CD

Now in their 37th year of blasphemous brutality, Finnish Black Metal iconoclasts ARCHGOAT remain one of the most single-minded and relentlessly visceral bands in extreme music.

New album "Nightbringer, Lightbringer" once again taps into the guts of ancient evil to unearth a noxious stench of horror. Undiminished and eternal, the band's patented synthesis of mystical first wave Black/Death Metal, Punk hostility, primal Thrash and bestial Grindcore is destructive as ever in its magickal raw power.

This time around a slightly less-dank production ensures each putrid note is assimilated and felt. Mind-altering atmospherics and cryptic synth embellishments remain a feature, with some grandly melodic leads and – gasp – lower gain arpeggios in place for fleeting relief before the returning waves of pummelling satanic violence.

Uncompromising, unaffected, unbowed, and capped with another inimitable cover from the legendary Chris Moyen, this is pure ARCHGOAT: corrupted, devastating and - considering the dissolving certainties around us - still necessary.

Recommended if you like: BLASPHEMY, BEHERIT, HELLHAMMER

REISSUE.

After 20 years the legendary debut album from Finnish iconoclasts ARCHGOAT remains an unstoppable and irresistible demonstration of angel-ripping Black/Death Metal profanity.

These initial ten blasphemies hailed the rising darkness, welcomed the Luciferian unlight and inaugurated ARCHGOAT's relentless ongoing black crusade against the religion of the weak. Filthy and grimy in the best tradition of venom-encrusted sacrilege, "Whore Of Bethlehem" expresses ruthless contempt for all things holy - sneering openly at Golgotha amid a torrent of trampled crucifixes and weeping, violated archangels. A dark, ritualistic symphony of impurity, "Whore Of Bethlehem" is a single-minded and destructive masterpiece of twisted black Art to snuff out all the light.

Recommended if you like: BLASPHEMY, BEHERIT, HELLHAMMER

The 2026 CD reissue of My Dying Bride's sixth studio masterpiece. Originally released in 1999, The Light At The End Of The World marks the band's iconic "return to form" into traditional death-doom metal. Moving away from previous experimental phases, this record delivers crushing riffs, poetic tragedies, and agonizingly beautiful atmospheres. Featuring guest keyboards by Jonny Maudling (Bal-Sagoth), this CD edition is an absolute must-have for all fans of melancholic metal excellence

"If the Werewolves aesthetic is violence, then Faustian's is fear and horror"...

Australian black metal force, Faustian, have been referred to as a super group of the Antipodean extreme metal scene; the members of this formidable three-piece having set their demons loose with the likes of Werewolves, The Berzerker, The Amenta, The Antichrist Imperium, Psycroptic, Abramelin and more. However, when confronted with the atmospheric, majestic inferno that is the sound of Faustian, whatever else its creators may have achieved is inconsequential - nothing else matters beyond experiencing the firestorm they unleash in this particular incarnation to its fullest enticing, exhilarating, unnerving extent. With a new deal signed with Apocalyptic Witchcraft, the band are now prepared to unveil their latest collection of unholy hymns. Following in the scorched earth wake of 2023s We Come As Angels, Faustian present Parable Of The Sewer…

From the first, breathless assault of 'I Curse You', with its storm torn atmosphere, dramatic darkness and furious speed, to the warped denouement of 'The Rot Shall Inherit The Earth', a sickly melodious foretelling of putrefaction and degradation, Parable Of The Sewer careers through fear-filled twilight and tenebrous realms of profane secrets. A combination of powerfully evocative lyrics and soul scarring music creates an unequivocal, yet irresistible invitation to damnation. From the indefatigable velocity of the wicked 'Cephalophore' to the precision guitar patterns and chanted revelations of 'Immaculate', the cruel, haunting and surely damned 'We Do Not Use Names Here' to the cold menace of 'Tenements (Only The Wicked Walk In Circles), steeped in the sweat and stench of terror, every moment of Parable Of The Sewer is a masterful expression of black metal art. Sinister and insidious, overwhelming and darkly glorious, walking the edge of a sacrificial blade between repulsion and temptation, Parable Of The Sewer is music at its most potent and dangerous.

The malevolence of Faustian will be unleashed once more on July 24th, as Apocalyptic Witchcraft present Parable Of The Sewer on Limited Edition Splatter Vinyl, Digipak CD. The return of darkness and evil is upon us.

This is the first new album by Crimson Glory in 26 years. Crimson Glory, an American heavy metal institution that formed in 1983 in Sarasota, Florida, USA. The classic line-up featured vocalist Midnight, guitarists Jon Drenning and Ben Jackson, bass guitarist Jeff Lords, and drummer Dana Burnell. With this line-up, they rose to international fame in the mid-1980s and were considered one of the pioneers of the American progressive metal movement, alongside bands like Queensrÿche, Dream Theater, Fates Warning, and Watchtower. With 3/5 of the classic line up still intact, and now joined by acclaimed new vocalist Travis Wills, the band have been touring heavily over the past year... making this album one of the most anticipated releases of 2026 within the Heavy Metal Scene!

Fully illustrated 12 pages booklet. The first edition Digibook features gold foil lettering on the cover.
 

First press, limited edition in cross-shaped digipak CD with booklet!
Please note: all copies bought during preorder will be shipped into a custom-made bubble envelope

New 2026 Jewel Case CD edition with 4 panel fold out booklet.

After many years in the shadows, the mighty Fief has returned to claim his throne. 8 new tracks of beautiful fantasy medieval music guaranteed to lift your spirits and evoke visions of days past.

Originally released in 1993.
Remastered from the original master tapes by Josh Bonati.

Originally released in 1992.
Remastered from the master tapes by Josh Bonati.

Originally released in 1992.
Remastered from the original master tapes by Josh Bonati