CD

reissue on Flowing Downward

Comes in a jewel case CD with obi strip.

Formed in March 1989, HIDEOUS MANGLEUS quickly made their mark on the early U.S. underground through a series of raw, fearless recordings that bridged death metal, grindcore, and punk. After solidifying their lineup with Sam Biles on vocals, “Feev” on guitars, Joel “Skum” Bonde on bass, and Curt Bonde on drums, the band unleashed their now-legendary “All Your Friends Are Dead” demo in 1990, recorded at Bob McCutcheon’s studio in Penn Hills, Pennsylvania. The tape’s mix of blast-driven chaos, grotesque humor, and grimy atmosphere became a cult favorite among tape traders worldwide.

That same year brought the “We Live...” EP on Thrash Records, followed in 1992 by “Unearthing Grandma’s Grave” on Ecocentric Records, each release pushing their filthy, horror-laced sound to new extremes. Comparisons to Repulsion, early Napalm Death, and Terrorizer came naturally, yet HIDEOUS MANGLEUS always stood apart thanks to their warped personality and uniquely American sense of insanity.

By 1996, the band resurfaced with their full-length “All Your Friends Are Dead”, recorded at Rock House Studios in Belle Vernon, Pennsylvania. Containing 29 tracks of deranged deathgrind carnage, the album captured everything the band had built up to that point: breakneck speed, infectious riffs, grisly vocals, and a perverse sense of humor. Their demented take on Mötley Crüe’s “Too Fast for Love” remains a highlight, showing how the band could twist anything into their own blood-soaked vision.

CD in Digipak.

HÉR emerge from the northern shores of Poland, where five musicians converge between ritual and instinct. Their art fuses Slavic melody and Scandinavian atmosphere into a single elemental voice, echoing Norse poetry and ancient communion.
‘Monochrome’ is a meditation on presence: seven movements exploring the thresholds between stillness and force, light and shadow. Recorded at Monochrom Studio and shaped by producer Ignacy Gruszecki, the album channels the raw pulse of throat singing, the tension of bowed strings, and the weight of silence. From the hypnotic call of “Chant” to the burning ritual of “Praise the Day”, each piece unfolds like a journey through frost and fire: witness patience, strength, and reverence for all that endures.

For fans of HEILUNG, NICK CAVE, WARDRUNA, BOHREN & DER CLUB OF GORE.

After years of silence, Chile's DEATH YELL return once more, reaffirming their status as one of South America's most notorious names in death / black metal. Formed during the mid '80s in Santiago, the band forged a legacy of violence, rawness, and underground cult status, beginning with their 1989 demo Vengeance from Darkness. Though decades passed in silence, the flame never died. In 2017, they unleashed their debut full-length, Descent Into Hell, through longtime fans HELLS HEADBANGERS, cementing their place among Latin America's darkest extreme metal acts.

Now, in 2025, DEATH YELL unleash Demons of Lust, a second full-length that is violent, blasphemous, and decadently dark...just as expected! If Descent Into Hell presented what DEATH YELL could sound like in the new millennium - maturity meets maniacal rage, executed with grit and gleam, clarity and crush - then Demons of Lust goes further into the lungs of Hell. Musically, the albums deliver that classic brutality of the late '80s / early '90s underground, encased in a production that preserves rawness and ferocity, power and professionalism. Demons of Lust also shows a unique side to DEATH YELL with the subtle and well-timed usage of eerie organ, reaching a fever pitch on the unholy climax of "Conjuring Asmodeus' Seed." Surely, fans of early Morbid Angel, Sarcófago, Possessed, Sweden's Grotesque, and Chile's Pentagram will find themselves at home in this infernal journey.

Originally released in 2000 by the now defunct Lost Disciple Records, the album arrived at the tail end of a decade that shaped brutal death metal into its most uncompromising form. Burial had already made their mark with the 1998 mini-album "Mourning the Millennium," but "Enlightened with Pain" took their sound to the next level, cementing them as one of the heaviest and most unrelenting acts of their era.

From the very first moments of “Pale Shade of Humanity,” Enlightened with Pain makes its intentions clear: absolute brutality with no concessions. The riffs hit with crushing weight, built on grooving chugs and suffocating density while laced with moments of precise technicality. “Entropy” slams with unforgettable hooks, “Human Menagerie” fuses groove and aggression with razor-sharp effect, and “Repugnance” explodes with unrelenting intensity. The album closes with “Skullfucked,” a track that begins with eerie tremolo riffing before erupting into one final, merciless assault.

