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Returning with Nedstigning, their debut full-length, Gjendød walks further down the snow-covered path into history-minded obscurity. “Håpet Falmer” continues mysterious musicians K and KK’s stylistic fence-treading, balancing their cold, riff-based songwriting with unsettling moments of clattering discord and dime-turn rhythmic changes. The adrenal, savage black metal offered by Gjendød masterfully fuses these two disparate, but still wholly Norse black metal lineages

rning with Nedstigning, their debut full-length, Gjendød walks further down the snow-covered path into history-minded obscurity. “Håpet Falmer” continues mysterious musicians K and KK’s stylistic fence-treading, balancing their cold, riff-based songwriting with unsettling moments of clattering discord and dime-turn rhythmic changes. The adrenal, savage black metal offered by Gjendød masterfully fuses these two disparate, but still wholly Norse black metal lineages

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Krigsdøger' from 2018, is the follow-up to the debut ‘Nedstigning', and it is where Gjendød started to experiment more recording-wise, with 4-trackers and field recordings. It is a more varied album.
Krigsdøger's meaning is that you feel the war before it arrives. A feeling the band tried to capture.

The third Gjendød-album «Angrep», was first released late 2020.
The previous album ‘Krigsdøger' was meant to be some kind of precognition of a coming war, ‘Angrep' is the war.
A very different album than the others. It's fast and brutal, but it still has a lot of the essence that makes Gjendød what they are musically.

The third album by Gjendød re-released on LP, CD and MC with updated layout.
The most aggressive and brutal album by Gjendød, but behind the fastness lurks the feeling we recognize from their other releases.

CD in jewelbox, 2 page inlay full-color on 135g art paper, booklet 12 page full-color on 135g art paper, all assembled and cellophaned.

Compared to the sheer brutality of ‘Angrep', ‘I utakt med verden' is quite the opposite.
If Angrep was the war, ‘I utakt med verden' is conceptually the time after a lost one, where we lick our wounds and count our dead. Slowed down.
Someone said that listening this album was like being trapped under water, and there was no chance to breathe air until the end of it.

Re-issue, 300x heavyweight white 12" (180g) in a microtene innerbag, printed innersleeve full-color on 220g (coated paper), jacket full-color printed on 350g carton, coated paper (semi-gloss), all assembled in a plastic overbag.

After four quite different sounding albums as a duo, the Trondheim- based black metal band Gjendød has now returned with their 5th full-length.

It comes as no surprise that ‘Livskramper' also follows that path of constant changes, this time a ninety degrees turn, very well helped by the new drummer TK, who's most listened previous work might be the ‘Trøndertun'-session by Thorns. TK is another injection of mad supremacy into the spine of the band.

A fine and varied Black Metal album which includes a spectrum of feelings, from sheer passiveness to outraged despair, every second of the album is a life cramp.

All draped in the crushing sound recorded in the infamous NordStern studios.
A narcissistic scolding album of life, aggressively roared and whispered in dialect.

GJENDØD's brand new masterpiece ‘Livskramper' is a more than worthy beginning of the band's second era.
With artwork by Theodor Kittelsen.

300x heavyweight bloodred vinyl 12" (180g) in a microtene innerbag, innersleeve full-color on 220g carton (coated paper), download card, simple jacket, full-color printed on 350g (coated paper), all assembled in a plastic overbag

"Nechrist" is probably the most peculiar record in Nokturnal Mortum's catalogue, simply because it's different from anything else they've done.
This is by far their angriest, fastest, darkest and most aggressive record, and as such it's often labelled as "messy" or "chaotic": while it might result a bit difficult to digest during the first listens, "Nechrist" is a grower, and its beauty will slowly unfold to the listener each time he comes back to it.
The album's production is quite raw, making a bit difficult to distinguish the fastest guitar patterns at times; the riffs generally consist in the traditional black metal tremolo picked frenzy, although slower sections are obviously present, with some interesting bridges here and there (the "breakdown" found at the end of "Night Before the Fight" is simply amazing).
The bass isn't always audible, but where you can hear it you can say its patterns are definitely interesting.
The drumming is astonishing, a real storm of blast beats and relentless double bass drumming, thus confirming Munruthel as the most technical drummer this band has ever laid its hands on.

Re-issue with the complete updated layout, remastered by the band itself, the most angry and furious album of the band.