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Il carrello è vuoto
Il carrello è vuoto
edizione in vinile di questo già classico debut per gli italiani Selvans
Vinile nero in 100 copie
edizione in vinile di questo già classico debut per gli italiani Selvans
Vinile ORO in 100 copie
With their second album “Il Nostro Silenzio” MORAST continue where they first took off! They take the listener on an epic ride that is even darker, more oppressive and abysmal than their previous material.
“Il Nostro Silenzio” is loosly based around the lyrical theme of “noises inside the head” and marks the band's biggest production to date. Recorded and mixed by Michael Zech (The Source Studio) and mastered by Victor Santura (Woodshed Studio), the band pushed their obscure path into wider fields of the extreme in terms of both sound and songwriting. No matter if they get more aggressive (“Nachtluft”), more atmospheric (“Il Nostro Silenzio”) or even more sinister (“RLS”), all songs follow a common thread: Darkness!
With their second album “Il Nostro Silenzio” MORAST continue where they first took off! They take the listener on an epic ride that is even darker, more oppressive and abysmal than their previous material.
“Il Nostro Silenzio” is loosly based around the lyrical theme of “noises inside the head” and marks the band's biggest production to date. Recorded and mixed by Michael Zech (The Source Studio) and mastered by Victor Santura (Woodshed Studio), the band pushed their obscure path into wider fields of the extreme in terms of both sound and songwriting. No matter if they get more aggressive (“Nachtluft”), more atmospheric (“Il Nostro Silenzio”) or even more sinister (“RLS”), all songs follow a common thread: Darkness!
With their second album “Il Nostro Silenzio” MORAST continue where they first took off! They take the listener on an epic ride that is even darker, more oppressive and abysmal than their previous material.
“Il Nostro Silenzio” is loosly based around the lyrical theme of “noises inside the head” and marks the band's biggest production to date. Recorded and mixed by Michael Zech (The Source Studio) and mastered by Victor Santura (Woodshed Studio), the band pushed their obscure path into wider fields of the extreme in terms of both sound and songwriting. No matter if they get more aggressive (“Nachtluft”), more atmospheric (“Il Nostro Silenzio”) or even more sinister (“RLS”), all songs follow a common thread: Darkness!
Linked here, is the first single "A Parody of Medea" from Plateau Sigma's new album "Symbols - The Sleeping Harmony of the World Below", that will be out on October 24.
Linked here, is the first single "A Parody of Medea" from Plateau Sigma's new album "Symbols - The Sleeping Harmony of the World Below", that will be out on October 24.
Linked here, is the first single "A Parody of Medea" from Plateau Sigma's new album "Symbols - The Sleeping Harmony of the World Below", that will be out on October 24.
Profetus - The Sadness of Time Passing (New Full Album) Profetus was formed under the heavy snows of Tampere, Finland in 2006, to perform solemn and mournful, crushing and captivating Funeral Doom - brought to existence by A. Mäkinen & S. Kujansuu. The musical idea was to bring forth their musical love for old Doom Metal and especially to affine the funeral ambience of classic Finnish Funeral Doom acts like Thergothon, Unholy and Skepticism. As a leading frame of their future work, they decided to create the sound without bass guitar and replaced it with organ which would give a monotonous and more majestic background to their slow march. Highly acclaimed by the followers of the funeral cult. The Sadness Of Time Passing is the third full-length studio album by the Finnish band, and is worth every single day of the five long years its creation took. Profetus's third studio album is a concept about time and mortality, a collection of bleak compositions to raise the awareness that everything is transient, all is impermanent. To express such idea, The Sadness Of Time Passing can be linked to the Japanese concept "mono no aware", and such link to the far east is sealed by its cover. The painting by Yuka Yoshihara, talented contemporary Japanese painter, was made using 19th century colors and old Japanese painting techniques to resemble a Finnish romantic, XVII century painting. The Sadness Of Time Passing was composed along a five-year span, a period which carried great personal losses for Mäkinen. Eventually, Profetus locked the door of their own studio, a wooden lodge in the middle of the Finnish woods, and recorded the album as a whole during one week only, in early 2018. The studio, said to be haunted by the spirits of the woods, gave a natural sound to the recordings.
Profetus - The Sadness of Time Passing (New Full Album) Profetus was formed under the heavy snows of Tampere, Finland in 2006, to perform solemn and mournful, crushing and captivating Funeral Doom - brought to existence by A. Mäkinen & S. Kujansuu. The musical idea was to bring forth their musical love for old Doom Metal and especially to affine the funeral ambience of classic Finnish Funeral Doom acts like Thergothon, Unholy and Skepticism. As a leading frame of their future work, they decided to create the sound without bass guitar and replaced it with organ which would give a monotonous and more majestic background to their slow march. Highly acclaimed by the followers of the funeral cult. The Sadness Of Time Passing is the third full-length studio album by the Finnish band, and is worth every single day of the five long years its creation took. Profetus's third studio album is a concept about time and mortality, a collection of bleak compositions to raise the awareness that everything is transient, all is impermanent. To express such idea, The Sadness Of Time Passing can be linked to the Japanese concept "mono no aware", and such link to the far east is sealed by its cover. The painting by Yuka Yoshihara, talented contemporary Japanese painter, was made using 19th century colors and old Japanese painting techniques to resemble a Finnish romantic, XVII century painting. The Sadness Of Time Passing was composed along a five-year span, a period which carried great personal losses for Mäkinen. Eventually, Profetus locked the door of their own studio, a wooden lodge in the middle of the Finnish woods, and recorded the album as a whole during one week only, in early 2018. The studio, said to be haunted by the spirits of the woods, gave a natural sound to the recordings.
