Mithotyn’s Viking Metal classic for first time on vinyl! Remastered and with new artwork by Kris Verwimp.
 

Mithotyn’s Viking Metal classic for first time on vinyl! Remastered and with new artwork by Kris Verwimp.
 

Chelsea Wolfe torna con il suo nono album in studio, *The Dark*, proponendo un sound più organico a metà strada tra dark folk, rock gotico e alternative. Chitarre, pianoforte e batteria dal vivo si fondono con il suo songwriting più maturo di sempre e con una voce che suona più potente e sicura di sé che mai.
Dal punto di vista tematico, *The Dark* affronta temi quali il lasciar andare, la ricerca di sé e la forza di affrontare la propria oscurità. In collaborazione con il produttore Ben Chisholm e musicisti ospiti come Robin Finck (Nine Inch Nails), Stella Mozgawa (Warpaint), Matt Chamberlain e Justin Meldal-Johnsen, è nato un album d’atmosfera che sviluppa ulteriormente il suono inconfondibile di Chelsea Wolfe e che piacerà sia ai fan di lunga data che ai nuovi ascoltatori.

Chelsea Wolfe torna con il suo nono album in studio, *The Dark*, proponendo un sound più organico a metà strada tra dark folk, rock gotico e alternative. Chitarre, pianoforte e batteria dal vivo si fondono con il suo songwriting più maturo di sempre e con una voce che suona più potente e sicura di sé che mai.
Dal punto di vista tematico, *The Dark* affronta temi quali il lasciar andare, la ricerca di sé e la forza di affrontare la propria oscurità. In collaborazione con il produttore Ben Chisholm e musicisti ospiti come Robin Finck (Nine Inch Nails), Stella Mozgawa (Warpaint), Matt Chamberlain e Justin Meldal-Johnsen, è nato un album d’atmosfera che sviluppa ulteriormente il suono inconfondibile di Chelsea Wolfe e che piacerà sia ai fan di lunga data che ai nuovi ascoltatori.

Gold vinyl, limited to 250 copies

Mithotyn’s Viking Metal classic remastered and with new artwork by Kris Verwimp! First time on vinyl and digi-CD.
In 1999 Mithotyn released their last album “Gathered Around the Oaken Table”, an album filled with soothing and intriguing melodies, Black Metal ferocity, and your classic Metal heaviness.

The vocal work consists most of the time of strained Black Metal rasps, dark growls, some clean chanting vocals.
People who like Folk Metal, Viking Metal and Black Metal will enjoy Mithotyn’s music.

The Folk elements, the Viking lyrics and the musical influences from black metal are greatly mixed in this album.

The album is very melodic and soothing but also heavy, catchy and aggressive, and intense at times.

But the album is not as heavy as other Viking Meal bands, like Amon Amarth.

Thanks to a great song variety makes this album to a long-lasting album, if you like it you will definitely want to listen it over and over again.

If there are any Vikings left out there, then raise your horns and hail Mithotyn so they will always be remembered!

Mithotyn’s Viking Metal classic remastered and with new artwork by Kris Verwimp! First time on vinyl and digi-CD.
In 1999 Mithotyn released their last album “Gathered Around the Oaken Table”, an album filled with soothing and intriguing melodies, Black Metal ferocity, and your classic Metal heaviness.

The vocal work consists most of the time of strained Black Metal rasps, dark growls, some clean chanting vocals.
People who like Folk Metal, Viking Metal and Black Metal will enjoy Mithotyn’s music.

The Folk elements, the Viking lyrics and the musical influences from black metal are greatly mixed in this album.

The album is very melodic and soothing but also heavy, catchy and aggressive, and intense at times.

But the album is not as heavy as other Viking Meal bands, like Amon Amarth.

Thanks to a great song variety makes this album to a long-lasting album, if you like it you will definitely want to listen it over and over again.

If there are any Vikings left out there, then raise your horns and hail Mithotyn so they will always be remembered!

Black LP with 24-page booklet. Limited to 1000 copies.

Originally released on Walpurgis Night in 2006, Dissection's third and final album is widely regarded as the crowning achievement of the seminal Swedish band.

Everything about Reinkaos feels grandiose, otherworldly, and utterly complete. The timeless, majestic music, blended with lyrics pertaining to the Anti-Cosmic Current, and the stunning illustrations of the late Timo Ketola, form together a black diamond of exceptional elegance and vigour.

