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Gatefold LP (white/silver/black marble) incl. padded inner sleeve and protection sleeve

This re-issue of Lifelover's third album, "Konkurs", is the band's first release on Prophecy. "Konkurs" paints a bleak, dystopian vision of modern urban despair with elements of black metal, indie-pop, post-punk, and shoegaze. Whether you love it or you hate it, "Konkurs" will forever alter your perceptions of what can be done with black metal or extreme metal.

Gatefold 2LP (clear/black smoke vinyl) in polylined inner sleeves and protection sleeve (500 copies)

B's legacy and the most extreme swansong of 2011

Lifelover's fourth and last album "Sjukdom" (English: disease) is a dark and challenging record. Following their critical acclaim-afforded and cathartic "Konkurs" in 2008, these elusive and mysterious misanthropes venture down an even more daring path with "Sjukdom" where the extremes of the characteristically idiosyncratic Lifelover sound are pushed to their utmost limit: the bittersweet melodies become more beautiful whilst the pulsing, coal-black heaviness becomes uglier. After the tragic death of B in September 2011, this is Lifelover's final studio album.

Gatefold LP (silver/black marble vinyl) in polylined inner sleeve and protection sleeve (500 copies)

2-CD hardcover book (18 x 18cm, 36 pages) + excl. bonus CD with 4 bonus songs and additional artwork

With their seventh studio album "Otra", Norwegian avant-garde metal stalwards IN THE WOODS... might surprise their listeners – and particularly those, who have not followed the remarkable evolution that the band from the southern Norwegian city of Kristiansand has undergone since the early nineties. The tracks of "Otra" are surprisingly captivating with melodic tunes dominating the present sound of IN THE WOODS... – although progressive elements and the occasional rough reminder of the Norwegians' harsh past are also regularly shimmering through the fabric of these songs. What sets "Otra" apart from the average heavy work of music is the excellence of composition that shows expert level experience and comes with a seeming ease that makes the achievement even greater. Lyrically, "Otra" revolves around stories connected to the eponymous river that winds for 245 kilometres through the South of Norway and spills into the Skagerrak, the strait that separates the country from Denmark and Sweden, at the band's home in Kristiansand. There is hardly a need to introduce the name IN THE WOODS... to any adherent of avant-garde and black metal. Their coordinates within the scene are also well known: The Norwegians were among the bands that have participated in the burgeoning evolution of black metal in the early nineties and have had a large part in the shaping of the sound of a strong subgenre. Their first full-length "Heart of the Ages" (1995) has a lasting impact on black metal and is rightfully regarded as one of the genre's early classics. Refusing to rest on their laurels, IN THE WOODS... progressed further into different musical dimensions with "Omnio" (1997) and "Strange in Stereo" (1999). Following a long hiatus between the years 2000 to 2014, the Norwegians returned with vocalist James Fogarty, who continued to front the band until December 2021. With a new line-up and singer Bernt Fjellestad completing IN THE WOODS... a fresh direction was taken with the album "Diversum" (2021). With "Otra", IN THE WOODS... demonstrate the full strength and artistic maturity of the Norwegians' third incarnation. Enticing and highly pleasurable to listen to, this exciting record is nonetheless crammed with glorious details and surprising twists that reveal themselves only after many spins.

With their seventh studio album "Otra", Norwegian avant-garde metal stalwards IN THE WOODS... might surprise their listeners – and particularly those, who have not followed the remarkable evolution that the band from the southern Norwegian city of Kristiansand has undergone since the early nineties. The tracks of "Otra" are surprisingly captivating with melodic tunes dominating the present sound of IN THE WOODS... – although progressive elements and the occasional rough reminder of the Norwegians' harsh past are also regularly shimmering through the fabric of these songs. What sets "Otra" apart from the average heavy work of music is the excellence of composition that shows expert level experience and comes with a seeming ease that makes the achievement even greater. Lyrically, "Otra" revolves around stories connected to the eponymous river that winds for 245 kilometres through the South of Norway and spills into the Skagerrak, the strait that separates the country from Denmark and Sweden, at the band's home in Kristiansand. There is hardly a need to introduce the name IN THE WOODS... to any adherent of avant-garde and black metal. Their coordinates within the scene are also well known: The Norwegians were among the bands that have participated in the burgeoning evolution of black metal in the early nineties and have had a large part in the shaping of the sound of a strong subgenre. Their first full-length "Heart of the Ages" (1995) has a lasting impact on black metal and is rightfully regarded as one of the genre's early classics. Refusing to rest on their laurels, IN THE WOODS... progressed further into different musical dimensions with "Omnio" (1997) and "Strange in Stereo" (1999). Following a long hiatus between the years 2000 to 2014, the Norwegians returned with vocalist James Fogarty, who continued to front the band until December 2021. With a new line-up and singer Bernt Fjellestad completing IN THE WOODS... a fresh direction was taken with the album "Diversum" (2021). With "Otra", IN THE WOODS... demonstrate the full strength and artistic maturity of the Norwegians' third incarnation. Enticing and highly pleasurable to listen to, this exciting record is nonetheless crammed with glorious details and surprising twists that reveal themselves only after many spins.

