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LEATHER, SPIKES, CHAINS AND BULLET BELTS + German Black/Speed Metal = a winning formula!

After 12 years activity, tons of splits and EPs, the long awaited debut CD/LP, “Demonic Sceptre”, from NUCTEMERON are upon us.

A striking detail is the diversity between the songs, every number with its own identity, while still keeping the old school banner high!

Reissue, White, Black & Gold Swirl

Ithyphallic is the 5th studio album by the American technical death metal band Nile, released in 2007. It is known for its brutal, technical approach to death metal, infused with Egyptian themes and imagery, and a strong anti-religious sentiment. The album is considered a career highlight by some critics, showcasing the band's signature sound and songwriting prowess.

Nile is an American Technical Death metal band from Greenville South Carolina formed in 1993. The band's current lineup consists of founding guitarist/vocalist Karl Sanders and drummer George Kollias.

New 2026 press!!!!

Skull smashing drugged Doom from beyond the grave – a true masterpiece!

VANSIND return with their highly anticipated sophomore album “Hævnen”, set for release on May 1st, 2026 via Mighty Music. Following the thunderous reception of their debut album “Mørket” (2023), the Danish folk metal warriors sharpen their blades and raise the stakes with a more refined, powerful and emotionally charged release that dives deep into themes of revenge, betrayal, freedom and sacrifice.

“With “Hævnen”, we wanted to explore the darker consequences of choice, loyalty and loss. It’s an album about standing your ground, even when the cost is high” the band says.

With this new record, Vansind build upon the foundation laid by “Mørket”, expanding their sonic battlefield where brutal metal riffs collide with ancient folk melodies. Thunderous growls and soaring clean vocals are carried by the haunting sounds of bagpipes and tin whistles, creating an atmosphere that feels both primal and cinematic - music forged for warriors, rebels and the wild at heart.

Lyrically, Vansind continue their descent into the dark corners of Nordic mythology and Scandinavian history, resurrecting ancient legends and forgotten tales with a modern ferocity. Rather than merely echoing the past, the band reclaims it, forging a powerful emotional bridge between ancestral struggle and the modern human condition.

A formidable live force, Vansind have already proven their strength on major European stages, including CopenHell (DK), Cernunnos Pagan Fest (FR), Ragnarök Festival (DE), Malpaga Folk & Metal Fest (IT) and Warhorns Vikings II (UK). Their live reputation underscores the raw intensity and authenticity that defines “Hævnen”.

Formed in Slagelse, Denmark, in the summer of 2019, Vansind bring together members with vastly different musical backgrounds, united by a shared vision and a determination to leave their mark on the Danish folk metal scene. Rooted deeply in Nordic soil, the band stand as a rising force where tradition and aggression meet. When the battle torches are lit and steel meets steel, Vansind stand in the fray - and for those who listen closely, the gates of Valhalla may not be far behind

Eight years on from their last album, The Forty Five, Scotland’s Cnoc An Tursa have returned with an evocative tribute to the history, the folklore, the unique magic of their homeland. With their characteristic blend of fierce black metal and traditional melodies they have conjured up a set of songs that bring together mourning and defiance, mystery and fear, pride and passion. It is rare for a band to return from years of silence with an album that represents a new creative peak in their story, but with A Cry For The Slain that is exactly what Cnoc An Tursa have achieved. Speaking about their aims with this album, the band have said,

"With this new album we feel like we are going back to our roots with a more guitar driven style and bringing back some of the folk elements musically and lyrically which was the original inspiration for the band."
And by looking back they have found the way forward, reigniting their fire and forging an album that will resonate through the years to come.

‘Na Fir Ghorma’ with its haunting guitar notes and sense of dignity and sorrow opens the door to A Cry For The Slain, ushering you into the furious opening blast of ‘The Caoineag’. Steeped in bardic tradition and storytelling this majestic track introduces the listener to a highland banshee who foretells death and tragedy and sings her laments beside the deep lochs and chill waterfalls. With the Caoineag’s song atmosphere rises like mountain mists, enshrouding and transporting while the captivating melodies conjured by Cnoc An Tursa lead us into a different world. ‘Cailleach And The Guardians Of The Seven Stones’ is a magnificent, sweeping tribute to the goddess of winter who shapes the landscape with her hammer, the ghost of Thin Lizzy’s ‘Emerald’ dancing in its Gaelic reels. A stunning guitar solo adorns the multifaceted track that captures the power, allure, mystery and terror of the blood thirsty ‘Baobhan Sith’, while the thundering energy of ‘Am Fear Liath Mòr’ takes you to the mountain passes of the Cairngorms, haunted by a giant presence…“I can hear the footsteps behind me, I can see the Big Grey Man”… And nestled amongst all the stories and ‘Address To The Devil’s epic dark poetry, we find first single, ‘Alba In My Heart’ – a pledge of allegiance, a song of devotion to Cnoc An Tursa’s beloved Scotland. There’s a raised fist and a strength of spirit in the blood stirring melodies and the rolling rhythms, in the riffs tumbling down like mountain streams. The authenticity of emotion in this song is undeniable. By the time ‘The Nine Maidens Of Dundee’ leads us down from the peaks once more, with a head full of dreams and a belief that magic may still exist in the less travelled glens of the northlands, the sheer power of Cnoc An Tursa’s return has become abundantly clear. A Cry For The Slain is a breathtaking album, a beacon burning in the night of mundane modernity, calling to those of us who want more than we’ve been sold.

