Preordine

The Garden Of Unearthly Delights was the eighth studio album by British Doom legends Cathedral, for which they were signed by Nuclear Blast Records in Germany. The album received a lot of critical acclaim and was well received by fans alike. Tracks such as Corpsecycle and North Berwick Witch Trials were firm favourites and staples in the live setlists right up until the bands end.

Produced by warren Riker (Fugees, Corrosion Of Conformity, Down, Cynic etc), it had a revitalised energy, which saw the band touring relentlessly around the globe once again. 

Choc full of the usual monstrous riffs, strange subject matter and non-conforming twists and turns that Cathedral became known  for, it’s crowning achievement was epic 27-minute track simply titled The Garden. It’s a Doom prog odyssey which took the  listener through a myriad of arcane environments and odd musical passages. 

The term ‘back from the grave’ takes on a whole new meaning with the release of this (thought to be long lost) epic recording  by the much-missed British Doom Metal lords: Cathedral. Society’s Pact With Satan was the last ever recording made by the band, back in 2012. It was recorded at the end of the sessions for their swan song album; 2013’s The Last Spire. But, for some reason, the 30-minute track was not mixed at the time, thus pretty much forgotten about by everyone involved, until very recently.

Rediscovered by producer Jaime Gomez Arellano, whilst sorting through his old studio recordings, he excitedly alerted the band, saying that he had discovered a long-lost gem. Upon hearing it, the band members were convinced enough to agree that it should see a commercial release.

So, here we have it: the final sermon by Cathedral and what a way to go out. It’s an unapologetic, uncompromising exercise in macabre observations, musical eccentricity, brutal riffing and general arcane self-indulgence. There genuinely was/is no other band like Cathedral. Just ask Tony Iommi.

The term ‘back from the grave’ takes on a whole new meaning with the release of this (thought to be long lost) epic recording  by the much-missed British Doom Metal lords: Cathedral. Society’s Pact With Satan was the last ever recording made by the band, back in 2012. It was recorded at the end of the sessions for their swan song album; 2013’s The Last Spire. But, for some reason, the 30-minute track was not mixed at the time, thus pretty much forgotten about by everyone involved, until very recently.

Rediscovered by producer Jaime Gomez Arellano, whilst sorting through his old studio recordings, he excitedly alerted the band, saying that he had discovered a long-lost gem. Upon hearing it, the band members were convinced enough to agree that it should see a commercial release.

So, here we have it: the final sermon by Cathedral and what a way to go out. It’s an unapologetic, uncompromising exercise in macabre observations, musical eccentricity, brutal riffing and general arcane self-indulgence. There genuinely was/is no other band like Cathedral. Just ask Tony Iommi.

180g vinyl, thick insert incl. lyrics, and a designed download card for the digital album.

Following a five-year hiatus, Denmark’s SUNKEN return with Lykke – four meticulously crafted tracks of atmospheric black metal, running nearly fifty minutes.

Lykke is an exploration of contrasts: intense, unrelenting passages built on blast beats and layered riffs give way to moments of striking calm and melody. Orchestral textures, choral arrangements, and mournful strings weave seamlessly into the sound, while anguished vocals cut through with precision.

The result is a work that balances aggression and atmosphere with rare finesse. Every shift feels deliberate, every return to stillness earned. This is atmospheric black metal at its most refined - immersive, dynamic, and emotionally resonant.

For listeners who value both weight and nuance in their black metal, Lykke is a standout release from a band at the height of their craft.

180g vinyl, thick insert incl. lyrics, and a designed download card for the digital album.

Following a five-year hiatus, Denmark’s SUNKEN return with Lykke – four meticulously crafted tracks of atmospheric black metal, running nearly fifty minutes.

Lykke is an exploration of contrasts: intense, unrelenting passages built on blast beats and layered riffs give way to moments of striking calm and melody. Orchestral textures, choral arrangements, and mournful strings weave seamlessly into the sound, while anguished vocals cut through with precision.

The result is a work that balances aggression and atmosphere with rare finesse. Every shift feels deliberate, every return to stillness earned. This is atmospheric black metal at its most refined - immersive, dynamic, and emotionally resonant.

For listeners who value both weight and nuance in their black metal, Lykke is a standout release from a band at the height of their craft.

Following a five-year hiatus, Denmark’s SUNKEN return with Lykke – four meticulously crafted tracks of atmospheric black metal, running nearly fifty minutes.

Lykke is an exploration of contrasts: intense, unrelenting passages built on blast beats and layered riffs give way to moments of striking calm and melody. Orchestral textures, choral arrangements, and mournful strings weave seamlessly into the sound, while anguished vocals cut through with precision.

The result is a work that balances aggression and atmosphere with rare finesse. Every shift feels deliberate, every return to stillness earned. This is atmospheric black metal at its most refined - immersive, dynamic, and emotionally resonant.

