From the depths of outer space, a new creature reached planet Earth: Vrazorth is a new one-man band shrouded in mystery, albeit rumors say they originated somewhere in Sweden.

Vrazorth, a cryptic force lurking in Sweden’s black metal underworld, conjures chilling atmospheres that spiral through the infinite void. The solo project of Vra, shrouded in anonymity, blends icy riffs with cosmic dissonance, like the cold embrace of a forgotten star collapsing into darkness. Unholy whispers entwine with celestial screams, creating soundscapes that evoke a realm beyond time.

To craft its debut studio album, Vrazorth drew inspiration from the best: the alien atmosphere of Darkspace, the hallucinated violence of Mysticum, the unpredictable and hybrid nature of Mesarthim. Everything perfectly mixed together to create music that sings of the cosmos, its void and the hidden mysteries that lie among the stars.

From the depths of outer space, a new creature reached planet Earth: Vrazorth is a new one-man band shrouded in mystery, albeit rumors say they originated somewhere in Sweden.

Vrazorth, a cryptic force lurking in Sweden’s black metal underworld, conjures chilling atmospheres that spiral through the infinite void. The solo project of Vra, shrouded in anonymity, blends icy riffs with cosmic dissonance, like the cold embrace of a forgotten star collapsing into darkness. Unholy whispers entwine with celestial screams, creating soundscapes that evoke a realm beyond time.

To craft its debut studio album, Vrazorth drew inspiration from the best: the alien atmosphere of Darkspace, the hallucinated violence of Mysticum, the unpredictable and hybrid nature of Mesarthim. Everything perfectly mixed together to create music that sings of the cosmos, its void and the hidden mysteries that lie among the stars.

One-off edition  150 copies

Wolvencrown’s take on black metal is based on long, keyboard-layered structures, with songs seldom clocking in at less than eight or nine minutes. The solemnity of keyboards, though, is balanced by the fury and rage of guitar riffs and fast drumming, making Celestial Lands a varied and diverse effort. Different from the atmospheric black metal you often hear coming from the Pacific Northwest, Wolvencrown melodies have deep roots in the European tradition, while their lyrics deal with nature, its spirits and the damage Man has caused.

Six panels digipak CD - limited 

Wolvencrown’s take on black metal is based on long, keyboard-layered structures, with songs seldom clocking in at less than eight or nine minutes. The solemnity of keyboards, though, is balanced by the fury and rage of guitar riffs and fast drumming, making Celestial Lands a varied and diverse effort. Different from the atmospheric black metal you often hear coming from the Pacific Northwest, Wolvencrown melodies have deep roots in the European tradition, while their lyrics deal with nature, its spirits and the damage Man has caused.

One-off only edition of 100

Following their 2021 debut De Rerum Natura, Italian atmospheric/melodic black metal duo Eard is back with their sophomore album, Melancholia.
In the band's words, “Melancholia is a deeply introspective work exploring human experience, heavily influenced by the poetic tradition of Romanticism. A defining aspect of Eard is the atmosphere shaped by the strings of the celtic harp interwoven with wistful, evocative guitar melodies. Continuing the tradition initiated with their debut album, the music is enriched by the vocals of guest artists, including Saor’s mastermind Andy Marshall and Belgian multi-instrumentalist Déhà (SLOW, Déhà, Acathexis and many more), who was featured in the previous album and returns this time to contribute to two tracks”.

Eard pays homage to Anglo-Saxon poetry, such homage beginning with the very name of the band, the Old English word used to describe the concept of earth, land and home. Melancholia tells tales of misty lands of old and ancient voyages across the seas, and its haunting melodies will pierce through the greyness of everyday life.

Following their 2021 debut De Rerum Natura, Italian atmospheric/melodic black metal duo Eard is back with their sophomore album, Melancholia.

In the band's words, “Melancholia is a deeply introspective work exploring human experience, heavily influenced by the poetic tradition of Romanticism. A defining aspect of Eard is the atmosphere shaped by the strings of the celtic harp interwoven with wistful, evocative guitar melodies. Continuing the tradition initiated with their debut album, the music is enriched by the vocals of guest artists, including Saor’s mastermind Andy Marshall and Belgian multi-instrumentalist Déhà (SLOW, Déhà, Acathexis and many more), who was featured in the previous album and returns this time to contribute to two tracks”.

Eard pays homage to Anglo-Saxon poetry, such homage beginning with the very name of the band, the Old English word used to describe the concept of earth, land and home. Melancholia tells tales of misty lands of old and ancient voyages across the seas, and its haunting melodies will pierce through the greyness of everyday life.

