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Double LP gatefold

This is an offer to purchase the 4 tapes in bundle at 40.00€ instead of 48.00€ (if you would buy them individually)

COPIA NUOVA MA ARRIVATA CON LIEVE DANNEGGIAMENTO DELLA COPERTINA DURANTE IL TRASPORTO (angolo leggermente ammaccato)

2022 REPRESS in co-production Avantgarde Music / Eisenwald

Comes in milky-clear 180 gr. vinyl

COPIA NUOVA E SIGILLATA MA CON UN LIEVISSIMO DANNO ALLA COPERTINA DOVUTO AL TRASPORTO (QUASI IMPERCETTIBILE)

LP in galaxy effect, oxblood with green. Printed innersleeve

Info: se sei un sottoscrittore del "Circle of Wax" di Avantgarde Music, questo album sarà incluso nel bundle #3 (Febbraio)

Five long years after their fascinating debut, Milan-based duo A Pale December deliver their sophomore album, Death Panacea. Compared to The Shrine Of Primal Fire, Death Panacea steers towards more aggressive, warring sounds. The “atmospheric black metal” label which so aptly described their debut album, is now just one of the many, partial definitions which could be used to define the band’s music.

When asked about their new opus, multi-instrumentalists Riccardo Di Bella and Ernesto Ciotola provided the following, strong statement: “While many metal albums seem to appeal to a feeling of fierceness, a call to war, an urge to fight something, we wanted to express the opposite. Death Panacea is an album about defeat and hopelessness, about the inherent futility of human strife and all our laughable attempts at masking this unescapable nature.

We wanted to praise failing and giving up, as opposed to perseverance, pride and the grinding mentality. We wanted to praise the rejects above the leaders, who naively think they can escape this race towards oblivion, and the coward above the fighting man, whose only fault was believing in the frail concept of nation and a false sense of belonging.

While distancing ourselves from these delusional sentiments, we also didn't want to fall into optimistic nihilism; the idea that the awareness of an impending void can grant any peace is simply preposterous. 

Ultimately, this is the meaning that lies behind the title of the album: death is what keeps us in check and yet is the one and only panacea to all our anguishes. In all this, one could almost find a cold comfort, knowing that the top step of the podium is eventually just a springboard to the abyss”.

«De Mysteriis Dom. Sathanas» is often considered to be the most important Black Metal album of all time. The legendary Pytten can be quoted on saying "it was the next big thing after Grieg", and we couldn’t agree more. The album was released on Euronymous label "Deathlike Silence Productions" May 24th 1994, marked as Anti-Mosh 006. We are proud to honour this timeless album with the release of the 25th Anniversary Box Set with the help and support by long time Mayhem friend Finn Håkon Rødland. The Iconic Album has been remastered from the original DAT tapes by Solslottet Studio, with guidance from Pytten himself and approved by Hellhammer. The cover art and packaging will for the first time be presented as Hellhammer originally envisioned it back in 93/94, including also the lyric scroll booklet. Also included are three additional CDs with stunning artwork consisting of a rehearsal sessions in Oslo from May 1992, taken directly from tapes Euronymous made, the instrumental rough mix from Grieghallen June 1992, and the rough mix with vocals from the tape Attila got after the vocal recordings in April/May 1993. The Box Set will include a 96 page book with a series of in depth interviews casting Light and Darkness on the recording process and the glory days of Mayhem making history in the early 90’s, such as Pytten, Hellhammer, Attila, Necrobutcher, Nocturno Culto of Darkthrone, Bård `Faust" Eithun of Emperor, Shagrath of Dimmu Borgir, Dr. Best of Mysticum, Steinar "Sverd" Johnsen of Mortem/Arcturus, Erik Danielsson of Watain, Tore Bratseth of Old Funeral, Ivar and Grutle of Enslaved, HBM Majesty of Mare/Vemod/Dark Sonority, Nergal of Behemoth, Silenoz of Dimmu Borgir and Jørgen Lid Widing (lyric scrolls). Liner notes by Finn Håkon Rødland, Metalion, Iver Sandøy of Solslottet studio, and Maniac. The Book will include the original handwritten lyrics by Dead and Snorre, plus never before seen photos from the DMDS photo session, presented here for the very first time. The book will also give detailed insight into the classic cover art of Nidarosdomen.