Unlike most bands that merely adopt Satanist symbolism and imagery for entertainment purposes, Reinkaos represents genuine Luciferian spirituality manifested as music. The eleven tracks that make up Reinkaos are truly Sonic Invocations to the Endless Dark Aeon!

Hail the dark legacy of Jon Nödtveidt!

Silver LP with 24-page booklet. Limited to 1000 copies.

Originally released on Walpurgis Night in 2006, Dissection's third and final album is widely regarded as the crowning achievement of the seminal Swedish band.

Everything about Reinkaos feels grandiose, otherworldly, and utterly complete. The timeless, majestic music, blended with lyrics pertaining to the Anti-Cosmic Current, and the stunning illustrations of the late Timo Ketola, form together a black diamond of exceptional elegance and vigour.

Unlike most bands that merely adopt Satanist symbolism and imagery for entertainment purposes, Reinkaos represents genuine Luciferian spirituality manifested as music. The eleven tracks that make up Reinkaos are truly Sonic Invocations to the Endless Dark Aeon!

Hail the dark legacy of Jon Nödtveidt!

Originally released on Walpurgis Night in 2006, DISSECTIONs third and concluding opus marks the seminal Swedish band’s crowning achievement.

Everything about Reinkaos feels grandiose, otherworldly and utterly complete: The timeless, majestic music blended with lyrics pertaining to the Anti-Cosmic Current and stunning illustrations provided by the late Timo Ketola together form a black diamond of exceptional elegance and vigour.

Unlike the vast majority of bands which merely adopt the symbolism and imagery of Satanism for entertainment purposes, Reinkaos represents the real deal and is an enduring testimony of genuine Luciferian spirituality manifested as music. The 11 tracks comprising Reinkaos truly are Sonic Invocations to the Endless Dark Aeon!

Hail the dark legacy of Jon Nödtveidt!
Hail the Glorious End!

Available as jewel-case CD in slipcase with 24-page booklet as well.

Originally released on Walpurgis Night in 2006, DISSECTIONs third and concluding opus marks the seminal Swedish band’s crowning achievement.

Everything about Reinkaos feels grandiose, otherworldly and utterly complete: The timeless, majestic music blended with lyrics pertaining to the Anti-Cosmic Current and stunning illustrations provided by the late Timo Ketola together form a black diamond of exceptional elegance and vigour.

Unlike the vast majority of bands which merely adopt the symbolism and imagery of Satanism for entertainment purposes, Reinkaos represents the real deal and is an enduring testimony of genuine Luciferian spirituality manifested as music. The 11 tracks comprising Reinkaos truly are Sonic Invocations to the Endless Dark Aeon!

Hail the dark legacy of Jon Nödtveidt!
Hail the Glorious End!

6-CD (Digipack) box with the following titles:
1. Reinkaos (red hotfoil on cover)
2. Reinkaos Instrumental Rehearsal
3. Midsummer Massacre Rehearsal (last Dissection Rehearsal ever)
4. The Hall Recordings
5. Maha Kali
6. Roughmix 2005/Starless Aeon

Leather-optic box with embossed silver hot-foil print and limited to 666 copies.

“Music for me, is rarely complete,” says GODFLESH mastermind Justin Broadrick, “but it has to reach a point where enough is enough. Creatively, there has to be self-discipline. One has to end it.”

Broadrick is primarily referring to the nebulous process of writing and arranging songs into their various potential shapes, but he could just as easily be describing GODFLESH’s imminent conclusion. Just three years after the hypnotic crunch of Purge, 25 years after an uncertain hiatus that nearly scuttled the band, and 38 years since GODFLESH’s inception, Broadrick and bassist-at-arms Ben Green set out to mercilessly crush this cold world with their tenth and penultimate album, this year’s Decay.

“Decay was born from the same sessions as Purge,” Broadrick declares of the new record’s six tracks. “It was one huge pool of songs. I picked what I felt was appropriate for what I wanted to achieve with Purge, with the intention of releasing the songs that didn't fit as a new album within a year of Purge being released. Unfortunately, two years passed whilst considering external labels, so that I didn't have to self-release GODFLESH anymore, but it took an awful lot of time to establish a comfortable home for me. The recordings were done, but as usual for me, I did change a lot of stuff once I came back to it.”

