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Limited to 100 "Pulse" Colored Vinyl.
Crawling forth from the catacombs of the American extreme metal substratum, OCCULSED conjure "Antegnosis", a cryptic tome of dissonant revelation! A fever-drenched liturgy of warped riffcraft and guttural incantations, dragging listeners through a labyrinth of sonic decay.
A necrotic ritual steeped in arcane resonance!

Occulsed, the latest spawn from Justin (Father Befouled, Encoffination) and Jared (Gastric Phantasm), was formed in Atlanta/Georgia in 2017 to spew filthy, wretched, and disgusting Death Metal. Taking cues from the stalwart Tampa scene as well as the early underground Scandinavian death metal gods, Occulsed employs chaotic riffing, eerie melody, and inhuman vocals to craft haunting and bone-crushing death metal.
With a pedigree of members spanning numerous bands, the three members of Occulsed have a 20+ year history of death and black metal under their belts. The culmination of songwriting results in a harrowing listening experience.
Debuting in 2021 with 'Crepitation Of Phlegethon' but with the demos 'Cenotaph to Putridity' and 'Ceremonial Lifelessness' garnering rave reviews they have cemented themselves as a death metal force not to missed. It's now time for a new chapter in their discography!

For fans of Incantation, Morpheus Descends, Funebrarum, Blaspherian.

Limited to 100 "Dead Omens" Colored Vinyl.
US powerhouse IMPERISHABLE feat. Brian Kingsland (Nile), Alex Rush (Olkoth) and drums divinity Derek Roddy (Hate Eternal, Nile and too many other incredible bands to mention) is now finally unleashing "Revelation In Purity", their groundbreaking debut album filled with tight and grinding Death Metal, dark vibes and groovy tunes!

Imperishable is an extreme metal band hailing from South Carolina, USA and formed in 2020 by guitarist/vocalist - Brian Kingsland (Nile, Enthean) and Bassist - Alex Rush (Olkoth, Enthean). The lineup was completed in early 2023 with the addition of drum legend Derek Roddy (Hate Eternal, Malevolent Creation).
The trio is now set to release the debut LP “Revelation In Purity” with the focus is to deliver ferocious material while retaining memorable hooks and musicality. Dark, aggressive and occasionally experimental, the songs are molded around power rather than flash.
Pure metal with a sense of exploration!

For fans of Morbid Angel, Angelcorpse, Emperor, Nile

Limited to 100 "Infected" Colored Vinyl.
 

Limited to 100 "Slasher" Colored Vinyl.

Emerging from the boiling bowels of horrendous vomit and uncompromising gore… WE ARE BACK!!! This is our most faceted, dramatic, and filthiest work to date — a monstrous battle hymn for all you gore freaks out there!

"Every culture, every belief hides grotesque contradictions. Mondo Cane (1962) exposed this raw truth, unveiling cruelty, rituals, and the dark side of civilization. Ultimo Mondo Cane is our tribute — no escape, no trigger warnings. Face the horror or look away… but it won’t disappear."

Pure goregrind: relentless blast beats, vomit-drenched vocals, and crushing guitars. No gimmicks, no clownish nonsense… just 100% raw, putrid brutality in your face.

We founded Golem Of Gore back in 2017 when Riki (Grumo) and Davide (Indecent Excision) joined forces with one clear mission: play 100% uncompromising goregrind shit. No filters, just pure sonic filth. Over time, Marco (Grumo, Logic Of Denial) and Enrico (Everfrost) completed this freakish unit devoted to extreme music.

Limited to 100 Translucent Blue Vinyl.
 

Red vinyl housed in 300 gsm coated carton sleeve with 3mm spine. Includes 8 page lp-sized booklet printed on 140gsm matt paper and double sided A4 replica of 1997 Misanthropy Records infosheet printed on 140gsm scarlet red burano paper.

The classic 1997 return concert officially re-issued in full on all audio formats for the very first time!
Featuring tons of pics and liner notes & quotes from Hellhammer, Necrobutcher, Maniac and Blasphemer.
Experience the chaotic return to the stage after an even more turbulent era which almost everything has been said and written about.
With the ‘Wolf’s Lair Abyss’ EP around the corner the then new line up of Hellhammer, Necrobutcher, Maniac and Blasphemer geared up to not only return with newly recorded material but also bringing the unmatched black metal live to the stage.
Whereas the sound on most of these live recordings can be classified as decent to good the technology aged less at some parts (specifically on "Ancient Skin" and "Buried by Time and Dust"). They still belong to this release in all their rawness.
This timeless audio document takes you on a journey living the dark past, with all its aggression and flaws, yet authentic and unpolished.

