Back in stock

Cursebinder was born in 2019 in Kraków, Poland, combining black and doom metal influences with an eye for unrestrained experimentation. Pursuing diverse influences and drawing from post rock, shoegaze, avantgarde and progressive metal, they developed a sound entirely of their own.

Cursebinder was born in 2019 in Kraków, Poland, combining black and doom metal influences with an eye for unrestrained experimentation. Pursuing diverse influences and drawing from post rock, shoegaze, avantgarde and progressive metal, they developed a sound entirely of their own.

200 copies Limited edition

Italian long-standing black metal pioneers Funeral Oration are back with their third album. Originally formed in 1989 in Taranto, Apulia, the band released their debut album Sursum Luna in 1996 on Avantgarde Music before dissolving the following year. Twenty years later, in 2017, guitarist and keyboardist Luca La Cara and singer and lyricist The Old Nick brought Funeral Oration back from the dead to release their sophomore album Eliphas Love in 2019, again via Avantgarde Music.

Five years have passed already, and the time has come for a new chapter. Antropomorte sees La Cara and The Old Nick banding with bassist Iblis (Handful Of Hate) and drummer David Folchitto (Stormlord and many others) to craft seven hymns of old-style, essential black metal from the ‘90s. As Funeral Oration describes it, Antropomorte is “a desperate litany of decadence and mystical delirium. Marcia funebre per il genere umano.”

Once again we deal with poetry, occultism and antichristian sentiment thanks to lyrics directly inspired when not directly translated from poets and artists from different ages. “Amor Obsessio” is a direct translation made by The Old Nick from ”La morte embaumée” by M. Rollinat (1883), “Cloaca Cattolica” (“Catholic Sewer”) is inspired by true events occurred in Varazze in 1907, “Il Serpente Della Genesi” (“Serpent from the Genesis”) is another translation from “Lilith” by R. de Gourmont (1892) and so is “Notturno Sepolcrale”, translated from “Ténèbres” by A. Samain (1895). “Stregheria”, on the other hand, is a direct quotation of Salvator Rosa’s “La strega”, from 1646.

Deep within the Hyperborean mists there lies a pale blue light. It is the light of a flame whose embers have been smoldering long and low, awaiting the day when it will engulf the sky in brilliant and terrible cerulean Aurora. That day has come. Formed in 2006 as the singular musical vision of Vaedis, Vimur is a black metal band from the American South. Despite its hot, humid origins, Vimur's sound has a layer of icy frost seemingly shipped from beyond space and time.

Along the years, Vimur evolved into a full live-performing band, releasing three studio full-length albums, one EP and one live record. 2024 marks the collaboration between the Georgia-based band with long-standing Italian label Avantgarde Music to release the band’s fourth album, The Timeless Everpresent.

We asked the band to introduce the album in their own words. This is what seeped through the cracks of Vimur lair. “Forms change but ideas are eternal. Vimur is black metal totality and a conduit to the truth that lies hidden beyond the stars. The Timeless Everpresent is a revelation of vital energy and power. It is a soundtrack to the grand cosmic war that has existed since the beginning of time. No stone is left unturned. The vanguard knows that the war is fought on the physical, mental, and spiritual planes. This is reflected in the multi-dimensional sound achieved on The Timeless Everpresent. There are passages that reflect the blood, steel, and sweat of physical battle and others that are undeniably ascendent, making the listener aware of truths beyond material existence. The Timeless Everpresent is a collection of war hymns to destroy all illusion. Vimur reclaims the fire to light the mysteries. Flaming spears and swords in hand aimed at the heavens, nothing will stop Vimur from reaching the Sun behind the Sun whether the enemy be man or divine."

Limited edition, gatefold colored vinyl + sleeve with UV spot overprint

Second press!! Gatefold sleeve, black ice vinyl

Mike Lamb (Sojourner) and Heike Langhans (Sojourner, ex-Draconian) are back with their personal gothic/doom project, Remina. The duo’s sophomore album, The Silver Sea, will follow their 2022 debut Strata and will be released on October 24th 2025 on CD and digital, once again via Avantgarde Music. Here follows the band’s statement.