Now, GODFLESH is ready to unleash an even bolder, bleaker series of sounds in Decay. These songs arrive shortly after Broadrick released a public statement about major abdominal surgery he underwent earlier this year. “Fortunately, all of the recordings for Decay were completed long before the surgery, vocals included… although the back end of a couple of songs were recorded with the hernia itself, and that was a struggle. I was already aware that the GODFLESH shout, so to speak, was exacerbating the hernia greatly, as was every GODFLESH performance in the lead-up to the surgery once the hernia appeared, and the hernia was mostly caused by year upon year of shouting in GODFLESH. The album was mixed post-surgery, and while I was still in some pain and considerable discomfort, but fortunately GODFLESH is generally me expressing my pain, albeit [usually] mental, philosophical and existential, whereas this was physical pain.”

While the middle of the record pulses with five-minute hate-grooves, Broadrick credits the slime-wracked opener “Master and Slave” and crawling closer “Consume Me” with Decay’s true conceptual thrust. “The bookends of Decay are the most important pieces to me. They say it all, so to speak; the album could have been just those two songs alone – the duration of them is half of the total album!”

As GODFLESH's active tenure comes to a close, Broadrick expresses gratitude that it was ever his vessel to use as he willed. “It expresses my pain, and I’ve put my body and soul into this expression for the majority of my existence. I feel quite lucky, because Godflesh is now physically impossible for me, rendering it useless. I now wish to move out of its constraints, move on creatively with heavy/ugly music to new ground.”

Shadow Records (distributed and marketed by Regain Records) proudly presents the reissue of Sorhin's debut EP, Skogsgriftens rike on LP and CD formats. Originally released in 1996, Skogsgriftens rike marks the beginning of Sorhin's journey into the pantheon of Swedish black metal, laying the foundation for the cult full-length albums “I det glimrande mörkrets djup” and “Apokalypsens ängel”. Even at this early stage, the band's identity was fully formed, a cold, evocative and unmistakably Nordic vision that would become their enduring hallmark. Nearly thirty years on, Skogsgriftens rike still stands as a monument to the cold majesty of 1990s Swedish black metal, untouched by time, uncompromising in spirit, and as haunting as the northern wilderness that inspired it. Formats: 12" vinyl LP (black vinyl) -Sturdy 300gsm vinyl-sleeve with bronze pantone print -Vinyl insert -Double-sided A2 poster -Limited to 400 copies on black vinyl -CD jewelcase -8 page booklet

Shadow Records (distributed and marketed by Regain Records) proudly presents the reissue of Sorhin's debut EP, Skogsgriftens rike on LP and CD formats. Originally released in 1996, Skogsgriftens rike marks the beginning of Sorhin's journey into the pantheon of Swedish black metal, laying the foundation for the cult full-length albums “I det glimrande mörkrets djup” and “Apokalypsens ängel”. Even at this early stage, the band's identity was fully formed, a cold, evocative and unmistakably Nordic vision that would become their enduring hallmark. Nearly thirty years on, Skogsgriftens rike still stands as a monument to the cold majesty of 1990s Swedish black metal, untouched by time, uncompromising in spirit, and as haunting as the northern wilderness that inspired it. Formats: 12" vinyl LP (black vinyl) -Sturdy 300gsm vinyl-sleeve with bronze pantone print -Vinyl insert -Double-sided A2 poster -Limited to 400 copies on black vinyl -CD jewelcase -8 page booklet

Demo and rarities collection.

15 remastered tracks! 8 tracks have never been released on CD before and 1 completely exclusive song.

Curated by the band. Officially licensed from Theatre Of Tragedy.

Limited to 500 copies
Super Jewel Box
16 page booklet on uncoated offset paper stock

“Music for me, is rarely complete,” says GODFLESH mastermind Justin Broadrick, “but it has to reach a point where enough is enough. Creatively, there has to be self-discipline. One has to end it.”

Broadrick is primarily referring to the nebulous process of writing and arranging songs into their various potential shapes, but he could just as easily be describing GODFLESH’s imminent conclusion. Just three years after the hypnotic crunch of Purge, 25 years after an uncertain hiatus that nearly scuttled the band, and 38 years since GODFLESH’s inception, Broadrick and bassist-at-arms Ben Green set out to mercilessly crush this cold world with their tenth and penultimate album, this year’s Decay.