For two decades now Vaarwel, the creative entity behind the name Frozen Ocean, has been bringing us music to feed our imagination and infuse our dreams with wonder, terror, awe and magic. Eleven full length albums, each with utterly individual character yet unmistakeably part of the same grand, visionary tapestry, an array of dazzling EPs, split releases, compilations…the Frozen Ocean back catalogue is a cornucopia of treasures. So, to speak of Vaarwel having created the most enthralling and accomplished work ever to bear the unmistakeable Frozen Ocean logo is not a statement to be made lightly…and yet here we are, with album number twelve – Askdrömmar.

Askdrömmar leads us down the empty, moonlit street of opening track ‘Mångata’ into the heart of a city; a city that the music builds around us with its haunting blend of atmospheric black metal, melancholic melodies and dark ambient textures. This city is no dormant collection of bricks and metal…it lives, feeding on human emotion, on our avarice and anger, on our desperation as we run like trapped rats through a maze, locked into the bizarre and broken lives we have constructed. The powerful, driving rhythms of ‘Gristimmar’ hound us through this thrilling, terrifying dream world of shadows and neon light, Vaarwel’s imperious voice, black as night, carried on dancing keys and elemental guitars. ‘I lyktornas sken’ (meaning ‘In The Light Of Street Lamps’) conjures the imagined sanctuary of those pools of illumination, yet also the way the darkness deepens at the limits of their radiance. The cold sadness, the absolute aloneness of ‘Köttkvarn’ bleeds through the skin, transporting the listener far from any lingering perception of the world outside Askdrömmar’s cityscape. This album is overflowing with wonderful songcraft, hypnotic melodies, and incredible, harsh vocals…but it’s the emotions they invoke, the visions they inspire, the tangible reality of the environment that they create that make Askdrömmar so special. This album offers an experience like no other.

Limited Edition (300 Copies) Smoke Colored Vinyl
Birthed in the wet grounds and grey skies of the Pacific Northwest, OLD MOON aims to bring a unique new band to tell the tales of life's sorrows.
Depression, grief, loss of self and death are the keys that stitch these heart-aching lyrics together. Accompanied to feed the image, a beautiful orchestra fills the air, meeting a breath of guitar melodies entangling melodic death and post black metal together in solidarity. Binding a tense and resonating sound that strikes the mind and embraces the heart, this is OLD MOON.

Birthed in the wet grounds and grey skies of the Pacific Northwest, OLD MOON aims to bring a unique new band to tell the tales of life's sorrows.
Depression, grief, loss of self and death are the keys that stitch these heart-aching lyrics together. Accompanied to feed the image, a beautiful orchestra fills the air, meeting a breath of guitar melodies entangling melodic death and post black metal together in solidarity. Binding a tense and resonating sound that strikes the mind and embraces the heart, this is OLD MOON.

Limited tape

Italian long-standing black metal pioneers Funeral Oration are back with their third album. Originally formed in 1989 in Taranto, Apulia, the band released their debut album Sursum Luna in 1996 on Avantgarde Music before dissolving the following year. Twenty years later, in 2017, guitarist and keyboardist Luca La Cara and singer and lyricist The Old Nick brought Funeral Oration back from the dead to release their sophomore album Eliphas Love in 2019, again via Avantgarde Music.

Five years have passed already, and the time has come for a new chapter. Antropomorte sees La Cara and The Old Nick banding with bassist Iblis (Handful Of Hate) and drummer David Folchitto (Stormlord and many others) to craft seven hymns of old-style, essential black metal from the ‘90s. As Funeral Oration describes it, Antropomorte is “a desperate litany of decadence and mystical delirium. Marcia funebre per il genere umano.”

Once again we deal with poetry, occultism and antichristian sentiment thanks to lyrics directly inspired when not directly translated from poets and artists from different ages. “Amor Obsessio” is a direct translation made by The Old Nick from ”La morte embaumée” by M. Rollinat (1883), “Cloaca Cattolica” (“Catholic Sewer”) is inspired by true events occurred in Varazze in 1907, “Il Serpente Della Genesi” (“Serpent from the Genesis”) is another translation from “Lilith” by R. de Gourmont (1892) and so is “Notturno Sepolcrale”, translated from “Ténèbres” by A. Samain (1895). “Stregheria”, on the other hand, is a direct quotation of Salvator Rosa’s “La strega”, from 1646.
 

Old school Death Metal the way it should be!!
On their second album, Tvmvlo brings us yet another plot of putrid riffs, loaded with solos with effects and layers that convey odor and putrefaction. Macabre stories through guttural vocals leave a trail of blood that will invade your mind with episodes of terror and unrest! With a bass line and drums with their own characteristics, the band achieved their own Death Metal in a coherent and abrasive way, leaving no one indifferent to their own style!!
A record to be taken into consideration for true Death Metal lovers!!