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Selling CD, Vinyl, DVD, Merchandise and Second hand - Extreme Metal and Dark music
Five sonic vessels form the nucleus of 'Crepuscule Natura', and within it`s 41 minutes, the record easily creates a sonic and aesthetic bridge between the band`s debut, 'Devoid of Light' (2016), and their sophomore effort 'Cult of a Dying Sun' (2018), only to forge onward upon the relentless path set forth with 'Djinn' (2020). Here, a more refined and muscular, yet no less melodic stronghold awaits. On 'Crepuscule Natura', UADA provides all their memorable hooks, tasteful leads, and riding blasts in their distinct style, balancing their epic surging melodies with powerful spurts of aggression. Just like the band's smoke-heavy shows, the momentum and emphasis of their craft always stays grandiose, mythical, and triumphant – all the while making sure to birth a couple of new fan favorites and soon-to-be staple live songs.
'Crepuscule Natura', once again graced by the artwork of legendary Kris Verwimp and photo work by Peter Beste Photography, shows UADA on fire to unleash the marrow of black heavy metal.
On their fourth full-length album "Stave", Osi and the Jupiter provide listeners with a unique journey through the delicate sounds of what may have been believed to be long lost; allowing for a truly immersive experience that is informed by the innate mysticism still dwelling beneath the surface of their native Appalachian region of eastern Ohio.
In honour of this more personal wellspring of inspiration, Osi and the Jupiter’s sound has evolved from the ambient soundscapes of yore into more direct expressions of yearning. Voice, ambient synth drones, acoustic guitar and cello underpin these delicate homage’s to a mysterious, myth-laden region. Kratz’s heartfelt, plaintive vocals speak openly of surroundings that clearly resonate deep within. Gentle strummed melodies support these tales, whilst the ever-inventive cello melodies of Kakophonix reach onwards to distant places as yet unseen.
‘They Ride Through the Sky on Horse Drawn Chariots’ sets the tone with dramatic swells, leading the listener by the hand into these new realms. ‘Appalachia‘ follows, replete with yearning vocals and delicate, countrified picking. ‘The Binding Will of Mountains’ closes this unique collection of songs with a twelve-minute journey throughout the myriad soundscapes that Osi and the Jupiter have explored throughout their existence.
HULDER is a dark black metal project from the United States, driven by the creative partnership of Hulder and Necreon, whose three albums to date have steadily drawn the project toward more expansive and collaborative territory. ‘Verbolgen’, released jointly by Season of Mist and 20 Buck Spin, marks a decisive turn: the first HULDER record on which Necreon steps fully into his role as co-leader rather than session contributor. Rooted in ancient nature worship, ancestral rite, and the shadows of pre-Christian tradition, ‘Verbolgen’ moves through nine tracks that trade in both the severity and the strange, wintry beauty that have always defined HULDER 's sound. The writing has grown more layered here, drawing on a wider palette of instrumentation: hurdy gurdy and additional keys from Keld bring an almost processional weight to certain passages, while Ianuaria's session flute drifts through the album like smoke across still water. Two drummers divide the record between them, Vapula and Vrolok each bringing their own character to their respective tracks, and the sum of it is a rhythm section that feels alive to the album's shifts in mood and tempo. The mix, handled by Ahti Kortelainen at Tico Tico Studio in Finland, gives the record an earthy, resonant quality that suits its themes of blood, soil, and the settling of old debts. Even the visual identity signals a new chapter: the cover art, painted by Morrigan, is her first work created for a metal band in nearly three decades, with an updated logo crafted by Jannicke Wiese Hansen. Three of the album's songs are sung in Flemish, lending ‘Verbolgen’ a peculiar, incantatory dimension that sets it apart from anything in HULDER's back catalogue. For fans of BATHORY, DISSECTION, MOONSORROW
White vinyl limited to 300 copies
After years of silence and dedication, Ováte return from the abyss with their new offering Rúin, forged by Aindiachaí (Gorgoroth) on guitars/bass and Brodd (ex-Taake) on drums. Eight years have passed since the band’s self-titled debut, and Rúin now reopen the wound; deeper, colder, and more deliberate.
Rúin is here. Not to be understood, but to be endured, an arcane, insidiously pernicious incursion beyond the veil.
A defining hallmark of Ováte’s sound remains intact: once again, every track is a collaboration with a different guest vocalist, turning the album into a shifting procession of voices and maledictions. Each performance adds a new layer to the record’s blackened craft, while the core duo keeps the blade steady. Sharp riffs, ritualistic momentum, and a trance-like pull that feels both predatory and strangely ceremonial.
