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Second press!
We have some copies left in mixed vinyl colors edition:
Violet/grey marble
Smoke/black marble
Grey with some black splatters
your copy will be randomly picked by our staff
Second press, preorder
Light Field Reverie was formed to traverse the haunted and ethereal sonic landscapes at the border between crushing heaviness and dreamlike beauty. Featuring Mike Lamb (Sojourner), Heike Langhans (Draconian), and Scotty Lodge (Sojourner).
Heike Langhans - Vocals, Synths
Mike Lamb - Guitars, Synths, Piano, Drums
Scotty Lodge - Bass
New press after instant soldout of first press, in PRE-ORDER shipping estimated 20/04/2021
Following the concept of their first journey Meteahna Timpurilor, released via Avantgarde Music in 2019, Sur Austru is ready to present to you its natural follow up, their latest ritual called Obârşie. The band born from the ashes of beloved Negură Bunget is once again ready to take you to a trip through the endless forests of Romania and southern Carpathia with their ritualistic blend of black metal and local folklore.
With Obârşie, Sur Austru is opening new gates and sacred structures, developing the sound of the previous album and adding more layers of sounds, beautiful voices and choirs, massive sound walls, gloomy atmospheres, epic blast-beats as well as sacred traditional instruments, all in one single concept album. Obârşie is the Romanian word representing the concepts of origin, descent and source, whether it is the source of water in the mountains or an initiation ceremony.
You may want to add one copy of Sur Austru debut CD "Meteahna Timpurilor" now in special offer with the new album's preorder for only 5.00€ (click here to add "metehana.." digi CD)
Gatefold cover, trans. red with black and white splatters!
Official vinyl release after 30 years !
Galaxy red/black color, gatefold cover
Repress 2021
Concise melodies, sinister vocals and harsh tones as usual - these are just three things one has to expect on the new studio album of Beltez. Hailing from Germanys Rhineland area, the Band intensively explored the topic of death four years ago on their previous record "Tod, Part 1". Now they developed this concept further following Wayne Barlowes novel "God's Demon".
With ,,Exiled, Punished...Rejected" they took up Barlowes atmosphere, which death, intrigues and dying akin to classical literature and ancient Greek mythologies and managed to form it into a musical epic.
Drone edition of Olhava's "s/t" debut!
extra limited edition, one-only press
Brand new and sealed, came with a very, very small seamsplit on top.
Three years after their fascinating debut, Suicide Forest is back with Reluctantly, a sophomore album which further develops their art. Taking their name from the Japanese Aokigahara forest, where many troubled
people travel to end their life, the one-man band from Tucson, Az., moves from classic depressive black metal coordinates and expands their sound palette. As a result, Reluctantly settles somewhere in between DSBM, atmospheric black metal and post-black/blackgaze.
The perfect company for restless souls, Reluctantly reminds of the eerie keyboard patterns of Burzum and the dilated atmospheres of contemporary US black metal pillars like Ash Borer, mixed with some unpredictable twists such as dissonant riffs and solos. Suicide Forest will please both those looking for furious up-tempos and the more introvert blacksters, looking for a sanctuary from the outside world.
Multi-instrumentalist and mastermind A.Kruger wrote Reluctantly in the second half of 2019, before the pandemic struck us all, but began tracking the album at his home studio in early 2020. About the lyrics, when asked what themes inform his work, he plainly replied: The whole album focuses
on the themes of resent and isolation, feelings that were only compounded considering the entirety of Reluctanlty was recorded during the covid-19 lockdown”.
Silver/black galaxy vinyl
Three years after their fascinating debut, Suicide Forest is back with Reluctantly, a sophomore album which further develops their art. Taking their name from the Japanese Aokigahara forest, where many troubled
people travel to end their life, the one-man band from Tucson, Az., moves from classic depressive black metal coordinates and expands their sound palette. As a result, Reluctantly settles somewhere in between DSBM, atmospheric black metal and post-black/blackgaze.
The perfect company for restless souls, Reluctantly reminds of the eerie keyboard patterns of Burzum and the dilated atmospheres of contemporary US black metal pillars like Ash Borer, mixed with some unpredictable twists such as dissonant riffs and solos. Suicide Forest will please both those looking for furious up-tempos and the more introvert blacksters, looking for a sanctuary from the outside world.
Multi-instrumentalist and mastermind A.Kruger wrote Reluctantly in the second half of 2019, before the pandemic struck us all, but began tracking the album at his home studio in early 2020. About the lyrics, when asked what themes inform his work, he plainly replied: The whole album focuses
on the themes of resent and isolation, feelings that were only compounded considering the entirety of Reluctanlty was recorded during the covid-19 lockdown”.
