Preordine

After celebrating its 10th anniversary in early 2025 with a special release (with a completely different artwork that remains exclusive to that edition), ENISUM's break-through album "Arpitanian Lands" is now available again in its original art form, although heavily revised.

• CD in solid hardbound book (20 x 20 cm) with linen cover and black hot foil finish
• 40 pages with artwork, lyrics and info printed on deluxe uncoated art-paper
• Designed download card for the digital album

"The idea of Interwoven—an acoustic journey tracing one song from each chapter of our discography—was first envisioned on the very day UADA was conceived: October 1st, 2014. In those early conversations, when I laid out the future I sought to create, and recall sharing the concept of a stripped, atmospheric interpretation, supported by the haunting resonance of strings—cello or violin. At the time, the notion was met with skepticism, perhaps even dismissal. Yet it was an idea I knew would one day take form. It had to.

UADA has always drawn from a wide spectrum of influences—many of which extend far beyond the traditional boundaries of black metal. With Interwoven, we sought to peel back the layers and reveal the vastness of these realms; to immerse the listener in both the foreign and the familiar, in textures that challenge and comfort in equal measure.

More than a sonic experiment, this album was a deliberate act of vulnerability. It was a personal and collective trial—a chance to step outside the acquainted shadows and embrace the uncertain light. The earliest intent was to craft something primitive and ritualistic, echoing the ancestral tones of ancient Pagan folk. Vocally, we anticipated a palette of whispers, chants, and throat singing. There was never a plan to explore clean, melodic singing—until an improvised vocal passage in Djinn revealed something unexpected. That unscripted moment sparked the foundation of what would become this album. With the band’s enthusiastic support, the recording process began—without a script, without rehearsal, and with full commitment to spontaneity and truth."

"The idea of Interwoven—an acoustic journey tracing one song from each chapter of our discography—was first envisioned on the very day UADA was conceived: October 1st, 2014. In those early conversations, when I laid out the future I sought to create, and recall sharing the concept of a stripped, atmospheric interpretation, supported by the haunting resonance of strings—cello or violin. At the time, the notion was met with skepticism, perhaps even dismissal. Yet it was an idea I knew would one day take form. It had to.

UADA has always drawn from a wide spectrum of influences—many of which extend far beyond the traditional boundaries of black metal. With Interwoven, we sought to peel back the layers and reveal the vastness of these realms; to immerse the listener in both the foreign and the familiar, in textures that challenge and comfort in equal measure.

More than a sonic experiment, this album was a deliberate act of vulnerability. It was a personal and collective trial—a chance to step outside the acquainted shadows and embrace the uncertain light. The earliest intent was to craft something primitive and ritualistic, echoing the ancestral tones of ancient Pagan folk. Vocally, we anticipated a palette of whispers, chants, and throat singing. There was never a plan to explore clean, melodic singing—until an improvised vocal passage in Djinn revealed something unexpected. That unscripted moment sparked the foundation of what would become this album. With the band’s enthusiastic support, the recording process began—without a script, without rehearsal, and with full commitment to spontaneity and truth."

"The idea of Interwoven—an acoustic journey tracing one song from each chapter of our discography—was first envisioned on the very day UADA was conceived: October 1st, 2014. In those early conversations, when I laid out the future I sought to create, and recall sharing the concept of a stripped, atmospheric interpretation, supported by the haunting resonance of strings—cello or violin. At the time, the notion was met with skepticism, perhaps even dismissal. Yet it was an idea I knew would one day take form. It had to.

UADA has always drawn from a wide spectrum of influences—many of which extend far beyond the traditional boundaries of black metal. With Interwoven, we sought to peel back the layers and reveal the vastness of these realms; to immerse the listener in both the foreign and the familiar, in textures that challenge and comfort in equal measure.

More than a sonic experiment, this album was a deliberate act of vulnerability. It was a personal and collective trial—a chance to step outside the acquainted shadows and embrace the uncertain light. The earliest intent was to craft something primitive and ritualistic, echoing the ancestral tones of ancient Pagan folk. Vocally, we anticipated a palette of whispers, chants, and throat singing. There was never a plan to explore clean, melodic singing—until an improvised vocal passage in Djinn revealed something unexpected. That unscripted moment sparked the foundation of what would become this album. With the band’s enthusiastic support, the recording process began—without a script, without rehearsal, and with full commitment to spontaneity and truth."

Comes in a 4-panel digipack with a 16-page booklet. First batch comes in black polycarbonate CD.

Montreal's MISERERE LUMINIS have explored a stridently emotive and richly-layered strand of anguished Black Metal since their 2008 formation.

Extraordinary new album "Sidera" finds the band completing the journey set by 2023 predecessor, "Ordalie": weaving impassioned Black Metal, cinematic soundscapes and contemplative textures into a deeply moving set of songs which blend heartfelt sorrow with a fierce will to exist.