On Rúin, Ováte list an exceptional cast from the Norwegian and wider extreme metal underground: Spellgoth (Horna), H’grimmr (Helheim), Thomas S. Øvstedal (Cor Scorpii), Sanrabb (Gehenna), Ødemark (The Last Eon / The Third Attempt) and Hoest (Taake). The result is a record that moves with relentless intent, yet rich in atmosphere, with each track carrying its own curse.
After years of silence and dedication, Ováte return from the abyss with their new offering Rúin, forged by Aindiachaí (Gorgoroth) on guitars/bass and Brodd (ex-Taake) on drums. Eight years have passed since the band’s self-titled debut, and Rúin now reopen the wound; deeper, colder, and more deliberate.
Rúin is here. Not to be understood, but to be endured, an arcane, insidiously pernicious incursion beyond the veil.
A defining hallmark of Ováte’s sound remains intact: once again, every track is a collaboration with a different guest vocalist, turning the album into a shifting procession of voices and maledictions. Each performance adds a new layer to the record’s blackened craft, while the core duo keeps the blade steady. Sharp riffs, ritualistic momentum, and a trance-like pull that feels both predatory and strangely ceremonial.
On Rúin, Ováte list an exceptional cast from the Norwegian and wider extreme metal underground: Spellgoth (Horna), H’grimmr (Helheim), Thomas S. Øvstedal (Cor Scorpii), Sanrabb (Gehenna), Ødemark (The Last Eon / The Third Attempt) and Hoest (Taake). The result is a record that moves with relentless intent, yet rich in atmosphere, with each track carrying its own curse.
Les Chants de Nihil was formed in 2007, serving as a creative outlet for the inspirations of its composer, Jerry. Drawing energy from the surrounding landscapes, he naturally enlisted his longtime collaborator, Mist, to assist with recording. This collaboration led to the creation of the band's first cassette demos. By 2010, LCDN had evolved into a serious project, performing live with a full lineup. Their debut CD, *La Liberté Guidant le Fer*, was released. Jerry then developed a satirical, meta-political concept that gave rise to a new album, *Propagande Érogène*, in which each band member played a specific character. The band continued to tour across France. In 2015, they released a more personal album titled *Armor*—a collection of poems exploring themes of nostalgia, desire, solitude, and friendship—issued in a digipack format. Over the following years, the lineup underwent changes, eventually stabilizing in 2015 with Sistre on drums and in 2019 with ÖberKommander 666 on bass, while Mist returned to guitar. After four years of songwriting, Jerry announced the follow-up to *Propagande Érogène*. This new album would plunge unreservedly into the theatrical setting established a decade earlier, indulging in excess and surrealism. *Le Tyran et l'Esthète* was released via Les Acteurs de l'Ombre Productions on January 22, 2021. After promoting the album at around ten shows, LCDN performed on the iconic Temple stage at Hellfest in Clisson in 2022. The band's sixth album, titled *Graines*, was released via Les Acteurs de l'Ombre on November 6, 2026; it addresses themes of creation and ecology with the band's characteristic blend of fierce advocacy and introspection.
Les Chants de Nihil was formed in 2007, serving as a creative outlet for the inspirations of its composer, Jerry. Drawing energy from the surrounding landscapes, he naturally enlisted his longtime collaborator, Mist, to assist with recording. This collaboration led to the creation of the band's first cassette demos. By 2010, LCDN had evolved into a serious project, performing live with a full lineup. Their debut CD, *La Liberté Guidant le Fer*, was released. Jerry then developed a satirical, meta-political concept that gave rise to a new album, *Propagande Érogène*, in which each band member played a specific character. The band continued to tour across France. In 2015, they released a more personal album titled *Armor*—a collection of poems exploring themes of nostalgia, desire, solitude, and friendship—issued in a digipack format. Over the following years, the lineup underwent changes, eventually stabilizing in 2015 with Sistre on drums and in 2019 with ÖberKommander 666 on bass, while Mist returned to guitar. After four years of songwriting, Jerry announced the follow-up to *Propagande Érogène*. This new album would plunge unreservedly into the theatrical setting established a decade earlier, indulging in excess and surrealism. *Le Tyran et l'Esthète* was released via Les Acteurs de l'Ombre Productions on January 22, 2021. After promoting the album at around ten shows, LCDN performed on the iconic Temple stage at Hellfest in Clisson in 2022. The band's sixth album, titled *Graines*, was released via Les Acteurs de l'Ombre on November 6, 2026; it addresses themes of creation and ecology with the band's characteristic blend of fierce advocacy and introspection.
