Silver Vinyl Limited to 300 numbered copies.
This is a Gatefold LP with a printed inner sleeve. In the other panel, there’s an inlay with graphics that completes the cover through 5 die-cut holes. The front cover has a special coating.

The promise of Eternal Life has been the crucial subject in which numerous religions and spiritual beliefs have based their foundations on. For the idea of non-existence is as troubling and inconceivable for humans as infinite itself, on the other hand, the thought of interminably experiencing more from a reality we are so accustomed to brings comfort to more than one soul. Innocence is bliss, and being forever shields us from turning our eyes to the dreadful horror of the unknown, the black pit of nothingness, the void. But it's within its contemplation that lies the secret knowledge.

"The Self-Aware Frequency", explores the mind of a cognizant being trapped within the cosmically interwoven pattern that embeds reality. The character's universe is the music itself, through which it navigates, as a sum of temporal frequencies who slowly gain consciousness, evolving across the songs, until the ultimate realization of its own undeniable truth.

The album combines elements of electronic, industrial, classical, film score, heavy metal, progressive rock, and even pop to create something unique, challenging, and engaging. Fans of forward-thinking artists such as Devil Doll, Mike Patton, Leprous, Ulver, Manes, Pain of Salvation, Sleepytime Gorilla Museum, Devin Townsend, Vulture Industries, and Arcturus should rejoice in the musical world illuminated throughout the album.

International guest appearances are performed by Bor Zuljan (Devil Doll), Øyvind "Mustis" Mustaparta (ex-Dimmu Borgir), Juan Manuel Flores (Cuarteto Cromano), Goran Setitus (Omnia Moritur, ex-Setherial), Alasdair Dunn (Ashenspire), Przemyslaw Kajnat (Eternal Deformity, Allone), and Lotti Wood (Woodwindz).

Mediabook Limited to 500 numbered copies.

The promise of Eternal Life has been the crucial subject in which numerous religions and spiritual beliefs have based their foundations on. For the idea of non-existence is as troubling and inconceivable for humans as infinite itself, on the other hand, the thought of interminably experiencing more from a reality we are so accustomed to brings comfort to more than one soul. Innocence is bliss, and being forever shields us from turning our eyes to the dreadful horror of the unknown, the black pit of nothingness, the void. But it's within its contemplation that lies the secret knowledge.

"The Self-Aware Frequency", explores the mind of a cognizant being trapped within the cosmically interwoven pattern that embeds reality. The character's universe is the music itself, through which it navigates, as a sum of temporal frequencies who slowly gain consciousness, evolving across the songs, until the ultimate realization of its own undeniable truth.

The album combines elements of electronic, industrial, classical, film score, heavy metal, progressive rock, and even pop to create something unique, challenging, and engaging. Fans of forward-thinking artists such as Devil Doll, Mike Patton, Leprous, Ulver, Manes, Pain of Salvation, Sleepytime Gorilla Museum, Devin Townsend, Vulture Industries, and Arcturus should rejoice in the musical world illuminated throughout the album.

International guest appearances are performed by Bor Zuljan (Devil Doll), Øyvind "Mustis" Mustaparta (ex-Dimmu Borgir), Juan Manuel Flores (Cuarteto Cromano), Goran Setitus (Omnia Moritur, ex-Setherial), Alasdair Dunn (Ashenspire), Przemyslaw Kajnat (Eternal Deformity, Allone), and Lotti Wood (Woodwindz).

Digipack with slipcase Ltd to 500 handnumbered copies

At 52-minutes, “Moonflowers” is an eight-song affair that drives deep into the heart of Swallow The Sun main songwriter Juha Raivio’s disconsolate soul. From the dramatic “Enemy” and the grim “This House Has No Home” to the delicate “Moonflowers Bloom in Misery” and the beauteous “The Fight of Your Life,” “Moonflowers” is as rewarding and dynamic as it is accomplished and intimate. That it features Cammie Gilbert (Oceans of Slumber), Antti Hyyrynen (Stam1na), and Trio NOX—who perform a re-arranged classical version of “Moonflowers” in a Finnish church, which comes as a bonus album to some of the album formats—are more reasons to hold Swallow the Sun’s latest leap into the unknown in the highest regard.   

Gatefold 2LP+CD and digital album.

