Black 12" vinyl (33 rpm) in printed inner sleeve in gatefold with 12-page booklet (30cm x 30cm) and poster (size A2 / 59cm x 42cm), limited to 1000 copies worldwide.

While the songs would eventually appear on ‘De Mysteriis Dom Sathanas’, 'Life Eternal’ reveals how MAYHEM’s first full-length album became a foundational pillar for black metal.
These five rough mixes were recorded with original guitarist Øystein “Euronymous” Aarseth. Attila Csihar toils with different vocal takes, especially on “Pagan Fears”, which somehow sounds even more wicked than the final version. And while it was ultimately left on the cutting room floor, the pummeling drum flurry that opens this cut of “Funeral Fog” is vintage Hellhammer.
‘Life Eternal’ is a wild artifact from the most insane black metal band of all time.

For fans of DARKTHRONE, GORGOROTH, IMMORTAL, WATAIN, 1349

​​​​​​​

Purple 12" vinyl (33 rpm) in printed inner sleeve in gatefold with 12-page booklet (30cm x 30cm) and poster (size A2 / 59cm x 42cm), limited to 900 copies worldwide.

While the songs would eventually appear on ‘De Mysteriis Dom Sathanas’, 'Life Eternal’ reveals how MAYHEM’s first full-length album became a foundational pillar for black metal.
These five rough mixes were recorded with original guitarist Øystein “Euronymous” Aarseth. Attila Csihar toils with different vocal takes, especially on “Pagan Fears”, which somehow sounds even more wicked than the final version. And while it was ultimately left on the cutting room floor, the pummeling drum flurry that opens this cut of “Funeral Fog” is vintage Hellhammer.
‘Life Eternal’ is a wild artifact from the most insane black metal band of all time.

For fans of DARKTHRONE, GORGOROTH, IMMORTAL, WATAIN, 1349

CD in deluxe Digipak with 20-page booklet.

While the songs would eventually appear on ‘De Mysteriis Dom Sathanas’, 'Life Eternal’ reveals how MAYHEM’s first full-length album became a foundational pillar for black metal.
These five rough mixes were recorded with original guitarist Øystein “Euronymous” Aarseth. Attila Csihar toils with different vocal takes, especially on “Pagan Fears”, which somehow sounds even more wicked than the final version. And while it was ultimately left on the cutting room floor, the pummeling drum flurry that opens this cut of “Funeral Fog” is vintage Hellhammer.
‘Life Eternal’ is a wild artifact from the most insane black metal band of all time.

For fans of DARKTHRONE, GORGOROTH, IMMORTAL, WATAIN, 1349

After rearing their doom-laden head from the primordial waters in 2022 with the release of "The Exuviae of Gods - Part I", Mournful Congregation continue the parting of the waters with "The Exuviae of Gods - Part II".
Two brand new compositions, plus a brand new re-recording of 1995's "Head's Bowed", featured on their second demo tape.
Continuing the thematics presented on Part I, artwork is once again handled by Karmazid, bringing the monadic into the dyadic.
Thus perfecting the natural order of primordial principles....

300x heavyweight sea blue 12" (180g) in a microtene innerbag, innersleeve printed full-color on 220g, download card, jacket full-color and black flood inside printed on 350g, all assembled in a plastic overbag.

After rearing their doom-laden head from the primordial waters in 2022 with the release of "The Exuviae of Gods - Part I", Mournful Congregation continue the parting of the waters with "The Exuviae of Gods - Part II".
Two brand new compositions, plus a brand new re-recording of 1995's "Head's Bowed", featured on their second demo tape.
Continuing the thematics presented on Part I, artwork is once again handled by Karmazid, bringing the monadic into the dyadic.
Thus perfecting the natural order of primordial principles....

Crystal clear & white marbled 12" vinyl in printed inner sleeve in deluxe gatefold (with special cut).
Limited to 600 copies worldwide!

TSJUDER is back with a brand-new full-length opus for the first time since 2015!
Featuring a renewed line-up with drum master Jon “The Charn” Rice (Umbra Vitae, Uncle Acid & The Deadbeats) holding down the throne, ‘Helvegr’ is an authentic display of the True Norwegian Black Metal sound that Tsjuder helped define in the 90s.
With this blistering aural assault, the band is certain to conquer 2023 with blasphemy and blast beats!

