Offerte

Debut demo by this American duo, formed by Woldaeg (Ghemhamforash) on instruments and Collier d'Ombre (CdO, Karghet) on vocals. Excellent piece of majestic but darkened old school Black Metal, with an immense atmosphere. Primitive but excellently executed Kveldstimmer is an ode to the old sound of Scandinavian bands, evoking projects such as Warloghe, early Gorgoroth and early Emperor. Brimming with pagan hatred and devotion to nature's might and unquenchable spirit, Kveldstimmer deliver a torrent of hypnotic windstorms, bringing the gelid northern winds into the imponent granite fjords.

Armed with the fantastic drum work of CJ Yacoub (Vulning, ex-Amun), Todd Paulson (Guitars, bass, synth, piano & additional vocals) and Rob Hames (Vocals) have been hard at work on what has become the the bands finest work, By the Grace of Death. Atmosphere still reigns in the dark sonic sphere of Canis Dirus, but on this impending new album, the bands black metal essence is at the forefront of this nocturnal hunt. Todd's riff/playing style remains truly his own with atypical phrasing that co-exists with a more orthodox BM style. The BM side can make one feel isolated and attacked one moment, then calm and nurtured the next with colorful folk music that has become a vibrant element of Canis Dirus’ sound. Rob’s vocals contribute to the adventurous nature of By The Grace of Death with his most feral performance to date.

Following on from last year’s bleak and disconsolate Wounds single, Finland’s purveyors of
‘Anti-Life Black Metal Misery’, Grave With A View, have returned with their most powerful and
harrowing release to date – Raw Illumination. A full length album steeped in isolation, violence, self
destruction and death, Raw Illumination is not an album for the faint of heart or the fragile of spirit.
Recorded and mixed by O.H.R and mastered by Haldor Grunberg at Satanic Audio (Behemoth,
Dopelord, Christ Agony etc), Raw Illumination is the sonic distillation of caustic chaos and grim,
unmitigated despair – every malicious note cutting straight to the bone – and its aura of desperate
degradation has been perfectly captured in the cover imagery; the artwork and layout by Danny The
Destroyer, utilising powerful, unsettling images of model Anna Iivana Julma, captured by the band.
When it crawls from the crypts of label Dusktone on November 29th, Raw Illumination will hunt down
the broken and the flawed, the outcasts and the lepers and swallow them into its maw of ice and
pain.

One of the earliest extreme German Metal bands: NECRONOMICON's earliest works:

NECRONOMICON – The Demos
 

Demo 1 Total Rejection (1985)
Demo 2 Blind Destruction (1985)
2 tracks from the Break Out compilation album 1986.

Extensive liner notes from Steven Willems with founding member Freddy (guitars and vocals).
Restored, remastered by Patrick Engel at Temple of Disharmony (Vio Lence, Sodom, Destruction)

Collectors edition - one off press in Red vinyl

Void of Hope is a Finnish black metal trio born during a recording session. The whole album was composed and recorded in five days in the studio with -30°, -35° outside and in complete darkness for most of the day. Screams took place later and were recorded in 2 days.

Void of Hope includes members from Moonlight Sorcery and Ondfødt and consider themselves influenced by bands like Gris, Silencer, Lifelover, Coldworld and Austere.

Void of Hope can be a place or a state of mind, and their debut album Proof Of Existence is a journey through mental health and depression, the outcome of which may be triumph or giving up. Proof Of Existence started as depressive black metal but grew into much more.

Void of Hope is not an anonymous band, yet they do not consider their identities relevant, as regardless of what names are printed in the album, the music is all that matters.

The horrors of reality are the proof of your existence, and they will be brought to you via Avantgarde Music on January 31st, 2025.

Void of Hope is a Finnish black metal trio born during a recording session. The whole album was composed and recorded in five days in the studio with -30°, -35° outside and in complete darkness for most of the day. Screams took place later and were recorded in 2 days.

Void of Hope includes members from Moonlight Sorcery and Ondfødt and consider themselves influenced by bands like Gris, Silencer, Lifelover, Coldworld and Austere.

Void of Hope can be a place or a state of mind, and their debut album Proof Of Existence is a journey through mental health and depression, the outcome of which may be triumph or giving up. Proof Of Existence started as depressive black metal but grew into much more.

Void of Hope is not an anonymous band, yet they do not consider their identities relevant, as regardless of what names are printed in the album, the music is all that matters.

The horrors of reality are the proof of your existence, and they will be brought to you via Avantgarde Music on January 31st, 2025.

Gatefold sleeve, 2x king-size books (12 and 8 pages!)
Oxblood Red color vinyl, limited 200 copies

On an important note, "Saturnalia" is announced as the final album of Selvans.
The third and last chapter of the Trilogy Lupercalia - Faunalia - Saturnalia.
Selvans is dead, long live Selvans! 

Born in 2014 as an atmospheric band blending black metal with traditional Italian folk music elements and deeply rooted in themes of local folklore, mythology, and dark cultural heritage, Selvans released two landmark albums "Clangores Plenilunio" and "Lupercalia".
In the mid of their career though the band let their 70's dark/prog background influences prevail in their new compositions, stylistically reaching a model they like to describe as "Dark Italian Art." This evolution was notable in the in subsequent releases (Faunalia, 2018 and Dark Italian Art, 2021).
Initially a duo, the band transitioned to a solo project under Selvans Haruspex in 2019 and we can definitely envision their music as heavy metal with black metal and prog-rock influences, lirically inspired by Italian folk-horror tales and imagery.
SELVANS has toured extensively around Europe - including performances at such festivals as Metaldays (Slovenia), De Mortem Et Diabolum (Germany), Metalowa Wigilia (Poland), Frantic Fest (Italy), Rites of the Black Mass (Romania), Dark Medieval Fest (France), Autumn Souls of Sofia (Bulgaria) and Emanations of the Absolute (Switzerland).  New album "Saturnalia" is entirely sung in Italian and sees for the first time an orchestra and a choir consisting of 60 elements playing side by side with SELVANS and his band.

With the new second album ‘Dreaming The Strife For Love’, Italy’s Bedsore have jumped headfirst into the progressive warmth and obscure atmospheres of the 1970s. Inspired by the mysterious renaissance-era book ‘Hypnerotomachia Poliphili’, the album musically weaves the concepts of love as a battlefield, where desire and devotion are tested through trials and spiritual awakenings, with visions of pagan temples, mystical gardens, and arcane symbols. An aspirational and operatic aura envelops ‘Dreaming The Strife For Love’, from the longer compositions and spacious production to the extravagant and diverse instrumentation that includes 12 string guitar, copious use of synthesizers, mellotron and organs, fretless bass, percussion and horns; the dynamic range of the album embracing the most crucial elements of prog rock’s lofty imagination.

This old and rancid sabbatical articulation was consecrated in morbid malignancy through archaic incunabula vampyric texts and the twisted philosophical structure of vinegar blood, the cadaveric cauldron with which these texts are nourished and bathed and the vibrational current of cryptic music, is embraced under the temple of heresy regarding the visions and the reverse trance anointed in mortal blood on octingenti black candles, unbaptized opus that serve as a funerary reminder towards the pestilent and monumental orchestrations of the "Vampyric Arts of Putrefaction".

The bestiality and ferocity are translated into a fiery and black barbaric cadence that is robustly justified with the putrid gloomy emblem of a distant black church, an unbaptized fortress of agonizing mist and black pylons of catacombs and unclean spirits. Die Schattenfestung serves a single evil purpose which is reflected under octingenti black candles of a rotten and cadaverous sound rehearsal as an album of primordial force towards vampyric raw black metal.