With their anticipated debut full length Seraphic Punishment in 2022, Fargo’s Maul dropped one of the most memorable death metal earworms of the year. Coupled with the band’s relentless drive for bringing their music to the people live throughout the country, Maul’s reputation rapidly grew and a pact with 20 Buck Spin was scrawled in blood. The initial fruit of that union was delivered late in 2023 with the Desecration And Enchantment promo tape. And now all roads have led to Maul’s second album, In The Jaws Of Bereavement.

While the rotten death metal heart at the core of the band is without question, the band have no shame in their game when it comes to embracing a penchant for the heavier side of hardcore with mosh-ready riffs and crowd-killing breaks. In The Jaws Of Bereavement manages to so skillfully fuse the eerie apparitions and melodic lead work of death metal’s greats with the punishing rhythms of hardcore’s violent power it feels completely organic. It’s all tied together by the unhinged vocal prowess of the human wrecking ball Garrett Alvarado.

At its putrescent core Maul is a live band, and the songs on In The Jaws Of Bereavement are adeptly tailored to the environs of a dank club sweltering from the energy created through this music and a crowd living for nothing but the moment and the swell of bodies on bodies. The production here is clear and in one’s face, and allows the band to expand their unique blend of old and new to become Midwest death incarnate.

After having caused a great stir with their self-titled debut, on Devil`s Force from 1998 the swedish savages don`t stray one inch from their path.
NIFELHEIM`s second full-length picks up the smouldering rubble from the debut and takes their unmistakable style up a notch.
Aided by a slightly fuller but still gritty production, the album is a bludgeoning beast of dirty metal infused with lethal doses of satanic insanity.
Filled to the brim with memorable songs Devil`s Force is yet again an outright success and an indispensable underground-classic.

A very in-depth interview with Tyrant and Hellbutcher highlighting the early days of the band until their last opus „Envoy Of Lucifer“ was also conducted for these reissues.
You can read parts of this interview in the corresponding releases as well you will find many unseen pictures and material from the band in the large booklets for every title.

The LP comes with a 12-page 12” booklet including the interview and many never before-seen pictures.
A double-sided A2 poster will be added to every vinyl too.

The LP comes with a 12-page 12” booklet including the interview and many never before-seen pictures.
A double-sided A2 poster will be added to every vinyl too.

After three highly acclaimed albums Envoy Of Lucifer represents the fourth and last full-length of NIFELHEIM.

Originally released in 2007, the album is certainly the most professional out of the bunch. Benefitting from a rather clean all-analogue production and many years as musicians under their belts the record, most notably, surprises with intricate arrangements, proficient guitar solos and the introduction of new elements to NIFELHEIM's sound.

Hellbutcher's and Tyrant's lifelong worship of IRON MAIDEN has never been more apparent than on Envoy Of Lucifer too.

Despite all this, the album is still 100% NIFELHEIM with all of their trademarks from previous releases intact.

NIFELHEIM`s self-titled debut from 1995 has rightfully garnered the band much praise in the underground.
Spawned at a time when myriads of bands were hopping on the bandwagon of nice black metal with cheesy keyboards and female vocals, this slab of abrasive old-school metal felt like a much-needed bold Fuck you.

Aptly titled songs like “Black curse”, “Sodomizer” or “Satanic Sacrifice” relentlessly grab for the throat.
NIFELHEIM`s amalgam of pummeling riffs occassionally interspersed with wailing solos, the vocalist`s demented shrieks resembling a rabid animal and the barbarous pounding drums make for one hell of a timeless debut.

Now, after almost 30 years since this mean masterpiece was initially brought forth from the bowels of hell it sees its long-overdue re-releases.

A very in-depth interview with Tyrant and Hellbutcher highlighting the early days of the band until their last opus „Envoy Of Lucifer“ was also conducted for these reissues.
You can read parts of this interview in the corresponding releases as well you will find many unseen pictures and material from the band in the large booklets for every title.

The LP comes with a 12-page 12” booklet including the interview and many never before-seen pictures.
A double-sided A2 poster will be added to every vinyl too.

Poland's experimental black metal five-piece THAW is thrilled to announce the release of its fifth album, marking its long-awaited return after years of hiatus. The album, featuring six tracks, is the quintessence of the band's musical identity, showcasing its unique sound in a new light.