For fans of MAYHEM, 1349, DARKTHRONE, GORGOROTH, CARPATHIAN FOREST.

CD in deluxe Digisleeve printed on the rough side of the board, with folded booklet.

TSJUDER is back with a brand-new full-length opus for the first time since 2015!
Featuring a renewed line-up with drum master Jon “The Charn” Rice (Umbra Vitae, Uncle Acid & The Deadbeats) holding down the throne, ‘Helvegr’ is an authentic display of the True Norwegian Black Metal sound that Tsjuder helped define in the 90s.
With this blistering aural assault, the band is certain to conquer 2023 with blasphemy and blast beats!

For fans of MAYHEM, 1349, DARKTHRONE, GORGOROTH, CARPATHIAN FOREST.

Vananidr is a band that sprung out of the ashes of black metal band Hydra. Hydra was active between the mid nineties and 2006, since they split up Anders have been creating his take on black metal fused with melodies from Swedish folk music. In late 2019 Anders recruited two new members, Ljusebring on drums and Rickard on guitar.

In January 2020 Fredrik Andersson (A Canorous Quintet, Netherbird, This Ending, ex-Amon Amarth, ex-Therion (live), ex-Guidance of Sin…) joined the band on drums.

2022 the band is back with their new album "Beneath the Mold" offering nothing but the best Swedish Black metal.

Vananidr is a band that sprung out of the ashes of black metal band Hydra. Hydra was active between the mid nineties and 2006, since they split up Anders have been creating his take on black metal fused with melodies from Swedish folk music. In late 2019 Anders recruited two new members, Ljusebring on drums and Rickard on guitar.

In January 2020 Fredrik Andersson (A Canorous Quintet, Netherbird, This Ending, ex-Amon Amarth, ex-Therion (live), ex-Guidance of Sin…) joined the band on drums.

2022 the band is back with their new album "Beneath the Mold" offering nothing but the best Swedish Black metal.

High Roller Records,grey w/ white & black splatter vinyl, ltd 400, insert, Cassette transfer, audio restoration and mastering by Patrick W. Engel at TEMPLE OF DISHARMONY in November 2020 / January 2022. Artwork and text restoration and extension by Alexander von Wieding.

High Roller Records, white/ grey mixed vinyl, ltd 250, A4 insert, Cassette transfer, audio restoration and mastering by Patrick W. Engel at TEMPLE OF DISHARMONY in November 2020 / January 2022. Artwork and text restoration and extension by Alexander von Wieding.

