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Back in stock - musica Black Metal e Dark estrema
Quinto album per questa band francese.
Sicuramente il loro migliore album.
Eccellente black metal per fan di band quali Forgotten Woods primi album Taake,Nocturnal Depression,Norvegia anni 90
Vèrmyapre Kommando’s demos are now officially released
Side project of VLAD TEPES members - ugly & filthy, Black Legions Metal at it's worst! Drakkar Productions.
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Vèrmyapre Kommando’s demos are now officially released
High quality Drakkar CD issue of the obscure demo released by Wlad and Vorlok from VLAD TEPES. True darkness and hate from the depths of the Black Legions itself.
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Brand new limited reedition of Dødsfall’s third full-length, originally released in 2013 ! with “Djevelens Evangelie”, Dødsfall leaves us a brilliant testimony of what black metal should remain: fast, cold, raw and hard-hitting. a must-have classic for all fans of the Norwegian scene from the 90s.
Comes in a 2 part CD digipack with an 8 pages booklet and a picture printed CD
2023 Drakkar Productions release
Released in January 2013 as a 7", this split ep is now being reissued ten years later as a 10" with some changes on the MonumentuM side:
PJ Harvey's classic "The River" is here featured in a different version from the one on the original ep, plus, to bless the two bands sodality, we are adding the song "In Misery Front Row", which originally appeared in 1998 as an instrumental track called "The Colour Of Compassion" on Misanthopy Records label's compilation Presumed Guilty, but hereby featuring Shining's mastermind Niklas Kvarforth on vocals.
Limited to one-press only, 300 copies
Info: se sei un sottoscrittore del "Circle of Wax" di Avantgarde Music, questo album sarà incluso nel bundle #3 (Febbraio)
After two decades devoted to the dark arts within obscure black metal, Wraith (Vanquished) and Luzifaust (Kaifrun, Hostium) present a new chapter, going by the name of Vastatum.
An ancient parallelled entity born into modern existence. Rich with atmospheric maturity and an emphasis on existential impermanence, Vastatum have executed the sonic experience of passing beyond life into death’s immeasurable grasp. Thus melding the elusive soundscapes of disembodiment with the haunting distinctions of absolution. Poetic, and potent, melodic and malevolent.
Vastatum is driven by the dark innate will of creativity and the seductive allure of the occult, and Mercurial States Of Revelation is the first chapter in the band's history. A chapter written in black metal and contemplations upon human existence.
Mercurial States Of Revelation reflects upon the conceptual philosophy that since time immemorial the earth, world and existence (as we comprehend it) have been in a constant state of flux and continual transformation. Thus compelling all planetary inhabitants toward perpetual states of adaptation within a world that is rapidly evolving and transcending beyond the depths of the human species.
Through mighty riffs deeply rooted in both the classic sounds of Norway in the early ‘90s and the Cascadian tradition of the ‘00s, Vastatum find a perfect balance between the old, the contemporary and the esoteric, picturing visions of growing shadows and perishing bodies.
Sebastian Montesi is a prolific artist, probably best known for his endeavors in Mitochondrion and for being one of the founding members of Auroch.
With Saturn’s Cross, the Canadian took a very different path, delving into cold wave territories, which little have to share with the bands he is usually associated to. Yet, when we listened to what Sebastian crafted, we had no doubt, and we gladly welcomed this new project to our roster. With neither hope nor fear, Saturn’s Cross unveils Cheat Death. Now operating as a two piece, with 1908 entering the fold on bass and
vocals, Cheat Death disregards genre with wild abandon in favour of something that is at times overwhelmingly abrasive and at others intoxicating.
This is a willing exploration of the endless labyrinth and a lamp of pitch black glass intended to serve as a beacon in the lightless depths of the human spirit. This is a headlong dive into the soul's psychic darkness, with nothing to break the fall. This ushers in a new era Saturn's Cross.

Color vinyl (marble link and purple) with booklet
“A house, high on a hill, filled with a mystical air.”
Emerging from the burgeoning Ordo Vampyr Orientis circle, black metal entity Bad Manor's energetic and whimsical debut The Haunting weaves a series of dark tales surrounding the band's titular mansion. Inhabited by dark spirits and curses alike, Bad Manor's vision of black metal looks not to grim forests and minimal musical ideas but rather vivid, imagination-driven scenes, curious tales, and sinister, active musical ideas alike. Featuring a paired book illustrated by artist Landis Blair and with stories recounted by the mysterious author and medium Stephen R.C. Sicreeve, The Haunting's multidisciplinary approach to black metal – filled with secrets and hidden passages – is as sprawling and chaotic as the house itself. Lose yourself in its hallways, but don't let yourself disappear. Listeners and readers alike: beware.
Each new homage becomes a portrait, each new portrait becomes our legend.
Ferum is a death doom metal band originated in Italy, but now scattered
over two countries. Asunder / Erode, the band’s debut album, is an
obsessive and monolithic record. Slow, funereal riffs are tied to faster,
sharper parts, while harmonized melodies and solos paint a cavernous
atmosphere. The drums wisely marches, moving from the background into
the spotlight, always followed by the bass guitar.
Asunder / Erode was recorded and mixed at Walter Productions in Tallinn,
Estonia by producer and sound engineer Are Kangus. The studio is located
inside the historic Tallinna Linnahall, a behemoth built during the Soviet
occupation. Today it is an urban wreck kept alive by few commercial
activities which are based on the inside: it is in fact closed to the public,
with the exception of some parts. Its interior is a maze of stillbirth potential,
and inspired one of the album's pieces.
The record was mixed completely in analogue to give the songs a deeper,
more archaic, real thickness. The master by Dan Swanö added the final
touches, making the album consistent, organic and even heavier.
Conceptually, Asunder / Erode is a journey that explores the idea of
separation and its dichotomy, up to erosion and collapse. This is
represented in a morbid and extreme way by the cover by Maestro Paolo
Girardi. The choice of oil on canvas follows the same logic of the analogue
mix: to make the whole as natural, as real as possible, and to pay homage
to the influences that inspired Ferum, by reinterpreting them
Ikarie is a newborn band formed by experienced musicians from the Mediterranean coast of Spain. They describe themselves as a band developing “the concept we call cosmic existentialism, which is about our freedom and responsibility as a rational species, aware of its insignificant, terrifying and astonishing existence in the universe”.
Cuerpos En Sombra is the first album by Ikarie, a post-metal opus in the vein of Cult Of Luna and Year Of No Light, “a legend of ghosts, of those who emerge from the deepest wounds of the soul. Installed in their universe of silent and silenced scars, inspired by the desert and sea landscapes of the Spanish Levant where we grew up, it delves into the theme of the human being from its limits, where it almost ceases to be, in a world where perhaps it is not allowed to be”.
The album deals with “what happens and doesn't happen when we become an unproductive and annoying absence, showing a series of desolate places and characters as if they had come out of the collective imaginary of the uncomfortable, painful and demented”.
Cuerpos En Sombra is the first chapter of a trilogy in which Ikarie intend to denounce the stigma of being different, the lack of resources in everything related to mental illness and the pathologization of people with problems which are mainly structural.