CD

The album comes with a 24 page booklet and full artwork design. Limited to 500 copies on CD.

Dystopia returns with their 5th studio album entitled: «De Verboden Diepte II: De Weg van de Meeste Weerstand», which is the direct successor for their previous album “De Verboden Diepte I” which was released 2 years ago.

Once again the band explores their sound with much diversity and dwells even deeper into the atmospheric black metal sound combined with post metal riffs, experimenting wider with their orchestra and trumpets yet holding close to the original essence of old school black metal.

“De Verboden Diepte II” delivers only 2 songs, yet what a journey these 2 lengthy tracks present. The album goes from full fury with blast beats and shrieking vocals to calm dreamy post moments before it takes you into a medieval landscape of sounds. The guitars deliver a lot of variety from chord riffing to melodic parts to even a few outstanding solos and in combination with the beautiful trumpets, it creates the right atmosphere which the bass notes underlay perfectly. The drums are tight, offering a wide range of different tempos and structures which pushes the album to higher level. Last, but certainly above all not least! The vocals are tremendous!!! From screaming to clean shrieks, to mournful singing, an absolute pleasure to the ears while listening your way through this record.

It’s not often that a band can surpass a record that was already as perfect as it stands, but this doesn’t count for Dystopia! De Verboden Diepte II is of definitely of equal value as its predecessor if not even stronger! Once again these Dutchies delivered a solid, NO, a masterpiece of an album that every fan of Old School Black Metal, Atmospheric Black Metal and even Post or Pagan Black Metal can enjoy to the fullest from start til end! 

The album comes with a 28 page booklet + Poster and full artwork design. Limited to 500 copies on CD.

Azaghal, the black metal pioneers hailing from Finland are back with their 13th studio album “Nekrohelios”.

Another sinister record by these old timers showing the new kids on the scene how to produce a quality record in the traditional old school way of True Finnish Black Metal!
Compared to their 2 previous albums “Alttarimme on Luista Tehty” & “Valo Pohjoisesta”, you can clearly hear on Nekrohelios that Azaghal went back to their original sound and roots from their early albums such as their long time classic Mustamaa.

The album starts with a haunting keyboard piece that lures your right back into that early 90’s vibes followed by the first opening song in full fury and blast beats! Azaghal is known for their well written guitar melodies and structures, obscure sound and straight forward pounding battery combined with harsh vocals that shriek throughout the album.

However, there is also enough variety going on, mid tempo’s, break parts, choruses and a lot of keyboard pieces which create that sinister feeling (think of early emperor without sounding symphonic). Thirteen also delivers a lot of variety with his vocals, from harsh to low sounding screams, but also adding clean vocals and almost choir voices.

All in all, Azaghal once again delivered an album that is outstanding in the ways of True Black Metal and with this the veterans show that they’re still far from done! True Finnish Black Metal that every fan of real underground black metal will enjoy from start till finish.

After over a decade of silence, one of the best-kept secrets in the Italian underground scene is rising from the ashes. JANVS, the Roman god of beginnings, passages and endings, is a black metal entity formed in Genoa over two decades ago, which may have fallen through the tides of time for many, but never really forgotten.

In the mid ‘00s JANVS released two of the most personal and interesting black metal records ever to come out of Italy, Fulgures (2007) and Vega (2008), mixing excellent songwriting to a profound latin cultural heritage. A few years later the band re-recorded and officially released their early songs in Nigredo (2014) before disappearing into the waves of the Mediterranean sea. We were incredibly excited when composer and multi-instrumentalist Matteo “Vinctor” Barelli told us the band was working on new music once again. JANVS lineup is once again completed by Massimo "m:A Fog" Altomare on drums and Claudio "Malphas" Fogliato on bass, and the trio is ready to release the new EP Fatum Est.

In their own word, in Fatum Est, each song draws on a myth, a figure, or an episode from the Hellenic tradition, reshaping and deconstructing its narrative into an existential vision that is both intimate and universal.

