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Limited Purple 2LP version including 8 page vinyl size booklet.

The remastered reissue of "The Somberlain" is the all-time classic debut album from the Swedish melodic Black/Death Metal band Dissection, originally recorded at Unisound Studios and released in 1993. With this remastered edition, the release goes full circle as Dan Swanö himself, the original recording engineer, lies behind the great effort of making this milestone sound better than ever. 

Il 2° numero di ???????????????????????????????????????????????? ???????????????????????????? è giunto fra le nostre mani e contiene articoli su Cathedral, BlackStream, Emyn Muil, Enslaved, Vinterland, Julinko, Tompa Lindberg, And Oceans, Malicious Records, Véhémence, Griffon, Pensées Nocturnes.

Conceived in the arid deserts of Australia and recorded across the globe in Norway—Carpe Tenebrum’s debut release Majestic Nothingness is undoubtedly a forgotten gem of 90s black metal. Carpe Tenebrum was formed as the solo project by Lord Kaos guitarist Jamie “Astennu” Stinson in early 1994. While Lord Kaos shopped their debut album Thorns of Impurity to record labels, Astennu left for Norway with nothing but his guitar. Once there, he would stay with Head Not Found Records / Slayer Mag founder Metalion and begin recording Majestic Nothingness at the legendary Creative Studios (birthplace of Mayhem’s Deathcrush and the first two Darkthrone black metal albums). The album itself would end up being guitar centric—perfectly spotlighting Astennu’s virtuosic abilities and songwriting prowess. The vocals were supplied by Nagash of Troll and Covenant (the latter of which Astennu would join shortly after the release of this album). While many black metal bands in the late 90s hid their half hearted riffs and regurgitated lyrics with layers of keyboards and vocal effects, Carpe Tenebrum dove fearlessly into chaotic darkness—dragging the listener with them on their respiteless journey. Eerie and sulphuric black metal recorded in 1995 at Creative Studios in Norway (Mayhem/Darkthrone). For fans of early Covenant, Ragnarok and Emperor.

After the lucky "Usurp The Throne", well-reviewed and extensively played on tour, UBUREN are back with a new harsh, unrelenting strain of black metal full of the usual viking metal edge. Once again, in the new batch of songs their sound sits cold and atmospheric, raw and haunting, built on tremolo-driven riffing in the best tradition of the second-wave black metal. Nonetheless, the underlying melody is never completely lost, highlighting melancholic passages that give the songs a Majestic weight.

Formed in 2010 in Sandnes, Rogaland, Uburen took shape around a shared obsession with Norse mythology and old Norwegian culture — a mutual ideology of resurfacing viking folklore through music built to be felt as much as heard. Following a lineup change in late 2019, Uburen entered the studio with new drummer Wrage Steinarson for what would become 2023's "Usurp the Throne" — an eight-track opus marking a new highpoint for the band. Cold, atmospheric and uncompromising, the album stood as Uburen's most fully realized record up to that point. The new opus, "Dødsdans I Aske", promises to raise the bar even higher.

After the lucky "Usurp The Throne", well-reviewed and extensively played on tour, UBUREN are back with a new harsh, unrelenting strain of black metal full of the usual viking metal edge. Once again, in the new batch of songs their sound sits cold and atmospheric, raw and haunting, built on tremolo-driven riffing in the best tradition of the second-wave black metal. Nonetheless, the underlying melody is never completely lost, highlighting melancholic passages that give the songs a Majestic weight.

Formed in 2010 in Sandnes, Rogaland, Uburen took shape around a shared obsession with Norse mythology and old Norwegian culture — a mutual ideology of resurfacing viking folklore through music built to be felt as much as heard. Following a lineup change in late 2019, Uburen entered the studio with new drummer Wrage Steinarson for what would become 2023's "Usurp the Throne" — an eight-track opus marking a new highpoint for the band. Cold, atmospheric and uncompromising, the album stood as Uburen's most fully realized record up to that point. The new opus, "Dødsdans I Aske", promises to raise the bar even higher.

Your patience will be rewarded.

Chile’s Ripper returns with their first full-length since 2016’s “Experiment of Existence”.

“Towards Rebirth” contains the band’s most violent work to date. Razor sharp guitar work, intense drumming and well-crafted songs are still there…only more concise, more vicious.

Recorded, mixed and mastered by Pablo Clares at DM6 Studio. Artwork by Paolo Girardi.

Your patience will be rewarded.

Chile’s Ripper returns with their first full-length since 2016’s “Experiment of Existence”.

“Towards Rebirth” contains the band’s most violent work to date. Razor sharp guitar work, intense drumming and well-crafted songs are still there…only more concise, more vicious.

Recorded, mixed and mastered by Pablo Clares at DM6 Studio. Artwork by Paolo Girardi.

Infinitude’s Passage marks the third full length statement from Portland’s death metal seers Aenigmatum. Taking the intricate mastery of previous album Deconsecrate as a point of departure, the band’s union of technical precision, dark melody and unrelenting force draw us ever further into a world where revelation and annihilation become indistinguishable.

Sudden turns, fractured rhythms and spiraling harmonies color a landscape of seemingly elaborate complexity, yet Aenigmatum are serving a larger, deeper structure with an exacting sense of purpose and focus. Frenetic eruptions of speed give way to passages of melodious clarity and dissonant turbulence allowing the compositions to remain in constant motion and expand idiosyncratically upward and outward.

Cerebral without sacrificing physical impact, majestic without surrendering menace and progressive without loosening its vigorous command, Infinitude’s Passage rejects easy categorization within death metal’s exceedingly vast parameters. Its visceral impact, incandescent melody and aura of perpetual discovery places Aenigmatum at the threshold of the boundless.

Infinitude’s Passage marks the third full length statement from Portland’s death metal seers Aenigmatum. Taking the intricate mastery of previous album Deconsecrate as a point of departure, the band’s union of technical precision, dark melody and unrelenting force draw us ever further into a world where revelation and annihilation become indistinguishable.

Sudden turns, fractured rhythms and spiraling harmonies color a landscape of seemingly elaborate complexity, yet Aenigmatum are serving a larger, deeper structure with an exacting sense of purpose and focus. Frenetic eruptions of speed give way to passages of melodious clarity and dissonant turbulence allowing the compositions to remain in constant motion and expand idiosyncratically upward and outward.

Cerebral without sacrificing physical impact, majestic without surrendering menace and progressive without loosening its vigorous command, Infinitude’s Passage rejects easy categorization within death metal’s exceedingly vast parameters. Its visceral impact, incandescent melody and aura of perpetual discovery places Aenigmatum at the threshold of the boundless.