€ 0,00
Il carrello è vuoto
Back in stock - musica Black Metal e Dark estrema
Masterminded by VARGRAV / DRUADAN FOREST mainman V-Khaoz, DEAD FLESH STIGMA is a psilocybin-fueled plunge into the vast-yet-oft-unexplored abyss of industrialized black metal. Joining him are a number of esteemed guest vocalists, including Hellwind (GRIEVE, EMBRYONIC SLUMBER et. al.), Narqath and J13 from Azaghal, and the notorious Graf Werwolf von Armageddon.
The collective's first public work, Necrocosmic Death Ritual is an aptly titled album: in space, no one can hear you scream. With rusty robotic pistons pumping and torched tones searing above and below, DEAD FLESH STIGMA's debut album seeks to overwhelm the senses, and succeeds with devilish ease. Granted, one perhaps has to be acclimated to that rarefied idiom - one pioneered by Mysticum's landmark In the Streams of Inferno, the most obvious influence here, and then expounded upon by the likes of early Blacklodge, Traumatic Voyage, Diapsiquir, later Trollheims Grott, and of course Dodheimsgard's 666 International - to truly immerse themselves in this rippling body high (or negation?). But as with all things that bear V-Khaoz's touch, form and content intertwine in a symphony of totality, synthetic and caustic in equal measure.
Death Doom that slithers across the whole spectrum of the genre, drawning inspiration from modern titans such as Temple of Void and adding so much more. Crushing, slow and incessant heavyness yet even bluesy and catchy at moments. Finally assembled for physical release and adding a brand new track, this is the best way to embrace Void Witch's debut!
VOID WITCH is a doom/death collective out of Austin, Texas. Formed from ex-members of Azoth, Shitstorm and Drainbow during the Years of Great Plague and conceived as a collective project to give unearthly voice to the gruesome maunderings of our corrupted and degenerate minds.
Void Witch’s aesthetic is an unholy marriage of classic doom metal, old school death metal, and grunge sensibilities with themes of body horror, gruesome myth, murder ballads, and other cautionary tales.
For fans of Hooded Menace, Temple Of Void, Coffins, Druid Lord.
DLP with two printed innersleeves and 16 pages, coversized booklet,
brown vinyl
Mint [Transparent]
ULTHA's second full-length album 'CONVERGING SINS' is a 63 minute rumination on the subject matter of how past events and wrong decisions will echo throughout the rest of our mortal existance.
Over years experiences of failure and the conscious ability to willingly commit mistakes, to hurt, to reject,
to alternate truths etc. lead to a path where silence in and around you is the ultimate repercussion. The
record is a testimony to everyday melancholia, inner solitude and the human struggle to lead the wrong life in the right, the struggle against your animalistic nature.
ULTHA's debut record features four epic songs of dark, moody Black Metal somewhere between the traditional Scandinavian school and a more contemporary US-Black Metal approach. “Pain Cleanses Every Doubt” is for fans of Ash Borer, Xasthur, Leviathan, Christicide, Blut Aus Nord and Watain.
cover with relief uv print, plus poster and 8 pages booklet
CD in JakeBox with 12-page booklet.
The JakeBox is an eco friendly packaging product.
Its most significant characteristic is the folded "claw" that holds the disc, and in an eye-catching way unfolds itself, presenting the disc, lifting it up and making it easily accessible.
When Gaerea emerged out of pandemic limbo, the masked band came branded with a vision of black metal that was guided not by myths or pagan beliefs but a purging of emotion. The world quickly came to share that vision, following them from the gates of Hellfest to tours through China and the U.S.
But with ‘Coma’, Gaerea are no longer strictly black metal. Though once again produced by trusted confidant Miguel Tereso, their fourth album broadens their signature sound by taking it in two seemingly opposed directions. There are more moments of intense beauty, but they only heighten the ensuing blows.
“World Ablaze” ignited this new era of Gaerea by holding a more conventional song structure over fiery tremolo picking. “Hope Shatters” upends even the loftiest of fan expectations; after the song collapses under its blistering heaviness, the melody hangs perilously in the air, like a swaying chandelier, before it’s smashed to pieces by hammering bass and concussive blast beats. “I’ve known faces within me”, their unnamed vocalist cries in the wake of a slow and somber guitar solo before “Unknown” snaps into a razor-sharp hook. “I transform with every passing moment”.
With ‘Coma’, Gaerea surface to the top of extreme metal.
For fans of MGLA, UADA, NUMENOREAN, THE GREAT OLD ONES.
A DEEP, INNOVATIVE & ECLECTIC CONCOCTION OF NORTHERN MAJESTY, FOR THE SEVENTH STUDIO OPUS IN THE MORK SAGA, AS THE BAND MARKS THE MILESTONE OF TWENTY YEARS OF EXISTENCE.
Following on from mastermind Thomas Eriksen’s self-titled Udåd project debut earlier this year; a dark release which explored the more underground & murkier-sounding waters of primitive black metal from a by-gone era, ‘Syv’ emerges as the new pinnacle of Mork’s and Eriksen’s ever-evolving journey, as well as a creative expansion both sonically & compositionally over all prior works.