This work is dedicated to those who defy the gaze of the gods, burning without oxygen in infinitesimal and eternal moments of beauty and death, drowned in the void of a cosmos eternally identical to itself, devoid of any purpose. Moving forward from the softer atmospheres of Vega, expect intensity and desperate cosmic ferocity.

Todomal are back with "A Greater Good", their new studio album. The Spanish duo formed by Christopher B. Wildman and Javier Fernández (Asgaroth, Nexus 6, The Heretic, Dejadeath, etc.) bring a collection of "dark songs" (as they like to define it), which began with the seeds planted in "Ultracrepidarian," their debut album, has evolved into a complex, dense, and unclassifiable album that takes us on a journey through somber landscapes, existential doubts, tragicomedy, and spiritual and personal unrest.

"A Greater Good" poses challenging questions, wrapped in musicthat is sometimes dark and at other times luminous, spanning from slow-tempo to progressive rock to quasi-mystical litanies. The path they embarked upon with their debut album, leading to desolate landscapes and the emptiness of the plateau, has continued into darker territories, reminiscent of tenebrist altarpieces, where doubts about what is right or wrong, what we do in this world to earn redemption, or why we have a nefarious tendency to destroy what we love are depicted against a smoldering forest.

The journey continues, despite the obstacles.

"A Greater Good" boasts ambitious production to accommodate all its elements, like pieces of a giant mosaic. Vocal harmonies, acoustic elements, and occasional orchestral arrangements blend with serpentine opera-rock pieces, making their way by clawing through the earth.

Track 1-4 Sorrow EP, recorded 1993.
Track 5-8 Nightswan EP, recorded 1995.
Track 9 B-side Stream single, recorded 1996.
Track 10 In This Room bonus track, recorded 1998.

Originally released on Walpurgis Night in 2006, DISSECTIONs third and concluding opus marks the seminal Swedish band’s crowning achievement.

Everything about Reinkaos feels grandiose, otherworldly and utterly complete: The timeless, majestic music blended with lyrics pertaining to the Anti-Cosmic Current and stunning illustrations provided by the late Timo Ketola together form a black diamond of exceptional elegance and vigour.

Unlike the vast majority of bands which merely adopt the symbolism and imagery of Satanism for entertainment purposes, Reinkaos represents the real deal and is an enduring testimony of genuine Luciferian spirituality manifested as music. The 11 tracks comprising Reinkaos truly are Sonic Invocations to the Endless Dark Aeon!

Hail the dark legacy of Jon Nödtveidt!
Hail the Glorious End!

Available as jewel-case CD in slipcase with 24-page booklet as well.

Originally released on Walpurgis Night in 2006, DISSECTIONs third and concluding opus marks the seminal Swedish band’s crowning achievement.

Everything about Reinkaos feels grandiose, otherworldly and utterly complete: The timeless, majestic music blended with lyrics pertaining to the Anti-Cosmic Current and stunning illustrations provided by the late Timo Ketola together form a black diamond of exceptional elegance and vigour.

Unlike the vast majority of bands which merely adopt the symbolism and imagery of Satanism for entertainment purposes, Reinkaos represents the real deal and is an enduring testimony of genuine Luciferian spirituality manifested as music. The 11 tracks comprising Reinkaos truly are Sonic Invocations to the Endless Dark Aeon!

Hail the dark legacy of Jon Nödtveidt!
Hail the Glorious End!

6-CD (Digipack) box with the following titles:
1. Reinkaos (red hotfoil on cover)
2. Reinkaos Instrumental Rehearsal
3. Midsummer Massacre Rehearsal (last Dissection Rehearsal ever)
4. The Hall Recordings
5. Maha Kali
6. Roughmix 2005/Starless Aeon

Leather-optic box with embossed silver hot-foil print and limited to 666 copies.

