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*TSJUDER* deliver Norwegian Black Metal in the classic raw and rattling style, yet without ever giving in to the temptation of wallowing in nostalgia. On their fifth full-length 'Antiliv' not a single note has to be dyed black, because the roots that are clearly showing are all glistening with the abyssal musical non-colour pioneered by BATHORY, CELTIC FROST, and VENOM as well as those Northern masters MAYHEM, DARKTHRONE, and EMPEROR. The venomous and vicious throat rendering by bassist Nag and guitarist Draugluin entwines with thorny, relentlessly driving riffs and an infernal rhythmical ice storm unleashed by drummer Anti-Christian over majestic melodies. When the Norwegians returned with 'Legion Helvete' in 2011, it became obvious that they had honed their songwriting to razor sharp perfection since splitting up after the release of the live DVD 'Norwegian Apocalypse' in 2006. Now *TSJUDER* stand proud with an impressive demonstration that they are still growing stronger and the hellishly fierce masterpiece 'Antiliv', which the band modestly describes as "raw and uncompromising black metal". No post, no progressive, no whatever!

_Recommended if you like_: MAYHEM, GORGOROTH, DARKTHRONE, CARPATHIAN FOREST, 1349, TAAKE
 

“Et Hav av Avstand" is the 8th full-length studio album from the legendary Norwegian Black Metal band Taake.

It consists of four songs clocking in at 42 minutes, displaying some of the finest songwriting yet from this epic one-man band.

Fierce, but melancholy. Vigorously old-school but also progressive. retaining that unfiltered sense of unique rawness that is synonymous with Hoest’s charismatic sound and musical identity.

Taake still manages to stay relevant and at the forefront of the genre and Hoest, who plays every instrument on the album, has ensured that the album is imbued with the unique Taake sound whilst at the same time developing it further.

This is unmistakably Taake, and as always, an intense work that surprises and enthrals.

The traditional three year wait is over, and Hoest has now completed the sixth Taake album.

"Stridens hus" takes the unique Taake sound and develops it further.
Still true to the spirit of the old Norwegian Black Metal, Hoest breathes new life into the genre by introducing different elements that ensure the sound remains fresh and relevant. Some parts are more groove and rock orientated, whilst some have a distinctly punk attitude. However, this is still unmistakably Taake and, as always, we're treated to a varied album with intense, unique and unpredictable dynamics.

Digibook CD with UV spot varnish and golden hotfoil embossing on cover, booklet and bonus track "Asaland".

FALKENBACH were originally conceived as a solo-project by Vratyas Vakyas and officially came into being with the "Læknishendr" demo in 1995. After the interlude of their fourth album, which partly featured reworked earlier material, the next full-length from the German composer and multi-instrumentalist who was again joined by musicians appeared to be a summary of all the elements from his previous works. "Tiurida" (2011) put the emphasis on the band's epic melodic pagan metal side, which was generously spiced with some earlier black metal elements. The album still evokes an overall impression of confident and experienced songwriting. FALKENBACH had reached the point where they not only exactly knew their musical destination but also how to get there.

Digibook CD with UV spot varnish and golden hotfoil embossing on cover, booklet and bonus track "Skirnir".

FALKENBACH were originally conceived as a solo-project by Vratyas Vakyas and officially came into being with the "Læknishendr" demo in 1995. With the fourth full-length, "Heralding – The Fireblade" (2005), the German released material that was originally intended for the debut album, but due to production issues got delayed and later re-worked. This meant a somewhat hybrid album that to the delight of their early fans had more of the black spirit of the legendary first full-length " …En their medh riki fara…" (1996), but also featured the matured pagan metal sound, which FALKENBACH had gained over the course of the following two albums.

Digibook CD with UV spot varnish and golden hotfoil embossing on cover, and booklet.

FALKENBACH were originally conceived as a solo-project by Vratyas Vakyas and officially came into being with the "Læknishendr" demo in 1995. On his third full-length, "Ok nefna tysvar Ty", the German continued to navigate straight along the course that he had set on the previous two releases. This meant a further reduction of obvious black metal elements, while adding more melodic and folkish parts. Yet musically as well as in their lyrics, FALKENBACH firmly went on to spearhead the pagan metal style that became so very popular only a few years down the road. Vratyas Vakyas starting to work with guest musicians from this album on, gave his sound more of a band feeling as well.

jewelcase

new gorgoroth album after 2009 "Quantos Possunt ad Satanitatem Trahunt", continues the mark left with that album, presenting new vocalist Atterigner

1. Atternatt 06:48
2. Umenneske 08:16
3. Lukt Til Helvete 05:05
4. Doedsjarl 05:26
5. Motpol 05:12
6. September Omsider 05:12
7. Velg Bort Livet 10:27

From the rugged, rain-­swept coastline of Bjoergvin, enclosed within the looming embrace of seven mountains, emerges the seventh full-­length album
It is fresh, yet traditional in spirit. It is familiar to the ear, yet unexpectedly proceeds
to wind its sinuous and unpredictable way through a soundscape that only a mother could love. A soundscape underscored by a nasty groove, that at times
can appear deceptively playful. Taake still today manages to stay relevant and at the forefront of the genre, and, true to form, Hoest, who plays every
instrument on "Kong Vinter" himself, has ensured that the album is imbued with the unique Taake sound whilst at the same time developing it further.
"Kong Vinter" is both progressive and straight forward, with a touch of the devil's own music -­ rock’n’roll. This is unmistakably Taake, and, as always,
Hoest has produced an intense work that surprises and enthrals.
Brace yourselves for a freezing journey through the merciless Norwegian winter, because the winter takes it all.

CD in deluxe Digisleeve printed on the rough side of the board, with folded booklet.

TSJUDER is back with a brand-new full-length opus for the first time since 2015!
Featuring a renewed line-up with drum master Jon “The Charn” Rice (Umbra Vitae, Uncle Acid & The Deadbeats) holding down the throne, ‘Helvegr’ is an authentic display of the True Norwegian Black Metal sound that Tsjuder helped define in the 90s.
With this blistering aural assault, the band is certain to conquer 2023 with blasphemy and blast beats!

For fans of MAYHEM, 1349, DARKTHRONE, GORGOROTH, CARPATHIAN FOREST.

CD+DVD

TSJUDER’s debut album “Kill For Satan” (2000) gained the band attention and critical acclaim that was enhanced by their next releases “Demonic Possession” (2002) and “Desert Northern Hell” (2004). After unleashing their live DVD “Norwegian Apocalypse – Oslo vs Sandnes” (2006), TSJUDER split, but celebrated a triumphant comeback with “Legion Helvete” (2011). Now “Desert Northern Hell” will be re-issued with four previously unreleased live tracks and the complete “Norwegian Apocalypse – Oslo vs Sandnes” DVD! When TSJUDER initially released their third full-length “Desert Northern Hell” as a furious tribute to traditional harsh Black Metal, fans and critics applauded their unrelenting dedication to the roots of this genre. “Tsjuder manage to take the listener on a successful journey through time, when Black Metal was determined by feeling and attitude …”,