Reissue 2021 by The Clandestine Coven

Reissue 2021 by The Clandestine Coven

finally available again, reissued   by Funeral Industries

finally available again, reissued on A5 digipak by Funeral Industries

A new official repress on vinyl, by Funeral Industries

new reissue, in A5 digipak format

When night falls onto the sub-arctic landscapes of the Land of the Thousand Lakes, in the twilight of forest and swamps, the veils between our reality and the otherworld grow thin. It is at those times that stories such as 'the fairy tale that never was' leak into the lyrics and music of TENHI. On their sixth album, "Valkama", which translates as 'harbour' or 'shelter' among other meanings, the Finns originally began telling of a journey that was meant as a fairy tale in a burning, war-torn village and the crossing over dark waters to an island of the dead. The island is called Verisurma ('the place for those who have suffered blood-death') in Finnish folklore, where those dwell that died in war or were killed with a blade, and who shed blood on its shore forever. Yet, during the ten years that TENHI were working on the album, our reality started to bleed into the otherworld with its own terrors and wars. Year after year, the musicians felt their story becoming more and more real until the point was reached that the band decided to change course. Although echoes of the original work are still audible in the final music and visible in the artwork, the album now feels more harmonious and comforting, even brighter. TENHI could hardly have picked a more suitable band-name. This old Finnish word means a person that is an 'elder' or 'shaman'. And while the shamans of the ancient nomadic Finns are the guardians against but also the mediators between their communities and the spirit world, TENHI are their musical equivalent as a liminal force between dark folk, folk rock, and even reaching out into the normally electrified world of metal. The latter invites comparison with WARDRUNA and HEILUNG, although in a spiritual meaning and certainly not by way of a stylistic comparison. TENHI were conceived by guitarist and vocalist Tyko Saarikko in 1996. Ilmari Issakainen joined the band a few years later. Together they form the creative core of the group. After self-releasing the demo "Kertomuksia" (1997) and the MCD "Hallavedet" (1998), the Finns immediately hit a nerve with their debut full-length "Kauan" in 1999. TENHI started into the new millennium with another MCD entitled "Airut:ciwi" (2000), which was followed by a string of albums from "Väre" (2002) via "Maaäet" (2006) and "Airut:aamujen" (2006) to "Saivo" (2011). With each new album, the Finns continued to grow a dedicated following that is coming from different musical directions. From the start, TENHI have combined acoustic instrumentation and a traditional vibe with structures based on contemporary rock music. While their previous full-length "Saivo" tilted more towards an ambient-style and panoramic soundtrack feeling, "Valkama" returns to a more song-oriented approach – even though the tracks retain an epic and meandering format. "Valkama" comes with the trademark Finnish longing and melancholia, but despite its audible darkness, TENHI offer a musical outlet from the horrors of the modern world. In the twilight world of the North, "Valkama" is the silver-lining on the horizon promising shelter and peace.

When night falls onto the sub-arctic landscapes of the Land of the Thousand Lakes, in the twilight of forest and swamps, the veils between our reality and the otherworld grow thin. It is at those times that stories such as 'the fairy tale that never was' leak into the lyrics and music of TENHI. On their sixth album, "Valkama", which translates as 'harbour' or 'shelter' among other meanings, the Finns originally began telling of a journey that was meant as a fairy tale in a burning, war-torn village and the crossing over dark waters to an island of the dead. The island is called Verisurma ('the place for those who have suffered blood-death') in Finnish folklore, where those dwell that died in war or were killed with a blade, and who shed blood on its shore forever. Yet, during the ten years that TENHI were working on the album, our reality started to bleed into the otherworld with its own terrors and wars. Year after year, the musicians felt their story becoming more and more real until the point was reached that the band decided to change course. Although echoes of the original work are still audible in the final music and visible in the artwork, the album now feels more harmonious and comforting, even brighter. TENHI could hardly have picked a more suitable band-name. This old Finnish word means a person that is an 'elder' or 'shaman'. And while the shamans of the ancient nomadic Finns are the guardians against but also the mediators between their communities and the spirit world, TENHI are their musical equivalent as a liminal force between dark folk, folk rock, and even reaching out into the normally electrified world of metal. The latter invites comparison with WARDRUNA and HEILUNG, although in a spiritual meaning and certainly not by way of a stylistic comparison. TENHI were conceived by guitarist and vocalist Tyko Saarikko in 1996. Ilmari Issakainen joined the band a few years later. Together they form the creative core of the group. After self-releasing the demo "Kertomuksia" (1997) and the MCD "Hallavedet" (1998), the Finns immediately hit a nerve with their debut full-length "Kauan" in 1999. TENHI started into the new millennium with another MCD entitled "Airut:ciwi" (2000), which was followed by a string of albums from "Väre" (2002) via "Maaäet" (2006) and "Airut:aamujen" (2006) to "Saivo" (2011). With each new album, the Finns continued to grow a dedicated following that is coming from different musical directions. From the start, TENHI have combined acoustic instrumentation and a traditional vibe with structures based on contemporary rock music. While their previous full-length "Saivo" tilted more towards an ambient-style and panoramic soundtrack feeling, "Valkama" returns to a more song-oriented approach – even though the tracks retain an epic and meandering format. "Valkama" comes with the trademark Finnish longing and melancholia, but despite its audible darkness, TENHI offer a musical outlet from the horrors of the modern world. In the twilight world of the North, "Valkama" is the silver-lining on the horizon promising shelter and peace.