2 CD - Ltd. 2CD+DVD Digipak

gatefold jacket, flooded black inside, black poly-lined innersleeves
Din A2 poster, two sided insert with d/l code for bandcamp
Plastic protection sleeve, Amber vinyls
 

4-panel digipak, black flooded inside
Booklet with lyrics and info
Bundle containing exclusive white border Shield patch
Limited to 999 handnumbered copies
Artwork by Misanthropic Ar

As the world circles the abyss at gathering speed, WIEGEDOOD have returned to provide a perfectly vicious soundtrack. Formed in 2014, the Belgian trio have built an unassailable reputation as purveyors of visceral and bleak black metal in its purest and most destructive form. Since unveiling their debut album “De Doden Hebben Het Goed” in 2015, WIEGEDOOD have blazed an unending trail for musical darkness, bolstering their burgeoning notoriety with some of the most apocalyptic live performances in recent memory, and producing two subsequent albums – “De Doden Hebben Het Goed II” and “III”, released in 2017 and 2018 respectively – which hammered home the band’s unique creative powers. Emerging once more, this time from the involuntary solitude of a plague-bound world, WIEGEDOOD are back with their fourth studio album, “There’s Always Blood At The End Of The Road”. A ferocious tour-de-force, born of frustration and the ever-burning flame of hatred for the modern world, the new record marks a significant departure for this most ruthlessly singular of modern metal bands. “Musically I think we’ve made our most uncomfortable record so far. It’s once again faster than anything we’ve done before, and more unforgiving than the whole trilogy combined”, says vocalist/guitarist Levy Seynaeve. “To me, it feels like a soundtrack, for a movie yet to be made. A movie about the filthiest and most disgusting parts of human nature and society, and about the struggle we lead within, trying to overcome the fact we are all made from that same filth.” 

As the world circles the abyss at gathering speed, WIEGEDOOD have returned to provide a perfectly vicious soundtrack. Formed in 2014, the Belgian trio have built an unassailable reputation as purveyors of visceral and bleak black metal in its purest and most destructive form. Since unveiling their debut album “De Doden Hebben Het Goed” in 2015, WIEGEDOOD have blazed an unending trail for musical darkness, bolstering their burgeoning notoriety with some of the most apocalyptic live performances in recent memory, and producing two subsequent albums – “De Doden Hebben Het Goed II” and “III”, released in 2017 and 2018 respectively – which hammered home the band’s unique creative powers. Emerging once more, this time from the involuntary solitude of a plague-bound world, WIEGEDOOD are back with their fourth studio album, “There’s Always Blood At The End Of The Road”. A ferocious tour-de-force, born of frustration and the ever-burning flame of hatred for the modern world, the new record marks a significant departure for this most ruthlessly singular of modern metal bands. “Musically I think we’ve made our most uncomfortable record so far. It’s once again faster than anything we’ve done before, and more unforgiving than the whole trilogy combined”, says vocalist/guitarist Levy Seynaeve. “To me, it feels like a soundtrack, for a movie yet to be made. A movie about the filthiest and most disgusting parts of human nature and society, and about the struggle we lead within, trying to overcome the fact we are all made from that same filth.” 

As the world circles the abyss at gathering speed, WIEGEDOOD have returned to provide a perfectly vicious soundtrack. Formed in 2014, the Belgian trio have built an unassailable reputation as purveyors of visceral and bleak black metal in its purest and most destructive form. Since unveiling their debut album “De Doden Hebben Het Goed” in 2015, WIEGEDOOD have blazed an unending trail for musical darkness, bolstering their burgeoning notoriety with some of the most apocalyptic live performances in recent memory, and producing two subsequent albums – “De Doden Hebben Het Goed II” and “III”, released in 2017 and 2018 respectively – which hammered home the band’s unique creative powers. Emerging once more, this time from the involuntary solitude of a plague-bound world, WIEGEDOOD are back with their fourth studio album, “There’s Always Blood At The End Of The Road”. A ferocious tour-de-force, born of frustration and the ever-burning flame of hatred for the modern world, the new record marks a significant departure for this most ruthlessly singular of modern metal bands. “Musically I think we’ve made our most uncomfortable record so far. It’s once again faster than anything we’ve done before, and more unforgiving than the whole trilogy combined”, says vocalist/guitarist Levy Seynaeve. “To me, it feels like a soundtrack, for a movie yet to be made. A movie about the filthiest and most disgusting parts of human nature and society, and about the struggle we lead within, trying to overcome the fact we are all made from that same filth.” 

Crystal clear 12" double vinyl in 3-panel gatefold with 8-page insert.
Limited to 800 copies worldwide!