“Decay was born from the same sessions as Purge,” Broadrick declares of the new record’s six tracks. “It was one huge pool of songs. I picked what I felt was appropriate for what I wanted to achieve with Purge, with the intention of releasing the songs that didn't fit as a new album within a year of Purge being released. Unfortunately, two years passed whilst considering external labels, so that I didn't have to self-release GODFLESH anymore, but it took an awful lot of time to establish a comfortable home for me. The recordings were done, but as usual for me, I did change a lot of stuff once I came back to it.”

Now, GODFLESH is ready to unleash an even bolder, bleaker series of sounds in Decay. These songs arrive shortly after Broadrick released a public statement about major abdominal surgery he underwent earlier this year. “Fortunately, all of the recordings for Decay were completed long before the surgery, vocals included… although the back end of a couple of songs were recorded with the hernia itself, and that was a struggle. I was already aware that the GODFLESH shout, so to speak, was exacerbating the hernia greatly, as was every GODFLESH performance in the lead-up to the surgery once the hernia appeared, and the hernia was mostly caused by year upon year of shouting in GODFLESH. The album was mixed post-surgery, and while I was still in some pain and considerable discomfort, but fortunately GODFLESH is generally me expressing my pain, albeit [usually] mental, philosophical and existential, whereas this was physical pain.”

While the middle of the record pulses with five-minute hate-grooves, Broadrick credits the slime-wracked opener “Master and Slave” and crawling closer “Consume Me” with Decay’s true conceptual thrust. “The bookends of Decay are the most important pieces to me. They say it all, so to speak; the album could have been just those two songs alone – the duration of them is half of the total album!”

As GODFLESH's active tenure comes to a close, Broadrick expresses gratitude that it was ever his vessel to use as he willed. “It expresses my pain, and I’ve put my body and soul into this expression for the majority of my existence. I feel quite lucky, because Godflesh is now physically impossible for me, rendering it useless. I now wish to move out of its constraints, move on creatively with heavy/ugly music to new ground.”

• Gatefold Sleeve with interior print and lush metallic gold prints
• 180g metallic blue vinyl 

  Récits Patriotiques captures FORTERESSE in their rawest form: a rehearsal recording, originally made in preparation for Messe des Morts. Previously available only on CD, this intense snapshot of Québec black metal history now appears on vinyl for the very first time.

Black Vinyl

FLUISTERAARS return with their sixth full-length, Jacht der Mysteriën — three towering epics centered around the pursuit of the unknown.

Drawing from local legends, mysterious lights in the woods, and close observation of their immediate surroundings, the album was conceived as a live and complete band album and captured in a single take with longtime producer T. Cochrane.

Reamped through the hollow cylinder of an abandoned water tower, the record drifts between presence and disappearance — immersive, urgent, and elusive.

Luminal Blue Smoke

FLUISTERAARS return with their sixth full-length, Jacht der Mysteriën — three towering epics centered around the pursuit of the unknown.

Drawing from local legends, mysterious lights in the woods, and close observation of their immediate surroundings, the album was conceived as a live and complete band album and captured in a single take with longtime producer T. Cochrane.

Reamped through the hollow cylinder of an abandoned water tower, the record drifts between presence and disappearance — immersive, urgent, and elusive.

FLUISTERAARS return with their sixth full-length, Jacht der Mysteriën — three towering epics centered around the pursuit of the unknown.

Drawing from local legends, mysterious lights in the woods, and close observation of their immediate surroundings, the album was conceived as a live and complete band album and captured in a single take with longtime producer T. Cochrane.

Reamped through the hollow cylinder of an abandoned water tower, the record drifts between presence and disappearance — immersive, urgent, and elusive.

Limited Edition Blue Marble Vinyl

Born in Ireland's 'rebel county', Cork, in 2013, Soothsayer have built a formidable reputation, not only within the extreme metal community of the Emerald Isle, but wherever powerful, uncompromising and emotive music is treasured and held dear. After two EPs (The Soothsayer and At This Great Depth), a live album (Soothsayer Live In Malta MMXIX) and a split release with compatriots Partolón, 2021 finally saw the release of Soothsayer's full length debut album, Echoes Of The Earth. Praising the album for its ability to successfully meld “the monolithic sounds of doom with sludge, death metal and hefty doses of atmosphere”, Distorted Sound Magazine declared that Echoes Of The Earth had been “well worth the eight-year wait”. Now the time has come for Soothsayer to unveil their second album, one which builds upon the foundations laid down by Echoes Of The Earth and all that came before it, an album that absorbs and enthrals from its first note, holding you in its grasp until the very last…The Unbinding.