When night falls onto the sub-arctic landscapes of the Land of the Thousand Lakes, in the twilight of forest and swamps, the veils between our reality and the otherworld grow thin. It is at those times that stories such as 'the fairy tale that never was' leak into the lyrics and music of TENHI. On their sixth album, "Valkama", which translates as 'harbour' or 'shelter' among other meanings, the Finns originally began telling of a journey that was meant as a fairy tale in a burning, war-torn village and the crossing over dark waters to an island of the dead. The island is called Verisurma ('the place for those who have suffered blood-death') in Finnish folklore, where those dwell that died in war or were killed with a blade, and who shed blood on its shore forever. Yet, during the ten years that TENHI were working on the album, our reality started to bleed into the otherworld with its own terrors and wars. Year after year, the musicians felt their story becoming more and more real until the point was reached that the band decided to change course. Although echoes of the original work are still audible in the final music and visible in the artwork, the album now feels more harmonious and comforting, even brighter. TENHI could hardly have picked a more suitable band-name. This old Finnish word means a person that is an 'elder' or 'shaman'. And while the shamans of the ancient nomadic Finns are the guardians against but also the mediators between their communities and the spirit world, TENHI are their musical equivalent as a liminal force between dark folk, folk rock, and even reaching out into the normally electrified world of metal. The latter invites comparison with WARDRUNA and HEILUNG, although in a spiritual meaning and certainly not by way of a stylistic comparison. TENHI were conceived by guitarist and vocalist Tyko Saarikko in 1996. Ilmari Issakainen joined the band a few years later. Together they form the creative core of the group. After self-releasing the demo "Kertomuksia" (1997) and the MCD "Hallavedet" (1998), the Finns immediately hit a nerve with their debut full-length "Kauan" in 1999. TENHI started into the new millennium with another MCD entitled "Airut:ciwi" (2000), which was followed by a string of albums from "Väre" (2002) via "Maaäet" (2006) and "Airut:aamujen" (2006) to "Saivo" (2011). With each new album, the Finns continued to grow a dedicated following that is coming from different musical directions. From the start, TENHI have combined acoustic instrumentation and a traditional vibe with structures based on contemporary rock music. While their previous full-length "Saivo" tilted more towards an ambient-style and panoramic soundtrack feeling, "Valkama" returns to a more song-oriented approach – even though the tracks retain an epic and meandering format. "Valkama" comes with the trademark Finnish longing and melancholia, but despite its audible darkness, TENHI offer a musical outlet from the horrors of the modern world. In the twilight world of the North, "Valkama" is the silver-lining on the horizon promising shelter and peace.

The title of SATURNUS' fifth album, "The Storm Within" is hinting at both, the tempest of the natural world and turmoil that can rage inside the mind. It is also quite obvious that the long time it took the Danes to create this full-length and the personal reasons behind the hiatus very much contributed and inspired its artistic expression. SATURNUS have outdone themselves with "The Storm Within". The musical themes of the seas, rain, and stormy waters are a subtle presence and guiding thread throughout the songs that reflect anger, loss, melancholy, and pain in equal measure. The fully matured craftsmanship on this album is sublime and extremely dynamic, ranging from moments of calm to brutal outbursts. Working again with producer Flemming Rasmussen, the legendary Danish producer of METALLICA's classic albums, also ensured that the sound of "The Storm Within" matches its outstanding musical quality. SATURNUS came into being when singer Thomas A.G. Jensen started looking for fellow musicians in the area of Denmark's capital Copenhagen to form a death metal act in 1991. Following a number of changes during the next few years, the name was finally switched to SATURNUS in 1993. The band released their first album "Paradise Belongs to You" in January 1997 and were immediately invited to perform at the famous Roskilde Festival the same year. The show was recorded by Norwegian Radio (NRK) and ended up being broadcast all over Scandinavia, which firmly established the band as a death doom household name in Northern Europe. Following their sophomore album "Martyre" (2000) and the iconic third studio full-length "Veronika Decides to Die" as well as constant touring throughout Europe and increasingly beyond, "Saturn in Ascension" was released in 2012, which was once again produced by Flemming Rasmussen. Celebrating their 20th anniversary, SATURNUS got back on the roads of Europe and also performed at prestigious festivals such as Brutal Assault (CZ), Copenhell (DK), and ArtMania (RO) among many others. The Danes continued touring with occasional breaks from 2014 until 2017, which got them as far as Russia and to the Middle East. After several notable changes in the line-up, SATURNUS were joined by guitarists Indee Rehal-Sagoo (formerly CLOUDS and EYE OF SOLITUDE) and Julio Fernandez from AUTUMNAL in 2020. Despite more obstacles created by the pandemic, the band finally started working on their next album and also continued their collaboration with Flemming Rasmussen. "The Storm Within" took a long time in its creation and along the way demanded painful sacrifices from SATURNUS. All the blood, pain, and sweat have left their marks on this record. Yet in the end, the brutal honesty and the baring of the soul emanating from each note is what makes "The Storm Within" such a brilliant piece of music.

