CD

Todomal are back with "A Greater Good", their new studio album. The Spanish duo formed by Christopher B. Wildman and Javier Fernández (Asgaroth, Nexus 6, The Heretic, Dejadeath, etc.) bring a collection of "dark songs" (as they like to define it), which began with the seeds planted in "Ultracrepidarian," their debut album, has evolved into a complex, dense, and unclassifiable album that takes us on a journey through somber landscapes, existential doubts, tragicomedy, and spiritual and personal unrest.

"A Greater Good" poses challenging questions, wrapped in musicthat is sometimes dark and at other times luminous, spanning from slow-tempo to progressive rock to quasi-mystical litanies. The path they embarked upon with their debut album, leading to desolate landscapes and the emptiness of the plateau, has continued into darker territories, reminiscent of tenebrist altarpieces, where doubts about what is right or wrong, what we do in this world to earn redemption, or why we have a nefarious tendency to destroy what we love are depicted against a smoldering forest.

The journey continues, despite the obstacles.

"A Greater Good" boasts ambitious production to accommodate all its elements, like pieces of a giant mosaic. Vocal harmonies, acoustic elements, and occasional orchestral arrangements blend with serpentine opera-rock pieces, making their way by clawing through the earth.

Track 1-4 Sorrow EP, recorded 1993.
Track 5-8 Nightswan EP, recorded 1995.
Track 9 B-side Stream single, recorded 1996.
Track 10 In This Room bonus track, recorded 1998.

Mithotyn’s Viking Metal classic for first time on vinyl! Remastered and with new artwork by Kris Verwimp.
 

Mithotyn’s Viking Metal classic remastered and with new artwork by Kris Verwimp! First time on vinyl and digi-CD.
In 1999 Mithotyn released their last album “Gathered Around the Oaken Table”, an album filled with soothing and intriguing melodies, Black Metal ferocity, and your classic Metal heaviness.

The vocal work consists most of the time of strained Black Metal rasps, dark growls, some clean chanting vocals.
People who like Folk Metal, Viking Metal and Black Metal will enjoy Mithotyn’s music.

The Folk elements, the Viking lyrics and the musical influences from black metal are greatly mixed in this album.

The album is very melodic and soothing but also heavy, catchy and aggressive, and intense at times.

But the album is not as heavy as other Viking Meal bands, like Amon Amarth.

Thanks to a great song variety makes this album to a long-lasting album, if you like it you will definitely want to listen it over and over again.

If there are any Vikings left out there, then raise your horns and hail Mithotyn so they will always be remembered!

Originally released on Walpurgis Night in 2006, DISSECTIONs third and concluding opus marks the seminal Swedish band’s crowning achievement.

Everything about Reinkaos feels grandiose, otherworldly and utterly complete: The timeless, majestic music blended with lyrics pertaining to the Anti-Cosmic Current and stunning illustrations provided by the late Timo Ketola together form a black diamond of exceptional elegance and vigour.

Unlike the vast majority of bands which merely adopt the symbolism and imagery of Satanism for entertainment purposes, Reinkaos represents the real deal and is an enduring testimony of genuine Luciferian spirituality manifested as music. The 11 tracks comprising Reinkaos truly are Sonic Invocations to the Endless Dark Aeon!

Hail the dark legacy of Jon Nödtveidt!
Hail the Glorious End!

Available as jewel-case CD in slipcase with 24-page booklet as well.

Originally released on Walpurgis Night in 2006, DISSECTIONs third and concluding opus marks the seminal Swedish band’s crowning achievement.

Everything about Reinkaos feels grandiose, otherworldly and utterly complete: The timeless, majestic music blended with lyrics pertaining to the Anti-Cosmic Current and stunning illustrations provided by the late Timo Ketola together form a black diamond of exceptional elegance and vigour.

Unlike the vast majority of bands which merely adopt the symbolism and imagery of Satanism for entertainment purposes, Reinkaos represents the real deal and is an enduring testimony of genuine Luciferian spirituality manifested as music. The 11 tracks comprising Reinkaos truly are Sonic Invocations to the Endless Dark Aeon!

Hail the dark legacy of Jon Nödtveidt!
Hail the Glorious End!

6-CD (Digipack) box with the following titles:
1. Reinkaos (red hotfoil on cover)
2. Reinkaos Instrumental Rehearsal
3. Midsummer Massacre Rehearsal (last Dissection Rehearsal ever)
4. The Hall Recordings
5. Maha Kali
6. Roughmix 2005/Starless Aeon

Leather-optic box with embossed silver hot-foil print and limited to 666 copies.