Opening in an irresistible shock of venom and velocity, 'Eroding The Sky' sweeps the unwary listener into Soothsayer's most compelling creation to date. Bleakly beautiful, haunted and dangerous, The Unbinding unfurls through the unpredictable power and pulsing malice of 'Sooner Acceptance', into the sombre procession of 'Endless Shesha' with its shifting movements and dark heartbeat, on to 'The Vine', a march through wind, rain and shadow, sadness and wickedness. The magnificent drumming, the colossal underpinning weight of the bass, the multifaceted guitars - fury, majesty, might and terrible sadness - and the incredible vocal performances, so wrought with raging emotion and touched by madness…each member of Soothsayer has delivered performances that lift The Unbinding to new, breathtaking levels. Final track, 'A Vague Shimmer' is perhaps the album's crowning glory, a song that captures the essence of Soothsayer, binds them to their homeland and history and engulfs the listener in momentous melancholy as it whispers of the passing of an age.

With every note imbued with resonance and portent at Last Light Recordings in Dublin (Coscradh, Diocletian, Dread Sovereign etc), The Unbinding is a living entity, rife with ghosts and memories, that has the potential to offer a different experience with every immersion in its cold waters. It will be offered up by Apocalyptic Witchcraft on July 3rd, on limited edition vinyl, digipak CD. Do not let it pass you by unheard, unexplored, unlived.

Born in Ireland's 'rebel county', Cork, in 2013, Soothsayer have built a formidable reputation, not only within the extreme metal community of the Emerald Isle, but wherever powerful, uncompromising and emotive music is treasured and held dear. After two EPs (The Soothsayer and At This Great Depth), a live album (Soothsayer Live In Malta MMXIX) and a split release with compatriots Partolón, 2021 finally saw the release of Soothsayer's full length debut album, Echoes Of The Earth. Praising the album for its ability to successfully meld “the monolithic sounds of doom with sludge, death metal and hefty doses of atmosphere”, Distorted Sound Magazine declared that Echoes Of The Earth had been “well worth the eight-year wait”. Now the time has come for Soothsayer to unveil their second album, one which builds upon the foundations laid down by Echoes Of The Earth and all that came before it, an album that absorbs and enthrals from its first note, holding you in its grasp until the very last…The Unbinding.

Opening in an irresistible shock of venom and velocity, 'Eroding The Sky' sweeps the unwary listener into Soothsayer's most compelling creation to date. Bleakly beautiful, haunted and dangerous, The Unbinding unfurls through the unpredictable power and pulsing malice of 'Sooner Acceptance', into the sombre procession of 'Endless Shesha' with its shifting movements and dark heartbeat, on to 'The Vine', a march through wind, rain and shadow, sadness and wickedness. The magnificent drumming, the colossal underpinning weight of the bass, the multifaceted guitars - fury, majesty, might and terrible sadness - and the incredible vocal performances, so wrought with raging emotion and touched by madness…each member of Soothsayer has delivered performances that lift The Unbinding to new, breathtaking levels. Final track, 'A Vague Shimmer' is perhaps the album's crowning glory, a song that captures the essence of Soothsayer, binds them to their homeland and history and engulfs the listener in momentous melancholy as it whispers of the passing of an age.

With every note imbued with resonance and portent at Last Light Recordings in Dublin (Coscradh, Diocletian, Dread Sovereign etc), The Unbinding is a living entity, rife with ghosts and memories, that has the potential to offer a different experience with every immersion in its cold waters. It will be offered up by Apocalyptic Witchcraft on July 3rd, on limited edition vinyl, digipak CD. Do not let it pass you by unheard, unexplored, unlived.

Skuggor, the solo project of M., an Australian multi-instrumentalist based in northern Sweden, draws its essence from the meeting point between the physical and the transcendental. Deep forests and snow-covered terrain are not merely backdrops, but gateways – spaces where hypnotic states and introspection take hold. On “The Expanse”, this duality comes into sharp focus: the beauty of the northern landscape set against an undercurrent of solitude and quiet desolation.

The foundation was laid somewhere along the long, winding road between M.’s home in Moskosel and the Nordvis headquarters in Arvidsjaur – a woodland stretch largely untouched by modern intrusions. Written to accompany that journey, “The Expanse” takes shape as a series of impressions formed by both the beauty and the unforgiving nature of the environment. While echoes of Burzum, Agalloch, Urfaust, and Drudkh can be sensed throughout, Skuggor reshapes these influences into something distinctly its own.

