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Limited edition wooden box of 150 hand-numbered copies coming in a natural-wood box, including the regular first press A5 Digipak CD itself plus a comprehensive set of gadgets covering the whole "Faunalia" concept and aesthetic. As they are partially handmade and crafted, every copy is sort of one of a kind.
A third album of unreleased vintage cult Metal from the classic solo project created by Darkthrone's Fenriz.
CD with booklet including liner notes from Fenriz (explaining the origins of the release, the recording process, and providing some background into his influences at the time).
Limited Gatefold Black "LP + CD" Edition
“The Entombment Of Chaos” is the fourth album by LA’s death metal act SKELETAL REMAINS, who have been inspired by the genre’s legends of the 80’s and 90’s like Death, Morbid Angel, Gorguts, Obituary, Cannibal Corpse and Pestilence yet manage to combine old school roots successfully with an up-to-date, massive sound and their own inimitable intensity. On “The Entombment Of Chaos”, SKELETAL REMAINS now reach a new creative peak resulting in their finest album so far. Vocalist/guitarist Chris roars like Schuldiner or Tardy in their heydays, plays leads that bear the melodic feeling of James Murphy - whose band Disincarnate SR covered this time around – whereas drummer Charlie Koryn (Ascended Dead) pummels the listener with his ferocious performance.
Once again mixed by Dan Swanö and featuring artwork by Dan Seagrave, “The Entombment…” continues the tradition of the previous record, 2018’s “Devouring Mortality”, but adds stronger dynamics musically through the instrumental piece ‘Enshrined in Agony’, the slow Morbid Angel hommage ‘Eternal Hatred’ that is contrasted by the furious pace of ‘Dissectasy’ or ‘Unfurling The Casket’. A proper, timeless death metal record you definitely should check out!
Jewelcase
From the pinnacle of confrontational instrumental extremity and steadfast lyrical humanity, NAPALM DEATH’s new album warps musical landscapes all over again. The 16th studio album by UK’s Gods of Grind and much-anticipated follow-up to 2015’s acclaimed "Apex Predator – Easy Meat" includes 12 songs seething with caustic evolution and unrelenting scope. “
From the pinnacle of confrontational instrumental extremity and steadfast lyrical humanity, NAPALM DEATH’s new album warps musical landscapes all over again. The 16th studio album by UK’s Gods of Grind and much-anticipated follow-up to 2015’s acclaimed "Apex Predator – Easy Meat" includes 12 songs seething with caustic evolution and unrelenting scope. “Throes of Joy in the Jaws of Defeatism” is available as a limited Mediabook CD with 3 bonus tracks.
Reissue 2020, slipcase CD
includes digital download code to extra audio content!
A Grey Chill And A Whisper is Beltez successor of the highly acclaimed record Exiled, Punished…Rejected and deals with despair, hopelessness, but also courage and strength. This wide emotional range is conveyed through haunting melodies, gripping shrieks and pounding drums into a dense, sinister and very moody piece of dark art music. The result is a monolithic entity that frightens as much as it allures.
A Grey Chill And A Whisper provides just enough room for the listener to briefly gasp for air amidst its overpowering walls of sound and is an unforgettable journey into a dark and desperate world
This is the solo project by Uada founding member and guitarist James Sloan, a kaleidoscopic black metal creature deeply rooted in the depressive black metal sounds of the Nineties.
The Sorcerer’s Sorrow is Anachitis very debut, where obscure, minimal synths pave the way for obsessive guitar riffs and desperate shrieks recounting a tale of despair and self destruction. In Sloan’s words, “There is an underlying story here being told backwards of someone who desperately seeks answers to escape the pain of existence through esoteric practices, but finds nothing but a path to total self destruction”.
Void Paradigm call their black metal dodecatonic,as Payan often relies on a twelve-scale composition technique, a method of composing with twelve tones which are related only with one another developed in the early XX Century. As Payan puts it: “As I try to experiment new ways of making black metal, I sometimes write the music literally on the desk and not searching for riffs on the guitar. I have a classical composition education so I try to compose like this, writing before playing, in order to break the automatic riffing and to try and go somewhere else”.
“Ultime Pulsation”, the ultimate pulse, “evokes the unavoidable fall towards this final pulse of the world, of humanity, of civilisation, which seems to get closer and closer. “Demain Brûle” is "Tomorrow Burns", a personification which becomes something or someone hostile, unsafe, hazardous. Such are the feelings Void Paradigm bring into their music, a forceful, rabid and yet educated black metal.
