Preordine

"The idea of Interwoven—an acoustic journey tracing one song from each chapter of our discography—was first envisioned on the very day UADA was conceived: October 1st, 2014. In those early conversations, when I laid out the future I sought to create, and recall sharing the concept of a stripped, atmospheric interpretation, supported by the haunting resonance of strings—cello or violin. At the time, the notion was met with skepticism, perhaps even dismissal. Yet it was an idea I knew would one day take form. It had to.

UADA has always drawn from a wide spectrum of influences—many of which extend far beyond the traditional boundaries of black metal. With Interwoven, we sought to peel back the layers and reveal the vastness of these realms; to immerse the listener in both the foreign and the familiar, in textures that challenge and comfort in equal measure.

More than a sonic experiment, this album was a deliberate act of vulnerability. It was a personal and collective trial—a chance to step outside the acquainted shadows and embrace the uncertain light. The earliest intent was to craft something primitive and ritualistic, echoing the ancestral tones of ancient Pagan folk. Vocally, we anticipated a palette of whispers, chants, and throat singing. There was never a plan to explore clean, melodic singing—until an improvised vocal passage in Djinn revealed something unexpected. That unscripted moment sparked the foundation of what would become this album. With the band’s enthusiastic support, the recording process began—without a script, without rehearsal, and with full commitment to spontaneity and truth."

NORTHTRIP AMONG THE STORMS…

Active since 1995 and with 5 previous full-lengths under their belts, Russian OLD WAINDS are back on the frozen field.

Picking up where they left off with their previous album, the predominantly fast-paced “Stormheart” reveals itself as ice-cold, yet melancholic and introspective at the same time. Driven by stunning guitar work, completely devoid of unnecessary gimmicks and vocals slightly distorted, OLD WAINDS delivered one of the best Black Metal albums of the last couple of years.

Mastered by Jack Control and Maor Appelbaum.

Dark Nordic Metal from the icy wastes of Murmansk.

Grim, cold and majestic as it should be…

Digipak-CD with UV-varnish, 16-page booklet

One of the UK underground's longest-running and most respected acts, HECATE ENTHRONED has been praised by the likes of Terrorizer for their "mixture of death metal aggression with black metal atmosphere" while New Noise Magazine declares them "an absolute must for fans of extreme gothic metal". Originally co-founded in Wales by guitarist Nigel Dennen in the mid-1990s, the band is dedicated to delivering their own brand of evil metal with little regard to politics or the trends of popular demand. The group's 1997 full-length, the Andy Sneap-produced 'The Slaughter Of Innocence, A Requiem For The Mighty' (Blackend Records), was a seminal release in the then-burgeoning orchestral black metal movement, and since then, five more studio outputs including their M-Theory Audio debut in 2019 with the 'Embrace Of The Godless Aeon' (HECATE ENTHRONED's first recording with vocalist Joe Stamps) and numerous live performances have firmly established the band as one of extreme metal's most important voices.

The album will be released May 29 on Digipak CD, limited-edition colored vinyl including 250 Boreal Light (EU) and 250 Draconic Vision (US) variants, and digital.  'The Corpse of a Titan, A Lament Long Buried' is once again produced by HECATE ENTHRONED and Dan Abela (Akercocke, Bleed from Within, Annal Nathrakh), who also mixed/mastered the album with cover art created by Erskine Designs (Inanimate Existence, Bleed The Sky).

One of the UK underground's longest-running and most respected acts, HECATE ENTHRONED has been praised by the likes of Terrorizer for their "mixture of death metal aggression with black metal atmosphere" while New Noise Magazine declares them "an absolute must for fans of extreme gothic metal". Originally co-founded in Wales by guitarist Nigel Dennen in the mid-1990s, the band is dedicated to delivering their own brand of evil metal with little regard to politics or the trends of popular demand. The group's 1997 full-length, the Andy Sneap-produced 'The Slaughter Of Innocence, A Requiem For The Mighty' (Blackend Records), was a seminal release in the then-burgeoning orchestral black metal movement, and since then, five more studio outputs including their M-Theory Audio debut in 2019 with the 'Embrace Of The Godless Aeon' (HECATE ENTHRONED's first recording with vocalist Joe Stamps) and numerous live performances have firmly established the band as one of extreme metal's most important voices.

The album will be released May 29 on Digipak CD, limited-edition colored vinyl including 250 Boreal Light (EU) and 250 Draconic Vision (US) variants, and digital.  'The Corpse of a Titan, A Lament Long Buried' is once again produced by HECATE ENTHRONED and Dan Abela (Akercocke, Bleed from Within, Annal Nathrakh), who also mixed/mastered the album with cover art created by Erskine Designs (Inanimate Existence, Bleed The Sky).

Swedish black/thrash metal veterans Bewitched are back.

Forged in fire back in 1995, three decades of chaos now culminate in Diabolical Death Mass. Their new full-length album will be unleashed via Osmose Productions, making it the first studio release since 2006.

Years of silence were broken on stage, igniting triumphant infernos in Brazil, Colombia, Greece and all across Europe. Thus proving that the fire is burning brighter than ever.