For listeners who value both weight and nuance in their black metal, Lykke is a standout release from a band at the height of their craft.

Slipcase Gatefold 12" LP

Pressed on grey marble heavy vinyl. Comes with an 8-page booklet and a download card.

DMP present a special 2025 vinyl reissue of BLUT AUS NORD's seminal 2003 avant-Black Metal masterpiece "The Work Which Transforms God", complete with restored original artwork, a new Rob Borbás illustration, artist testimonials, and an extended interview with Vindsval.

This trailblazing and indispensable classic finds BLUT AUS NORD expanding the possibilities of Black Metal: preserving the essence and feeling but urbanising the form, in a menacingly enigmatic and coldly inimitable statement of intent.

Comes in a 4-panel digipack with a 16-page booklet and a slipcase. First batch comes in black polycarbonate CD.

DMP present a special 2025 CD reissue of BLUT AUS NORD's seminal 2003 avant-Black Metal masterpiece "The Work Which Transforms God", complete with restored original artwork, a new Rob Borbás illustration, artist testimonials, and an extended interview with Vindsval.

This trailblazing and indispensable classic finds BLUT AUS NORD expanding the possibilities of Black Metal: preserving the essence and feeling but urbanising the form, in a menacingly enigmatic and coldly inimitable statement of intent.

We are running for a short time a special promo especially conceived for our American customers who are sort of "locked" due to the recent import-duties diatribe.

While we wait for this to be changed for the better, we are offering a bundle pack of our Avantgarde Music late September releases: 

2x Double Vinyls (Mesarthim, Ad Nauseam)

2x Single Vinyls (Nexion, Kamra)

At check out you will be charged for UPS Express door delivery service (3 days since shipment!) for 30.00€ only.

Please note though: we will state very clearly that cds and vinyls should no be subject of import duties taxes, but we can NOT guarantee that the driver won't ask you for this... so actually: you'd better expect them to charge you money at delivery, but we hope that cutting down prices like this can help you out in a way or other

Since the unholy reunion between the two MYSTIC CIRCLE founders A. Blackwar and Beelzebub in 2021, the Germanic black metal gods of war are stronger than ever. What began anew in 2022 with the self-titled “Mystic Circle” album and was rewarded with a sensational #78 place in the German album charts, was continued the following year in “Erzdämon” and now completed in “Hexenbrand 1486”. “More serious, more respectful and more authentic” is the definition of this new MYSTIC CIRCLE epic ‘Hexenbrand 1486’ - a statement that also applies to the band's attitude. The band's tenth studio album is largely about the “Malleus Maleficarum”, the witches' hammer, which was written in Speyer in 1486. A pitch-black mix of death, black and traditional heavy metal with a horror soundtrack flair.

Since the unholy reunion between the two MYSTIC CIRCLE founders A. Blackwar and Beelzebub in 2021, the Germanic black metal gods of war are stronger than ever. What began anew in 2022 with the self-titled “Mystic Circle” album and was rewarded with a sensational #78 place in the German album charts, was continued the following year in “Erzdämon” and now completed in “Hexenbrand 1486”. “More serious, more respectful and more authentic” is the definition of this new MYSTIC CIRCLE epic ‘Hexenbrand 1486’ - a statement that also applies to the band's attitude. The band's tenth studio album is largely about the “Malleus Maleficarum”, the witches' hammer, which was written in Speyer in 1486. A pitch-black mix of death, black and traditional heavy metal with a horror soundtrack flair.

EP CD in deluxe Digipak with 16-page booklet.

Formed in 2003 in the southern province of Limburg, Netherlands, CARACH ANGREN have built an unshakable reputation for fusing black metal’s ferocity with the grandeur of symphonic arrangements and the drama of storytelling. Their work draws heavily from historical legends, ghost tales, and the macabre, creating immersive worlds within each release.
On ‘The Cult of Kariba’, the band return to the mythos that first defined their identity in 2008’s ‘Lammendam’, expanding it into darker, more elaborate territory. The new EP unfolds as a five-part horror tale rooted in the folklore of Schinveld’s White Lady, now entwined with the sinister figure of Kariba: a poisoner and alleged witch. Through haunting orchestration, blackened aggression, and cinematic scope, the listener witnesses an underground cult’s rituals, a brutal sacrifice, the resurrection of Kariba, and the catastrophic vengeance that follows. Each track builds on the previous, from the ominous opening “A Malevolent Force Stirs” to the apocalyptic closer “Venomous 1666”, where the witch claims the living for her grave.
Expertly produced and conceptually unified, ‘The Cult of Kariba’ is both a return to roots and a bold expansion of CARACH ANGREN’s narrative universe.

For fans of DIMMU BORGIR, KING DIAMOND, CRADLE OF FILTH.