€ 0,00
Il carrello è vuoto
Il carrello è vuoto
Vendita CD, Vinili, DVD, Merchandise e Usato - musica Black Metal e Dark estrema
Comes in a jewel case with a lyrics booklet.
Released by Morbid Chapel Records
“Waves Over Copenhell” degli Iotunn, in uscita per Metal Blade Records, è un album che fonde black e death metal con atmosfere epiche e solenni. Tra riff poderosi, ritmiche serrate e passaggi atmosferici, il disco costruisce un sound imponente e oscuro, capace di evocare mari tempestosi e paesaggi nordici minacciosi. Ogni traccia bilancia aggressività e tensione, offrendo un viaggio potente e immersivo per gli amanti del metal più estremo e teatrale.
“The Grave” degli Infernal Flame è un album oscuro e implacabile che mescola black e death metal con un’intensità feroce e claustrofobica. Tra riff abrasivi e atmosfere tenebrose, il disco costruisce un mondo sonoro cupo e minaccioso, dove aggressività e tensione si intrecciano senza respiro. Ogni traccia è un assalto diretto, capace di catturare l’ascoltatore in un vortice di violenza e oscurità rituale, confermando la band come una delle realtà più cruente e autentiche della scena estrema contemporanea.
After celebrating its 10th anniversary in early 2025 with a special release (with a completely different artwork that remains exclusive to that edition), ENISUM's break-through album "Arpitanian Lands" is now available again in its original art form, although heavily revised.
After celebrating its 10th anniversary in early 2025 with a special release (with a completely different artwork that remains exclusive to that edition), ENISUM's break-through album "Arpitanian Lands" is now available again in its original art form, although heavily revised.
"The idea of Interwoven—an acoustic journey tracing one song from each chapter of our discography—was first envisioned on the very day UADA was conceived: October 1st, 2014. In those early conversations, when I laid out the future I sought to create, and recall sharing the concept of a stripped, atmospheric interpretation, supported by the haunting resonance of strings—cello or violin. At the time, the notion was met with skepticism, perhaps even dismissal. Yet it was an idea I knew would one day take form. It had to.
UADA has always drawn from a wide spectrum of influences—many of which extend far beyond the traditional boundaries of black metal. With Interwoven, we sought to peel back the layers and reveal the vastness of these realms; to immerse the listener in both the foreign and the familiar, in textures that challenge and comfort in equal measure.
More than a sonic experiment, this album was a deliberate act of vulnerability. It was a personal and collective trial—a chance to step outside the acquainted shadows and embrace the uncertain light. The earliest intent was to craft something primitive and ritualistic, echoing the ancestral tones of ancient Pagan folk. Vocally, we anticipated a palette of whispers, chants, and throat singing. There was never a plan to explore clean, melodic singing—until an improvised vocal passage in Djinn revealed something unexpected. That unscripted moment sparked the foundation of what would become this album. With the band’s enthusiastic support, the recording process began—without a script, without rehearsal, and with full commitment to spontaneity and truth."
"The idea of Interwoven—an acoustic journey tracing one song from each chapter of our discography—was first envisioned on the very day UADA was conceived: October 1st, 2014. In those early conversations, when I laid out the future I sought to create, and recall sharing the concept of a stripped, atmospheric interpretation, supported by the haunting resonance of strings—cello or violin. At the time, the notion was met with skepticism, perhaps even dismissal. Yet it was an idea I knew would one day take form. It had to.
UADA has always drawn from a wide spectrum of influences—many of which extend far beyond the traditional boundaries of black metal. With Interwoven, we sought to peel back the layers and reveal the vastness of these realms; to immerse the listener in both the foreign and the familiar, in textures that challenge and comfort in equal measure.
More than a sonic experiment, this album was a deliberate act of vulnerability. It was a personal and collective trial—a chance to step outside the acquainted shadows and embrace the uncertain light. The earliest intent was to craft something primitive and ritualistic, echoing the ancestral tones of ancient Pagan folk. Vocally, we anticipated a palette of whispers, chants, and throat singing. There was never a plan to explore clean, melodic singing—until an improvised vocal passage in Djinn revealed something unexpected. That unscripted moment sparked the foundation of what would become this album. With the band’s enthusiastic support, the recording process began—without a script, without rehearsal, and with full commitment to spontaneity and truth."
