Back in stock

This edition of Transilvanian Hunger marks the album’s 30th anniversary, and is presented on limited black/white corona vinyl, including a vinyl audio master more in line with the original, courtesy of Patrick Engel at Temple of Disharmony, Feb 2024

Black 12" vinyl (33rpm) in deluxe gatefold sleeve with gold foil, 8-page insert and A2 poster.
First pressing 750 copies worldwide.

Hailing from the heart of French black metal, SETH presents a grim and haunting narrative with their relentless musical fury. Glazed with elements from the French Revolution, new opus ‘La France des Maudits’ takes inspiration from the very streets that bled under the guillotine’s kiss.
With ‘La France des Maudits’ SETH carve out the anthem for those rising from the ruins, the unyielding, the eternal rebels. This black metal revival offers a narrative of relentless fury, invoking the spirit of insurrection, liberation, and defiance against divine oppression. With tracks such as “Paris des Maléfices” and “Et Que Vive le Diable!”, they weave a dark tapestry of sound, showcasing their unique niche in atmospheric black metal. Anthems of resistance that echo the cries of a new age unwilling to kneel before divine decay.
Dive into the tumultuous serenade of ‘La France des Maudits’, an album that roars in the key of revolution.

For fans of ENTHRONED, ABIGOR, ANCIENT, AETERNUS.

extensive rare material from the early years of the band (including demos, rare promo and rehearsal tracks).

A triumphant expression of atmospheric and melodic blackened Doom Metal.

Gold double vinyl limited to 500 copies

Draconian Times" is Paradise Lost's most recognized and successful album and for good reason, they managed to take a genre of Metal that didn't much recognition until the mid-90's and take it to the next level.

Doom metal and more specifically goth metal itself didn't exist that much in the 80's....outside of say Candlemass and Celtic Frost just barely touching upon the basics of the genre, and they did so with style, but nobody had done it like Paradise Lost.

Paradise Lost sound is pure grimly doom/death metal. "Draconian Times" starts out with a somber-sounding piano, excellent way to start off an album.
"Hallowed Land" is one of favorite song: the lead guitar work of Gregor Mackintosh makes this an epic fist-banger.
"The Last Time" is probably their most blatant attempt at making light of the Goth sound with guitars for a huge hit.
After that depressing-induced song comes the way more upbeat and angrier "Once Solemn".
"Elusive Cure" is one song that should have been the leading single off this album: Gregor just lets his fingers hit those wailing, somber melodies.

This is one of the better cuts off the album. "Yearn For Change" continues the song and picks the mood up a notch.
So this album is their creative peak between their older material and the new style of the band.
Even though recently their last two albums have gone back to their original style of their older material, it's all just more of a nostalgia trip.

There's enough doom and gloom here to almost combat with the previous 2 albums and enough progression that surpasses the rest of their discography.

RAW, RUTHLESS AND CEREMONIALLY DARK!

Only two years after its inception in 2023, the ominous entity hailing from Germany has come up with their first full-length. Consisting of 6 songs with the first one being an instrumental intro, “Fiery Paths” is a very convincing effort on all levels. Notwithstanding the fact INFERNAL PRESENCE has only been active for 2 years, their hybrid of Black- and Death Metal sounds as if it had been composed by a seasoned band. Unlike many outfits whose songs consist of a salad of riffs randomly thrown together, INFERNAL PRESENCE are apt at cleverly composing their material by frequently alternating between different tempi and moods. Fast tremolo picked riffs akin to DISSECTION or MAYHEM are alternated with palm muted Thrash riffs or atmospheric slow-paced arpeggios reminding of WATAIN or ONDSKAPT.

In so doing the two-piece creates dynamic songs that succeed in truly capturing the listener’s attention. Just listen to standout tracks like “Eternal Exodus” or the exceptional “Tomb Procession” with its slithering groove and you will see our point proven. Although, only sharing certain musical elements with said bands, the suffocating atmosphere of “Fiery Paths” reminds of NEGATIVE PLANE’s first album or early SECRETS OF THE MOON. Fortunately, the production fits the material just splendidly, too. While being gritty and raw, thus emphasising the album’s ferociousness, it’s still polished enough so that no detail gets buried in the mix.

INFERNAL PRESENCE unleashed a record suffused with unrelenting darkness! If you consider yourself a fan of some of the bands mentioned above, do yourself a favour and listen to this beast of an album!

Jewel-case CD, 12-page booklet.

THIRTIETH ANNIVERSARY EDITION OF SIGH’S SECOND STUDIO ALBUM OF MASTERFULLY CRAFTED EASTERN ATMOSPHERIC BLACK METAL, NOW ON PEACEVILLE, WITH NEW AUDIO MASTER. PRESENTED ON DOUBLE CD.

Japanese black metal legends Sigh formed in 1989/1990. The genre-classic debut ‘Scorn Defeat’ followed on Euronymous’ Deathlike Silence Productions in 1993 & with each subsequent release, Sigh grew to become one of the country’s greatest & most revered metal exports. With a journey through the strange & the psychedelic, incorporating a whole eclectic mix of genre styles & experimentation throughout their career, Sigh has remained a vital creative force in the avantgarde field whilst maintaining their old school roots, as witnessed with the stellar 2022 album, ‘Shiki’. 2025 also saw Sigh reimagining their ‘Hangman’s Hymn’ album for a release on Peaceville as part of the band’s 35th anniversary celebrations, in the shape of ‘I Saw The World’s End: Hangman’s Hymn MMXXV’.

Marking thirty years since its original release & kickstarting a string of reissues of Sigh’s revered yet hard to find classic early catalogue, this edition of ‘Infidel Art’ contains a new master created by Patrick Engel at Temple of Disharmony, featuring a new transfer from the original DAT source. The release also includes a new interview with main-man Mirai Kawashima conducted by Dayal Patterson of Cult Never Dies, delving into the history & legacy of the album.

This edition of ‘Infidel Art’ is presented on double CD format, including a rare first mix of the entire album, as well as additional tracks ‘The Zombie Terror’ from the ‘Far East Gate In Inferno’ compilation, plus songs originally included for a split release with Kawir, having also received a new transfer from the original DAT source.

Ristampa per peaceville edizione JEWELCASE

The ambitious Death’s Design was the fourth and final album by Katatonia's Anders 'Blakkheim’ Nyström's Symphonic Extreme Metal solo-project, Diabolical Masquerade.

Containing atmospheric synth and sound effects throughout and featuring the Maalten Quartet (Estonia), Death’s Design offers ab orchestral and epic experience mixed with Black and traditional Metal influences. The album consists of 61 seamlessly flowing segments, grouped into 20 movements.

A highpoint in Blakkheim’s impressive discography.