bow to his craftsmanship and multiple decades of friendship.
Lyrics are written by Matt Small and can be best described as: Tales of sorrow mixed with ancient arcane lore. Guitars and drums were recorded during winter 2025 and the album mixed and mastered in the spring of 2026
Musically, A Dream of Poe blends the weight and melancholy of doom metal with rich orchestral arrangements and literary inspiration. Live performances are rare, but when they occur they are conceived as true celebrations of Doom Metal.
Recently the project enters its most focused and mature creative phase, redefining its symphonic doom identity through loss, resilience, and monumental orchestration - where “descent itself becomes the act of creation.”
'Katabasis: A Marriage Among Ashes' is an album born from descent, both lived and imagined. In very real terms, it emerged from a personal catastrophe. A devastating fire erased a home, a life and memories built within previously safe walls, and nearly all of the music written for this record. From the ashes, only one song survived: The Lament of Phaethon. Everything else had to be rebuilt from nothing: instruments, ideas, songs, and identity. This forced rebirth shaped not only the sound of the album, but the very reason for its existence.
This is a collection of all early recordings from Varathron, one of the pioneering bands of the Greek Black Metal scene, formed in 1988. The album contains: ‘Procreation of the Unaltered Evil’ (1989): Rawer, more primitive, with noticeable Death/Thrash Metal influences. ‘Genesis of Apocryphal Desire’ (1991): More developed Greek Black Metal, with darker melodies, atmospheric guitar work and a more distinctive sound, an unreleased, track from 1989 and a studio bonus track 1993 (guitar by Sakis Tolis from Rotting Christ). Besides founding member and vocalist Stefan Necroabyssious the albums contains contributions of: Themis Tolis on drums (Rotting Christ), Jim Mutilator (ex Rotting Christ) on bass and guest guitars by Sakis Tolis (Rotting Christ). Extensive interview with Stefan Necroabyssious by Steven Willems (Celtic Frost, Deicide, Destruction). Complete demos recordings 1989-1993, carefully restored and remastered from Stefan Necorabyssious’ old tapes.
Limited edition of the entire discography of Mistress Of The Dead. that contain all the 15 CDs (4 albums - just for this boxing) + booklet of 35-40 pages and a coffin-shaped box ( wooden box made of birch )
Please see complete list of albums here at this link
Sleeve Near Mint, Vinyl mint
Purple vinyl Satan Records 2013 copy # 199 / 300
11 full-length albums + bonus CD recorded specially for this edition. New artwork. Complete and strictly limited edition of 300 copies of the discography in the Book of Elffor.
Media Condition: The CD has a few light hairlines, graded NM- or VG++. Plays perfectly.
Sleeve Condition: Near Mint
Comes in VG++++++++
Innersleeve has edges cut, outersleeve is VG+ (one very small corner bent), vinyl is NM
Media Condition: NM- / VG++
Sleeve Condition: NM
Noble A5 Hardcover format
2 x CD - Limited print of 950 copies.
CD1 'Channelling The Quintessence Of Satan' Version 2011
is a new interpretation of the album, revisited over a decade later.
CD2 'The Satanic Tapes' 1993 - 1994
Media Condition: Near Mint
Sleeve Condition: VG+
2 × CD, Mini-Album, Reissue, Limited Edition
Comes as a thick glossy digibook with a booklet.
This collectors edition includes the original and rerecorded tracks of "The Pest Called Humanity".
CD1 originally recorded in 1997.
CD2 recorded during the years 2001-2007
Raging,repetitve yet diverse black/death metal
with a discreet yet ever present droning vibe.
Hypnotic and hysterical,channeled through the virtues
of a sharp,
strict but eventually warm sound production,
Υπνωσίνοσις provides a sonic guidance to the subsconscious and beyond!
8 panels digipack
Exactly 8 years after June 2010's 'The Grave of Civilization' Void of Silence are back with a brand new album.
Although still based on the classic Conforti/Zara line-up core, the new album features again a new lead vocalist (Luca Soi, of Arcana Coelestia and Visthia past).
4 panels digipack with booklet!
you can preorder it now but this is not a limited edition or anything.
will be in stock on the 2nd week of February
"This what I call imagination and talent employed to produce true art. I have chills from that song and it is followed up “Curse”, a hymn filled with almost nothing but black voices, gasps, growls, hissing, vomit-like emanations, ghost-like screams of anguish – this album is a journey I assure you. I am mentally exhausted. A brilliant release that takes many elements you have heard, many you have not and combines them in a unique way that makes this record an absolute must own."
These songs revolve around the transformation from man to The Übermensch (German for "Overman, Overhuman, Superman, Superhuman), through the purification of the fire and the metaphor of the warrior, mainly taking inspiration from parts of Vijnanabhairava as well as personal experiences of meditation.
Fire is the main element manifested by Shiva, seen as a purifying factor and dissolving, regenerating and annihilating.
In this case also seen as the awakening of a burning and dissolving energy, which brings chaos and destroys the boundaries of mortality to reach immortality.
