CD

CD reissue of the classic second full-length from from the Italian black-doom metal icons, CULTUS SANGUINE.

Combining elements of doom, goth, and black metal, Italy's Cultus Sanguine released a pair of well-regarded albums in the 1990s (Shadows Blood and The Sum of All Fears) before ceasing operations in 2001. After reconvening as a live entity in 2018, the band returned to the studio and completed their third long-player, Dust Once Alive. 

Decrepisy returns with brutally gothic doom-laden death metal on their second full-length album, Deific Mourning. Leaning heavier on the doom side of death than their first output, Emetic Communion, Deific Mourning pulls from goth-industrial influences that seep through the infected wounds that comprise the decomposing body of the album. Each track a stage of grief and unbelief as life abandons form into the mystery of the unknown. Stillborn in anxiety, grief, and sickness, every riff agonizingly culled from terror, despair and disintegration of a dying form. A body desecrated by vaccine damage, an inflamed nervous system and dysautonomia, pumping fear into every heart beat and waking moment. Deific Mourning was recorded by Charles Koryn (Ascended Dead, Chthonic Deity, Thanamagus) at Elektric City Recording with Vocal tracking, Reamping, mixing, and mastering handled by Greg Wilkinson (Autopsy, Necrot, Mortuous) at Earhammer Studio. Additional vocals, synths, and noisescapes performed by Leila Abdul-Rauf (Hammers of Misfortune, Saros, Vastum) and Gabriel Lageson. Cover illustrations by Kyle House (Acephalix, Necrot, Vastum) with an additional inner sculpture by Emil Melmoth.

Icons of goth and doom, PARADISE LOST will release their long-awaited, 17th album Ascensionon September 19th. The band’s first album in 5 years, following 2020’s critically acclaimed Obsidian, was produced by guitarist Gregor Mackintosh and mixed/mastered by Lawrence Mackrory. Ascension is a testament to the band’s longevity and relevance over their 35+ year career, encompassing their signature styles of gothic, death and doom fans have cherished along the way.

Ascension’s album cover fittingly features the painting The Court of Death (1870-1902) by renowned British artistGeorge Frederic Watts, which hangs in the ate Gallery in London. The painting depicts Death as an enthroned angel flanked by allegorical figures of Silence and Mystery guarding sunrise and the star of hope, while a warrior surrenders his sword and a duke his coronet, showing that worldly status offers no protection. The painting’s bleak, prophetic vision embodies Ascension’s dark, tormented soundscapes as mournful verses collide with dire, foreboding riffs

Note:
Previously owned copy
Disc VG ++
Cover parts: VG ++
Limited special edition for italian fans

Nota bene:
Copia usata
Dischetto in condizioni buone
Copertine in ottime condizioni
Edizione speciale limitata per i fan italiani