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Pressed on white marble heavy vinyl. Comes with a download card. Colors on final records may vary to a degree from the mockup.

Averaging an album per year since their 2018 formation, this latest expression from the rightly-revered Swiss Atmospheric Black Metal band AARA shows no drop in quality, nor let-up in their perpetually questing sense of purpose.

In follow up to 2023's "Triade III: Nyx" - the climatic installment of the 'Melmoth' trilogy based on Charles Robert Maturin's classic Gothic novel - the band now break away from the literary and apply their stunning musicality to real-world events.

"Eiger" is conceptually focused on the 3967 meters mountain of the same name in the Bernese Alps. Since 1935, at least 64 climbers have died attempting to conquer the Eiger’s sheer, ice-covered north face which has earned it the nickname of 'Mordwand' ('murder wall'). The album specifically examines an attempt to climb the Mordwand in July 1936 which ended in tragedy, as four young mountaineers succumbed to treacherous conditions and disappeared, presumed caught in an avalanche.

AARA's music has evolved dynamically in tandem with the subject matter, becoming more visceral, tangible and hauntingly powerful. An organic and spacious production allows the trademark elegiac, spirited leads and reverberant acoustic guitars of main-composer Berg to give increased emotional weight to a performance of on-the-edge savagery from vocalist/lyricist Fluss. The icy melodies, pensive moods, vibrant plummets and shifts/drifts contrast the wonderment of the natural world with a heightened sense of existential malaise and ultimately horror.

The second chapter of the band's tetralogy examining the malign episodes of this past century.

'Render Unto Eden' is an altogether more somber record: here do Panzerfaust more fully work with light and shade, their darkness displaying far more hues than previously deemed imaginable. Whereas the five-song first chapter was taut 'n' terrorizing, The Suns of Perdition II likewise features five songs but in a more expansive 44-minute runtime. As such, massive vistas of molten melancholy unfold, the inexorable push-and-pull patient but persistent; layers upon layers of understanding are packed into each of these scintillating minutes. The violence is more carefully doled out, in kind, and the sum effect is nothing short of hypnotic. The Suns of Perdition II: Render Unto Eden echoes within the mind and spirit long after the record's over...

Produced and mixed by Greg Dawson at BWC Studios in Kingston, Ontario, Canada, the album was mastered by Sergei Lazar at CDM Records Studio in Moscow, Russia.

The track "Promethean Fire" features guest vocals from Maria Arkhipova of Russia's Arkona.

Although it had a very troubled birth, all detailed in the liner notes included with those different versions here, CRADLE OF FILTH almost-album-length 1996 EP V Empire, Or Dark Faerytales In Phallustein proved to be a superb triumph over adversity.

Despite all their legal problems, line-up changes and insane pressure after the gigantic success of their debut album, the Brits nevertheless managed to write and record a slab of new even grander songs, next to a new version of the already classic ‘The Forest Whispers My Name’, some would argue even bettering their debut in the process.

Another undeniable 90s symphonic black metal masterpiece, available again for the first time officially since 2017!

Luxurious hardcover digibook-CD with 24-page booklet.
New liner-notes by Olivier ‘Zoltar’ Badin.

Remastered from the original 1996 DAT by Patrick W. Engel at TEMPLE OF DISHARMONY in January 2025.

Black vinyl with white splatters, LTD to 150 copies!

HULDER is a dark black metal project from the United States, driven by the creative partnership of Hulder and Necreon, whose three albums to date have steadily drawn the project toward more expansive and collaborative territory. ‘Verbolgen’, released jointly by Season of Mist and 20 Buck Spin, marks a decisive turn: the first HULDER record on which Necreon steps fully into his role as co-leader rather than session contributor. Rooted in ancient nature worship, ancestral rite, and the shadows of pre-Christian tradition, ‘Verbolgen’ moves through nine tracks that trade in both the severity and the strange, wintry beauty that have always defined HULDER 's sound. The writing has grown more layered here, drawing on a wider palette of instrumentation: hurdy gurdy and additional keys from Keld bring an almost processional weight to certain passages, while Ianuaria's session flute drifts through the album like smoke across still water. Two drummers divide the record between them, Vapula and Vrolok each bringing their own character to their respective tracks, and the sum of it is a rhythm section that feels alive to the album's shifts in mood and tempo. The mix, handled by Ahti Kortelainen at Tico Tico Studio in Finland, gives the record an earthy, resonant quality that suits its themes of blood, soil, and the settling of old debts. Even the visual identity signals a new chapter: the cover art, painted by Morrigan, is her first work created for a metal band in nearly three decades, with an updated logo crafted by Jannicke Wiese Hansen. Three of the album's songs are sung in Flemish, lending ‘Verbolgen’ a peculiar, incantatory dimension that sets it apart from anything in HULDER's back catalogue. For fans of BATHORY, DISSECTION, MOONSORROW

digipack with booklet

"VII - Kenoma" is the 4th full-length release of the German Black Metal band FYRNASK. While remaining committed to its foundation of Second Wave Black Metal, the aural experience of "VII - Kenoma" is also deeply rooted in Ritual Ambient and Drone as well as world music by exploring synthesized sounds, neoclassical and traditional instrumentation and vocalization.

Embedded in these sonic spheres, the recording conceptually traces the depths of Musibatname, the Book of Suffering, written by the thirteenth-century Persian poet and mystic Fariduddin Attar. In his lyrical work, Attar elaborates on the questions of theodicy, the contradictory nature of the idea of an all-powerful good God and the human experience of sorrow, suffering and injustice. In the center of Attar’s mystical telling is the pilgrim of “the heart’s thought” who explores the physical and metaphysical spheres. The spiritual seeker learns about the Two Worlds, the material and the ethereal existence, and the suffering and failure in both. A crucial depiction of this agony is the scene in which the pilgrim meets the mourning and dethroned Iblis in the ruins of his former realm. The album ties in with these pictures and ambiences, exploring the meanings of sacrifice and suffering on a metaphysical level.

"VII - Kenoma" was written and recorded between 2016 and 2019. The album was mixed by Fabian Schulz at Sunsetter Recording Studio and mastered by V. Santura at Woodshed Studio.
FYRNASK are the collective of Fyrnd, Alghol, Exord, Fhez, and Rune.

Versione LP

Black vinyl
 

Digipack
 

While we await the anticipated sophomore album from Trondheims MISOTHEIST, their vocalist recorded an album on his own, writing, performing and producing all the music himself(with some very special guest appearances included). Four tracks spanning 40 minutes of cleverly arranged Black Metal ranging from mid-tempo fury and raging aggression, to more epic, grandiloquent parts, all blended in an impressive way.

It's a stunning debut album and yet another amazing project from Trondheim, Norway, released under Terratur Possessions exclusively.

Cover layout by O.A.A. and Kontamination Design.

Distributed by Van Records.

The third curse of Darvaza. Lightening a new Sun towards the darkest mystery, where fearless unfeard he slept.

hardcover digibook, ltd 

Great grim black metal, a mixture between early Immortal and early Burzum

Nuova sensazione death metal old style tedesca....