Single LP mastering for this new pressing

200 copies limited - natural clear vinyl / gatefold sleeve

Black 12" vinyl (33 rpm) in deluxe gatefold sleeve.
First pressing 500 copies worldwide.

Tamás Kátai has a vision that extends far beyond his native Hungary, but THY CATAFALQUE’s twelfth album is tied to the past in more ways than one.
Whereas his previous album returned to the heavier days of THY CATAFALQUE, ‘XII’ takes Kátai on a more figurative journey. The album unfolds like a dark night of the soul, whisked away by the dreamy-yet-haunting opener “Piros kocsi, fekete éj”. “Run with me, life / Whisper the tales”, Attila Bakos sings in Hungarian. His cleans soar over the airwaves, reappearing with ease 15 years after he first joined THY CATAFALQUE for the project’s breakout album ‘Róka Hasa Rádió’.
More old friends join Kátai on this journey. “A gyönyöru álmok ezután jönnek” features 20+ guest musicians, including familiar faces from inside and outside of the Hungarian metal scene. Violin, cello and clarinet bring the comforts of home. Still, the road can be quite harsh. “Mindenevo” is consumed with humanity’s self-destructive appetite, fueled by mechanized blast beats and distorted downpicking that recalls the fiery black metal from which THY CATAFALQUE was originally forged in 1998.
Hungarian history looms behind the album’s most crushing moments. The coal blackened chugger “Vasgyár” is named after the rusted-out ironworks that once fueled the country’s economy. In the video for the album’s title track and lead single, Kátai runs through not only his hometown but surreal scenes from past and present issues that lie beneath the surface of the countryside. But his flair for the avant-garde still shines like the dawn. The synth's minor key melody glows with the faint but familiar reassurance that the beautiful dreams are yet to come.

For fans of SOLEFALD, ARCTURUS, BLUT AUS NORD, ULVER.

Turquoise & black marbled 12" vinyl (33 rpm) in gatefold.
Limited to 350 copies worldwide!

Tamás Kátai has a vision that extends far beyond his native Hungary, but THY CATAFALQUE’s twelfth album is tied to the past in more ways than one.
Whereas his previous album returned to the heavier days of THY CATAFALQUE, ‘XII’ takes Kátai on a more figurative journey. The album unfolds like a dark night of the soul, whisked away by the dreamy-yet-haunting opener “Piros kocsi, fekete éj”. “Run with me, life / Whisper the tales”, Attila Bakos sings in Hungarian. His cleans soar over the airwaves, reappearing with ease 15 years after he first joined THY CATAFALQUE for the project’s breakout album ‘Róka Hasa Rádió’.
More old friends join Kátai on this journey. “A gyönyöru álmok ezután jönnek” features 20+ guest musicians, including familiar faces from inside and outside of the Hungarian metal scene. Violin, cello and clarinet bring the comforts of home. Still, the road can be quite harsh. “Mindenevo” is consumed with humanity’s self-destructive appetite, fueled by mechanized blast beats and distorted downpicking that recalls the fiery black metal from which THY CATAFALQUE was originally forged in 1998.
Hungarian history looms behind the album’s most crushing moments. The coal blackened chugger “Vasgyár” is named after the rusted-out ironworks that once fueled the country’s economy. In the video for the album’s title track and lead single, Kátai runs through not only his hometown but surreal scenes from past and present issues that lie beneath the surface of the countryside. But his flair for the avant-garde still shines like the dawn. The synth's minor key melody glows with the faint but familiar reassurance that the beautiful dreams are yet to come.

For fans of SOLEFALD, ARCTURUS, BLUT AUS NORD, ULVER.

CD in deluxe Mediabook with 52 pages limited to the first pressing only.

Tamás Kátai has a vision that extends far beyond his native Hungary, but THY CATAFALQUE’s twelfth album is tied to the past in more ways than one.
Whereas his previous album returned to the heavier days of THY CATAFALQUE, 'XII: A Gyönyöru Álmok Ezután Jönnek’ takes Kátai on a more figurative journey. The album unfolds like a dark night of the soul, whisked away by the dreamy-yet-haunting opener “Piros kocsi, fekete éj”. “Run with me, life / Whisper the tales”, Attila Bakos sings in Hungarian. His cleans soar over the airwaves, reappearing with ease 15 years after he first joined THY CATAFALQUE for the project’s breakout album ‘Róka Hasa Rádió’.
More old friends join Kátai on this journey. “A gyönyöru álmok ezután jönnek” features 20+ guest musicians, including familiar faces from inside and outside of the Hungarian metal scene. Violin, cello and clarinet bring the comforts of home. Still, the road can be quite harsh. “Mindenevo” is consumed with humanity’s self-destructive appetite, fueled by mechanized blast beats and distorted downpicking that recalls the fiery black metal from which THY CATAFALQUE was originally forged in 1998.
Hungarian history looms behind the album’s most crushing moments. The coal blackened chugger “Vasgyár” is named after the rusted-out ironworks that once fueled the country’s economy. In the video for the album’s title track and lead single, Kátai runs through not only his hometown but surreal scenes from past and present issues that lie beneath the surface of the countryside. But his flair for the avant-garde still shines like the dawn. The synth's minor key melody glows with the faint but familiar reassurance that the beautiful dreams are yet to come.

