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THIRSTY DEMON is a new project formed in 2019 by Cristian León, whom we know for being part of other amazing bands like HELLISH, HEMISFERIO, and ARMOURED KNIGHT. This time, he takes command of all instruments and vocals, to present a creation of his complete authorship"Unconscious Suicide". This is crude and sadistic DEATH METAL, containing 8 tracks inspired by the primeval bands of the genre. For fans of ATOMIC AGGRESSOR, DESECRATION (US), old MORBID ANGEL, etc.

COPIA NUOVA E SIGILLATA MA CON UN LIEVISSIMO DANNO ALLA COPERTINA DOVUTO AL TRASPORTO (QUASI IMPERCETTIBILE)

LP in galaxy effect, oxblood with green. Printed innersleeve

Info: se sei un sottoscrittore del "Circle of Wax" di Avantgarde Music, questo album sarà incluso nel bundle #3 (Febbraio)

Five long years after their fascinating debut, Milan-based duo A Pale December deliver their sophomore album, Death Panacea. Compared to The Shrine Of Primal Fire, Death Panacea steers towards more aggressive, warring sounds. The “atmospheric black metal” label which so aptly described their debut album, is now just one of the many, partial definitions which could be used to define the band’s music.

When asked about their new opus, multi-instrumentalists Riccardo Di Bella and Ernesto Ciotola provided the following, strong statement: “While many metal albums seem to appeal to a feeling of fierceness, a call to war, an urge to fight something, we wanted to express the opposite. Death Panacea is an album about defeat and hopelessness, about the inherent futility of human strife and all our laughable attempts at masking this unescapable nature.

We wanted to praise failing and giving up, as opposed to perseverance, pride and the grinding mentality. We wanted to praise the rejects above the leaders, who naively think they can escape this race towards oblivion, and the coward above the fighting man, whose only fault was believing in the frail concept of nation and a false sense of belonging.

While distancing ourselves from these delusional sentiments, we also didn't want to fall into optimistic nihilism; the idea that the awareness of an impending void can grant any peace is simply preposterous. 

Ultimately, this is the meaning that lies behind the title of the album: death is what keeps us in check and yet is the one and only panacea to all our anguishes. In all this, one could almost find a cold comfort, knowing that the top step of the podium is eventually just a springboard to the abyss”.

Attenzione: se avete sottoscritto alla serie della label "Circle of Wax", questo titolo sarà incluso automaticamente nel bundle #4 (Aprile 2022) per cui non ordinate una copia singola! 

A CD that compiles everything this Italo/Romanian project has released so far, namely the "4-Track Promo Tape" demo (2020) and the "Sickening Cadaveric Perversion" EP (2020). Larvae was belched forth by Lucilia Sericata (nickname for Vitamaria, ex-Lurking Terror from Rome), an Italian sicko that moved to Bucharest four years ago. The insatiable craving to compose and write lyrics was barely endurable, until the first official rehearsal, featuring Disgusting Dennis on bass and drums, finally took place in December 2019. Lucilia sure as hell knew what she wanted to do regarding lyrical themes, riffs, samples and the reeking atmosphere to enshroud the listener in, so it didn't take long until the band recorded and self-produced the "4-Track Promo Tape" demo in their rehearsal room, in March 2020. The global pandemic and the subsequent lockdown didn't prevent Lucilia from writing new music, and the "Sickening Cadaveric Perversion" EP was spilled over like gory grume in November 2020. LARVAE's main purpose is not to craft any kind of technical or easy-listening tunes, but to infect the listener with the most vile and most atrocious visions to be found on Lucilia's mind, by creating some über-morbid Death/Doom Metal that's so utterly gross and filthy that it almost feels like slo-mo Goregrind. LARVAE, indeed, create life from the dead, and (dis)gracefully bathe in the sullen thoughts that consume decaying souls from the inside.

