CD

This MCD (mini-album) will be release by Hammer Of Damnation, in a limited edition of 500-copies,
of which 300 will be distributed in Latin America.
The remaining 200 copies will be distributed worldwide by Repulsive Echo.

Standard jewel case with clear tray and additional cardboard slipcase.

Includes 4-panel inlay booklet with artwork, lyrics, and credits.

This E.P. is dedicated in eternal memory of Baron Blood (Necromantia).
Trooper of the Black Arts (RIP).

Hardcover Digibook with 40-page booklet containing lyrics + parchment paper pages, sticker on cover & clear tray.

SEALED

Description:
- Limited to 4000 copies
- Comes in a synthetic leather oversize box
- Digipak
- 1 bonus track
- Includes: Embroidered patch and goat leather keychain

Track 1. From Nattens Madrigal off Vargnatt 1993 demo.
Track 2. From A Memorable Fancy Plates 21-22 off Themes from Wiliam Blake's The Marriage of Heaven and Hell 1998.
Track 3. From Silence teaches you how to sing off Silence teaches you how to sing ep 2001. Mixed in Oslo and Bergen Dec. 2002
Track 4. Off Lyckantropen Themes 2002. Mixed in France Oct. 2002.
Track 5. From Lost in moments off Perdition City 2000. Mixed in Stovner, Oslo Sept. 2002.
Track 6. From The Voice of the Devil off Themes from Wiliam Blake's The Marriage of Heaven and Hell 1998. Bogdan recommends: Cut thinly one medium sized potato and fry in pan with olive oil. Once browned, sprinkle chopped basil and curry powder until smiling. Eat well.
Track 7. From Speak dead speaker off Silencing the singing ep 2001. Made in Wallpaper 2002
Track 8. From Not saved off Silencing the singing ep 2001. Produced and remixed at the Neotropic Media Center. UK 2002. Publ.: Big Orange Cat Music.
Track 9. Various off Perdition City 2000 with samples from renaissance string remake off Nattens Madrigal. Made in Adam's big house, Bruxelles, Belgium 2002. Publ.: BMI.
Track 10. Various off Perdition City 2000. Recorded at Friseur Julie, Austria Nov. 2002. Publ.: Touchmusic [mcps].
Track 11. Various off Perdition City 2000. Publ.: Mego
Track 12.Various off Bergtatt 1994. Mixed in Oslo and Trondheim Nov. 2002.
Track 13. Various off Nattens Madrigal 1996. Publ.: V/Vm Test.
Track 14. Various off Bergtatt 1994 and Nattens Madrigal 1996. Recorded and mixed in bedroom, Tokyo Oct. 2002. Publ.: Merzbow

 CD was distributed as a bonus item available through the label's online mail order, when purchasing the vinyl LP, and later as an unannounced bonus to mail orders of other Southern Lord releases.

The artwork for the 1xCD is misprinted; it is the same as the 2xCD version, and so incorrectly lists the second disc included in the 2xCD version and featuring the extra track, "Helio)))sophist." The track is also (incorrectly) referred to in the liner notes below.

Limited to 2000 copies. This version include a second CD of live recordings.
'Solstitium Fulminate' Live at Roskilde 0705

KERZENLICHT carve his own path within the genre, blending primal energy with atmospheric, madrigal tones, cold and unforgiving as the northern wilderness itself!

Since their formation in 2010, Dysylumn have been something of an unsung "dark horse" of the French black metal scene. Whilst exhibiting some of that scene's idiomatic traits - the robustness of the orthodox / religious school, the melancholy of its more lonerist school - the duo have recast them in vivid new iterations. Signal Rex made a bloodpact with the band in 2020 to release their visionary second album, 2018's Occultation, on vinyl. Two years later, Dysylumn impossibly eclipsed that modern classic with the staggering double-album Cosmogonie, also in 2020. Between the two recordings, the duo displayed a breadth of vision firmly rooted in black metal's noblest traditions, but one more so aiming for the hinterlands of creativity and experience.

And so it goes with Dysylumn's long-awaited fourth full-length, Abstraction. Curiously titled, Abstraction is actually the duo's most immediate record in many a year; even on the surface, its five-song / 37-minute runtime seems relatively quick by comparison. However, to suggest that Dysylumn are shortchanging their still-swirling creativity by attacking more directly would be grossly missing the point. Gutted bass-throb and etheric guitar characteristically form the foundation, but here does the former sound more pensive and contemplative while the latter suitably slashes & surges with an unmatched amount of emotion. In fact, just isolating the guitar work of Sébastien Besson alone would render Abstraction an incredibly compelling experience, but his impassioned vocals along with the slippery-yet-stylish drumming of Camille Oliver Faure-Brac make the album an effortless exercise in point / counterpoint: a reinvigoration of black metal classicism on one hand and a defiant flipping of the script on the other, bypassing "progressive" and "post" tags not out of churlish disdain but rather as already-established signposts of no use to Dysylumn. Stargazing, wistful, and yet so full of vim and vigor - Abstraction hits emotional centers, HARD, without obfuscating their core creativity. From nascent flames to the final breaths of a flickering light...