Shadow Records (distributed and marketed by Regain Records) proudly presents the reissue of Sorhin's debut EP, Skogsgriftens rike on LP and CD formats. Originally released in 1996, Skogsgriftens rike marks the beginning of Sorhin's journey into the pantheon of Swedish black metal, laying the foundation for the cult full-length albums “I det glimrande mörkrets djup” and “Apokalypsens ängel”. Even at this early stage, the band's identity was fully formed, a cold, evocative and unmistakably Nordic vision that would become their enduring hallmark. Nearly thirty years on, Skogsgriftens rike still stands as a monument to the cold majesty of 1990s Swedish black metal, untouched by time, uncompromising in spirit, and as haunting as the northern wilderness that inspired it. Formats: 12" vinyl LP (black vinyl) -Sturdy 300gsm vinyl-sleeve with bronze pantone print -Vinyl insert -Double-sided A2 poster -Limited to 400 copies on black vinyl -CD jewelcase -8 page booklet

Demo and rarities collection.

15 remastered tracks! 8 tracks have never been released on CD before and 1 completely exclusive song.

Curated by the band. Officially licensed from Theatre Of Tragedy.

Limited to 500 copies
Super Jewel Box
16 page booklet on uncoated offset paper stock

"Esoterik" finds Jason Köhnen's BONG-RA continuing the alchemical evolution that has defined his most adventurous work. A spiritual successor to 2025's "Black Noise", the record delves deeper into the shadows and luminescence of the occult, expanding the ritualistic atmospheres explored on "Antediluvian" (2018) and "Meditations" (2022) while forging a harsher, more industrial sonic architecture.

“Music for me, is rarely complete,” says GODFLESH mastermind Justin Broadrick, “but it has to reach a point where enough is enough. Creatively, there has to be self-discipline. One has to end it.”

Broadrick is primarily referring to the nebulous process of writing and arranging songs into their various potential shapes, but he could just as easily be describing GODFLESH’s imminent conclusion. Just three years after the hypnotic crunch of Purge, 25 years after an uncertain hiatus that nearly scuttled the band, and 38 years since GODFLESH’s inception, Broadrick and bassist-at-arms Ben Green set out to mercilessly crush this cold world with their tenth and penultimate album, this year’s Decay.

“Decay was born from the same sessions as Purge,” Broadrick declares of the new record’s six tracks. “It was one huge pool of songs. I picked what I felt was appropriate for what I wanted to achieve with Purge, with the intention of releasing the songs that didn't fit as a new album within a year of Purge being released. Unfortunately, two years passed whilst considering external labels, so that I didn't have to self-release GODFLESH anymore, but it took an awful lot of time to establish a comfortable home for me. The recordings were done, but as usual for me, I did change a lot of stuff once I came back to it.”

Now, GODFLESH is ready to unleash an even bolder, bleaker series of sounds in Decay. These songs arrive shortly after Broadrick released a public statement about major abdominal surgery he underwent earlier this year. “Fortunately, all of the recordings for Decay were completed long before the surgery, vocals included… although the back end of a couple of songs were recorded with the hernia itself, and that was a struggle. I was already aware that the GODFLESH shout, so to speak, was exacerbating the hernia greatly, as was every GODFLESH performance in the lead-up to the surgery once the hernia appeared, and the hernia was mostly caused by year upon year of shouting in GODFLESH. The album was mixed post-surgery, and while I was still in some pain and considerable discomfort, but fortunately GODFLESH is generally me expressing my pain, albeit [usually] mental, philosophical and existential, whereas this was physical pain.”

While the middle of the record pulses with five-minute hate-grooves, Broadrick credits the slime-wracked opener “Master and Slave” and crawling closer “Consume Me” with Decay’s true conceptual thrust. “The bookends of Decay are the most important pieces to me. They say it all, so to speak; the album could have been just those two songs alone – the duration of them is half of the total album!”

As GODFLESH's active tenure comes to a close, Broadrick expresses gratitude that it was ever his vessel to use as he willed. “It expresses my pain, and I’ve put my body and soul into this expression for the majority of my existence. I feel quite lucky, because Godflesh is now physically impossible for me, rendering it useless. I now wish to move out of its constraints, move on creatively with heavy/ugly music to new ground.”

From the abyssal and blistering depths of Alabama and featuring members from Seraphic Entombment and Father Befouled, ECTOVOID return with their new album "In Unreality’s Coffin"! An exhumation of death metal’s spectral essence and a relentless pulse of putrefaction, summoning shadows into eternal decay and entombing listeners in cavernous pummeling riffs! For fans of Autopsy, Necrot, Incantation, Acephalix.