Altri suoni

Box set, 7 digipak CDs in slipcase 

Strike The Ground
This Killing Emptiness
Buried Silence
Nullify
Vibe Of Scorn
Coma 
Parasiting Dreams

Per la prima volta in qualsiasi formato, la controversa visione di Pier Paolo Pasolini del 1975 dei “120 giorni di Sodoma” del Marchese de Sade, caratterizzata da composizioni classiche di grande bellezza e dissonanza, in netto contrasto con gli eventi scioccanti e crudeli che si svolgono sullo schermo. Tre settimane prima della scandalosa uscita di “Salò o i 120 giorni di Sodoma”, Pasolini fu brutalmente assassinato a Ostia, in Italia. Sulla scia della tragedia, il leggendario compositore Ennio Morricone scrisse “Addio a Pier Paolo Pasolini” per il defunto regista, inclusa nel montaggio finale. Seguendo la narrazione di uno dei momenti cinematografici più significativi di Pasolini, la colonna sonora si apre con “Son Tanto Triste” di Ennio Morricone, scende nei malinconici accordi minori di Bach, Chopin, Orff, Puccini e Graziosi, incorpora sinistre interpretazioni del cast e include il cupo tributo di Morricone al regista.

Released in 1987 and destined to become one of the most controversial and iconic films in European underground cinema, Jörg Buttgereit's “Nekromantik” is far more than a visual provocation: it is a radical, poetic, and deeply disturbing work in which image and sound merge into a singular emotional experience.

The soundtrack by Daktari Lorenz / Hermann Kopp / John Boy Walton accompanies the film with a minimal and obsessive sonic landscape, suspended between piano melodies, decadent electronic ambient textures, and distorted childlike melodies. A deliberately alienating contrast that amplifies the film's sense of tragedy, loneliness, and morbid romanticism.

This release is not merely a tribute to a cult film, but a celebration of music as a narrative force, capable of transforming horror into melancholy and transgression into a distorted form of romanticism.

Triple CD in Triple 7′ vinyl Gatefold (500 copies – Numbered Edition)

Originally released in the mid-2000s, this defining work now returns in a gloriously expanded edition – and for the first time ever, pressed onto double vinyl. This 2025 edition, meticulously remastered to K14-level standards by Andersson himself, features not only the core studio album (Disc I, recorded winter 2005–2006), but also two full discs of evocative live performances from across Europe, including Gent, Sofia, Salzburg, Alkmaar, Budapest, and a stunning set recorded in the Sophienkirche of Wuppertal during the Phobos II Dark Ambient Festival (2010) – a performance that plays like a liturgy for forgotten gods.

“Back to Hermetics and Martial Arts Vol. 1” is an epic adventure through the invisible worlds of Neoplatonic cinema. From mockumentaries about the lost books of occult correspondences, through psychedelic surf noir chambers with ritual suppers, and giallo screams of the world squished by the chthonic grasp, to the original footage of the victorious Belgrade-Dharamsala bicycle marathon of 1931, Morriconesque spaghetti western theophanies, and the saving grace of the Heart pierced by Seven Swords, the album delivers nine movie themes that combine various musical elements into a unique work of cinematic alchemy.”

Il primo album live di CIGNO: 70 minuti di musica, un proiettile ed una lettera scritta di pugno.

Pubblicato esclusivamente da Dirt Tapes in cassetta.

Pythagoras, the new Pyramids album nine years in the making, is set for release in 2025 via avant-tastemakers The Flenser. Yet another daring study in genre synthesis, the band continues to push boundaries in both sound and aesthetic, blending jagged fragments of black metal and shoegaze as they have done since their influential 2008 Hydra Head Records debut, only this time adding the unconventional layers of reggaeton and neoperreo to both voice and rhythm. Named after the ancient Greek philosopher, Pythagoras represents the band’s ongoing commitment to innovation, and the perpetual juxtaposition of the delicate and the devastating, embracing complex musical structures and rhythms that both challenge and captivate the listener. At the heart of the album lies an intricate balance between aggressive blast beats and the syncopated pulse of reggaeton’s signature dembow rhythm—a concept born from founder Rich Loren Balling’s own immersion in both extreme music and pop genres.

• Previous releases on Hydra Head and Profound Lore Records

Quinto Sol was the brainchild of Faith & Disease keyboardist, the late Joaquin Tavares (d. 2006). Joaquin and co-founder Alfredo Feregrino sculpted a very brilliant "pre-Hispanic" ritual project that incorporated complex Mayan and Ancient symbolism woven into a percussive, dirge-like soundscapes. Tracks are culled from the studio and a "Day Of The Dead" live performance at the Seattle Art Museum. "Ollintonatiuh" also includes performances from F&D's Dara Rosenwasser, Eric Cooley and Joshua Furman while members of Quinto Sol. Bonus tracks include an alternate mix of the Tavares composition "Wallow" from F&D's CD Fortune His Sleep

    After "THE DISINTEGRATION OF SILENCE", marked as a continuation of the work between visual artist Stefano Gentile and Belgian ambient musician Dirk Serries, Dirk returns to Stefano's Silentes/13 label with a new album, entitled "DEFIANCE OF SELF". In the wake of its predecessor, Dirk worked on this album in January 2024 using his motherboard of pedals and an electric guitar to create this slightly darker and experimental album. Once again performed and recorded entirely in real-time, and embracing the willful character of some of his outboard pedal effects, Dirk allows them to lead direction of each piece. "DEFIANCE OF SELF" is alienating, expansive, utterly eerie and inventive, as the author continues to consolidate a new creative path that's clearly his own. Let yourself be absorbed in this dark realm of thematic soundscapes, accentuated by the somber and melancholic '80s style of Stefano Gentile's photography.

The idea behind "Methexis" is to take some of the foundational concepts of jazz such as interplay, timbral research and improvisation, and render them in a predominantly electronic context. The compositions were sketches, for example various modes of interactions and three modal macro-areas were indicated on the piece "Methexis", while "On Silent Haunches" is an improvisation for solo electric piano structured on the final four chords of the "Ladybird" standard, and so on, the pieces were constructed leaving each musician with endless possibilities for interpreting the music. Interaction was one of the underlying principles of the project and occurred on two levels: the first saw the musicians interpret the compositions, the second saw Borda edit, process and manipulate the recorded material depending on what each musician had played.

Black bile, in ancient Greek medicine, is one of the four humors that make up the human body and affect its existence. Specifically, black bile is the mood responsible for melancholy, anxiety and depression. “Atrabile” is aan album about depression in its different stages, from despair (“Koma”) to suffocation (“Atlas”), via total discouragement (“Achlýs”), anxiogenic obsession (“Knōsós”) and deviant perception of time (“Kairos”). The work is intended to be an aural representation of one of the greatest evils that has always plagued humanity.