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Il carrello è vuoto
Il carrello è vuoto
Titoli in Preordine - musica Black Metal e Dark estrema
Reissue 2026 on Back on Black
Double LP, red vinyl
"The idea of Interwoven—an acoustic journey tracing one song from each chapter of our discography—was first envisioned on the very day UADA was conceived: October 1st, 2014. In those early conversations, when I laid out the future I sought to create, and recall sharing the concept of a stripped, atmospheric interpretation, supported by the haunting resonance of strings—cello or violin. At the time, the notion was met with skepticism, perhaps even dismissal. Yet it was an idea I knew would one day take form. It had to.
UADA has always drawn from a wide spectrum of influences—many of which extend far beyond the traditional boundaries of black metal. With Interwoven, we sought to peel back the layers and reveal the vastness of these realms; to immerse the listener in both the foreign and the familiar, in textures that challenge and comfort in equal measure.
More than a sonic experiment, this album was a deliberate act of vulnerability. It was a personal and collective trial—a chance to step outside the acquainted shadows and embrace the uncertain light. The earliest intent was to craft something primitive and ritualistic, echoing the ancestral tones of ancient Pagan folk. Vocally, we anticipated a palette of whispers, chants, and throat singing. There was never a plan to explore clean, melodic singing—until an improvised vocal passage in Djinn revealed something unexpected. That unscripted moment sparked the foundation of what would become this album. With the band’s enthusiastic support, the recording process began—without a script, without rehearsal, and with full commitment to spontaneity and truth."
"The idea of Interwoven—an acoustic journey tracing one song from each chapter of our discography—was first envisioned on the very day UADA was conceived: October 1st, 2014. In those early conversations, when I laid out the future I sought to create, and recall sharing the concept of a stripped, atmospheric interpretation, supported by the haunting resonance of strings—cello or violin. At the time, the notion was met with skepticism, perhaps even dismissal. Yet it was an idea I knew would one day take form. It had to.
UADA has always drawn from a wide spectrum of influences—many of which extend far beyond the traditional boundaries of black metal. With Interwoven, we sought to peel back the layers and reveal the vastness of these realms; to immerse the listener in both the foreign and the familiar, in textures that challenge and comfort in equal measure.
More than a sonic experiment, this album was a deliberate act of vulnerability. It was a personal and collective trial—a chance to step outside the acquainted shadows and embrace the uncertain light. The earliest intent was to craft something primitive and ritualistic, echoing the ancestral tones of ancient Pagan folk. Vocally, we anticipated a palette of whispers, chants, and throat singing. There was never a plan to explore clean, melodic singing—until an improvised vocal passage in Djinn revealed something unexpected. That unscripted moment sparked the foundation of what would become this album. With the band’s enthusiastic support, the recording process began—without a script, without rehearsal, and with full commitment to spontaneity and truth."
"The idea of Interwoven—an acoustic journey tracing one song from each chapter of our discography—was first envisioned on the very day UADA was conceived: October 1st, 2014. In those early conversations, when I laid out the future I sought to create, and recall sharing the concept of a stripped, atmospheric interpretation, supported by the haunting resonance of strings—cello or violin. At the time, the notion was met with skepticism, perhaps even dismissal. Yet it was an idea I knew would one day take form. It had to.
UADA has always drawn from a wide spectrum of influences—many of which extend far beyond the traditional boundaries of black metal. With Interwoven, we sought to peel back the layers and reveal the vastness of these realms; to immerse the listener in both the foreign and the familiar, in textures that challenge and comfort in equal measure.
More than a sonic experiment, this album was a deliberate act of vulnerability. It was a personal and collective trial—a chance to step outside the acquainted shadows and embrace the uncertain light. The earliest intent was to craft something primitive and ritualistic, echoing the ancestral tones of ancient Pagan folk. Vocally, we anticipated a palette of whispers, chants, and throat singing. There was never a plan to explore clean, melodic singing—until an improvised vocal passage in Djinn revealed something unexpected. That unscripted moment sparked the foundation of what would become this album. With the band’s enthusiastic support, the recording process began—without a script, without rehearsal, and with full commitment to spontaneity and truth."