Emerging from the Ukrainian darkness in 2011, Kaosophia blend the raw energy of black metal with dissonant tones and emotionally resonant melodics. Their music is a sonic tapestry woven with intricate guitar riffs, powerful vocals, and haunting arrangements.
The band recorded their first demo “Towards The End” which was self-released by them in 2012 on a limited edition cassette.

2013 saw their first album “The Origins of Extinction” released on CD and cassette and the band followed up with many shows across Europe. 2017 saw Kaosophia expand and deepen their abyssal sounds even further with the monumental “Serpenti Vortex”, with lavish cover art produced by occult master artist Dávid Glomba, it rose Kaosophia to the upper echelons and forged their name as one the best and most formidable black metal acts in the scene at the time.

After a long period of silence, bloodletting and transformation, Kaosophia return with their darkest, most mature and powerful work to date. 2025 sees the return of Kaosophia with their new album “Beyond The Black Horizon”.
A dark and malevolent opus that explores themes of darkness, existentialism and the human condition. Delving deep into the complexities of the mind, the fragility of existence and Death itself.
Kaosophia preach orthodox ideas of Satanism in the most straightforward and ruthless form - total unconditional worship. Self-destruction as the overcoming of human essence and the cognition of pain to gain access to another level of reality's perception.
It is time to see the end of days and venture beyond the Black Horizon… 

CD in Digipak with 8-page booklet.

Ever since they emerged from Greece’s underground catacombs, UNVERKALT have been drawing closer to the edge. The post-metal band’s third album doesn’t continue that shift so much as it plunges into the darkness that’s always waited below. While wrestling with all the weight of our accursed history, ‘Héréditaire’ now stands as their heaviest and most heartfelt offering.
UNVERKALT are still possessed by a cinematic vision for metal. As if coming into focus, lead single “Die Auslöschung” appears from behind a slow-moving haze before it’s snapped out of its trance by fiery blast beats. The band’s previous albums took cues from French painting and European film noir, but ‘Héréditaire’ throws back the velvet curtain in favor of a veil. “Oath Ov Prometheus” dismantles the myth of man as god’s perfection creation with Dimitra Kalavrezou’s freshly blackened vocals.
‘Héréditaire’ is a pulse-pounding new direction for UNVERKALT, but the album’s arc traces back to our deepest and darkest origins. Beneath a surging bass line, “Introjects” peels away beliefs that were never ours but inherited like a disease between generations. Kalavrezou’s mystifying cleans remain one of the band’s defining traits, but her contempt for those who watch the world burn is all the more heated when forged alongside Sakis Tolis from Rotting Christ on the monolithic “I, The Deceit”. “The world falls apart / And I need to stop you / Whatever it may cost”.
On ‘Héréditaire’, UNVERKALT lift the veil on our cursed existence with their heaviest and most heartfelt offering.

For fans of JULIE CHRISTMAS, CULT OF LUNA, MYRKUR, SYLVAINE.

Official release approved by the band. Live Markthalle Hamburg, Germany 1999. Recorded during the tour for the Panzer Division album.

Released as 4 panel digipack with embossing. Limited edition.

Drawing forth the dark wine sea of stars by spiral spin of warp wizardry, Cosmic Crypt revels in a truly enthralling arsenal of psychedelic black metal spellcraft, darkest of grimoires resplendent with captivating compositions electrified by synth sorcery and fuzz laden guitars. Hailing from the tormented tropical kingdoms of Ecuador, Cosmic Crypt unleashes a full-length debut incarnation, Csmc Wzrd, right out of the sidereal spell forges; wasting no time in bombasting its acolytes with a host of hard rocking harmonies, daemonic black orations, mind-bending guitar solos, galactic groove percussion, cryptic cosmos thematics and a kaleidoscopic dreamscape in which to lose oneself within the endless eyes of the multiverse. Infinitely catchy in its alchemical sonic transmogrifications, Cosmic Crypt’s Csmc Wzrd is a truly enjoyable, captivating and sidereal experience that any acolytes of the black magick armies would be naked without when they march onwards to astral battle.

CD jewel box with 8 pages booklet.

Quarto full length album per Khephra, tra i pionieri della scena black italiana

Fuath, meaning “hatred” in Gaelic, is the one-man Atmospheric Black Metal project of Scottish musician Andy Marshall, renowned as the creative force behind the acclaimed Folk/Black Metal band Saor.

Formed in 2015, Fuath is Marshall’s outlet for a colder, more ferocious vision, melding relentless aggression with haunting, melancholic melodies. The music channels a timeless frostbitten spirit, weaving immersive soundscapes steeped in winter’s bleak beauty, ancient mysticism, and dark folklore.

Though rarely performed live, Fuath’s selective appearances have left a lasting impact, immersing audiences in its stark, otherworldly realm.