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Il carrello è vuoto
Il carrello è vuoto
The Sleeping Beauty – Live in Israel captures June 1993 Tiamat´s performance in Tel Aviv.
Tiamat was formed in Stockholm in 1988 by main vocalist and frontman Johan Edlund and played under the name Treblinka. After three full lenght albums (Sumerian Cry, The Astral Sleep and the seminal Wildhoney), the band released in 1994 their first live recording in the shape of a memorable 30 minutes EP.
Five tracks taken off The Astral Sleep and Clouds. For the first time this live album is having a proper limited vinyl release in 2018.
Nightingale was started off in 1994 as a solo project by Swedish multi instrumentalist and producer Dan Swanö, previously know for being vocalist and songwriter of prog death metal band Edge Of Sanity (among many other collaborations) and owner of Unisound Studios.
While the first album entitled “The Breathing Shadow” was close to Goth rock, Nightingale saw the joining of Dan´s brother Dag in 1996 as the turning point to a prog rock/metal act. The release of highly acclaimed albums like “I” (2000) or “Invisible” (2004) was the confirmation of their success. “Retribution” is finally receiving vinyl treatment this 2017 by Alone Records three years after its CD release.
LP Gatefold with printed inner sleeve limited to 350 pressings on black vinyl.
The Black Metal classic and the EP debut of Dark Funeral is finally back in the original mix and with the original artwork! Since their foundation in 1993 the band belongs to the spearhead of the Scandinavian Black Metal scene, next to comrades-in-arms like Marduk, Dissection, Necrophobic, Mayhem, Gorgoroth or Darkthrone. The 1994 debut EP left the Swedish scene in shock for the first time. Hammerheart / Plastic Head unleashes the 4-track monster once again as vinyl on mankind.
Gatefold LP version with A 3 poster in black vinyl and lim.250 copies only
LP + insert and black flood inside, lim.300
SUN OF THE DYING is a Spanish Doom/Death Metal band, with its
roots set on 90’s music as My Dying Bride, Paradise Lost or Anathema,
and adding a more modern sound taken from Shape of Despair, Ahab or Swallow the Sun.
Live By Command Of Tom G. Warrior, Only Death Is Real - 16 April 2010 Roadburn, Netherlands
Tragediens Trone was formed by Skard in the early days of 2007, marked by the release of “The Cold Depths of Solitude” demo. Now, 13 years later, Tragediens Trone re-emerges. Skard is still at the helm, with Wardr as a new addition to the line-up.
2019 sees the release of Tragediens Trone's debut album, and will provide you with the same cold, esotheric aggression which Tragediens Trone came to be known for back in 2007.
The self-titled album delivers 7 tracks dealing with spiritual awakening and apocalypticism.
300x black 12" (140g), 16 page booklet, vinyl size full-color on 150g art paper, gatefold full-color on 350g uncoated, all assembled in a PVC overbag.
Il Vuoto is the noise of sorrow and distress…a solo Funeral Doom / Drone project hailing from Piacenza, Italy, created by the same mastermind behind the excellent Black Metal project Chiral. In addition to some demo albums, Il Vuoto released a debut album, entitled “Weakness” in the summer of 2015, and now we present the second observation, entitled “Vastness”.
“Vastness” is an album about sorrow. Each song on the album discusses sorrow from a different perspective and point of view. Universal sorrow, intimate sorrow, mental illness, suicide, and cleansing are ever-present themes on an album that accurately represents the complicated feelings of sorrow by being at once devastating and soul-crushing as well as melancholic and sublime.
From the start rather than attempting to alter or obfuscate Nahtrunar's roots in second-wave black metal's rich sound, the approach is a dead-ahead expression of pure atmosphere. Guitar leads shimmer in moments, but lean back into the tapestry of accompanying instruments instead of forcing their way to the forefront. The fusion of leads and vocals in with more consistent layers of sound guarantees that even the most unexpected moments present themselves naturally and consistently. There's also something to be said for the anonymity of Nahtrunar's membership. I've long held the belief that even artists who explicitly remove themselves from the act of performing are still making a performance in their own obscurity. The sense of detachment from self plays directly into the transcendent sounds and aims of the music and serves as a further function of this expression.