Black vinyl housed in 300 gsm coated carton sleeve with 3mm spine. Includes 8 page lp-sized booklet printed on 140gsm matt paper and double sided A4 replica of 1997 Misanthropy Records infosheet printed on 140gsm scarlet red burano paper.

The classic 1997 return concert officially re-issued in full on all audio formats for the very first time!
Featuring tons of pics and liner notes & quotes from Hellhammer, Necrobutcher, Maniac and Blasphemer.
Experience the chaotic return to the stage after an even more turbulent era which almost everything has been said and written about.
With the ‘Wolf’s Lair Abyss’ EP around the corner the then new line up of Hellhammer, Necrobutcher, Maniac and Blasphemer geared up to not only return with newly recorded material but also bringing the unmatched black metal live to the stage.
Whereas the sound on most of these live recordings can be classified as decent to good the technology aged less at some parts (specifically on "Ancient Skin" and "Buried by Time and Dust"). They still belong to this release in all their rawness.
This timeless audio document takes you on a journey living the dark past, with all its aggression and flaws, yet authentic and unpolished.

The classic 1997 return concert officially re-issued in full on all audio formats for the very first time!
Featuring tons of pics and liner notes & quotes from Hellhammer, Necrobutcher, Maniac and Blasphemer.
Experience the chaotic return to the stage after an even more turbulent era which almost everything has been said and written about.
With the ‘Wolf’s Lair Abyss’ EP around the corner the then new line up of Hellhammer, Necrobutcher, Maniac and Blasphemer geared up to not only return with newly recorded material but also bringing the unmatched black metal live to the stage.
Whereas the sound on most of these live recordings can be classified as decent to good the technology aged less at some parts (specifically on "Ancient Skin" and "Buried by Time and Dust"). They still belong to this release in all their rawness.
This timeless audio document takes you on a journey living the dark past, with all its aggression and flaws, yet authentic and unpolished.

4-panel digipack with black tray printed on 300gsm coated carton. Comes with 18-page folded 3x3 panels booklet printed on 135 gsm art paper.

The classic 1997 return concert officially re-issued in full on all audio formats for the very first time!
Featuring tons of pics and liner notes & quotes from Hellhammer, Necrobutcher, Maniac and Blasphemer.
Experience the chaotic return to the stage after an even more turbulent era which almost everything has been said and written about.
With the ‘Wolf’s Lair Abyss’ EP around the corner the then new line up of Hellhammer, Necrobutcher, Maniac and Blasphemer geared up to not only return with newly recorded material but also bringing the unmatched black metal live to the stage.
Whereas the sound on most of these live recordings can be classified as decent to good the technology aged less at some parts (specifically on "Ancient Skin" and "Buried by Time and Dust"). They still belong to this release in all their rawness.
This timeless audio document takes you on a journey living the dark past, with all its aggression and flaws, yet authentic and unpolished.

More than half a century into its life, what exactly is heavy metal? Is it a kind of belief system? Is it something to be observed as a relic, or an exhibit in a museum? Or is it, to paraphrase Christopher Lee’s Due de Richeleau in The Devil Rides Out “A living force, which can strike at any moment of the night”?

Needless to say, SPELL, Vancouver’s next-level metal magicians, have plenty of thoughts on the matter. And as far as they’re concerned, heavy metal is something that needs to evolve to stay vibrant and exciting. This has been the fuel for their fifth album, the brashly confident Wretched Heart. What’s more, this relentless evolutionary momentum has led to them creating their strongest record to date - a thunderous celebration of individualism and eccentricity which stalks its nocturnal realm with savage finesse and beguiling charm.

“Heavy metal can often be a regressive genre, almost by definition. But it doesn’t have to be!” emphasises the band’s singer. bassist and co-pilot Cam Mesmer, “I think that getting set in your ways is death. You have to be open to learning from new influences, or you’re washed up and a caricature of yourself. I consider SPELL to be a heavy metal band, and therefore whatever music we make, will therefore be heavy metal, rather than the other way around, where you try to make your band fit into whatever narrow niche you think heavy metal is supposed to sound like”.