The Silver Sea was written over the three year period following the release of our debut album Strata, and it is the product of the changes we experienced as both a band and on a personal level.

Remina took to the stage for the first time in 2023, and through this process we got to spend a lot of time in beautiful northern Italy bringing to life live versions of our songs with our excellent live lineup. The process of seeing how our sound translated to a live setting ultimately impacted how we approached this album. We didn't want to deviate from our vision for the band or the sound, but we did incorporate a much more musically 'direct' approach in the way the songs were written this time around. This was helped massively by the excellent drum tracking of Shayne Roos, who lifted our original ideas to an entirely new level. We are also honored to be joined by guest vocal spots from two musicians we greatly look up to, Mick Moss of Antimatter (Algol) and Tony Dunn of Sgàile (Vanta Ray).

On a personal level, we were dealing with the decision of having to uproot our lives in Europe and move back to New Zealand to be closer to family. The weight of the decision to move across the world, so far from the lives we had built, was reflected in the overarching themes and atmosphere of the album. While each song deals with its own subject matter, there is an overarching story running throughout as an invisible thread tying the album together. 

Third press! 2026 edition: ripple vinyl effect, in red and black!

Cosmic Doom featuring Heike Langhans (Ex-Draconian, Light Field Reverie, :LOR3L3I:, Ex-ISON) and Mike Lamb (Sojourner, Light Field Reverie). This is the original early single version of Obsidian released in 2021.

Heike Langhans - Vocals, Lyrics & Synth Mike Lamb - Guitar, Drums, Bass & Synth

Finally soon back in stock, this time in digipak CD format with a 16 pages booklet

High Roller Records, 2nd pressing, transparent ultra clear vinyl, ltd 200, 4 page insert, poster, Cassette transfer, audio restoration and mastering by Patrick W. Engel at TEMPLE OF DISHARMONY in November 2020 / January 2022. Artwork and handlettering by Alexander von Wieding.

For fans of Dead Congregation, Krypts, Phrenelith, Engulfed, Altarage

From the primordial magma before the beginning of time come FOSSILIZATION. Obscure, vile and crushing Death Metal.

Fossilization is a death metal band formed in 2020. The duo featuring members of the sludge/death/doom metal band Jupiterian, V. (voices, guitars, bass) and P. (drums) started as an idea right after their european tour with Krypts, Father Befouled and Encoffination but since Jupiterian was still working on their last album, the project had to be delayed and it only turned to full time band after the striking of the plague.
Their 5 tracks debut EP, 'He Whose Name Was Long Forgotten' was recorded in their hometown, São Paulo - Brazil and mixed by Otso Ukkonen (Krypts).

Emerging once again from the abyssal depths of the underground, FOSSILIZATION return with "Advent of Wounds", a work of sheer ferocity and oppressive gloom! A relentless onslaught where its frantic and inexorable rhythms hammer with suffocating intensity, while riffs coil like sepulchral invocations in a maelstrom of death, doom, and blackened chaos.
Bleak, crushing and claustrophobic, "Advent of Wounds" is a summoning of despair that drags the listener into a chasm where brutality and anguish entwine. A suffocating testament to extremity that confirms Fossilization as one of the most formidable forces in contemporary death metal!

Emerging once again from the abyssal depths of the underground, FOSSILIZATION return with "Advent of Wounds", a work of sheer ferocity and oppressive gloom! A relentless onslaught where its frantic and inexorable rhythms hammer with suffocating intensity, while riffs coil like sepulchral invocations in a maelstrom of death, doom, and blackened chaos.
Bleak, crushing and claustrophobic, "Advent of Wounds" is a summoning of despair that drags the listener into a chasm where brutality and anguish entwine. A suffocating testament to extremity that confirms Fossilization as one of the most formidable forces in contemporary death metal!