Musically, the album moves between organic synthesiser passages and harsh, fuzz-laden guitars, with vocals that feel improvised and immediate – less bound to language than to emotion. The result is fluid and instinctive, allowing each composition to emerge as a natural extension of atmosphere rather than rigid structure. Minimalism here is mainly expressed through restraint: repetition, pacing, and subtle shifts that draw the listener deeper into the sound.

Skuggor, the solo project of M., an Australian multi-instrumentalist based in northern Sweden, draws its essence from the meeting point between the physical and the transcendental. Deep forests and snow-covered terrain are not merely backdrops, but gateways – spaces where hypnotic states and introspection take hold. On “The Expanse”, this duality comes into sharp focus: the beauty of the northern landscape set against an undercurrent of solitude and quiet desolation.

The foundation was laid somewhere along the long, winding road between M.’s home in Moskosel and the Nordvis headquarters in Arvidsjaur – a woodland stretch largely untouched by modern intrusions. Written to accompany that journey, “The Expanse” takes shape as a series of impressions formed by both the beauty and the unforgiving nature of the environment. While echoes of Burzum, Agalloch, Urfaust, and Drudkh can be sensed throughout, Skuggor reshapes these influences into something distinctly its own.

Musically, the album moves between organic synthesiser passages and harsh, fuzz-laden guitars, with vocals that feel improvised and immediate – less bound to language than to emotion. The result is fluid and instinctive, allowing each composition to emerge as a natural extension of atmosphere rather than rigid structure. Minimalism here is mainly expressed through restraint: repetition, pacing, and subtle shifts that draw the listener deeper into the sound.

This winter & historical Black Metal is true Marchigian Black Metal!
“Picenum (True Marchigian Black Metal Renaissance)“ is the natural continuation of “Fra Li Monti Sibillini”, expanding its concept to the entire Marche region (the title Picenum indicates the ancient name for a large part of this region). The album is set mostly in the late Middle Ages but also at the beginning of the Renaissance (here highlighted in its darker sides, experienced through the darkness of my region and the places where I was born).
After a brief intro about the region’s ancient origins, the album is divided into 3 parts:
• The first is dedicated to the history and the very dark legends of the region Marche: the Da Varano Lords who rebelled against the Church by joining the Cursed League in 1375; the history and legend of the Rocca di Pitino (Pitino Fortress) and its deconsecrated church and cemetery; the history and legend of the very dark Roccaccia (The Ugly Fortress) and its warlord necromancer, a servant of the devil.
• The second is dedicated to the folklore and legends of my region: lu lupu mannà (the Marchigian werewolf), the Mazzamurello (a dark Marchigian sprite), the Sdrega (the Marchigian witch), before returning once again to the Sibilline Mountains... In this part, Hesperus’ grandmother’s voice (R.I.P.) narrates these folklore legends a couple of times (she knew quite a few). Here a bigger amount of Marchigian dialect than italian (more than Fra li Monti Sibillini)
• The third and longest part is, in fact, a continuation that closes the circle with the previous album, and the part is “Ritorno fra li monti Sibillini” (Return to the Sibilline Mountains), with two tracks focusing on the goat-fairies and the Sibylla, and another two tracks that speak of the geographical novel of the Chevalier De la Sale, a real historical figure who was tasked with exploring the Sibilline Mountains and understanding what was inside the Sibylla’s cave (thus, not a knight from an epic poem like in the previous album); he truly met the inhabitants of Montemonaco (Mons Daemoniacus) who led him to the vestibule of the Sibylla’s cave (on the summit of Monte Sibilla)
and told him numerous stories of those who entered the cave, including that of a German knight who returned because he was not forgiven by the Church and remained there... forever (the last track: the final 12’ suite).
Stylistically, the album has many similarities with the previous record (a Mediaval Black Metalin the vein of ‘90s) but adds some Renaissance parts and some ‘80s proto Black Metal passages.

As you will notice, there are folk/ambient interludes as in the previous album, but they are not on separate tracks; they are at the end of each track (incorporated into the tracks even if they appear in the tracklist).

Limited edition of the entire discography of Mistress Of The Dead. that contain all the 15 CDs (4 albums - just for this boxing) + booklet of 35-40 pages and a coffin-shaped box ( wooden box made of birch )

Please see complete list of albums here at this link

11 full-length albums + bonus CD recorded specially for this edition. New artwork. Complete and strictly limited edition of 300 copies of the discography in the Book of Elffor.

