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Titoli in Preordine - musica Black Metal e Dark estrema
For the first time in more than 20 years, we present the official represses of one of the rarest albums from Sweden, Blodsband (Blood Religion Manifest) by the legendary Sigrblot.
Originally released in 2003, this masterpiece of melodic and fierce Swedish Black Metal has been long sold out since ages and will be finally repressed on all formats.
These deluxe editions include a majestic gatefold, poster and all the best features you can expect quality wise.
Officially licensed by Nordiska Förlaget (P & C)
4 panel digipak CD, thick INSIDE OUT cardboard and BLACK FLOOD, 12 PAGES BOOKLET and GOLD CD.
For the first time in more than 20 years, we present the official represses of one of the rarest albums from Sweden, Blodsband (Blood Religion Manifest) by the legendary Sigrblot.
Originally released in 2003, this masterpiece of melodic and fierce Swedish Black Metal has been long sold out since ages and will be finally repressed on all formats.
These deluxe editions include a majestic gatefold, poster and all the best features you can expect quality wise.
Officially licensed by Nordiska Förlaget (P & C)
180g LP, 7mm spine printed on 350gsm cardstock GATEFOLD jacket with BLACK FLOOD, UV SPOT and thick A2 POSTER with UV SPOT.
first official reissues on LP format of Tartaros' full-length The Grand Psychotic Castle from 1997.
Tartaros was a well-known Symphonic Black Metal project from Tønsberg, crafted by the hands of Charmand Grimloch.
The few outputs he composed became easily known in the underground, and nowadays they are very sought after.
Everything has been carefully remastered for these deluxe editions and layouts have been restored based on the original pressings.
Officially licensed by Charmand Grimloch (P & C)
180gr LP, 3.5mm spine printed on 350gsm cardstock jacket with special SILVER FLOOD, UV SPOT and SILVER PANTONE.
Includes a professionally printed thick INSERT with SILVER PANTONE and UV SPOT.
the first official reissues on LP format of Tartaros' full-length The Red Jewel from 1999.
Tartaros was a well-known Symphonic Black Metal project from Tønsberg, crafted by the hands of Charmand Grimloch.
The few outputs he composed became easily known in the underground, and nowadays they are very sought after.
Everything has been carefully remastered for these deluxe editions and layouts have been restored based on the original pressings.
Officially licensed by Charmand Grimloch (P & C)
180gr LP, 3.5mm spine printed on 350gsm cardstock jacket with special RED FLOOD and UV SPOT and a professionally printed thick INSERT with UV SPOT.
Official deluxe reissue of Havohej' debut full-length, Dethrone The Son Of God.
Originally released in 1993 by Candlelight, this album can be considered some of the most important Unholy Black Metal material that came out from the United States. Havohej ('Jehovah' spelled backwards) is the solo project of Paul Ledney, formed in 1993 after the split of Profanatica the previous year. Former Profanatica and Incantation member Brett Makowski assisted with guitars and bass on the first Havohej album, Dethrone The Son Of God, which consists mainly of re-worked and re-recorded Profanatica tracks.
Officially licensed by Paul Ledney (P & C)
180gr LP, 3.5mm spine printed on 350gsm cardstock jacket with BLACK FLOOD, UV SPOT and thick A2 POSTER.
Includes a professionally printed thick INSERT with UV SPOT.
When it was first released in 1999, Cradle to Enslave, the second EP by Cradle of Filth, offered a glimpse of the band refining and broadening their sonic identity, which would eventually lead to the creation of a distinctive genre. This collection of intense and theatrical tracks features heavy driving riffs, sweeping orchestral touches, and the unmistakable voice of frontman Dani Filth. These tracks provide an accessible introduction to the band's ornately gothic extreme metal style and remain a highly sought-after release for collectors and new fans alike. It has been re-pressed in special formats, including red and black vinyl and a recycled eco-CD.
On their tenth full-length "Aba Khan", NYTT LAND pick up the stylistic thread that they had previously woven with "Ritual" (2021). This means, the music is generally based on a foundation of current ritual dark folk to which the duo from Siberia adds elements from the native traditions of their home among other ingredients. Although NYTT LAND return to the less strict and rather popular formula with "Aba Khan", their inspiration has still come from a whole year of travelling through the vast territories of Siberia. The couple discovered new areas and got acquainted with spiritual traditions of the indigenous peoples that they met. The result of this journey is a collection of priceless treasures that has been respectfully translated into a contemporary musical language. NYTT LAND was created in August 2013 as a ritualistic Nordic folk band and driven by the musical vision of the husband and wife duo Natalya and Anatoly Pakhalenko. The couple lives in the Western Siberian town Kalachinsk that is located on the banks of River Om and crossed by the Trans-Siberian Railway. True to their often dark and mysterious subjects, the lyrics of NYTT LAND echo myth and stories from legends and historical sources. Those are told in the languages of both indigenous Siberian tribes and Old Norse, with the balance gradually shifting towards the former over time. NYTT LAND dedicate "Aba Khan" to the ancient, beautiful, and great lands of Siberia. Join them on a journey through time and space where spirits rule, shamans protect the people, and old gods whisper.