Ascolta su BandCamp
Sebastian Montesi is a prolific artist, probably best known for his endeavors in Mitochondrion and for being one of the founding members of Auroch.
With Saturn’s Cross, the Canadian took a very different path, delving into cold wave territories, which little have to share with the bands he is usually associated to. Yet, when we listened to what Sebastian crafted, we had no doubt, and we gladly welcomed this new project to our roster. With neither hope nor fear, Saturn’s Cross unveils Cheat Death. Now operating as a two piece, with 1908 entering the fold on bass and
vocals, Cheat Death disregards genre with wild abandon in favour of something that is at times overwhelmingly abrasive and at others intoxicating.
This is a willing exploration of the endless labyrinth and a lamp of pitch black glass intended to serve as a beacon in the lightless depths of the human spirit. This is a headlong dive into the soul's psychic darkness, with nothing to break the fall. This ushers in a new era Saturn's Cross.
“Show My Mercy” is an EP about the remorse that humans will feel, when they are stuck in the swirl
of karma made by themselves. Blinded by fury, greed, sorrow, heading for their destruction step by step.
The digipak comes as four-sided panel with booklet-sleeve and eight-sided booklet.
“Our goal – call to blight the life existance. Our weapon – weaknesses and vices of human scum.”
Virvel Av Morkerhatet, Ukraine: a hard atom that represents the defect of the human thought, that is multiplied by self-destruction of transcendental consciousness. Anticosmos through Black Magic.
We know you dreamt about a violent and ruthless edge of Ved Buens Ende, if we can figure this out in our minds.
This is a record that will not leave you indifferent and will nail your soul, a marvellous mix of avantgarde metal and evil fury where every second minute is unpredictable although not pushing too much over the reasonable boundaries of experimentation that every black metal band should safely keep….
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1996 Edition on a.b.s. Records – a.b.s. CLASSIC 100
VG+ to NEAR MINT !
Ltd. CD box set, clam shell box incl. CD Digipak, 4 photo cards, double-sided poster, 20-page booklet with additional artwork, ltd. To 2000 copies!
Stormkeep return with symphonic black metal that feels hand-built and world-sized: sweeping orchestration, driving momentum, and a darkly radiant sense of grandeur. Bridging distant, mythic eras with the urgency of the present, their songs unfold as transporting epics—majestic, precise, and utterly absorbing.
In the wake of 2025’s “The Sinking Isle”, Oromet’s eponymous debut album is finally receiving a full vinyl and CD release. Originally issued on cassette in 2023, the record stands as a stunning ode to loss, longing, and despair.
Crystalline guitars rise from a foundation of dark, churning murk, while angelic synthesizers stretch skyward, soaring among the crags and stars. The music evokes the feeling of watching life’s happiest moments fade into memory like the light of a distant setting sun.
Everything created under the name ARCKANUM is an extension of Shamaatae's Thursian spiritual practice and artistic vision. The music is conceived not simply as artistic expression, but as an act of magical will, shaped to evoke specific inner states, esoteric ideas, and atmospheres without compromise or conformity.
From its beginning, ARCKANUM has followed the Left-Hand Path: the way of the outsider, the vargar, standing beyond imposed order and conventional morality. Resistance, questioning, and individual will have always remained fundamental to both Shamaatae's spiritual Work and his approach to art.
The forthcoming album carries this principle further as a complete magical working. Music, lyrics, sound, and visual form have been developed as interconnected parts of the same ritual expression, shaped through intent and devotion within Shamaatae's Thursatru Workings.
Written in Old Swedish (fornsvenska), the lyrics draw upon Old Norse and Swedish poetic traditions while incorporating elements of Swedish svartkonst. They function as mythic charms and narrative incantations, invoking the Thursian current.
Musically, the new material represents a fusion of ARCKANUM's older foundations with Shamaatae's present approach to composition. The new album Beswærilsin cuts deep with a feral, unpolished production, raw with aggression and stripped of unnecessary ornament. Its sound moves between the freezing storms of Niflheimr and the relentless, blazing fury of Múspellsheimr, at once cold and searing, primitive and forceful, carrying the unmistakable spirit of ARCKANUM into a harsher and more dynamic form.
CIRCULAR RUIN is the ever-recurring end of everything once great, the endless cycle of temporary prosperity followed by death and devastation, and the inevitable demise of humanity by its own hand.
VG
Disc comes with a lot of "light" scratches, those typical caused by a bad cd player (car player most likely), but it works
VG
Disc comes with a lot of "light" scratches, those typical caused by a bad cd player (car player most likely), but it works
Comes with double sided A4 insert on 140gsm paper, A2 poster on 150gsm art paper, housed in a 300 gsm coated carton outer sleeve.
Long overdue re-issue of the 1995 "Dark Sorcery" mini album with the 1994 demo "Walk My Path" as bonus!
Essential classic northern dark metal!
Near Mint copy in gold vinyl (click here for release infos)