Media Condition: Near Mint 
Sleeve Condition: Mint 

more info

Qualche graffio sulla supericie del dischetto

(NOTA BENE, IL TESCHIO NELLA FOTO E' DECORATIVO E NON FA PARTE DEL BOX)

"The Northern Silence Years" Box-Set compiles the three albums the band released under Northern Silence Productions (which were also licensed to Nuclear Blast USA).

It is limited to 100 copies and includes:

- "Moonlover" DigiCD
- "Starmourner" DigiCD
- "Self Loather" DigiCD
- flag (100cm x 55cm with the "Reaper" artwork)
- woven logo patch
- logo metal pin
- sticker with the "Reaper" artwork
- handnumbered certificate

Vinyl :NM

Sleeve VG++  

sealed

clicca qui per info

Gatefold embossed cover, double black vinyl

This special edition comes with an exclusive silkscreened hand-printed and numbered slipcase, printed innersleeve, 12-page 12"x12" booklet and a download card. Pressed on exclusive gold nugget heavy vinyl. Limited to 102 copies.

#076/102

digipack edition, numbered copy 

Lavish vinyl edition on 180g black vinyl, housed in a hardcover folder made of black rough solid-coloured cartonstock with embossing. Including 12" sized booklet made of solid-coloured black cartonstock with lyrics.
All folded into two pieces of cartonstock with hotfoil embossing and sealed with wax.
Limited to 300 handnumbered copies.

Vinyl unplayed. Seal was detached to unpack it, but it's still in the evenlope: in general, sleeve is in perfect conditions

Test pressing:  5 numbered copies

the heirs of Nortt?

Raging,repetitve yet diverse black/death metal
with a discreet yet ever present droning vibe.
Hypnotic and hysterical,channeled through the virtues
of a sharp,
strict but eventually warm sound production,
Υπνωσίνοσις provides a sonic guidance to the subsconscious and beyond!

8 panels digipack

Exactly 8 years after June 2010's 'The Grave of Civilization' Void of Silence are back with a brand new album.
Although still based on the classic Conforti/Zara line-up core, the new album features again a new lead vocalist (Luca Soi, of Arcana Coelestia and Visthia past).
 

4 panels digipack with booklet!
you can preorder it now but this is not a limited edition or anything.
will be in stock on the 2nd week of February

"This what I call imagination and talent employed to produce true art. I have chills from that song and it is followed up “Curse”, a hymn filled with almost nothing but black voices, gasps, growls, hissing, vomit-like emanations, ghost-like screams of anguish – this album is a journey I assure you. I am mentally exhausted. A brilliant release that takes many elements you have heard, many you have not and combines them in a unique way that makes this record an absolute must own."
 

New Mini-CD 7 tracks of blasphemy
 

Sebastian Montesi is a prolific artist, probably best known for his endeavors in Mitochondrion and for being one of the founding members of Auroch.
With Saturn’s Cross, the Canadian took a very different path, delving into cold wave territories, which little have to share with the bands he is usually associated to. Yet, when we listened to what Sebastian crafted, we had no doubt, and we gladly welcomed this new project to our roster. With neither hope nor fear, Saturn’s Cross unveils Cheat Death.  Now operating as a two piece, with 1908 entering the fold on bass and
vocals, Cheat Death disregards genre with wild abandon in favour of something that is at times overwhelmingly abrasive and at others intoxicating.
This is a willing exploration of the endless labyrinth and a lamp of pitch black glass intended to serve as a beacon in the lightless depths of the human spirit. This is a headlong dive into the soul's psychic darkness, with nothing to break the fall. This ushers in a new era Saturn's Cross.

Digipack limited to 500 Copies
Orchestral Fantasy Music / Epic Dungeon Synth

“Show My Mercy” is an EP about the remorse that humans will feel, when they are stuck in the swirl
of karma made by themselves. Blinded by fury, greed, sorrow, heading for their destruction step by step.

The digipak comes as four-sided panel with booklet-sleeve and eight-sided booklet.

“Our goal – call to blight the life existance. Our weapon – weaknesses and vices of human scum.”
Virvel Av Morkerhatet, Ukraine: a hard atom that represents the defect of the human thought, that is multiplied by self-destruction of transcendental consciousness. Anticosmos through Black Magic.
We know you dreamt about a violent and ruthless edge of Ved Buens Ende, if we can figure this out in our minds.
This is a record that will not leave you indifferent and will nail your soul, a marvellous mix of avantgarde metal and evil fury where every second minute is unpredictable although not pushing too much over the reasonable boundaries of experimentation that every black metal band should safely keep….