Now, the circle is completed as Bewitched return to the legendary Osmose Productions, the label that helped shape their early legacy. With Diabolical Death Mass, Bewitched deliver 11 tracks true to the traditional old-school black/thrash sound that made them known: savage riffs, anthemic power and pure blackened fury. An uncompromising Hellcult attack, nothing more and nothing less.

Diabolical Death Mass is not a resurrection.
Bewitched were never dead.
Let the ritual begin.

Swedish black/thrash metal veterans Bewitched are back.

Forged in fire back in 1995, three decades of chaos now culminate in Diabolical Death Mass. Their new full-length album will be unleashed via Osmose Productions, making it the first studio release since 2006.

Years of silence were broken on stage, igniting triumphant infernos in Brazil, Colombia, Greece and all across Europe. Thus proving that the fire is burning brighter than ever.

Now, the circle is completed as Bewitched return to the legendary Osmose Productions, the label that helped shape their early legacy. With Diabolical Death Mass, Bewitched deliver 11 tracks true to the traditional old-school black/thrash sound that made them known: savage riffs, anthemic power and pure blackened fury. An uncompromising Hellcult attack, nothing more and nothing less.

Diabolical Death Mass is not a resurrection.
Bewitched were never dead.
Let the ritual begin.

Swedish black/thrash metal veterans Bewitched are back.

Forged in fire back in 1995, three decades of chaos now culminate in Diabolical Death Mass. Their new full-length album will be unleashed via Osmose Productions, making it the first studio release since 2006.

Years of silence were broken on stage, igniting triumphant infernos in Brazil, Colombia, Greece and all across Europe. Thus proving that the fire is burning brighter than ever.

Now, the circle is completed as Bewitched return to the legendary Osmose Productions, the label that helped shape their early legacy. With Diabolical Death Mass, Bewitched deliver 11 tracks true to the traditional old-school black/thrash sound that made them known: savage riffs, anthemic power and pure blackened fury. An uncompromising Hellcult attack, nothing more and nothing less.

Diabolical Death Mass is not a resurrection.
Bewitched were never dead.
Let the ritual begin.

This new vinyl version is released on the Deathlike Silence label by long time partners Voices of Wonder Records.
Available on classic black vinyl (ANTIMOSH003LP26) or limited edition red/black splatter vinyl (ANTIMOSH003LPL26), presented in a gatefold sleeve

This new vinyl version is released on the Deathlike Silence label by long time partners Voices of Wonder Records.
Available on classic black vinyl (ANTIMOSH003LP26) or limited edition red/black splatter vinyl (ANTIMOSH003LPL26), presented in a gatefold sleeve

Per la prima volta in qualsiasi formato, la controversa visione di Pier Paolo Pasolini del 1975 dei “120 giorni di Sodoma” del Marchese de Sade, caratterizzata da composizioni classiche di grande bellezza e dissonanza, in netto contrasto con gli eventi scioccanti e crudeli che si svolgono sullo schermo. Tre settimane prima della scandalosa uscita di “Salò o i 120 giorni di Sodoma”, Pasolini fu brutalmente assassinato a Ostia, in Italia. Sulla scia della tragedia, il leggendario compositore Ennio Morricone scrisse “Addio a Pier Paolo Pasolini” per il defunto regista, inclusa nel montaggio finale. Seguendo la narrazione di uno dei momenti cinematografici più significativi di Pasolini, la colonna sonora si apre con “Son Tanto Triste” di Ennio Morricone, scende nei malinconici accordi minori di Bach, Chopin, Orff, Puccini e Graziosi, incorpora sinistre interpretazioni del cast e include il cupo tributo di Morricone al regista.

Released in 1987 and destined to become one of the most controversial and iconic films in European underground cinema, Jörg Buttgereit's “Nekromantik” is far more than a visual provocation: it is a radical, poetic, and deeply disturbing work in which image and sound merge into a singular emotional experience.

The soundtrack by Daktari Lorenz / Hermann Kopp / John Boy Walton accompanies the film with a minimal and obsessive sonic landscape, suspended between piano melodies, decadent electronic ambient textures, and distorted childlike melodies. A deliberately alienating contrast that amplifies the film's sense of tragedy, loneliness, and morbid romanticism.

This release is not merely a tribute to a cult film, but a celebration of music as a narrative force, capable of transforming horror into melancholy and transgression into a distorted form of romanticism.

Released in 1987 and destined to become one of the most controversial and iconic films in European underground cinema, Jörg Buttgereit's “Nekromantik” is far more than a visual provocation: it is a radical, poetic, and deeply disturbing work in which image and sound merge into a singular emotional experience.

The soundtrack by Daktari Lorenz / Hermann Kopp / John Boy Walton accompanies the film with a minimal and obsessive sonic landscape, suspended between piano melodies, decadent electronic ambient textures, and distorted childlike melodies. A deliberately alienating contrast that amplifies the film's sense of tragedy, loneliness, and morbid romanticism.

This release is not merely a tribute to a cult film, but a celebration of music as a narrative force, capable of transforming horror into melancholy and transgression into a distorted form of romanticism.