Second album of the trilogy on yellow and red marbled 12" vinyl (33 rpm) in deluxe gatefold with Pantone silver print and deluxe double sided insert with Pantone silver print.
Limited to 250 copies worldwide!
Had GREEN CARNATION never returned from hiatus, the Norwegian bards would always be remembered for completing one of the most ambitious individual epics in metal’s historic archives. However, there was one tale — or three, to be exact — that eluded them for more than three decades. Now, after reaching crushing new highs during its opening chapter, they’re descending into deeper, darker and more personal depths with part II of ‘A Dark Poem’.
If ‘The Shores of Melancholia’ set sail from a familiar place of melancholy, then ‘Sanguis’ opens with GREEN CARNATION far out at sea, fighting to stay afloat against the storm that’s raging in their minds. Over the course of nine minutes, the album’s epic title track vows to forgive and forget familial wreckage, washing away the bloody stains of the past with impassioned cleans and a chorus that radiates conviction — only for a traumatic memory to come flooding back during its doomy coda. The newfound heaviness from the first part of ‘A Dark Poem’ continues to age like a fine wine, balancing sweet meaty riffs with an underlying bitterness. “I Am Time” demands immediate recognition with a guitar melody that winds like the winds of change. But part II reveals the band at their most raw with ballads that unfold with the grace of a wilted flower.
“The end justifies the means, you’ll see”, Kjetil Nordhus sings with an eerily quiet confidence. As its final tale seeps beneath the moonlight, ‘Sanguis’ leaves fans hanging in suspense over where this trilogy will end.
For fans of OPETH, PARADISE LOST, KATATONIA, PAIN OF SALVATION.
Second album of the trilogy on black 12" vinyl (33 rpm) in deluxe gatefold with Pantone silver print and deluxe double sided insert with Pantone silver print.
1st pressing 500 copies worldwide.
Had GREEN CARNATION never returned from hiatus, the Norwegian bards would always be remembered for completing one of the most ambitious individual epics in metal’s historic archives. However, there was one tale — or three, to be exact — that eluded them for more than three decades. Now, after reaching crushing new highs during its opening chapter, they’re descending into deeper, darker and more personal depths with part II of ‘A Dark Poem’.
If ‘The Shores of Melancholia’ set sail from a familiar place of melancholy, then ‘Sanguis’ opens with GREEN CARNATION far out at sea, fighting to stay afloat against the storm that’s raging in their minds. Over the course of nine minutes, the album’s epic title track vows to forgive and forget familial wreckage, washing away the bloody stains of the past with impassioned cleans and a chorus that radiates conviction — only for a traumatic memory to come flooding back during its doomy coda. The newfound heaviness from the first part of ‘A Dark Poem’ continues to age like a fine wine, balancing sweet meaty riffs with an underlying bitterness. “I Am Time” demands immediate recognition with a guitar melody that winds like the winds of change. But part II reveals the band at their most raw with ballads that unfold with the grace of a wilted flower.
“The end justifies the means, you’ll see”, Kjetil Nordhus sings with an eerily quiet confidence. As its final tale seeps beneath the moonlight, ‘Sanguis’ leaves fans hanging in suspense over where this trilogy will end.
For fans of OPETH, PARADISE LOST, KATATONIA, PAIN OF SALVATION.
Second album of the trilogy on CD in deluxe Digipak with Pantone silver print with 16-page booklet.
Had GREEN CARNATION never returned from hiatus, the Norwegian bards would always be remembered for completing one of the most ambitious individual epics in metal’s historic archives. However, there was one tale — or three, to be exact — that eluded them for more than three decades. Now, after reaching crushing new highs during its opening chapter, they’re descending into deeper, darker and more personal depths with part II of ‘A Dark Poem’.
If ‘The Shores of Melancholia’ set sail from a familiar place of melancholy, then ‘Sanguis’ opens with GREEN CARNATION far out at sea, fighting to stay afloat against the storm that’s raging in their minds. Over the course of nine minutes, the album’s epic title track vows to forgive and forget familial wreckage, washing away the bloody stains of the past with impassioned cleans and a chorus that radiates conviction — only for a traumatic memory to come flooding back during its doomy coda. The newfound heaviness from the first part of ‘A Dark Poem’ continues to age like a fine wine, balancing sweet meaty riffs with an underlying bitterness. “I Am Time” demands immediate recognition with a guitar melody that winds like the winds of change. But part II reveals the band at their most raw with ballads that unfold with the grace of a wilted flower.
“The end justifies the means, you’ll see”, Kjetil Nordhus sings with an eerily quiet confidence. As its final tale seeps beneath the moonlight, ‘Sanguis’ leaves fans hanging in suspense over where this trilogy will end.
For fans of OPETH, PARADISE LOST, KATATONIA, PAIN OF SALVATION.
Fourth album by Norwegian stalwarts Nifrost. Epic and melodic black metal in the vein of Windir, Borknagar and Enslaved. With "Briseld" Nifrost are back with a powerful, clean and epic sound reminiscent of the best epic moments of second wave black metal.
Fourth album by Norwegian stalwarts Nifrost. Epic and melodic black metal in the vein of Windir, Borknagar and Enslaved. With "Briseld" Nifrost are back with a powerful, clean and epic sound reminiscent of the best epic moments of second wave black metal.