TRELLDOM are the brainchild of Kristian Eivind Espedal, who is better known under his artist's name Gaahl. The Norwegian became one of the leading figures of the Nordic black metal scene after joining the notorious Bergen outfit GORGOROTH in 1998. For many years, the vocalist was pigeonholed for his extreme vocals and attracted many, often dark rumours about his person. If any notion is true about Espedal, it is to always expect the unexpected. TRELLDOM have already written black metal history. The band founded by Gaahl in Sunnfjord, Vestland in 1992 released their debut album "Til evighet..." (1995) to great acclaim in underground black metal circles. Having changed the line-up to include guitarist Valgard and Stian "Sir" Kårstad on bass, TRELLDOM unleashed their sophomore full-length "Til et annet..." (1999) to already much attention of mainstream metal media. This album was produced by the legendary sound engineer Pytten at Grieghallen Studios in Bergen. Pytten also recorded the third milestone "Til minne..." (2007), which became highly regarded both by critics and fans. One of the key aspects of TRELLDOM's first trilogy has always been that in his own band Gaahl was free of the strict limitations under which GORGOROTH operated, and therefore able to explore his voice at will. With "...by the shadows..." the Norwegian artist breaks free from another mould. Returning after many years of dormancy, in which the musicians involved went on to work with several other projects, there is both continuity and change. The crucial collaboration with Stian Kårstad remains at the musical heart of the band. The by far the largest part of all songs on "...by the shadows..." has been created by Sir, who has also taken over all guitar duties. Yet Espedal has changed other aspects of TRELLDOM, which created fascinating effects. Now the renowned percussionist Kenneth Kapstad sits on the drum-stool,who was formerly of MOTORPSYCHO and is also driving the beats in SPIDERGAWD, MØSTER!, and THORNS. Kapstad also brought the internationally acclaimed jazz musician and saxophone player Kjetil Møster (MØSTER!, RÖYKSOPP, THE END) into the fold. The inclusion of Møster's unorthodox saxophone sounds can already be taken as an indication that TRELLDOM are no longer shackled by the narrowest definition of black metal. The music on "...by the shadows..." does remain dark and fierce. It is also clearly still growing out of its roots in the black past. Yet Espedal has willed his band into becoming a far more layered beast and set it free to roam in an avant-garde dimension – with the dissonant sound at times even turning towards the experimental. TRELLDOM have awakened from their slumber and "...by the shadows..." is a spirited manifesto for artistic freedom as well as a grand declaration of war against nostalgic stagnation. This album poses a challenge that states: love it or leave it!

Seen Through The Veils Of Darkness (2^nd Spell) is GEHENNA`s first full-length album which was originally released in 1995.
They kept their characteristic sound intact, yet stepped each and every element of their sound up a notch or two. The highly melodic sound which has over the years become one of the band`s trademarks, presents itself refined with subtle details.
For the first time, GEHENNA dare to incorporate fast-paced passages into their songs too.
Considering the high compositional level of the album, one is simply awe-struck by the band`s enormous development within only 2 years since GEHENNA`s inception.
Seen Through The Veils Of Darkness (2^nd Spell) is a symphonic Black Metal masterpiece and a highlight of the genre.

The songs were completely new remastered by Patrick W. Engel at the Temple of Disharmony to ensure the best possible sound for this timeless Black Metal classic.

Luxurious hardcover digibook-CD.
It contains the new interview and many never before-seen pictures spread over a 28 pages booklet.

"Zeitlang" is the harsh debut full-length of Bavarian black metal act GRÀB featuring founding vocalist Grant. The former DARK FORTRESS frontman has written the entire concept album in a local dialect of Germany's southernmost Alpine state.

GRÀB, which means “old and grey”, are lyrically telling the story of an old man, who has chosen to withdraw from society into an isolated cottage deep in the mountains, where he reflects on his life while his death edges ever closer. The story on "Zeitlang" ("Yearning") begins in his early childhood with the song 'Nachtkrapp' ("Night Raven") and continues all the way to his end, which is illuminated by the track 'A Gråbliacht' ("A Grave Lantern").

Musically, GRÀB are picking up the Norwegian strands of early GEHENNA, ULVER, and DARKTHRONE as well as being inspired by German NAGELFAR and LUNAR AURORA. Yet true to their topic, the Bavarians include traditional local elements, which is instrumentally expressed by the use of hammered dulcimer, zither and alphorn.

Vocalist and Bavarian poet Grant views "Zeitlang" as his personal musical legacy. Join the singer and GRÀB on their equally intimate and forceful quest into the dark and stark places of the human mind and Alpine nature where there are no safe spaces.

GRÀB offer both, continuity and change, on their sophomore full-length "Kremess". The Bavarian black metal project founded by vocalist Grànt continues to revolve lyrically around tales and traditions narrated in the local dialect of Germany's southernmost Alpine state: Bavaria. "Kremess" means 'funeral feast' in that language and death plays a leading role on this album. Musically, GRÀB still feature a prominent traditional instrument of their region, the hammered dulcimer. This gets combined with particularly Norwegian strands of black metal such as early GEHENNA, ULVER, and DARKTHRONE as well as taking inspiration from German pioneers of the genre namely NAGELFAR and LUNAR AURORA. Adding to the local sonic colours are many fresh ideas and sounds that came with English guitarist Gnàst, who has replaced previous main songwriter Grain in the meantime. A host of guest musicians including members of EMPYRIUM, TRIPTYKON, and DARK FORTRESS among others has further enhanced the musical spectrum. GRÀB, meaning "old and grey" in the local dialect, were conceived by former DARK FORTRESS frontman Grànt who wanted to bring a particularly Bavarian expression to black metal. The earlier collaboration between Grànt and guitarist Grain resulted in the release of the debut full-length "Zeitlang" in 2021, which channelled the black metal spirit of the early 90s much to the delight of both critics and fans. With "Kremess", GRÀB are infusing Bavarian black metal with new power that is bound to expand their growing empire far beyond the borders of their homeland.

"The Scottish threat of blackened speed metal is back!
Featuring 8 new tracks over 44 minutes, the highly anticipated fourth album, Coronach, reaches new heights of metallic intensity.
Bolder, more daring, and more adventurous than ever, Hellripper is crafted for speed and razor-sharp riffs."