For fans of SOLEFALD, ARCTURUS, BLUT AUS NORD, ULVER.

Frisian myths and legend translated to fierce and raging Pagan Black Metal.
 

Swartadauthuz - Vocals, guitars, bass and keys L.C (from Häxanu) - Session drums

White/black marble vinyl

Released one year after their demo Black Seared Heart, it was First Spell that put GEHENNA on the map for real.
Originally released in 1994 by Metalion`s legendary label ‘Head Not Found’, the EP shows a band – even though only founded 1 year prior – already on top of their game. Each of the 5 tracks is a masterpiece in its own right. “The Shivering Voice Of The Ghost” or “Unearthly Loose Palace” – can it get more sombre than that?
Macabre and utterly dark, the highly original and memorable tracks are considerably enhanced by keyboardplayer extraordinaire Sarcana.
First Spell is one of the very best EPs ever done in Norway and belongs in every self-respecting Black Metal fan`s collection.

The songs were completely new remastered by Patrick W. Engel at the Temple of Disharmony to ensure the best possible sound for this timeless Black Metal classic.

This release will include a huge 16-page 12” booklet including an in-depth interview (divided into 4 parts, this is part 2) with all 5 original bandmembers and many never seen before pictures.
An A2 poster will be added to every vinyl too and a download-code.

Transparent/black marble vinyl

Seen Through The Veils Of Darkness (2^nd Spell) is GEHENNA`s first full-length album which was originally released in 1995.
They kept their characteristic sound intact, yet stepped each and every element of their sound up a notch or two. The highly melodic sound which has over the years become one of the band`s trademarks, presents itself refined with subtle details.
For the first time, GEHENNA dare to incorporate fast-paced passages into their songs too.
Considering the high compositional level of the album, one is simply awe-struck by the band`s enormous development within only 2 years since GEHENNA`s inception.
Seen Through The Veils Of Darkness (2^nd Spell) is a symphonic Black Metal masterpiece and a highlight of the genre.

The songs were completely new remastered by Patrick W. Engel at the Temple of Disharmony to ensure the best possible sound for this timeless Black Metal classic.

This release will include a huge 20-page 12” booklet including an in-depth interview (divided into 4 parts, this is part 3) with all 5 original bandmembers and many never seen before pictures.
An A2 poster will be added to every vinyl too and a download-code.

Averaging an album per year since their 2018 formation, this latest expression from the rightly-revered Swiss Atmospheric Black Metal band AARA shows no drop in quality, nor let-up in their perpetually questing sense of purpose.

In follow up to 2023's "Triade III: Nyx" - the climatic installment of the 'Melmoth' trilogy based on Charles Robert Maturin's classic Gothic novel - the band now break away from the literary and apply their stunning musicality to real-world events.

"Eiger" is conceptually focused on the 3967 meters mountain of the same name in the Bernese Alps. Since 1935, at least 64 climbers have died attempting to conquer the Eiger’s sheer, ice-covered north face which has earned it the nickname of 'Mordwand' ('murder wall'). The album specifically examines an attempt to climb the Mordwand in July 1936 which ended in tragedy, as four young mountaineers succumbed to treacherous conditions and disappeared, presumed caught in an avalanche.

AARA's music has evolved dynamically in tandem with the subject matter, becoming more visceral, tangible and hauntingly powerful. An organic and spacious production allows the trademark elegiac, spirited leads and reverberant acoustic guitars of main-composer Berg to give increased emotional weight to a performance of on-the-edge savagery from vocalist/lyricist Fluss. The icy melodies, pensive moods, vibrant plummets and shifts/drifts contrast the wonderment of the natural world with a heightened sense of existential malaise and ultimately horror.