The astonishing 2nd full-length by this Mexican band. Hailing from the vast Death Metal hotbed of Mexico, Ravenous Death feature current members of such other bands as Remains, Demonic Manifestation and Death's Forsaken. The band's embryo was brought forth in 2016 during the recording of Remains' 3rd full-length in Mexico City, when vocalist/guitar player Miguel Angel and drummer Esteban Salcedo toyed with the idea of creating a Death Metal band influenced by Vomitory, Torture Division and the likes. Later on, both musicians shared their vision with lead guitarist Enrique Fray, and the three of them agreed to push the idea forward and carry it out as a side-project due to the commitments they all had with their main bands. Soon after, Enrique and Miguel Angel began writing songs for the newborn abomination, and the three members decided to name the band after a Vomitory song titled "The Ravenous Dead". Fast forward to October 2016, and the recording of Ravenous Death's debut demo/EP, "Ominous Deathcult", is finalized (although not released as a Bandcamp download until March 2017), including five songs chock full of rotting maliciousness that showed great poise in combining blasting brutality, crushing heaviness, somber ambience and fierce intensity, with the lyrical themes revolving around death, occultism, blasphemy and other classic topics of the olden Metal of Death. On May 13th, 2017, the band made their first live performance in the city of Guadalajara. For this occasion, two new members were recruited -namely, bass player Alejandro Mendez and guitarist Diego Gomez- leaving Miguel Angel on vocal duties alone. After the excellent crowd response, both Alejandro and Diego joined the band as official members. Emboldened by this patient momentum, and featuring new vocalist Victor Mercado, Ravenous Death at last released their debut album, 2019's "Chapters of an Evil Transition", courtesy of Memento Mori. Aptly titled, "Chapters of an Evil Transition" indeed displayed the band's transition into an evil Death Metal juggernaut. The album found great favor among the Death Metal faithful, for it absolutely bled the molten-yet-mildewed essence of 90's Metal of Death. Now Ravenous Death are back to fuck fashion and especially fickle tastes with the longer and stronger "Visions from the Netherworld". Not for nothing is the album titled as such: "Visions from the Netherworld" is an epic 63 minutes, and conveys a moodiness perfectly suited to these slicing 'n' sluicing songs. The atmosphere is hideous, evil as ever but without any cloying "cavernous" touches; the production is professional and powerful, skillfully balancing gleam and grime; the leads are more prominent, and blackened to a crisp; and the songwriting itself twists and turns and twists some more, opening infinite labyrinths but always with a (crooked) direction in sight. Whereas the previous full-length displayed trace elements of Mexican forebears Shub Niggurath as well as Sadistic Intent, Seance, old Grave, 90's Immolation, 90's Vader, Demigod and Vomitory, here do Ravenous Death strike upon new-yet-old ground that can only be qualified as Ominous Rotten Death Metal. And as its epic length suggests, "Visions from the Netherworld" is indeed a concept album as always; the cover art, once again by the masterful Mörtuus, represents all the twisted visions that the band have about Hell, the underworld, punishment, etc. Enclosed in era-authentic mastering courtesy of Loïc Fontaine at Krucyator Studio (France), Ravenous Death have eclipsed their momentous debut with their "Visions from the Netherworld"!

84 pages Artbook with CD

Limited to one edition only in this format, printed on fine art book-paper and hard cover with goild foil details 

Three years after the second full-length 'Faunalia', the singer/keyboardist Selvans returns with a new EP.
'Dark Italian Art' is definitely the Manifesto of the Italian composer. Selvans confirms the prog rock and symphonic influences introducted in the previous work (with Goblin and Devil Doll ruling the roost), imprinting them definitely in his folk-horror scenery.

The EP introduces 'Corvo Morto' (Italian for 'Dead Crow'), a character created by Selvans in collaboration with the horror writer Luigi Musolino and to whom the track 'Verrà Corvo Morto' (Italian for 'Corvo Morto will come') is connected, as well as the homonimous tale attached to the 80 pages digi-book version of the EP.
Aside from the second new track 'Iò Pan!' and the outro 'L'Errante', Selvans celebrates the artistic heritage of his country with the cover of 'The Hanged Ballad' taken from the first Death SS' album and a cover medley of the legendary album 'Inferno' by Metamorfosi, a progressive italian rock band from the 70's.

This will be the first work in which Selvans is joined by his full live band, made of valid musicians who are with him since several years of concerts.
Learnt the lesson of the great masters of the horror and the absurd in music – with Screamin' Jay Hawkins and King Diamond above all – Selvans offers a decandent and peculiar interpretation which is brazenly Italian.
Walking among woods and ruins of ghost villages, Selvans leads a procession of outcasts hidden behind animal masks, on a muddy stage weaved with roots, whispering rituals of rural magic and cursed doggerels.
Curtains up!

Inherits The Void is the musical endeavor of French multi-instrumentalist Antoine Scholtès. Born in 2020, the project based in Clermont-Ferrand released the Mémoires EP before starting to work on a proper full-length studio album.

Monolith Of Light hence marks Inherits The Void debut album, born from Scholtès’s desire for “a meeting between influences from the ‘90s Swedish Black Metal scene and a more current orientation of the genre”. Rage and melody entwine in these seven hymns to the transience of man, bringing to mind the great masterworks of Dissection, Dawn and Vinterland, as well as the more contemporary sounds of France.

Inherits The Void adds to their deep black metal roots, incorporating atmospheric hints from bands like Celeste, Déluge and Nesseria: “the main idea behind that album was to compose songs that would be both melodic and atmospheric, embraced by the desire to propose a range of various emotions”.

Black vinyl, printed in 100 copies

Inherits The Void is the musical endeavor of French multi-instrumentalist Antoine Scholtès. Born in 2020, the project based in Clermont-Ferrand released the Mémoires EP before starting to work on a proper full-length studio album.

Monolith Of Light hence marks Inherits The Void debut album, born from Scholtès’s desire for “a meeting between influences from the ‘90s Swedish Black Metal scene and a more current orientation of the genre”. Rage and melody entwine in these seven hymns to the transience of man, bringing to mind the great masterworks of Dissection, Dawn and Vinterland, as well as the more contemporary sounds of France.

Inherits The Void adds to their deep black metal roots, incorporating atmospheric hints from bands like Celeste, Déluge and Nesseria: “the main idea behind that album was to compose songs that would be both melodic and atmospheric, embraced by the desire to propose a range of various emotions”.