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Titoli in Preordine - musica Black Metal e Dark estrema
SPECIAL RECORD STORE DAY 2026 RELEASE OF ONE OF DARKTHRONE’S RARE LIVE APPEARANCES, PRESENTED ON LIMITED PETROL VINYL WITH PRINTED INNER SLEEVE.
Longstanding Norwegian band Darkthrone started in 1986, originally under the name of Black Death, before their final infamous moniker was introduced. Although becoming known the world over as a black metal band crucial to the lasting legacy of the genre, Darkthrone began more as an extreme metal band utilising elements of thrash, death & doom metal into their early compositions.
With the core classic line-up of Gylve Nagell (Drums), Ted Skjellum (Guitars/vocals), Ivar Enger (Guitars) & Dag Nilsen (Bass) & presented for the first time on standalone vinyl (having previously only featured in the long sold-out ‘Shadows Of Iconoclasm’ boxset), ‘As Wolves Among Sheep…’ Live in Oslo ’90 sees the Norwegian quartet still in their formative years at the legendary Bootleg, playing a collection of material from their demos (which were to be included on the ‘Soulside Journey’ debut album), along with rare performances of tracks which would eventually surface on the intended but then abandoned follow-up, ‘Goatlord’.
The vinyl contains audio sourced from a digital transfer from the original master tapes courtesy of the Bootleg TV archive, with mastering work carried out by Patrick Engel at Temple of Disharmony.
This edition of ‘As Wolves Among Sheep…’ is presented on limited Petrol coloured vinyl for Record Store Day 2026 & includes a printed inner sleeve with photos & lyrics.
Gatefold, three sides recorded, with extensive huge book!
Available in two vinyl colors options
Gatefold, three sides recorded, with extensive huge book!
Available in two vinyl colors options
FEN are climbing to a new artistic height by coming down to earth with their eighth full-length "Elemental Part One: Mourning Earth". The East Anglian trio has turned to their 'roots' in every sense, by distilling the true essence of what constitutes their sound through everything that they have learned and added in the last two decades. While the previous album, "Monuments to Absence" (2023), was deliberately arranged dense, fast and intense, FEN decided to leave breathing space on this album to allow more time for themes and ideas to exhale and unfurl. Of course, there is still much sonic aggression but channelled differently as large parts of "Mourning Earth" were recorded live to allow an organic nature to flow, and to permit the natural rhythms of the pieces to develop. Lyrically, FEN sum up their basic idea behind "Elemental Part One: Mourning Earth" in their own poetic words: "The morning mists clearing over the boggy expanses of the fens to reveal another grey, gloom-laden day of sorrow and regret. And at twilight, the slow, sad realisation that tomorrow promises only more of the same – tormented by the half-heard whispers of the spirits bound to the soils, our pain continues. And we can only endure." With "Elemental Part One: Mourning Earth", FEN have reached a new pinnacle in their exciting career and achieved a perfect balance between their black metal foundations and post-black metal innovations. FEN take their listener on a journey to grim bogs, languid waterways, and dismal fogs over bare rock – yet on the other side waits a sense of surcease to the endless existential ennui within.
Black vinyl with white splatters, LTD to 150 copies!
HULDER is a dark black metal project from the United States, driven by the creative partnership of Hulder and Necreon, whose three albums to date have steadily drawn the project toward more expansive and collaborative territory. ‘Verbolgen’, released jointly by Season of Mist and 20 Buck Spin, marks a decisive turn: the first HULDER record on which Necreon steps fully into his role as co-leader rather than session contributor. Rooted in ancient nature worship, ancestral rite, and the shadows of pre-Christian tradition, ‘Verbolgen’ moves through nine tracks that trade in both the severity and the strange, wintry beauty that have always defined HULDER 's sound. The writing has grown more layered here, drawing on a wider palette of instrumentation: hurdy gurdy and additional keys from Keld bring an almost processional weight to certain passages, while Ianuaria's session flute drifts through the album like smoke across still water. Two drummers divide the record between them, Vapula and Vrolok each bringing their own character to their respective tracks, and the sum of it is a rhythm section that feels alive to the album's shifts in mood and tempo. The mix, handled by Ahti Kortelainen at Tico Tico Studio in Finland, gives the record an earthy, resonant quality that suits its themes of blood, soil, and the settling of old debts. Even the visual identity signals a new chapter: the cover art, painted by Morrigan, is her first work created for a metal band in nearly three decades, with an updated logo crafted by Jannicke Wiese Hansen. Three of the album's songs are sung in Flemish, lending ‘Verbolgen’ a peculiar, incantatory dimension that sets it apart from anything in HULDER's back catalogue. For fans of BATHORY, DISSECTION, MOONSORROW