The musical layer on THAW's new album truly captures the essence of the band, combining vibrant sounds with heavy, low-tuned guitars. These powerful sounds are further enriched with noisy electronics, adding depth and character to each track.

Poland's experimental black metal five-piece THAW is thrilled to announce the release of its fifth album, marking its long-awaited return after years of hiatus. The album, featuring six tracks, is the quintessence of the band's musical identity, showcasing its unique sound in a new light.

The musical layer on THAW's new album truly captures the essence of the band, combining vibrant sounds with heavy, low-tuned guitars. These powerful sounds are further enriched with noisy electronics, adding depth and character to each track.

Five The Hierophant continues to walk the winding path they’ve chosen for themselves in the beginning; further down towards within, and further out towards new horizons. Refusing to ascribe to a singular style, they blend elements of black/doom, psychedelic, ambient, experimental and jazz into one syncretic trip. “Apeiron” is a hypnotic, hallucinatory experience with heavy emphasis on the dark atmosphere, cinematic dreamscapes, and repetitive ritualistic trance-inducing sounds. The production, without a doubt, is a step up from the previous installment, “Through Aureate Void”. The band keeps expanding the use of atypical instruments, such as: horns, trumpets, gongs, bells, violins, skull shakers, ritual drums and other tools, which help to capture the haunting spirit of the music.

Five The Hierophant continues to walk the winding path they’ve chosen for themselves in the beginning; further down towards within, and further out towards new horizons. Refusing to ascribe to a singular style, they blend elements of black/doom, psychedelic, ambient, experimental and jazz into one syncretic trip. “Apeiron” is a hypnotic, hallucinatory experience with heavy emphasis on the dark atmosphere, cinematic dreamscapes, and repetitive ritualistic trance-inducing sounds. The production, without a doubt, is a step up from the previous installment, “Through Aureate Void”. The band keeps expanding the use of atypical instruments, such as: horns, trumpets, gongs, bells, violins, skull shakers, ritual drums and other tools, which help to capture the haunting spirit of the music.

LP (black vinyl) with insert, black inner sleeve and protection sleeve

Creatures of the night probably miss the 80s of the last century badly. Post-punk and New Wave reached glorious heights and their epic explorations of mixing hard guitars and driving electronics dominated alternative dance floors. Names like SISTERS OF MERCY, FIELDS OF THE NEPHILIM, DEPECHE MODE, JOY DIVISION, THE HUMAN LEAGUE, ULTRAVOX and others still have a magic ring to them. Luckily, all that subtle eroticism, the electric excitement, and dark musical pleasure is not gone for good: SOROR DOLOROSA come flying to the rescue on black wings. Their fourth album "Mond" (German for "Moon") has musical fangs that draw delicious sonic blood on the first listening experience. The classic dark post-punk and wave elements are all there, and so is the overwhelming enticement to let your feet move in an ecstatic dance under the eponymous moon. Yet SOROR DOLOROSA are no peddlers of stale snake oil nostalgia. The French band has updated the classic feel with a massive sound fitting for the new millennium. Mix and mastering of "Mond" have been successfully entrusted to PERTURBATOR mastermind James Kent, who has polished this epic album with a lush vibrant power and ethereal coldness. Lyrically, SOROR DOLOROSA remain firmly on the path they have wandered from the start, when the band was originally founded in Toulouse in 2001 and finally emerged with the "Severance" EP in 2009. Their inspiration has again come in part from poets and writers such as William Blake and Edgar Alan Poe. The romantic and cathartic emotional landscapes are still at the heart of the band. With "Mond", SOROR DOLOROSA are reaching far out of the solar sphere and into deep outer space where the musical past and future become entwined to create an exciting new chapter in the band's evolution.

