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Since 2011, ÚLFARR have stood for uncompromising, antisocial UK black metal - or, under their own banner of Cumbrian Black Metal. Helmed by Dominus, AKA Hrafn - who counts the equally prolific THY DYING LIGHT amongst his activities, as well as fellow labelmates NEFARIOUS DUSK and MORTE LUNE - ÚLFARR released a handful of demos, a couple splits, and most uniquely, a couple live albums before their debut mini-album, Hate & Terror - The Rise of Pure Evil, in 2019 and then another mini-album, The Ruins of Human Failure, two years later. Most recently, they released a split album with fellow UK horde MALFEITOR. Across these caustic recordings, ÚLFARR stoked the fires of old - namely, classic Craft, Darkthrone, Mayhem, One Head One Tail, and Death Cult.

Now ÚLFARR return with a revamped lineup and a revamped sound on their long-awaited debut album, Orlegsceaft. Joining Dominus here are erstwhile Exvoidxist / Forvitnast vocalist Játvarðr, HELVELLYN's Burns on bass, and MALFEITOR maiman Nosdrahcir on drums. As no doubt forecasted by its title, Orlegsceaft is written almost entirely in Old English, and most suitably do ÚLFARR shift gears toward a grim & ancient style of black metal. Whereas their sound of yore spit forth a hateful primitivism both punkish and headbanging, this older & bolder ÚLFARR take that hate toward more desolate and hypnotic ends; atmosphere is heightened, ghoulish and GRIM in aspect. In effect, Orlegsceaft undeniably sounds OLD(e), like a long-lost recording from 1995 given undead life through ghostly means. It's still recognizably ÚLFARR, but their attack cruises more cooly here and the vocals of Játvarðr raise the hackles with full-throated terror. And fucking RIFFS forever!

Against the modern world, more than ever, ÚLFARR take UKBM back to the dark ages with Orlegsceaft.

A newcomer hailing from Norway, SOLUS GRIEF is the work of one Peregrinus, who handles all instruments, vocals, and mixing & mastering. And where so many "one-man black metal bands" sound as much (or worse), SOLUS GRIEF buck that trend with a righteously robust sound and fully in-the-moment style of execution. In other words, Peregrinus sounds more like an actual band than many "bands" do.

With a Last Exhale is the evocatively titled debut of SOLUS GRIEF, self-released digitally late last year - and so entranced by its rigid-yet-unique style of black metal, PURITY THROUGH FIRE is now rightfully releasing the album on two physical formats. It would not be incorrect to assume a four-song/41-minute black metal record recorded by one man would be of the depressive/suicidal variety, and to some degree, both those appellations could be applied to SOLUS GRIEF. However, as Peregrinus soon displays, With a Last Exhale moves many, MANY places - and many of them quite surprising, despite remaining steadfastly within BLACK METAL - and with a jaw-dropping fluidity; this is NOT one-riff minimalism/"hypnosis" nor an expression living/dying on "atmosphere" alone. Indeed, with plenty of atmosphere to spare, Peregrinus' compositional skills astoundingly span the full reach of extreme metal, subtly (and tastefully) touching such boundaries as '90s melodic death metal, '80s epic doom, or even just proper heavy metal...but the expression is resolutely a black metal one, the emotions intense and inward, as befitting a title like With a Last Exhale. And the bass guitar here is something that must be experienced.

Digipack

Complete 'Demo 91' , original 'Aske' recording, original 'Svarte Dauen' recording and more , with photos, info, etc, 74 minutes

1, 2, 3: orginal "Aske" EP, recorded during 1992
4, 5, 6, 7: "Rehearsal/demo 1991" previously unreleased
8, 9, 10: "Svarte Dauen" 1993 previously unreleased
11: version taken from "Burzum" 1992
12: version taken from "Det Som Engang Var"
13: version taken from "Filosofem" album

OBSIDYEN is a Black Metal band founded in Albi (81) in 2019.
Their first musical attempts revolved around biblical mythologies, before slowly shifting towards the « Ancient Astronaut Theory », popularized by Erich von Däniken in 1968.
According to this theory, humanity has been visited by non-human beings in the past.These traumatic anthropological and technological encounters led to the creation of polytheistic religions and myths in antiquity.
OBSIDYEN transcribes these subversive subjects through massive and powerful riffs, coupled with liturgical cold melodies, resulting in an atmospheric harmony that adventures the listener into the lands of the past, the stars and beyond.
The band released their first self-produced album, "ANTEDILUVIAN SCRIPTUM" in 2020, with subjects including Mesopotamian and Sumerian cultures, the Old Testament or the
myth of Atlantis.
Very soon after the release of this first album, Omega has created a mythological trilogy based on the "Cult of the Serpent" around the world.
The first episode is called "LITANY OF IAH", and takes place in
ancient Egypt.

Classic Jewelcase Edition w/Obi-Strip!

 „Etna" explores themes that are far more autobiographical. The album is named after the eternal river of childhood and new life. „Etna" is the source flowing from the mountains and down to the fields, cleaning and purifying everything in its path. Consequently, Jørn Øyhus describes the process of writing the songs on his new piece of art as „like having mirror therapy sessions". The record tells about the thoughts and ponderings of a man whose life kept falling apart piece by piece until there was nothing left but a broken person. A human being that had lost everything except his music to guide him and light his way.

„Etna" was self-recorded in Jørn Øyhus' own „BergArt Studio" in Norway, where the forest is his neighbor and dear friend. His brother Tor Erik Øyhus came by to play the bassoon once owned by their father, who had recently passed away. Emily Nybakk sang the female vocal-parts and Mathias Gyllengahm played the nyckelharpa. Mastering was done at Klangschmiede Studio E by Empyrium's own Markus Stock

HELLWITCH Syzygial miscreancy
+ Live at Culture Club, Fort LAuderdale (Track 08 to18)
 

Blood was formed by Bernd Eisenstein, Taki, Geer and Radtke in March 1986 in Germany as a fun-noisecore band. They recorded 3 demos during this time. In June of 1987 Ventilator joined Blood on drums and the songs got more structured and the music became serious. In 1989 they released their debut album Impulse To Destroy on the American cult label Wild Rags. Their seventh full lenght album called ‘Dysangelium was released in 2003 is now finally re-released. Complete new booklet design by RaDesign (Vio-Lence, Varathron, Flotsam and Jetsam). 21 TRACKS from THE German death / grind masters! 

The new album is a tour-de-force, amalgamating some of the most exciting, innovative, and genre-defying moments from MYRKUR's catalog into something that is haunting, extreme, and brilliant as ever. Spine lays MYRKUR bare, at her most raw and unwavering, and is undoubtedly one of the year's most ambitious and cinematic albums.

Spine relates to MYRKUR's personal mythology. Written during one of the most difficult times in Amalie Bruun's life - Spine is the direct result of her experiences following child birth. From the love and euphoria that comes with motherhood, to the fears of the unknown and the mysteries of the journey ahead, Spine is ultimately an album about seeking balance amidst chaos. To Bruun/MYRKUR, the record explores the very human nature of what it means to be a mother, and finds resonances with Scandinavian mythology to do so.