Therefore whilst Wretched Heart is possessed of no shortage of stirring harmony guitars, blazing solos and foot-on-monitor bravura, it also delves into fresh psychic terrain, building on the gothic flourishes that emboldened 2022’s Tragic Magic and embracing an emotional resonance that elevates its viciously catchy songs into the stratosphere. Central to this is the chemistry of the new SPELL line-up, which consolidates the duo of Cam and drummer/guitarist/co-vocalist Al Lester with keyboardist/guitarist Gabriel Tenebrae and lead guitarist Jeff Black. Having honed this incarnation through touring with the likes of Green Lung, Wytch Hazel and Angel Witch, they’ve forged a union which throws the band firmly from the realm of retro chic into a new, bolder direction which, in the words of Baudelaire, extracts the eternal from the ephemeral.

“I feel that the core of SPELL is more of a feeling or an atmosphere than a specific sound, and by the time a song goes through our filter it always sounds like us anyhow.” reasons Cam. “I’ve never really cared for happy songs. Excited, maybe. Desperation. adrenaline. melancholy, but in a wild and passionate way”.

All of these attributes and more are to be found herein. Aided and abetted by long-time collaborator Felix Fung on mixing desk and “fifth Beatle” duties, and resplendent in a sleeve by macabre visionary Adam Burke; Wretched Heart is a glorious testimony to a band ready to transcend its influences in search of fresh glory. “Lilac”, the album’s lead single (which also features a guest guitar solo from former Spirit Adrift, Carcass and Angel Witch man Tom Draper) is their most addictive and bittersweet moment to date, channelling both stadium-sized passion and wistful longing. “Take My Life” is an existential mid-paced stomper with a chorus that a Spandex-clad ‘80s warrior would kill for yet an emotional depth that they might be perplexed by.

“Oubliette” meanwhile tackles the feeling of being trapped under the wheels of capitalism with bleak fortitude, and the gloriously stirring finale title track maps out a curious hinterland where Maiden-esque gallantry can share space with Kraftwerk-style vocoder stylings.

Having previously dealt heavily with the mystical and fantastical, Wretched Heart also showcases a new kind of emotional directness, reflecting the band’s own personal lives, as Cam attests “I challenge all lyricists: don’t be a coward! Whatever you’re feeling, have the courage to write about it! Being afraid to be cringe is the worst disaster to befall art”

 “I’m always looking for that subconscious, under-the-skin feeling that we all got when listening to our first favourite bands in high school, where it’s just pure and exciting and takes hold of you” he reckons. “I’ll always worship Maiden, Sabbath and Priest, but I’d hate to be that guy who just goes back to putting on the same records every day. There is always new ground to be broken by those willing to risk it. I hope we succeeded in writing a catchy, exciting, personal record, which also pisses off a few of the more rigid traditionalists”.

Wretched Heart, in all its gory glory, thus embodies a very vital paradox - a record made by true believers who yearn for catharsis beyond. The oxymoron of anthems forged from steel, yet with a very human heart. Even the most cynical bystander will likely struggle not to be bewitched.

This album is for anyone going through it” summarises Cam, “Anyone who’s not afraid to lay it all out in the open and feel something real!

More than half a century into its life, what exactly is heavy metal? Is it a kind of belief system? Is it something to be observed as a relic, or an exhibit in a museum? Or is it, to paraphrase Christopher Lee’s Due de Richeleau in The Devil Rides Out “A living force, which can strike at any moment of the night”?

Needless to say, SPELL, Vancouver’s next-level metal magicians, have plenty of thoughts on the matter. And as far as they’re concerned, heavy metal is something that needs to evolve to stay vibrant and exciting. This has been the fuel for their fifth album, the brashly confident Wretched Heart. What’s more, this relentless evolutionary momentum has led to them creating their strongest record to date - a thunderous celebration of individualism and eccentricity which stalks its nocturnal realm with savage finesse and beguiling charm.