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From the mythical dark forests of Hälsingland Ereb Altor rises again.
Weaving their epic sound around stories from the old days of Scandinavia.

A new and mysterious project from Finland. Raw and captivating black metal with a pinch of dungeon synth.
Feel the ancient flame…

Digipak CD limited to 300 copies, remastered edition of their Demo

A5 digipack with 8 pages booklet with a completely different artwork than the standard digipack edition (or the vinyl one). Strictly limited to one-edition only


Initially announced as a complementary ep to last year's album 'oltreLuna', q[T]p eventually found in their hands a giant work, almost worth calling it a new album.

Jewelcase

GRÀB offer both, continuity and change, on their sophomore full-length "Kremess". The Bavarian black metal project founded by vocalist Grànt continues to revolve lyrically around tales and traditions narrated in the local dialect of Germany's southernmost Alpine state: Bavaria. "Kremess" means 'funeral feast' in that language and death plays a leading role on this album. Musically, GRÀB still feature a prominent traditional instrument of their region, the hammered dulcimer. This gets combined with particularly Norwegian strands of black metal such as early GEHENNA, ULVER, and DARKTHRONE as well as taking inspiration from German pioneers of the genre namely NAGELFAR and LUNAR AURORA. Adding to the local sonic colours are many fresh ideas and sounds that came with English guitarist Gnàst, who has replaced previous main songwriter Grain in the meantime. A host of guest musicians including members of EMPYRIUM, TRIPTYKON, and DARK FORTRESS among others has further enhanced the musical spectrum. GRÀB, meaning "old and grey" in the local dialect, were conceived by former DARK FORTRESS frontman Grànt who wanted to bring a particularly Bavarian expression to black metal. The earlier collaboration between Grànt and guitarist Grain resulted in the release of the debut full-length "Zeitlang" in 2021, which channelled the black metal spirit of the early 90s much to the delight of both critics and fans. With "Kremess", GRÀB are infusing Bavarian black metal with new power that is bound to expand their growing empire far beyond the borders of their homeland.

reissue 2014
 

2014 CD Digipak re-issue.
Includes bonus track "Mourners (live in Bochum 2012)" and extended booklet.

It is never easy to follow up with another album, especially considering the impact made by the complex wild flight of musical fantasy of "La Masquerade Infernale". ARCTURUS elegantly solved this conundrum by releasing the comparatively more straightforward third full-length, "The Sham Mirrors" in 2002. This does not mean that the Norwegians had lost their appetite for experiments. The vocals by Garm (ULVER) are more soaring and wide-ranging than ever on this release, while main man Steinar "Sverd" Johnsen keeps adding classic prog rock excursions to his repertoire. Yet, the guitars are more often set to a more conventional metal mode on "The Sham Mirrors". Still complex, still avant-garde, ARCTURUS clearly consolidated their compositions on "The Sham Mirrors" and while still using many sonic elements, those rather serve each individual song than try to stick out.

Austin Lunn’s journey carried Panopticon from the urban density of Louisville to the remote northern reaches of Minnesota. It is here, surrounded by a landscape both inspiring and endangered, that “Det hjemsøkte hjertet” took shape. The album follows an elder hermit in the final week of his life, interweaving childhood memories with a lament for an ecosystem transformed by modern encroachment.

Dense, atmospheric, and unmistakably cinematic, “Det hjemsøkte hjertet” (‘The Haunted Heart’) shifts from the icy aggression of earlier works into something richer and more saturated – a palette of purples and burning oranges fading into dusk. The folk instrumentation once associated with Panopticon has largely receded, giving way to tones reminiscent of Neil Young & Crazy Horse.

The metal foundation remains, but the record’s strength lies in composition rather than speed: layered arrangements, long-form dynamics, and a strong narrative undercurrent. A full orchestral presence runs throughout, with Charlie Anderson’s string performances adding both gravity and movement. Each song features a different guest vocalist – Aaron Charles (Falls Of Rauros, Rhun), Jan Evan Åsli (Vemod), and Jan 'Winterherz' Van Berlekom (Waldgeflüster) among them – introducing distinct colours without compromising cohesion.