CYNIC has made its long-awaited return with ‘Ascension Codes,’ the highly anticipated follow up to 2014’s critically acclaimed ‘Kindly Bent to Free Us.’ ‘Ascension Codes’ is the latest evolution in CYNIC’s legendary career as the band is now fully immersed within the progressive rock genre, once again exploring new territory and pushing the boundaries as they boldly step outside their comfort zone to reach a new apex of musical proficiency. The album takes the listener on a cosmic journey through space and time, balancing polished technicality and moments of peaceful ambience, creating a dynamic experience that is filled with both bright energy and calming peacefulness.

Crystal clear 12" double vinyl in 3-panel gatefold with 8-page insert.
Limited to 800 copies worldwide!

CYNIC has made its long-awaited return with ‘Ascension Codes,’ the highly anticipated follow up to 2014’s critically acclaimed ‘Kindly Bent to Free Us.’ ‘Ascension Codes’ is the latest evolution in CYNIC’s legendary career as the band is now fully immersed within the progressive rock genre, once again exploring new territory and pushing the boundaries as they boldly step outside their comfort zone to reach a new apex of musical proficiency. The album takes the listener on a cosmic journey through space and time, balancing polished technicality and moments of peaceful ambience, creating a dynamic experience that is filled with both bright energy and calming peacefulness.

doppio picture disc

Originally issued as a cassette EP, Plague Harvest encrypts the further transformation into pure dark ambience. Field recordings yanked from the trees like dead leaves mix with streams of electronics running beneath the soil. Included also is a bonus 10" of Ruination, The New Dawn Cometh , which was previously only available digitally, exposing again a precursor and foreshadowing of this cautionary tale that what sustains life can easily grow to smother it. Yellow paper jacket invokes the spirit of the original dead cassette.

The alchemic trilogy has finally been concluded. The cauldron is frothing in full force. These recordings were originally presented on three separate EPs, each showing a different side from the project. From lo-fi dungeon explorations to medieval astral projections, this collection offers a wide variety of sounds and stories for your nightly inner explorations or journeys into the vast, cold unknown. To complete the full experience, additional unreleased recordings have been added to this collection under the name of Waldgeistär , delivering all the ingredients needed for this intoxicating potion. The blood of the dragon, the black streams, the ashes of souls, and the ghosts from the woods. Drink the darkness, and listen to dark music.

The " SLAUGHTERSUN " album was originally released in 1998. Here is the official 2022 deluxe vinyl repress on Cosmic Key Creations. Issued under exclusive license from Century Media Records and Dawn. Adapted artwork according to the wishes of the band.
450x gold / orange swirl 
180 gram vinyl
gatefold jacket, gloss uv varnish
champagne gold hotfoil
black flood inside
black polylined inners
Mastered for vinyl

Box (slipcase): small hit on the bottom left corner, a few minor signs due to storage with no plastic overbag. Album gatefold: (minor) dented corners (2). EP cover: one minor dented corner. All these are not dramatic issues at all. You may send your email address to get some close-up photos

Sleeve: Near Mint -- (a few marks due to the fact this was stored without a plastic overbag)

Vinyl: VG++ / Near Mint -- 

Official 7-tape box with the complete work from 1986-1990 from the danish masters of occult Heavy Metal KING DIAMOND.
Housed in a heavy luxurious matte black canvas casewrapped box with silver hot-foil stamped printing.
This box is strictly limited to 1000 copies only and includes the 7 tapes, a booklet, 2 posters, a big shaped backpatch, a regular patch, a big flag and a metal-pin.

https://www.discogs.com/Archgoat-Angelcunt-Tales-Of-Desecration/release/1725532

Media: mint

Cover: VG++ (small hit on two corners)

Sleeve: VG++  Light halation of ring wear, small dent on left corver) 

Vinyl: VG++  Looks playes more than once indeed, a few stains and dirt, but it looks like you can easily recondition this.

We tested it and vinyl doesn't skip: this is the only thing we can guarantee, otherwise we don't know how the original recording sounds like

Collectors edition in woodenbox, includes digipack CD + Saor bronze pendant, certificate card, woods and leaves

Uscita 15/02/2019

Three tracks promo CD, rare edition made by the band to shop around a deal with record labels for the very same titled album (later on released on Iron Bonehead)

Label: Grievantee Productions ‎– none
Format: Vinyl, LP, Limited Edition
Country: Finland
Released: 2004

MINT / NEAR MINT

NEAR MINT

Triptykon ‎– Shatter
Label: Century Media ‎– 9980391, Prowling Death Records ‎– 9980391
Format: Vinyl, 12", 33 ⅓ RPM, EP
Country: UK
Released: 25 Oct 2010
 