LP (gold vinyl) with insert, black inner sleeve and protection sleeve (300 copies available)

Creatures of the night probably miss the 80s of the last century badly. Post-punk and New Wave reached glorious heights and their epic explorations of mixing hard guitars and driving electronics dominated alternative dance floors. Names like SISTERS OF MERCY, FIELDS OF THE NEPHILIM, DEPECHE MODE, JOY DIVISION, THE HUMAN LEAGUE, ULTRAVOX and others still have a magic ring to them. Luckily, all that subtle eroticism, the electric excitement, and dark musical pleasure is not gone for good: SOROR DOLOROSA come flying to the rescue on black wings. Their fourth album "Mond" (German for "Moon") has musical fangs that draw delicious sonic blood on the first listening experience. The classic dark post-punk and wave elements are all there, and so is the overwhelming enticement to let your feet move in an ecstatic dance under the eponymous moon. Yet SOROR DOLOROSA are no peddlers of stale snake oil nostalgia. The French band has updated the classic feel with a massive sound fitting for the new millennium. Mix and mastering of "Mond" have been successfully entrusted to PERTURBATOR mastermind James Kent, who has polished this epic album with a lush vibrant power and ethereal coldness. Lyrically, SOROR DOLOROSA remain firmly on the path they have wandered from the start, when the band was originally founded in Toulouse in 2001 and finally emerged with the "Severance" EP in 2009. Their inspiration has again come in part from poets and writers such as William Blake and Edgar Alan Poe. The romantic and cathartic emotional landscapes are still at the heart of the band. With "Mond", SOROR DOLOROSA are reaching far out of the solar sphere and into deep outer space where the musical past and future become entwined to create an exciting new chapter in the band's evolution.

2CD hardcover artbook (18x18 cm, 36 pages) with 6-track bonus CD “Aurora” and enhanced artwork (700 copies available)

Creatures of the night probably miss the 80s of the last century badly. Post-punk and New Wave reached glorious heights and their epic explorations of mixing hard guitars and driving electronics dominated alternative dance floors. Names like SISTERS OF MERCY, FIELDS OF THE NEPHILIM, DEPECHE MODE, JOY DIVISION, THE HUMAN LEAGUE, ULTRAVOX and others still have a magic ring to them. Luckily, all that subtle eroticism, the electric excitement, and dark musical pleasure is not gone for good: SOROR DOLOROSA come flying to the rescue on black wings. Their fourth album "Mond" (German for "Moon") has musical fangs that draw delicious sonic blood on the first listening experience. The classic dark post-punk and wave elements are all there, and so is the overwhelming enticement to let your feet move in an ecstatic dance under the eponymous moon. Yet SOROR DOLOROSA are no peddlers of stale snake oil nostalgia. The French band has updated the classic feel with a massive sound fitting for the new millennium. Mix and mastering of "Mond" have been successfully entrusted to PERTURBATOR mastermind James Kent, who has polished this epic album with a lush vibrant power and ethereal coldness. Lyrically, SOROR DOLOROSA remain firmly on the path they have wandered from the start, when the band was originally founded in Toulouse in 2001 and finally emerged with the "Severance" EP in 2009. Their inspiration has again come in part from poets and writers such as William Blake and Edgar Alan Poe. The romantic and cathartic emotional landscapes are still at the heart of the band. With "Mond", SOROR DOLOROSA are reaching far out of the solar sphere and into deep outer space where the musical past and future become entwined to create an exciting new chapter in the band's evolution.

With their anticipated debut full length Seraphic Punishment in 2022, Fargo’s Maul dropped one of the most memorable death metal earworms of the year. Coupled with the band’s relentless drive for bringing their music to the people live throughout the country, Maul’s reputation rapidly grew and a pact with 20 Buck Spin was scrawled in blood. The initial fruit of that union was delivered late in 2023 with the Desecration And Enchantment promo tape. And now all roads have led to Maul’s second album, In The Jaws Of Bereavement.

While the rotten death metal heart at the core of the band is without question, the band have no shame in their game when it comes to embracing a penchant for the heavier side of hardcore with mosh-ready riffs and crowd-killing breaks. In The Jaws Of Bereavement manages to so skillfully fuse the eerie apparitions and melodic lead work of death metal’s greats with the punishing rhythms of hardcore’s violent power it feels completely organic. It’s all tied together by the unhinged vocal prowess of the human wrecking ball Garrett Alvarado.

At its putrescent core Maul is a live band, and the songs on In The Jaws Of Bereavement are adeptly tailored to the environs of a dank club sweltering from the energy created through this music and a crowd living for nothing but the moment and the swell of bodies on bodies. The production here is clear and in one’s face, and allows the band to expand their unique blend of old and new to become Midwest death incarnate.

