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Double-disc edition of mayhem's early rehearsals from 1986, paving the way for the cult 'Pure Fucking Armageddon' demo recording.

Featuring guest appearances from Dimmu Borgir’s Silenoz and 1349’s Seidemann.

Primarily inspired by the works of Darkthrone & Burzum, Mork’s third album Eremittens Dal stands as a tribute to the spirit of old-school Norwegian Black Metal. Raw production and ice-cold riffs combine with the band's dynamic and atmospheric twists and the album effortlessly alternates between the ferocious and the melancholy. Covering themes of hate, death, seclusion and misanthropy, both lyrically and in the way that a one-man-band makes music in solitude, the music is perfectly fitting of the title (translated as Valley Of The Hermit).

The suitably grim pencil cover art comes courtesy of Jannicke Wiese-Hansen, who famously made artwork for early Burzum and Satyricon releases. Having featured guest vocals from Darkthrone’s Nocturno Culto on its previous album, Eremittens Dal includes special guest appearances from Dimmu Borgir's Silenoz who contributes vocals on two tracks, plus additional bass parts from 1349's Seidemann.
 

Norwegian titan, Mork, was created by Thomas Eriksen in 2004, with the debut album ‘Isebakke’ eventually surfacing in 2013. Since then, Mork has been ceaselessly rising through the echelons of Black Metal, and on the heels of 2024’s intense and groundbreaking ‘Syv’ opus - which has resulted in the band branching out with tours in the Far East & Australia - Eriksen continues on this evolutionary path with the new album, and what is undoubtedly set to be a new benchmark, ‘Monolitt’.

“A stark monument to the unrelenting brutality of reality, the monolith looms above us, immovable, indifferent, eternal. Its crushing presence bears down on the spirit, suffocating hope and testing the limits of endurance. It is an experience carved in stone, unyielding”.

‘Monolitt’ is an album that further expands the sonic and atmospheric depth of existing Mork releases; unafraid to challenge the listener, while steadfastly rooted in the cold traditions of the genre. With this uncompromising vision and direction for ‘Monolitt’, Mork delivers a sound which is brutal yet expansive, whilst also heavy and epic, for a relentless journey through the shadows of Norwegian Black Metal, while forging new paths within that ancient and revered framework.

Across these songs, themes of collapse, transformation, isolation, and destruction form the central pillars. From the crushing burden of existence to spectral wanderings through forgotten landscapes, ‘Monolitt’ explores the human condition through bleak introspection and grand imagery. Nature rages, giants awaken, faith crumbles, all in pursuit of experience beyond the limits of flesh and mind.

Dopo l'EP ""Pesta"" del 2020, giustamente intitolato, i norvegesi Mork riprendono la loro ascesa tra i ranghi della scena BLACK METAL scandinava con il quinto capitolo, ""Katedralen"", avventurandosi sempre più lontano dalle primitive fondamenta dei primi Darkthrone, pur mantenendo viva la fiamma cupa della vecchia scuola nel suo DNA. “Katedralen” è senza dubbio il lavoro più completo dei Mork fino ad oggi, spingendo nuove frontiere creative con un approccio più dinamico alla composizione delle canzoni e un'ampiezza estesa ai riff e alle melodie, tessendo un nuovo capolavoro di groove, durezza, grandiosità, tristezza, bellezza e potenza. “Katedralen” è stato eseguito, registrato e mixato dal leader Thomas Eriksen, con il mastering ancora una volta effettuato da Jack Control a Enormous Door (Darkthrone). L'album include anche notevoli apparizioni di Nocturno Culto dei compagni di etichetta Darkthrone, Dolk dei connazionali Kampfar, e infine Eero Pöyry dei maestri del doom Skepticism. L'artwork adeguatamente oscuro appare ancora una volta per gentile concessione del riverito artista francese David Thiérrée. Un album assolutamente imperdibile per i fan di Darkthrone, Taake, Burzum, Kampfar, Craft, Satyricon, Sarke e Aura Noir!"

DOUBLE DISC EDITION OF SIGH’S CLASSIC THIRD ALBUM OF SINISTER & ATMOSPHERIC BLACKENED METAL, NOW ON PEACEVILLE. WITH NEW AUDIO MASTER, BONUS CONTENT & INSERT CONTAINING AN INTERVIEW WITH MIRAI KAWASHIMA.

Japanese black metal legends Sigh formed in 1989/1990. The genre-classic debut ‘Scorn Defeat’ followed on Euronymous’ Deathlike Silence Productions in 1993 & with each subsequent release, Sigh grew to become one of the country’s greatest & most revered metal exports. With a journey through the strange & the psychedelic, incorporating a whole eclectic mix of genre styles & experimentation throughout their career, Sigh has remained a vital creative force in the avantgarde field whilst maintaining their old school roots, as witnessed with the stellar 2022 album, ‘Shiki’. 2025 also saw Sigh remaking their ‘Hangman’s Hymn’ album for a release on Peaceville as part of the band’s 35th anniversary celebrations, in the shape of ‘I Saw The World’s End: Hangman’s Hymn MMXXV’.

Featuring the line-up of Mirai Kawashima, Shinichi Ishikawa & Satoshi Fujinami, Sigh created arguably their darkest work to date with third album ‘Hail Horror Hail’ in 1997; an epic of nightmare-inducing soundscapes & lyrics concerning topics such as murder & mortality. With at times more melodic compositions compared to its predecessors & a more traditionally metallic experience than some of the material witnessed on the cult ‘Ghastly Funeral Theatre’ EP released not long before, Sigh continued to embrace deeply atmospheric & symphonic elements, along with what was now becoming an increasingly experimental added dimension to their art, in creating this at times unnerving horror masterpiece.

Continuing with Peaceville’s re-issues of Sigh’s classic early ( & until now, hard to find ) works, this edition of ‘Hail Horror Hail’ contains a new master created by Patrick Engel at Temple of Disharmony, featuring a new transfer from the original DAT source.

The release also includes a bonus disc containing rough mixes of album tracks, plus other rarities, along with a new interview with main-man Mirai Kawashima conducted by Dayal Patterson of Cult Never Dies, with his thoughts & reflections on the album, the recording process & the influences surrounding its creation.

Shiki, the 2022 studio album from Sigh is an opus of dark and eclectic blackened Heavy Metal, shrouded in traditional Eastern influences. 

CD edition.

Eastern Darkness features an extensive collection of cult Japanese Black Metal legends Sigh's early demos, EPs and rarities.

Double CD

This new edition of ‘Gothic’, marking the album’s 35th anniversary, is presented on double CD, with remastered audio courtesy of Jaime Gomez Arellano at Orgone Studios. The bonus disc features the band Live in Ludwigsburg, 1991, performing tracks from Gothic and their debut album. The release also includes a four page booklet containing recollections from the band on the period and the shaping of the album,  as originally featured in 2021’s ‘The Lost and the Painless’.

Sweden's October Tide was the project formed by Katatonia members Jonas Renkse and Fredrik Norrman in 1995, with much of the material being written during a period of inactivity for their main band.
Grey Dawn was October Tide's second album, originally released in 1999.