Edizione in box fi legno, legno bianco/grigio, limitata a 200 copies

Include digipack CD formato A5 di 'Moth's illusion', il nuovo (quarto) album di Enisum + un bonus CD-ep (con due extra tracks registrate per questo ep durante le sessioni dell'album)  

Include anche un accendino simil-zippo con il tema dell'album ed il logo della band (accendino nero con stampa bianca) CLICCA QUI PER UNA ANTEPRIMA

The Republic of Desire's music is very experimental, fusing modern extreme metal with industrial, noise, drum 'n' bass, neoclassical, industrial, and jazz.

Listen to believe !

 

Raw & Hypnotic Black Metal.
New EP
 

Copertina con qualche leggero ammacco 

The Crevices Below is a project formed in January 2011.

The album is based heavily on the topic of an underground kingdom, ruled by a king who slowly descends into madness. As the shadows grow deeper in the depths of the earth, so too does his paranoia of all those he rules.

Musically different to Midnight Odyssey, yet still atmospheric and haunting.
(from www.midnight-odyssey.com)
 

The new full-length album by Evoke Thy Lords, the key representatives of the Siberian doom scene. Each work of Siberians differs in one way or another from the previous one preserving, however, well-recognized features of the band: a powerful, tightening groove and the sounds of flute amplifying the hypnotic effect. The "Lifestories" evolves into psychedelic doom metal from adjacent styles demonstrating original interpretation of life stories and a unique view of the musical genre.
 

Ristampa 2013 per la Old Temple.
Secondo full-length di questa band chilena death metal.
 

under nickname 1,4,1,13 hides the creative mind behind the S.I.V. project: an atmospheric and elegant offering of shoegaze/post black metal with fine influences taken from the likes of Katatonia and Alcest, while vocals verge on a swedish-DSBM style!
 

Gaze into the Great Monolith and behold its horrors and glory! This is the essence of the practitioner's pursuit. Delving into the unconscious, the practitioners allow their limbs to move spontaneously by channelling the Great Monolith's sublime essence, leaving sounds that are stripped of any humanity or sense of physical awareness. It is in this state that Death. Void. Terror. endeavour to attain the purity that emanates from the Great Monolith. 

This purity may never be fully grasped or attained by any individual practitioner, resulting in it being essentially futile. Yet it is not fruitless, for the practitioner's purpose is to serve as a vessel for the Great Monolith's purity and not to attain any semblance of creative satisfaction. Practitioners must be bereft of such arrogance! As ambitious as the individual practitioner's pursuit may be, his pursuit of the purity expressed through the Great Monolith remains but that - a pursuit. 

By aiming to approximate the purity of the Great Monolith's transmissions, different approaches have been applied by individual practitioners, leading to correspondingly different visual manifestations that each serve as a separate aspect to the audial manifestations pursued by practitioners 
 

War metal with heavy as hell production, memorable songs and atmosphere grab your attention from the start. Guitar tone and style remind me of British Columbian greats Blasphemy, albeit in a quicker and thrashier manner.
 

Belgium’s one man death-doom project “Gateway” unleashes its self-titled debut, the follow-up to last year’s well received 3-track demo “Aeternae"

“As dark and suffocating as strapping an oxygen mask to your truck’s muffler. Play at loud volume and watch worms come out of the ground with the sheer reverb produced.”
 

Mastermind Dan Swanö (Edge Of Sanity, Witherscape, Nightingale…) has been busy lately bringing back to attention one of his old and first prog projects Unicorn, and Alone Records is pleased to help with it!. He would comment on this upcoming vinyl and cd reissue:

Black Vinyl

Also included:
*A high resolution scan of the original artwork
*A high resolution scan of each lyric from the original artwork
*The 1486 word essay "Behind the Scenes" by Dan Swanö
*A credits page in English
*An information sheet about the band

Mastermind Dan Swanö (Edge Of Sanity, Witherscape, Nightingale…) has been busy lately bringing back to attention one of his old and first prog projects Unicorn, and Alone Records is pleased to help with it!. He would comment on this upcoming vinyl and cd reissue:

Comes as six panel digisleeve

Also included:
*A high resolution scan of the original artwork
*A high resolution scan of each lyric from the original artwork
*The 1486 word essay "Behind the Scenes" by Dan Swanö
*A credits page in English
*An information sheet about the band

Coming from the misty mountains of the extreme south of Brazil, PATRIA is one of the most imminent Black Metal bands in South America today. Forged in 2008 by the multi-instrumentalist Mantus and the vocalist Triumphsword, both veteran musicians from the local Black Metal bands Mysteriis and Thorns of Evil.
Musically they track under the tenuous line between necro Black Metal and experimental avant-garde music in an epic journey mixing the South American metal madness with the classic and dark Scandinavian vein. Drawing influences from many different types of music but keeping the harsh feeling shape of the Black Metal core. Twisted, dirty & melodic in its own way. Lyrically PATRIA explores the beauty and power of nature and the universe in themes as misanthropy, death and grief, still allied with a strong anti-religion awareness.
 

