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On “Blessings of Amurdad” (Amurdad translating to immortality in Middle Persian), Dakhma abducts listeners to a distant, foreign land and dares to journey to a time long ago, when desert mystics and noble empires still strode proudly through ancient Persia. Thematically, “Blessings of Amurdad” explores the complex relationship between mortality and immortality in Zoroastrianism, based mainly on key passages of the ancient text of the Gathas. In particular, the band manages to provide a compelling narrative detailing perceived jealousies expressed by mortals towards the divine and vice versa. These themes are captured in the compelling cover artwork, painted by the inimitable Babar Moghal, depicting an ancient tower of silence, seemingly forgotten and decaying but nevertheless exuding a sense of foreboding and nobility, hinting at the divine.

High Roller Records, slipcase, Original tape transfer, audio restoration and mastering by Patrick W. Engel at TEMPLE OF DISHARMONY in August 2020.

Digipack with slipcase Ltd to 500 handnumbered copies

Three years after their full length debut “Saligia” the German black metal warriors Ius Talionis have followed up with a EP titled “Theomorphose”.

Danish black metal project by R., who plays bass for Afsky, now located in Slovakia

Blue vinyl .
Includes print (59cm x 59cm) of the cover artwork

Debut EP

Second full-length album of German black metal collective Dødsdrift. 

Ov Shadows is a Black Metal band from Gothenberg, Sweden. Rising from the ashes of "Waning", a band that all four members previously played in, Ov Shadows introduced their sound with the 2016 self-released EP "Monologues" before releasing its first full-length album "The Darkness Between Stars" in 2018.

This summer, Ov Shadows returns with their second full-length and first release on Hypnotic Dirge Records. Entitled "I Djävulens Avbild" (In the Devil's Image), the new record presents Ov Shadows at an unprecedented ferocity and forward-momentum, and apparently very intent on proving that to their listeners immediately, as pummeling drums and a heavy galloping riff fill the speakers within seconds of the opening track "Den Eld Som Tär Och Förvrider."

Throughout "I Djävulens Avbild, the pace hardly ever lets up, instead taking you on an all-out sensory assault. The combination of infectious riffs, recurring hooks, blastbeats, and tortured vocals create an enveloping claustrophobic and dark dissonance, as if a shroud has covered your face and defined forms have turned to shadows. Despite its unrelenting nature, the details really shine through on "I Djävulens Avbild" thanks to its clear production, precise musicianship, and deliberate flow.