Like the towering mounds of toxic waste from which it gets its namesake, the music of Oklahoma City noise rock quartet Chat Pile is a suffocating, grotesque embodiment of the existential anguish that has defined the 21st Century. It figures that a band with this abrasive, unrelenting, and outlandish of a sound has stuck as strong of a chord as it has. Dread has replaced the American dream, and Chat Pile’s music is a poignant reminder of that shift—a portrait of an American rock band molded by a society defined by its cold and cruel power systems.

Though very much on-brand with Chat Pile’s signature flavor of cacophonous, sludgy noise rock, the band’s shift to a global thematic focus on Cool World not only compliments the broader experimentations it employs with their songwriting but also how they dissect the album’s core theme of violence. Melded into the band’s twisted foundational sound are traces of other eclectic genre stylings, with examples of gazy, goth-tinged dirges to abrasive yet anthemic alt/indie-esque hooks and off-kilter metal grooves only scratching the surface of what can be heard in the album’s ten tracks.

Besides stylistically stretching the boundaries of the Chat Pile sound, Cool World is also the band’s first record to have someone else handle mixing duties, with Ben Greenberg (Uniform) capturing and further amplifying the quartet’s unmistakably outsider and folk-art edge.

While Chat Pile’s debut album was plenty disturbing with its B-movie-inspired interpretation of a “real American horror story”, what the band depicts on Cool World is unsettling not just from its visceral noise rock onslaught, but from depicting how all sorts of atrocities are pretty much standard parts of modern existence. In film terms, think something like a Criterion arthouse film by way of schlocky grindhouse splatterfest: undeniably gratuitous and thrilling in the moment but leaving a looming dread in the back of one’s mind for how close the horrors depicted mirror reality.

Like the towering mounds of toxic waste from which it gets its namesake, the music of Oklahoma City noise rock quartet Chat Pile is a suffocating, grotesque embodiment of the existential anguish that has defined the 21st Century. It figures that a band with this abrasive, unrelenting, and outlandish of a sound has stuck as strong of a chord as it has. Dread has replaced the American dream, and Chat Pile’s music is a poignant reminder of that shift—a portrait of an American rock band molded by a society defined by its cold and cruel power systems.

Though very much on-brand with Chat Pile’s signature flavor of cacophonous, sludgy noise rock, the band’s shift to a global thematic focus on Cool World not only compliments the broader experimentations it employs with their songwriting but also how they dissect the album’s core theme of violence. Melded into the band’s twisted foundational sound are traces of other eclectic genre stylings, with examples of gazy, goth-tinged dirges to abrasive yet anthemic alt/indie-esque hooks and off-kilter metal grooves only scratching the surface of what can be heard in the album’s ten tracks.

Besides stylistically stretching the boundaries of the Chat Pile sound, Cool World is also the band’s first record to have someone else handle mixing duties, with Ben Greenberg (Uniform) capturing and further amplifying the quartet’s unmistakably outsider and folk-art edge.

While Chat Pile’s debut album was plenty disturbing with its B-movie-inspired interpretation of a “real American horror story”, what the band depicts on Cool World is unsettling not just from its visceral noise rock onslaught, but from depicting how all sorts of atrocities are pretty much standard parts of modern existence. In film terms, think something like a Criterion arthouse film by way of schlocky grindhouse splatterfest: undeniably gratuitous and thrilling in the moment but leaving a looming dread in the back of one’s mind for how close the horrors depicted mirror reality.

Limited to 500 copies in deluxe clamshell box with alternative art, containing the following items:
-Digipack CD + 24paged booklet & Poster
-Textile Flag
-Crest Metal Logo Pin
-Woven Patch (digipack design)
-2x album cover stickers (of both jewel case and digipack design)

with 24 pages + poster

CD + 24 pages booklet

Official reissue on Peaceville

From the depths of outer space, a new creature reached planet Earth: Vrazorth is a new one-man band shrouded in mystery, albeit rumors say they originated somewhere in Sweden.

Vrazorth, a cryptic force lurking in Sweden’s black metal underworld, conjures chilling atmospheres that spiral through the infinite void. The solo project of Vra, shrouded in anonymity, blends icy riffs with cosmic dissonance, like the cold embrace of a forgotten star collapsing into darkness. Unholy whispers entwine with celestial screams, creating soundscapes that evoke a realm beyond time.