Over two decades of toil have passed, the aeon of the end was declared, the parasitic wisdom gained, and the formula of undoing achieved. MITOCHONDRION awoke from a deep, dreamless slumber, and after 11 agonizing years, pried loose from the Cronian clutches to integrate the suffering once again. The singular death metal entity has prepared in cloistered meditation to ascend the peak and proselytize the harrowing word once more.

The new MITOCHONDRION album “Vitriseptome”, released almost 14 years after the band’s last full-length “Parasignosis” is an axe head the size of the known universe brought down with frightening force to sever the neck of all creation. Forged and fermented with the blood, sweat, and bile over a decade from conception to completion: This Great Work nearly took the life of all involved, leaving all to question the true meaning of Death: enantiodromian obeisance to the Abraxan force under Saturn's guise.

This double album is overloaded and unbearable: Pour in what little life you have remaining to be pulverized, conflagrated, calcified, fermented, and purified.

“Vitriseptome” is 11 Alchemical Death Metal works, split over 17 tracks, to form a trilogy of 3 parts, in two phases, which elapses nearly 90 minutes in length.

many sellers would rate this as a NM--- there's moderate physiological signs of use and storage, but all in all great shape

Media Condition: Near Mint 
Sleeve Condition: Mint 

more info

This is a bundle offer / bargain to purchase one copy each of the following Darkthrone bootlegs:

"Rehearsals 1991" black vinyl

"Demos (land of frost, thulcandra, cromlch, + reh. track)"

"A night of unholy black metal" (live in Oslo)

"Return to Ultima Thule"

These are rather underground / artisanal made bootlegs, with very basic sleeves, do not expect deluxe packagings at all

although unplayed, only collected, some sleeves show a few light / small damages (corner bent i.e.)

A MINT / MINT copy of this specific edition:

https://www.discogs.com/release/4010477-Defiance-Product-Of-Society

A mint copy of this edition:

https://www.discogs.com/release/3437570-Erosion-Mortal-Agony

Media Condition:Mint (M)
Sleeve Condition:  Very Good Plus (VG+) almost near mint if not for a small price tag on the right corner

Sleeve mint, Disc near mint (just a couple of light scratches)

NEAR MINT! like new ! Gold vinyl, includes printed card (numbered)  

"777 – Sects(s)" is an organic, cascading volume of deviant, dark art that exhibits BLUT AUS NORD’s natural habitat, a cleansing blade amid transitory moments of non-importance. Hypnotic guitars, discomforting beats and alienating voices clash with the ferocity of aural tectonic plates to produce horrific Black Metal decadence for an anonymous, lost, irrelevant generation.

 

Media Condition: Mint 
Sleeve Condition: Near Mint 

more info

This special edition comes with an exclusive silkscreened hand-printed and numbered slipcase, printed innersleeve, 12-page 12"x12" booklet and a download card. Pressed on exclusive gold nugget heavy vinyl. Limited to 102 copies.

#076/102

12", Unofficial Release, Blue

Media Condition: Near Mint (NM or M-)
Sleeve Condition: Near Mint (NM or M-)

Small (2 cm)  cut on the bottom side of the cover, as typical in those years, to mark nice-price, ovestocks or promo copies, they either drilled or cut the sleeve

8 panels digipack

Exactly 8 years after June 2010's 'The Grave of Civilization' Void of Silence are back with a brand new album.
Although still based on the classic Conforti/Zara line-up core, the new album features again a new lead vocalist (Luca Soi, of Arcana Coelestia and Visthia past).
 

the heirs of Nortt?

Hardbook Digipak with 8 pages glued in booklet and UV Spot Laque

Groovy black'n'roll from Italy.
Reissue 2010
 

A crown jewel of filthy, misanthropic black 'n' roll, Blow With the Devil comprises ten anthems of utter disgust and degradation, abject hatred both internal and external. Whiskey Ritual hail from Italy, which has long maintained a thriving metalpunk scene as well as a small but well-regarded black metal one. Across the accurately titled Blow With the Devil, the quintet caustically combine these two idioms, making for a hellish 'n' headbanging ride through horror and human emotion, hailing Henry Rollins, speed & chicks, nekro street gangs, and Satanic kommandos among many other unsavory things. It's non-stop, unbridled belligerence backed up with wrist-slitting atmosphere.

Ascolta su YouTube

Hardbook Digipak 2-CD with 24 pages booklet

Mӕre - a malicious folkloristic entity creeping on sleeping people's chest during the night and causing breathlessness and anxiety. It's exactly this state of diffuse terror and paralysis that has been enshrined in HARAKIRI FOR THE SKY's music ever since their debut album. And now, more tales from feverish dreams are being released on January 29th in the form of the band's 5th longplayer "Mӕre", out via AOP Records.