Shadow Records (distributed and marketed by Regain Records) proudly presents the reissue of Sorhin's debut EP, Skogsgriftens rike on LP and CD formats. Originally released in 1996, Skogsgriftens rike marks the beginning of Sorhin's journey into the pantheon of Swedish black metal, laying the foundation for the cult full-length albums “I det glimrande mörkrets djup” and “Apokalypsens ängel”. Even at this early stage, the band's identity was fully formed, a cold, evocative and unmistakably Nordic vision that would become their enduring hallmark. Nearly thirty years on, Skogsgriftens rike still stands as a monument to the cold majesty of 1990s Swedish black metal, untouched by time, uncompromising in spirit, and as haunting as the northern wilderness that inspired it. Formats: 12" vinyl LP (black vinyl) -Sturdy 300gsm vinyl-sleeve with bronze pantone print -Vinyl insert -Double-sided A2 poster -Limited to 400 copies on black vinyl -CD jewelcase -8 page booklet

Demo and rarities collection.

15 remastered tracks! 8 tracks have never been released on CD before and 1 completely exclusive song.

Curated by the band. Officially licensed from Theatre Of Tragedy.

Limited to 500 copies
Super Jewel Box
16 page booklet on uncoated offset paper stock

"Esoterik" finds Jason Köhnen's BONG-RA continuing the alchemical evolution that has defined his most adventurous work. A spiritual successor to 2025's "Black Noise", the record delves deeper into the shadows and luminescence of the occult, expanding the ritualistic atmospheres explored on "Antediluvian" (2018) and "Meditations" (2022) while forging a harsher, more industrial sonic architecture.

“Music for me, is rarely complete,” says GODFLESH mastermind Justin Broadrick, “but it has to reach a point where enough is enough. Creatively, there has to be self-discipline. One has to end it.”

Broadrick is primarily referring to the nebulous process of writing and arranging songs into their various potential shapes, but he could just as easily be describing GODFLESH’s imminent conclusion. Just three years after the hypnotic crunch of Purge, 25 years after an uncertain hiatus that nearly scuttled the band, and 38 years since GODFLESH’s inception, Broadrick and bassist-at-arms Ben Green set out to mercilessly crush this cold world with their tenth and penultimate album, this year’s Decay.

“Decay was born from the same sessions as Purge,” Broadrick declares of the new record’s six tracks. “It was one huge pool of songs. I picked what I felt was appropriate for what I wanted to achieve with Purge, with the intention of releasing the songs that didn't fit as a new album within a year of Purge being released. Unfortunately, two years passed whilst considering external labels, so that I didn't have to self-release GODFLESH anymore, but it took an awful lot of time to establish a comfortable home for me. The recordings were done, but as usual for me, I did change a lot of stuff once I came back to it.”

Now, GODFLESH is ready to unleash an even bolder, bleaker series of sounds in Decay. These songs arrive shortly after Broadrick released a public statement about major abdominal surgery he underwent earlier this year. “Fortunately, all of the recordings for Decay were completed long before the surgery, vocals included… although the back end of a couple of songs were recorded with the hernia itself, and that was a struggle. I was already aware that the GODFLESH shout, so to speak, was exacerbating the hernia greatly, as was every GODFLESH performance in the lead-up to the surgery once the hernia appeared, and the hernia was mostly caused by year upon year of shouting in GODFLESH. The album was mixed post-surgery, and while I was still in some pain and considerable discomfort, but fortunately GODFLESH is generally me expressing my pain, albeit [usually] mental, philosophical and existential, whereas this was physical pain.”

While the middle of the record pulses with five-minute hate-grooves, Broadrick credits the slime-wracked opener “Master and Slave” and crawling closer “Consume Me” with Decay’s true conceptual thrust. “The bookends of Decay are the most important pieces to me. They say it all, so to speak; the album could have been just those two songs alone – the duration of them is half of the total album!”

As GODFLESH's active tenure comes to a close, Broadrick expresses gratitude that it was ever his vessel to use as he willed. “It expresses my pain, and I’ve put my body and soul into this expression for the majority of my existence. I feel quite lucky, because Godflesh is now physically impossible for me, rendering it useless. I now wish to move out of its constraints, move on creatively with heavy/ugly music to new ground.”