34 years after its original release on tape in 1991, this revered recording that put UNANIMATED on the map to become one of Sweden`s greatest melodic Black/Death Metal bands alongside NECROPHOBIC and DISSECTION, will eventually get its well-deserved stand-alone release on 12″ vinyl.

*** Update February 12th: the vinyl edition is suffering an horrible delay caused by the manufacturer. At the moment writing, we have been promised a completion of production to March, 3
Therefore all preorders shipments will follow immediately after
We apologise
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Stillamentum marks Gorrch’s long-awaited return, as well as the first collaboration between the duo and Avantgarde Music. Stillamentum is a full-length album steeped in claustrophobic intensity, dissonant chord structures, and relentless sonic tension. From punishing tremolo riffs and blasting drumming to cavernous production that evokes suffocating atmospheres, the record channels the band’s obsession with sound as ritual and catharsis. Gorrch push further into darkness with an unwavering commitment to raw emotion and existential dread, crafting a labyrinth of shadows and pain.

An EP of primal gothic elegance, Blood Consumer is atmospheric of a kind cloaked in velveteen mists and swirling chilled fog, with a spiked gauntlet of riffs that will catch the ear of fans of their primary bands. ♱VELVET CROSS♱ was conceived by Splatterpvnk as a solo project in the Winter of 2022, but over time expanded to involve Saidan sticksman and Vampirska mastermind Hundosai (actually, I am not sure that many people know Hundosai is Vampirska , so here you go!) – PLUS, two more dread entities of arcane fortune to create a full band capable of realising the vision in flesh. And what vision.

The long-awaited first and definitive biography of the leader of Dissection.

Jon A. Nödtveidt left behind two indisputable legacies; the first, musical. With unparalleled compositional talent, he shaped at will a hybrid between the two dominant styles of the early ’90s—Death and Black Metal. He gave this unique musical style a name, and he consecrated it to Satanism, achieving the complete fusion of music and intention. A bastion of authenticity.
The second legacy, the one beyond music, concerns his spirituality…

– 240 pages matte black hardcover-book with black hot foil stamped printing on the cover
– 32 colored picture pages on glossy paper with never before seen pictures
– reader strap
– individually shrink-wrapped
– size: 235x155mm
– afterwords by Set Teitan and Erik “Tyrant“ Gustafsson
– English language

There`s a select few Black Metal recordings that have that special something most others lack. An atmosphere which can barely translated into words. They emanate an aura so ominously sinister and captivating that its macabre vibrations make the dark gods dance. Therefore Darkness Shall Rise Productions are immensely delighted to present a luxurious 2CD A5 digibook which features all recordings released prior to their first album Crossing the Fiery Path.

Spread over the 2 CDs are Promo 1990, NECROMANTIA`s tracks of the epochal split The Black Arts / The Everlasting Sins with VARATHRON (including the obscure track “Family Of Dog”) and Demo 1993.

These quintessential recordings will forever stand as beacons of art created in the shadow of the dark lord and will go on to serve as inexhaustible sources of inspiration for generations of Black Metal fanatics to come!

Greek NECROMANTIA were brought forth by Magus Wampyr Daoloth (aka Morbid aka The Magus) and the late Baron Blood in 1989. Radiating a pitch-black atmosphere right from the start, they are widely hailed as one of the earliest and most influential Hellenic Black Metal bands. The Latin term ´necromantia´ denotes a practice of magic that communicates with the dead for the sake of divination – for indeed, these sounds couldn`t possibly have been made without the assistance of the dead.

Unlike most bands which need some time of experimenting and trial and error to find their own sound (if ever), NECROMANTIA already presented their trademark style on Promo 1990 – their very first recording. Although in primal and crude shape, all the characteristics NECROMANTIA are worshipped for were already in place: The omission of guitars as rhythm instruments (they only appear for soli) in favour of two bass-guitars, the eerie, eccentrically theatrical parts that are rather reminiscent of audio drama and totally not something one would associate with a Metal band, the abysmal vocals …

This highly original and dark cocktail that these warlocks brewed and continued to refine on their subsequent legendary recordings was met with fascination and awe by the worldwide underground.

Luxurious A5 digibook double-CD with a 88 page booklet including a new interview with The Magus and many others new liner notes and interviews.
Limited to only 500 copies!

2026 reprint vinyl edition of the 1999 release from October Tide (the band featuring Fredrik Norrman and Katatonia's Jonas Renkse.

Sweden's October Tide was the project formed by Katatonia members Jonas Renkse and Fredrik Norrman in 1995, with much of the material being written during a period of inactivity for their main band.

Grey Dawn was October Tide's second album, originally released in 1999.