“Heavy metal can often be a regressive genre, almost by definition. But it doesn’t have to be!” emphasises the band’s singer. bassist and co-pilot Cam Mesmer, “I think that getting set in your ways is death. You have to be open to learning from new influences, or you’re washed up and a caricature of yourself. I consider SPELL to be a heavy metal band, and therefore whatever music we make, will therefore be heavy metal, rather than the other way around, where you try to make your band fit into whatever narrow niche you think heavy metal is supposed to sound like”.

Therefore whilst Wretched Heart is possessed of no shortage of stirring harmony guitars, blazing solos and foot-on-monitor bravura, it also delves into fresh psychic terrain, building on the gothic flourishes that emboldened 2022’s Tragic Magic and embracing an emotional resonance that elevates its viciously catchy songs into the stratosphere. Central to this is the chemistry of the new SPELL line-up, which consolidates the duo of Cam and drummer/guitarist/co-vocalist Al Lester with keyboardist/guitarist Gabriel Tenebrae and lead guitarist Jeff Black. Having honed this incarnation through touring with the likes of Green Lung, Wytch Hazel and Angel Witch, they’ve forged a union which throws the band firmly from the realm of retro chic into a new, bolder direction which, in the words of Baudelaire, extracts the eternal from the ephemeral.

“I feel that the core of SPELL is more of a feeling or an atmosphere than a specific sound, and by the time a song goes through our filter it always sounds like us anyhow.” reasons Cam. “I’ve never really cared for happy songs. Excited, maybe. Desperation. adrenaline. melancholy, but in a wild and passionate way”.

All of these attributes and more are to be found herein. Aided and abetted by long-time collaborator Felix Fung on mixing desk and “fifth Beatle” duties, and resplendent in a sleeve by macabre visionary Adam Burke; Wretched Heart is a glorious testimony to a band ready to transcend its influences in search of fresh glory. “Lilac”, the album’s lead single (which also features a guest guitar solo from former Spirit Adrift, Carcass and Angel Witch man Tom Draper) is their most addictive and bittersweet moment to date, channelling both stadium-sized passion and wistful longing. “Take My Life” is an existential mid-paced stomper with a chorus that a Spandex-clad ‘80s warrior would kill for yet an emotional depth that they might be perplexed by.

“Oubliette” meanwhile tackles the feeling of being trapped under the wheels of capitalism with bleak fortitude, and the gloriously stirring finale title track maps out a curious hinterland where Maiden-esque gallantry can share space with Kraftwerk-style vocoder stylings.

Having previously dealt heavily with the mystical and fantastical, Wretched Heart also showcases a new kind of emotional directness, reflecting the band’s own personal lives, as Cam attests “I challenge all lyricists: don’t be a coward! Whatever you’re feeling, have the courage to write about it! Being afraid to be cringe is the worst disaster to befall art”

 “I’m always looking for that subconscious, under-the-skin feeling that we all got when listening to our first favourite bands in high school, where it’s just pure and exciting and takes hold of you” he reckons. “I’ll always worship Maiden, Sabbath and Priest, but I’d hate to be that guy who just goes back to putting on the same records every day. There is always new ground to be broken by those willing to risk it. I hope we succeeded in writing a catchy, exciting, personal record, which also pisses off a few of the more rigid traditionalists”.

Wretched Heart, in all its gory glory, thus embodies a very vital paradox - a record made by true believers who yearn for catharsis beyond. The oxymoron of anthems forged from steel, yet with a very human heart. Even the most cynical bystander will likely struggle not to be bewitched.

This album is for anyone going through it” summarises Cam, “Anyone who’s not afraid to lay it all out in the open and feel something real!

Blindead 23, formerly known as Blindead, is the new Polish avant-metal juggernaut led by ex-Behemoth guitarist Mateusz "Havoc" Smierzchalski, with a stellar lineup also including Roger Öjersson (ex-Katatonia) and Pawel "Pavulon" Jaroszewicz (Vltimas, ex-Vader, ex-Decapitated). This new incarnation of the band blends an atmosphere of early Blindead recordings - sludge and post-metal, with heavy riffs and mesmerizing electronics - into an evolved and elevated new form, while continuing to honor past material during their captivating live performances.

Early compositions following the Blindead 23 “rebirth” resulted in the ‘Vanishing’ EP, followed by the 7” vinyl single, ‘Disposed’, which was the first ever recording for Peaceville Records, unveiled in 2025.