To craft its debut studio album, Vrazorth drew inspiration from the best: the alien atmosphere of Darkspace, the hallucinated violence of Mysticum, the unpredictable and hybrid nature of Mesarthim. Everything perfectly mixed together to create music that sings of the cosmos, its void and the hidden mysteries that lie among the stars.

many sellers would rate this as a NM--- there's moderate physiological signs of use and storage, but all in all great shape

Media Condition: Near Mint 
Sleeve Condition: Mint 

more info

This is a bundle offer / bargain to purchase one copy each of the following Darkthrone bootlegs:

"Rehearsals 1991" black vinyl

"Demos (land of frost, thulcandra, cromlch, + reh. track)"

"A night of unholy black metal" (live in Oslo)

"Return to Ultima Thule"

These are rather underground / artisanal made bootlegs, with very basic sleeves, do not expect deluxe packagings at all

although unplayed, only collected, some sleeves show a few light / small damages (corner bent i.e.)

A MINT / MINT copy of this specific edition:

https://www.discogs.com/release/4010477-Defiance-Product-Of-Society

A mint copy of this edition:

https://www.discogs.com/release/3437570-Erosion-Mortal-Agony

Media Condition:Mint (M)
Sleeve Condition:  Very Good Plus (VG+) almost near mint if not for a small price tag on the right corner

Sleeve mint, Disc near mint (just a couple of light scratches)

NEAR MINT! like new ! Gold vinyl, includes printed card (numbered)  

"777 – Sects(s)" is an organic, cascading volume of deviant, dark art that exhibits BLUT AUS NORD’s natural habitat, a cleansing blade amid transitory moments of non-importance. Hypnotic guitars, discomforting beats and alienating voices clash with the ferocity of aural tectonic plates to produce horrific Black Metal decadence for an anonymous, lost, irrelevant generation.

 

Media Condition: Mint 
Sleeve Condition: Near Mint 

more info

This special edition comes with an exclusive silkscreened hand-printed and numbered slipcase, printed innersleeve, 12-page 12"x12" booklet and a download card. Pressed on exclusive gold nugget heavy vinyl. Limited to 102 copies.

#076/102

12", Unofficial Release, Blue

Media Condition: Near Mint (NM or M-)
Sleeve Condition: Near Mint (NM or M-)

Small (2 cm)  cut on the bottom side of the cover, as typical in those years, to mark nice-price, ovestocks or promo copies, they either drilled or cut the sleeve

8 panels digipack

Exactly 8 years after June 2010's 'The Grave of Civilization' Void of Silence are back with a brand new album.
Although still based on the classic Conforti/Zara line-up core, the new album features again a new lead vocalist (Luca Soi, of Arcana Coelestia and Visthia past).
 

the heirs of Nortt?

Second album by cult Norwegian black metal band Tulus.  Official Reissue 

Line Up: 
Blodstrup - Vocals, Guitars
Gottskalk - Bass
Sarke - Drums 

The epic masterpiece by the early Norwegian black metal band Tulus finally re-issued!

6 panel digipack w/ 8 page booklet limited to 666 copies worldwide!

The nineties black metal classic Finally officially re-issued with original Norwegian titles and lyrics. Includes 1991 Porta studio recordings and "Samlerens Kammer" demo as bonus tracks!

The mid nineties black metal classic finally re-issued!
 

6-page folded booklet printed on on 125gsm art paper.

The classic Norwegian black/viking metal material re-issued! The 1994 Aurora Borealis demo and the 1995 Leve Vikingånden 7"ep presented as one album.

The far northern 1998 crusher now available again on killer limited edition white/black marbled vinyl. Comes with double sided insert printed on 150gsm art paper housed in a 300 gsm carton outer sleeve

With no further introduction needed, the early Norwegian black metal band Gorgoroth had been crushing everything on its path ever since their birth in 1992.
 

White/Black Marble Vinyl

Limited edition repress on transparent orange/black marbled vinyl

Legendary debut finally re-issued! Jewelcase cd
 

The original '97 recordings finally made available again! In a world that'll never be the same anymore GORGOROTH released their third and even so unique masterpiece in 1997. Driven by the masterful riffing, the raw and cold drums and vocals "UNDER THE SIGN OF HELL" has been a breed apart ever since it's release. Now finally presented again with refreshed artwork and layout, supervised by Infernus