NEAR MINT !

Limited to 350 hand-numbered copies (this #261/350). Comes with lyrics insert. 

Media Condition: Mint (M) 
Sleeve Condition: Very Good Plus (VG+) - very close to Near Mint (a little seam split on spine and a little corner bend on top right corner)

sleeve Near Mint but a small crease on one corner (half centimeter)

Vinyl Mint, includes insert

Krisiun / Viollent Hate* ‎– Curse Of The Evil One / In Between The Truth
Label: Dynamo Brazilie ‎– DYN005
Format: Vinyl, LP
Country: Brazil
Released: 1993

Box (slipcase): small hit on the bottom left corner, a few minor signs due to storage with no plastic overbag. Album gatefold: (minor) dented corners (2). EP cover: one minor dented corner. All these are not dramatic issues at all. You may send your email address to get some close-up photos

Limited Edition of 200 copies

Media Condition: Near Mint (NM or M-)
Sleeve Condition: Near Mint (NM or M-)

Gatefold DLP with A1 Salvation poster.
 

Media Condition: Mint (M)
Sleeve Condition: Very Good Plus (VG+) 

Two few seam splits on the cover

many sellers would rate this as a NM--- there's moderate physiological signs of use and storage, but all in all great shape

Box set containing all Kreator's 6 albums from Noise Records originally released between 1985 and 1992. Remastered and pressed on splatter vinyl. Also contains DVD containing From The Vault documentary of interviews and rare performances, a 12" x 12" booklet of photography and lyrics and 'Violent Mind' demon figurine mp3 drive containing all the audio of the expanded editions of the albums.

Limited to 3000 box sets worldwide.
First 250 copies came with a Tarot Card signed by Mille.

"Blitzkrieg Demo" recorded in 1983.
"End of the World Demo) recorded in 1984. Mastered by Jürgen Crasser and Mille Petrozza.
"Endless Pain" recorded at CAT Studio, Berlin 1985.
"Pleasure to Kill" recorded at Musiclab, Berlin and Phoenix Studio, Bochum in 1986. Engineered and produced by Harris Johns.
"Terrible Certainty" recorded at Horus Studio, Hannover in 1987. Produced by Roy Rowland.
"Extreme Aggression" recorded at Music Grinder, Los Angeles in 1989. Produced by Randy Burns and engineered by Steve Hienke.
"Coma of Souls" recorded at Eldorado and Image Studios, mixed at Music Grinder, Los Angeles in 1990. Produced by Randy Burns and engineered by Steve Hienke and Jason Roberts.
"Renewal" recorded at Morrisound Studios, Tampa in 1992. Produced by Kreator and Tom Morris.

Generally graded VG + / VG +

The album in its whole (vinyl and sleeve) shows some signs of its 30+ years BUT with glorious degnity: no major scratches, vinyl plays perfectly (tested here), no major stains, just normal handling 

Sleeve: as above (a few light crains but no seamsplits / no dramatic bending etc)

Limited to 400 hand-numbered copies.

Media Condition: Mint (M) 
Sleeve Condition: Near Mint (NM or M-)

Media Condition: Mint (M) 
Sleeve Condition: Mint (M) 

Black vinyl in gatefold cover
Limited to 500 copies

Black vinyl version. Compilation of the "Satanist Stryken" demo tape and "Hail Satanas, We Are The Black Legions" 7" EP.

Media Condition: Mint (M)
Sleeve Condition: Near Mint (NM or M-)

Raw & Hypnotic Black Metal.
New EP
 

After the Demo "Manifestation of the Anichrist" here is the new MiniCD "Vortex of the Slain".
 