NORTHTRIP AMONG THE STORMS…
Active since 1995 and with 5 previous full-lengths under their belts, Russian OLD WAINDS are back on the frozen field.
Picking up where they left off with their previous album, the predominantly fast-paced “Stormheart” reveals itself as ice-cold, yet melancholic and introspective at the same time. Driven by stunning guitar work, completely devoid of unnecessary gimmicks and vocals slightly distorted, OLD WAINDS delivered one of the best Black Metal albums of the last couple of years.
Mastered by Jack Control and Maor Appelbaum.
Dark Nordic Metal from the icy wastes of Murmansk.
Grim, cold and majestic as it should be…
Digipak-CD with UV-varnish, 16-page booklet
Six panels digipak CD - limited
Wolvencrown’s take on black metal is based on long, keyboard-layered structures, with songs seldom clocking in at less than eight or nine minutes. The solemnity of keyboards, though, is balanced by the fury and rage of guitar riffs and fast drumming, making Celestial Lands a varied and diverse effort. Different from the atmospheric black metal you often hear coming from the Pacific Northwest, Wolvencrown melodies have deep roots in the European tradition, while their lyrics deal with nature, its spirits and the damage Man has caused.
4the pressing, now in digipack CD
Let the moonclad twilight veil the forests once again!
Moonlight Sorcery is a Finnish black metal trio formed in early 2018. The band’s black metal is a symphonic and melodic variety by nature. Inspired by many black metal classics as well as classic heavy metal and melodic death metal, the band indeed has a huge palette of influences, which is directly reflected in the versatility of the song material.
Piercing Through the Frozen Eternity, the band first EP, was worked on as the icy winds blew and winter did its magic. In all the peace and quiet. The silver-saturated nights of the moon rushed to the melodies that breathe sorrow and the eternal majesty of the cold stars.
preorder for second press (same as first press, identical: digipak CD with booklet)
Almost four years after Moth's Illusion, Arpitanian black metal veterans Enisum, from northern Italy, are back with a brand new studio album, the fifth in their career.
Forgotten Mountains is a journey through mountains and life, a path that leads Man to the highest peak, to face his own existence and its meaning. Enisum’s new album consists of eight atmospheric gems for fans of Wolves In The Throne Room, Earth And Pillars and the most intimate and naturalistic side of black meta
The Belarusian quintet delivers a fast-paced, cold and pure black metal which is looking at both the classic European sound and its more contemporary interpretations. You will find loads of riffs, as well as the odd solo and melodic hook, which will relentlessly drag you toward the Darkness.
Moonlight Sorcery, the Finnish symphonic black metal sensation of 2022, is back with a new mini album featuring three brand-new tracks and a cover.
While hard at work on their debut studio album, Loitsumestari Taikakallo, Haaska and Ruttomieli took a divergent path that brought them to compose and record what would become Nightwind: The Conqueror From The Stars. This has been one of the best kept secrets of 2022, but now the time has come to unveil the new spells which have been conjured in the magical dungeons of Moonlight Sorcery.
Nightwind is in every aspect the follow-up to the acclaimed debut EP Piercing Through The Frozen Eternity, which means an illuminating, blasting example of how symphonic black metal from the ‘90s can be composed and performed three decades later without losing an ounce of its urgency and fascination. And magic. And malice. And evil.
Reissue 2025
Cosmic Doom featuring Heike Langhans (Ex-Draconian, Light Field Reverie, :LOR3L3I:, Ex-ISON) and Mike Lamb (Sojourner, Light Field Reverie). This is the original early single version of Obsidian released in 2021.
Heike Langhans - Vocals, Lyrics & Synth Mike Lamb - Guitar, Drums, Bass & Synth