As pioneers of the post movement, mixing haunting black metal with post rock moments, the Austrians have, ever since their conception in 2011, drawn fans and critics deeper and deeper into their maelstrom of melancholy, self hate and anger, and even reached #29 of the German charts with their previous release "Arson". And once again, several friends of the band entered the intoxicated world of HARAKIRI FOR THE SKY to guest on "Mӕre": While Alcest's front man Neige brings a haunting flair to 'Sing For The Damage We’ve Done', before the anonymous voice of Gaerea joins in on 'Silver Needle // Golden Dawn'. As session drummer, the band one again commited none less than Kerim „Krimh“ Lechner (Septicflesh, live Behemoth) in the studio and the atmospheric artwork was designed by Art of Maquenda.

Third album by the Austrian Post Black Metal band Harakiri For The Sky.
 

Disponibile ora!

Debut album, Melodic Black Metal with Postrock parts, for fans of Amesoeurs, Grey Waters and Austere

 

- Digipak CD (7" cover size) Of 350gsm Stock Paper With Glued In Black CD-Tray, Scratch-resistant
Matt Lamination
- 20 Page Booklet, 168x168 mm, Full-color Printed On 150gsm Art Paper
- 336x336 mm One Sided Full-color Poster, Printed On 150gsm Art Paper
- All Assembled Into A Plastic Overbag
- Limited To 1000 Copies
- Track 8 Is A Bonus Song For The Japanese Vinyl And This CD Edition

Digipack CD
 

Red, Blue, Black Vinyl

TRELLDOM are the brainchild of Kristian Eivind Espedal, who is better known under his artist's name Gaahl. The Norwegian became one of the leading figures of the Nordic black metal scene after joining the notorious Bergen outfit GORGOROTH in 1998. For many years, the vocalist was pigeonholed for his extreme vocals and attracted many, often dark rumours about his person. If any notion is true about Espedal, it is to always expect the unexpected. TRELLDOM have already written black metal history. The band founded by Gaahl in Sunnfjord, Vestland in 1992 released their debut album "Til evighet..." (1995) to great acclaim in underground black metal circles. Having changed the line-up to include guitarist Valgard and Stian "Sir" Kårstad on bass, TRELLDOM unleashed their sophomore full-length "Til et annet..." (1999) to already much attention of mainstream metal media. This album was produced by the legendary sound engineer Pytten at Grieghallen Studios in Bergen. Pytten also recorded the third milestone "Til minne..." (2007), which became highly regarded both by critics and fans. One of the key aspects of TRELLDOM's first trilogy has always been that in his own band Gaahl was free of the strict limitations under which GORGOROTH operated, and therefore able to explore his voice at will. With "...by the shadows..." the Norwegian artist breaks free from another mould. Returning after many years of dormancy, in which the musicians involved went on to work with several other projects, there is both continuity and change. The crucial collaboration with Stian Kårstad remains at the musical heart of the band. The by far the largest part of all songs on "...by the shadows..." has been created by Sir, who has also taken over all guitar duties. Yet Espedal has changed other aspects of TRELLDOM, which created fascinating effects. Now the renowned percussionist Kenneth Kapstad sits on the drum-stool,who was formerly of MOTORPSYCHO and is also driving the beats in SPIDERGAWD, MØSTER!, and THORNS. Kapstad also brought the internationally acclaimed jazz musician and saxophone player Kjetil Møster (MØSTER!, RÖYKSOPP, THE END) into the fold. The inclusion of Møster's unorthodox saxophone sounds can already be taken as an indication that TRELLDOM are no longer shackled by the narrowest definition of black metal. The music on "...by the shadows..." does remain dark and fierce. It is also clearly still growing out of its roots in the black past. Yet Espedal has willed his band into becoming a far more layered beast and set it free to roam in an avant-garde dimension – with the dissonant sound at times even turning towards the experimental. TRELLDOM have awakened from their slumber and "...by the shadows..." is a spirited manifesto for artistic freedom as well as a grand declaration of war against nostalgic stagnation. This album poses a challenge that states: love it or leave it!

From the depths of Norway looms a new rising beast of hate and misanthropy in the form of Avmakt, featuring members of Aura Noir, Obliteration, Condor. Speaking about Avmakt’s music, vocalist Christoffer Bråthen said “Abstract and concrete as asphalt, processed through life as blood and ash, these riffs have seeped through the bottomless psychic wall. The themes are futureless and true to who we really are – clean and clear as disease.” Avmakt are: Christoffer Bråthen - guitars, vocals, bass Kristian Valbo - drums, vocals, bass