100% Cotone nero, stampata su due facciate (avantgarde da una parte e sound cave dall'altra)

Dimensioni 42x60,  Il poster verrà spedito piegato in 4 parti

Moonlight Sorcery, the Finnish symphonic black metal sensation of 2022, is back with a new mini album featuring three brand-new tracks and a cover.

While hard at work on their debut studio album, Loitsumestari Taikakallo, Haaska and Ruttomieli took a divergent path that brought them to compose and record what would become Nightwind: The Conqueror From The Stars. This has been one of the best kept secrets of 2022, but now the time has come to unveil the new spells which have been conjured in the magical dungeons of Moonlight Sorcery.

Nightwind is in every aspect the follow-up to the acclaimed debut EP Piercing Through The Frozen Eternity, which means an illuminating, blasting example of how symphonic black metal from the ‘90s can be composed and performed three decades later without losing an ounce of its urgency and fascination. And magic. And malice. And evil.

"Uncelestial" was battled into existence during December 2003 at the hateful bunkers of
the Northern Stronghold. Tactical advisory and assistance by K.L

under nickname 1,4,1,13 hides the creative mind behind the S.I.V. project: an atmospheric and elegant offering of shoegaze/post black metal with fine influences taken from the likes of Katatonia and Alcest, while vocals verge on a swedish-DSBM style!
 

https://www.discogs.com/release/11224074-Eldamar-A-Dark-Forgotten-Past

Through time and space, a spirit that won't show face. The living man will feel, but the spirit do not kneel. Cause I am not it`s master, it controls everything that grows faster. Three and man is equal out through the sequel. Treat this with respect, the force will protect.

Eldamar Is heavily inspired by the North lands nature Power. Look at it as a journey, and drift away in your own dreams.

https://www.discogs.com/release/8449775-Eldamar-The-Force-Of-The-Ancient-Land

Original pressing
https://www.discogs.com/release/3553087-Mephorash-Death-Awakens

Kanonenfieber side project!

Digipak with booklet 

Kanonenfieber side project!

Back in 2021, Blodtår caused quite a stir with their self-titled EP. The Swedish folk-black metal duo showcased an uncanny ability to tap into a musical current that is rarely captured these days – all the while infusing the formula with fresh and innovative ideas. Ever since, label and fans alike have been anxiously anticipating to see where they go next. The answer has now arrived, in the form of Blodtår’s debut album, “Det förtegna förflutna” (‘The secretive and quiet past’), and it does not fall short of expectations.

The pulsating core of “Det förtegna förflutna” is Carl’s masterful use of intricate riffing heavily inspired by Swedish folk melodies – played lightning-fast but without sounding upbeat. Blodtår forges the lo-fi black metal malice of Embassy-era Gorgoroth with the folkish grandeur of Windir and Dissection’s icy, melancholic melodies.

Drawing frequent comparisons to mind-altering progressive death metal acts, Artificial Brain have distinguished themselves from their peers through an emphasis on rich, melancholic melodic figures, contextualizing the harmonic and emotive qualities of black metal within a more aggressive death metal framework. Dissonance is threaded through elegiac, otherworldly chordal structures; saturnine tremolo melodies float along in the high registers of the instruments; guitars and bass traverse distinct paths before locking into harmonic orbit. These elements, anchored by blast beats and bellowing guttural vocals, create a sense of contrast that has come to characterize the band’s sound over the past decade. 
Artificial Brain, the group’s final recording with original vocalist Will Smith (Afterbirth), is the terminal instalment in a trilogy that includes 2014’s Labyrinth Constellation and 2017’s Infrared Horizon. Smith’s lyrics on this eponymous album take a retrospective look at the sci-fi mythology developed on the previous records, using these ideas to explore themes of isolation, madness, and the inexorability of nature. Rounding out the recording is an impressive roster of guest performers, including death metal legends Mike Browning (Nocturnus A.D.) and Luc Lemay (Gorguts) as well as long time collaborators Paulo Paguntalan (Miasmatic Necrosis) and Colin Marston (Krallice).

Argentinian license on Del Imaginario

Near Mint

Click HERE for this specific version details