Of Earth and Sun is the project of Denver based Matthew Hunzeker, who skillfully utilizes a variety of both organic and electronic instrumentation ranging from bone trumpets, vocals, oscillators, and drum machines to create impressive soundscapes of heavily ritualistic inspired drones and intoxicating, near cataclysmic invocations.
The 9 tracks that comprise Uncoiled seem monolithic and almost overpoweringly dense, but repeated listens reveal them to be intensely hypnotic and mesmerizing, often times starting with singular, elongated vocalizations or slow motion thrums that rapidly blossom into a cascade of swarming drones and thumping pulsations. By the end, they've been transformed into a consuming mass of saturated, turbulent sound, falling somewhere between the visceral, immersive nature of Theologian and the meditative, organic darkness of Halo Manash.
 

With this release New Era Productions and Hammerheart Records teamed up to release the “Studio Demo 1993” on LP and CD. As a bonus it will include the official and suitably raw "Livetape 1992”.
Cover has been re-done and audio has been remastered; comes with old photo's and lyrics.
A true piece of Blackened Dutch Metal history!
CD as digipak with 8 page booklet, limited to 500 copies.
 

Dopo alcuni demo, mini e split arriva l'esordio a lunga durata per questa band americana, in puro old-style black metal. Confezione in Digipack molto curato

"Fear" is a memorable slab of dark, riff-heavy black metal. It'll please anyone who likes their black metal catchy rather than drone-y -- think Master's Hammer or Mortuary Drape, and then check this out. Recommended.
(Review by vorfeed: http://vorfeed.net)
 

Debut full-length, 6-panels digipack.

"This is death metal that puts heaviness and atmosphere first and foremost. They play with a punk edge and is borderline grindcore in its delivery, think of Hateplow or Misery Index. Pig’s Blood is a death metal album with a demo like rawness. It feels like you are in the front row and the amp is blazing into your ear or you’re watching the band practise."
www.brutalism.com
 

Over The Voids was founded on one man’s vision of a mid-nineties black metal revival. However, this work of art far transcends simple nostalgia or tributes paid to ages past; while many bands are content with leading an existence as living homages to other people’s innovations, this solo project has an entirely different intensity to its artistic fire. The musical and lyrical aspects along with their aesthetic representation are forged in synergy to ponder the riddles of mortality.

Commanding the centre of attention is the distinctly mixed twin-guitars, acting much like a conductor’s baton as they dictate where to bring the music and its accompanying mood. The melodies are the focal point, merging the icy darkness of Transylvanian Hunger with the dreamy woodland landscapes of Bergtatt. Despite the catchy melodies, Over The Voids is more the type of music to which one would drift on some flight of the mind, rather than bang one’s head.

CD housed in a 4 panel digipack
12 page booklet including fantastic custom lithograph art.
 

Black Metal from the Netherlands.

Project from ex. Liar of Golgotha member. feat. At this digibook Gunther(Ancient rites),Orlok (Countess),Melek taus (Bestial summoning) and Hrrds (Ibex angel order).

CD contains also two covers. One from Countess and one of In Ketten (Absurd).

Luxurious Digibook CD with 32 pages booklet. Limited to 300 hand numbered copies.

Dark folk music from NORWAY, in the vein of ELIWAGAR, HAGALAZ RUNEDANCE...
 

Atmospheric / Depressive Black Metal from Germany
Split
 

Fertile ground is a constantly regenerating habitat, a source of energy and the foundation for the emergence of organisms of all kind. It is in active exchange with all life surrounding it and receives continuous restructuring. With their debutalbum ’No Fertile Ground For Seeds‘, KÂHLD question the idea of life capable of regeneration with regards to humanity and its way of living. Current topics as well as issues of the past, driven by self-destruction and social deficiencies, being nothing more than actions of self-serving hypocrits, are the foundation for this.