The Original Album Re-mastered From The Original DAT Tapes

The astonishing 2nd full-length by this Mexican band. Hailing from the vast Death Metal hotbed of Mexico, Ravenous Death feature current members of such other bands as Remains, Demonic Manifestation and Death's Forsaken. The band's embryo was brought forth in 2016 during the recording of Remains' 3rd full-length in Mexico City, when vocalist/guitar player Miguel Angel and drummer Esteban Salcedo toyed with the idea of creating a Death Metal band influenced by Vomitory, Torture Division and the likes. Later on, both musicians shared their vision with lead guitarist Enrique Fray, and the three of them agreed to push the idea forward and carry it out as a side-project due to the commitments they all had with their main bands. Soon after, Enrique and Miguel Angel began writing songs for the newborn abomination, and the three members decided to name the band after a Vomitory song titled "The Ravenous Dead". Fast forward to October 2016, and the recording of Ravenous Death's debut demo/EP, "Ominous Deathcult", is finalized (although not released as a Bandcamp download until March 2017), including five songs chock full of rotting maliciousness that showed great poise in combining blasting brutality, crushing heaviness, somber ambience and fierce intensity, with the lyrical themes revolving around death, occultism, blasphemy and other classic topics of the olden Metal of Death. On May 13th, 2017, the band made their first live performance in the city of Guadalajara. For this occasion, two new members were recruited -namely, bass player Alejandro Mendez and guitarist Diego Gomez- leaving Miguel Angel on vocal duties alone. After the excellent crowd response, both Alejandro and Diego joined the band as official members. Emboldened by this patient momentum, and featuring new vocalist Victor Mercado, Ravenous Death at last released their debut album, 2019's "Chapters of an Evil Transition", courtesy of Memento Mori. Aptly titled, "Chapters of an Evil Transition" indeed displayed the band's transition into an evil Death Metal juggernaut. The album found great favor among the Death Metal faithful, for it absolutely bled the molten-yet-mildewed essence of 90's Metal of Death. Now Ravenous Death are back to fuck fashion and especially fickle tastes with the longer and stronger "Visions from the Netherworld". Not for nothing is the album titled as such: "Visions from the Netherworld" is an epic 63 minutes, and conveys a moodiness perfectly suited to these slicing 'n' sluicing songs. The atmosphere is hideous, evil as ever but without any cloying "cavernous" touches; the production is professional and powerful, skillfully balancing gleam and grime; the leads are more prominent, and blackened to a crisp; and the songwriting itself twists and turns and twists some more, opening infinite labyrinths but always with a (crooked) direction in sight. Whereas the previous full-length displayed trace elements of Mexican forebears Shub Niggurath as well as Sadistic Intent, Seance, old Grave, 90's Immolation, 90's Vader, Demigod and Vomitory, here do Ravenous Death strike upon new-yet-old ground that can only be qualified as Ominous Rotten Death Metal. And as its epic length suggests, "Visions from the Netherworld" is indeed a concept album as always; the cover art, once again by the masterful Mörtuus, represents all the twisted visions that the band have about Hell, the underworld, punishment, etc. Enclosed in era-authentic mastering courtesy of Loïc Fontaine at Krucyator Studio (France), Ravenous Death have eclipsed their momentous debut with their "Visions from the Netherworld"!

Reissue limited to 1000 copies

Recorded and produced by The Choir Of Vengeance and Morth at Thy Studio.
Tracks 1-5 recorded in April 1996
Tracks 6-8 previously unreleased, recorded in 1997