This is the French version of the album
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Selling CD - Extreme Metal and Dark music
With Hesperia, his second album, Kval delivers a more intimate piece — without compromising the universal scope of his vision.
In conversation with figures such as Ernst Jünger, Hermann Hesse, Jean Cau, and David Engels, the album is a love letter to his continent of origin: Europe, which he chooses to rename Hesperia, as the Ancients once did.
This record celebrates the primal magic of European paganism alongside the beauty and truth of Christianity. It strives for a reconciliation between these two foundational poles of European identity — an immersion into its light, its grandeur, and its melancholy. From the anti-modern epic Waldgänger to the mystical stillness of Lux Meae, Morte France delivers a more luminous record here — one marked by hope and vital impulse, without ever renouncing the project’s original radicalism.
This is the French version of the album
An album in which you are the Hero
L'album prend tout son sens sur CD. Ici, c'est une version tronquée avec seulement les pièces metal. L'Arrivée, premier titre, est donnée à des fins de découverte de l'ambiance du CD. L'album prend toute sa dimension sous sa forme disque pour profiter pleinement de l'aspect jeu d'aventure.
This is the English version of the album
An album in which you are the Hero
The new Hyver album is a concept-album in which YOU are the hero. Arriving before a castle, you are offered choices in arborescent paths giving you the opportunity to actually choose the rooms in which you wish to wander. In Shaâtaunoâr there is only one goal for you : escape! To exit this horrible castle, you have to make wise choices and find the path to the outside. The choices music are dungeon synth interludes with the story told by either Virginie Ropars (french sculptress and artist, she does the english version) or David Thiérrée (french version, illustrator and painter). When entering to a room, the music becomes a fierce and epic blend of dungeon synth and black metal to describe you the rooms in which you wander.
Darkness, contemplation, and annihilation.
Prison of Mirrors return with their new mini-album, De Sepulchris Occultis et Igne Profanationis — an offering that sinks its hands into the filth of the sacred and corrupts it with its own blasphemous flame.
A work that is bleak, profound, suffocating, and all-encompassing: a sonic ritual that grants no respite and, like a slow-acting poison, will wound its listeners, consuming both mind and senses.
The new compositions move along the same desolate lines traced by the darkest Blut Aus Nord and Akhlys
It’s been six long years since Sojourner released their latest album, Premonitions. Since then, a lot has happened: the band went through lineup changes, signed back to Avantgarde Music and sort of spent a good portion of these years resting, building up ideas and inspiration for what had to come next.
Gateways is the result of such rest, a collection of seven new tracks, including “Epitaphs”, the digital-only single released in late 2024. And let’s just say that Sojourner is back at full force. The signature sound that made Mike Lamb and Emilio Crespo’s band stand out since their beginnings, over a decade ago, is still there and now taken to new heights.
Sojourner’s dreamy, folky atmopsheres are still here, now with the powerful addition of Heike Langhan’s (ex-Draconian, Remina) beautiful vocals. At the same, Gateways doesn’t spare speed and fury, with fast up-tempos and monolithic riffs.
As guitarist and songwriter Mike Lamb states, “Gateways is a labour of love written over the last few years of outward silence, harnessing the soul of everything we've done before while carrying the band forward toward new horizons and opening the way for what comes next.”
Sojourner’s fourth studio album will be released via Avantgarde Music on CD and LP on July 10th, 2026, right on time to support the band’s first three live gigs after years of absence from the stage.
