CD

CORONER came up with an even more daring, unconventional album in 1993's ‘Grin', which abandoned much of the thrash-based aggression of their early days and focused on challenging dynamics and eerie atmospherics. This move proved too radical even for longtime fans, ironically, and they remain split over the album's merits, some seeing it as a total sellout, while many others consider it the band's greatest triumph.

“Let Water Flow” distills its ferocity into seven tracks that surge like a glacial flood, Razor-edged riffs carve through each song, blending the primal fury of early black metal with soaring melodies that linger like mist. Punk-infused rhythms drive the onslaught, while a blackgaze edge adds a haunting, melancholic depth.

De l’Aube Naît l’Aube explores a post-metal universe infused with atmospheric black metal, shaped by multiple influences. The songs are progressive, shifting between suspended calm and rising tension, marked by tempo changes and a strong sense of dramaturgy.

The guitars, heavily inspired by post-rock, layer airy textures and elevate the compositions with soaring leads. The vocals rely on two lead voices: a high-pitched black metal–style scream and shamanic throat singing, supported by a female voice that brings a folkloric and enchanting dimension.