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2014 CD Digipak re-issue.
Includes bonus track "Many Moons Ago (Live In Bochum 2012) " and extended booklet.
 

2014 CD Digipak re-issue.
Includes bonus track "Mourners (live in Bochum 2012)" and extended booklet.

Digipak CD with 16-pages booklet

VEMOD are by no means an average band. The Norwegians exist in the liminal spaces and the crossroads of places. The trio has chiselled their sophomore full-length "The Deepening" from the same sonic granite that its predecessor "Venter på stormene" came from over a decade ago. This bedrock is found in Namsos, where VEMOD were conceived as a lifelong passion project at the turn of the century by then 12-year old Jan Even Åsli. The nearest big city is Trondheim where the fiercely individual local Nidrosian black metal scene, which refers to the city's original name, provided VEMOD with its first point of musical reference as embodied by the first demo "Kringom fjell og skog" (2004).

When the Norwegians reemerged seven years later with both the track "Moestæ Qverelæ" on a split-single and the demo "Vinterilden" in 2011, they had considerably changed. The trio had taken a step outside by strengthening elements that have already been present before: a sprinkle of the majesty reminding of early IN THE WOODS..., a dash of melancholia, and a knife tip of introvert contemplation among a wide range of emotional and vivid sonic imagery. VEMOD's musical transition finds comparable parallels in the development of French brothers-in-spirit ALCEST even though there was no direct influence flowing either way. In hindsight, the Norwegians also pioneered such currently popular styles such as blackgaze and post-black metal, although they never subscribed to either. With their debut full-length "Venter på stormene" just a year later in 2012, VEMOD opened their music to new places: A mind-blowing performance at the prestigious Beyond the Gates festival in 2013 and the legendary special show within the national treasure of the Vigeland Mausoleum at Oslo's Inferno Festival 2014 cemented VEMOD's excellent reputation even across the Atlantic.

Now, "The Deepening" arrives with a different production, which resulted in a changed overall tone compared to earlier works and the Norwegians also reached out and tapped into new stylistic strata adding further elements to their sound. Even the lyrical themes running through "The Deepening" tell of change, transience, transformation, and growth. "The Deepening" offers an opportunity to look past long held beliefs and comforting illusions. At the crossroads of VEMOD's second album at this point in space and time waits a deepening understanding of their musical world.

Digibook CD with UV spot varnish and golden hotfoil embossing on cover, and booklet.

FALKENBACH were originally conceived as a solo-project by Vratyas Vakyas and officially came into being with the "Læknishendr" demo in 1995. When FALKENBACH's second album " ...Magni blandinn ok megintíri..." appeared in 1998 it offered a refined, matured and more melodic continuation of the blackened pagan metal style that took influences from both Bathory and the second wave of Nordic black metal, which the German multi-instrumentalist had established two years earlier on the debut full-length " …En their medh riki fara…" (1996). " ...Magni blandinn ok megintíri..." is widely considered to be an important milestone of its genre.

Digibook CD with UV spot varnish and golden hotfoil embossing on cover, booklet and bonus track "Asaland".

FALKENBACH were originally conceived as a solo-project by Vratyas Vakyas and officially came into being with the "Læknishendr" demo in 1995. After the interlude of their fourth album, which partly featured reworked earlier material, the next full-length from the German composer and multi-instrumentalist who was again joined by musicians appeared to be a summary of all the elements from his previous works. "Tiurida" (2011) put the emphasis on the band's epic melodic pagan metal side, which was generously spiced with some earlier black metal elements. The album still evokes an overall impression of confident and experienced songwriting. FALKENBACH had reached the point where they not only exactly knew their musical destination but also how to get there.

Double CD digibook - 2022 edition

Comes in digibook packaging with a gold foil logo on the front. It has a 12-page booklet inside.

Track 8: The Heralder is marked as a bonus track.

On the third regular PAYSAGE D'HIVER album "Die Berge" ('The Mountains'), mastermind Wintherr has perfectly captured the dark essence of his mountainous Swiss home beyond those pretty picture postcard landscapes. Ragged peaks that unfathomable tectonic forces have crushed upwards and out of the thin cold crust of this planet create a harsh and hostile environment for humans, which is reflected within the sound of raw black metal. Note for note, these grey giants of rock come awake to life in song. Majestic, powerful, dangerous, threatening, and yet also inherent of a fierce beauty, these massive tracks of epic length echo the huge proportions of their source of inspiration and amount to a playing time of more than 100 minutes. With each release, PAYSAGE D'HIVER narrate a new chapter of a continuing story about a mysterious protagonist called 'Der Wanderer'. "Die Berge" takes the wanderer into the 14th chapter, which might end up as his last. The main theme of "Die Berge" is death and this time the enigmatic wanderer's journey is comparable to that of a Zen monk who hikes to the peak of a mountain on feeling that his time has come. Founded in 1997 in the Swiss region of Bern, PAYSAGE D'HIVER remained a strictly underground phenomenon at first. Wintherr unleashed a steady stream of 10 full-length "demos" and 4 split-EPs that earned him an excellent reputation while a massive following grew by word of mouth. When the Swiss came "out of hiding" with "Im Wald" ("In the Forest") in 2020, their regular debut album even entered the German charts, which meant mainstream recognition despite standing firmly with both feet in the underground. With "Die Berge", PAYSAGE D'HIVER continue to expand the horizon of Nordic black metal without ever stepping away from their roots.

This re-issue of Lifelover's third album, "Konkurs", is the band's first release on Prophecy. "Konkurs" paints a bleak, dystopian vision of modern urban despair with elements of black metal, indie-pop, post-punk, and shoegaze. Whether you love it or you hate it, "Konkurs" will forever alter your perceptions of what can be done with black metal or extreme metal.

Gatefold 2LP (clear/black smoke vinyl) in polylined inner sleeves and protection sleeve (500 copies)

B's legacy and the most extreme swansong of 2011

Lifelover's fourth and last album "Sjukdom" (English: disease) is a dark and challenging record. Following their critical acclaim-afforded and cathartic "Konkurs" in 2008, these elusive and mysterious misanthropes venture down an even more daring path with "Sjukdom" where the extremes of the characteristically idiosyncratic Lifelover sound are pushed to their utmost limit: the bittersweet melodies become more beautiful whilst the pulsing, coal-black heaviness becomes uglier. After the tragic death of B in September 2011, this is Lifelover's final studio album.

Gatefold LP (silver/black marble vinyl) in polylined inner sleeve and protection sleeve (500 copies)

Gatefold LP (white/silver/black marble) incl. padded inner sleeve and protection sleeve