Three years after their fascinating debut, Suicide Forest is back with Reluctantly, a sophomore album which further develops their art. Taking their name from the Japanese Aokigahara forest, where many troubled
people travel to end their life, the one-man band from Tucson, Az., moves from classic depressive black metal coordinates and expands their sound palette. As a result, Reluctantly settles somewhere in between DSBM, atmospheric black metal and post-black/blackgaze.
The perfect company for restless souls, Reluctantly reminds of the eerie keyboard patterns of Burzum and the dilated atmospheres of contemporary US black metal pillars like Ash Borer, mixed with some unpredictable twists such as dissonant riffs and solos. Suicide Forest will please both those looking for furious up-tempos and the more introvert blacksters, looking for a sanctuary from the outside world.
Multi-instrumentalist and mastermind A.Kruger wrote Reluctantly in the second half of 2019, before the pandemic struck us all, but began tracking the album at his home studio in early 2020. About the lyrics, when asked what themes inform his work, he plainly replied: The whole album focuses
on the themes of resent and isolation, feelings that were only compounded considering the entirety of Reluctanlty was recorded during the covid-19 lockdown”.
...dark forest music - black witching metal...
...stargazing spectral sorrows - horrendous graveyard murmurs...
Unsmiling, atmospheric and obscure svartmetall from the deepest forests of Sweden, featuring musicians from (among others) Setherial, Stilla, Svederna and Bergraven.
"For fans of" 90's Abigor, Malignant Eternal - "Tårnet", early Manes, archaic dungeon synth!!
...dark forest music - black witching metal...
...stargazing spectral sorrows - horrendous graveyard murmurs...
Unsmiling, atmospheric and obscure svartmetall from the deepest forests of Sweden, featuring musicians from (among others) Setherial, Stilla, Svederna and Bergraven.
"For fans of" 90's Abigor, Malignant Eternal - "Tårnet", early Manes, archaic dungeon synth!!
...dark forest music - black witching metal...
...stargazing spectral sorrows - horrendous graveyard murmurs...
Unsmiling, atmospheric and obscure svartmetall from the deepest forests of Sweden, featuring musicians from (among others) Setherial, Stilla, Svederna and Bergraven.
"For fans of" 90's Abigor, Malignant Eternal - "Tårnet", early Manes, archaic dungeon synth!!
SECOND PRESS / SMOKE (DOUBLE) VINYL
With their sophomore album Imperative Imperceptible Impulse, Ad Nauseam took a step forward in terms of composition, musical structures and sound. Music is not intended as a mere sequence of riffs that sounds well one after the other, but is now a naturally ordered structure where almost every musical event refers to the past and/or predicts the future, generating very layered and complex patterns dominated by polyphony and polyrhythms and where each instrument has its own role and is essential in the whole. The music represents a merging of many different styles, the most prominent ones being extreme death/black metal, avantgarde, jazz, post-core, doom/sludge and ambient.
The composition process of Imperative Imperceptible Impulse has been heavily influenced by 20th century classical composers like Stravinsky, Šostakóvič, Xenakis, Scelsi, Penderecki and Ligeti, to name a few. Both the concepts of harmony and melody have been put into discussion to get a music where harmony is obtained by means of disharmony and melody by dissonances. To push this method even further, a unique tuning system has been conceived, to allow a new harmonic vocabulary and to eradicate the players from the comfort zone of the usual melodic patterns every guitar/bass player is used to.
Felpa NERA stampata fronte, retro e maniche: marca "Just Hoods"
Taglie disponibili: SMALL / MEDIUM / LARGE / XL / XXL
*** PER FAVORE INDICARE LA TAGLIA DESIDERATA NELLE NOTE DELL'ORDINE ***
Second press, Aside/Bside: Aqua Blue / Black
February 2021 (in stock)
First press comes in a deluxe packaging: digipack with extra UV foil print, 12 pages booklet and in outer slipcase
With their sophomore album Imperative Imperceptible Impulse, Ad Nauseam took a step forward in terms of composition, musical structures and sound. Music is not intended as a mere sequence of riffs that sounds well one after the other, but is now a naturally ordered structure where almost every musical event refers to the past and/or predicts the future, generating very layered and complex patterns dominated by polyphony and polyrhythms and where each instrument has its own role and is essential in the whole. The music represents a merging of many different styles, the most prominent ones being extreme death/black metal, avantgarde, jazz, post-core, doom/sludge and ambient.
The composition process of Imperative Imperceptible Impulse has been heavily influenced by 20th century classical composers like Stravinsky, Šostakóvič, Xenakis, Scelsi, Penderecki and Ligeti, to name a few. Both the concepts of harmony and melody have been put into discussion to get a music where harmony is obtained by means of disharmony and melody by dissonances. To push this method even further, a unique tuning system has been conceived, to allow a new harmonic vocabulary and to eradicate the players from the comfort zone of the usual melodic patterns every guitar/bass player is used to.
Limited, Double green/black marble vinyl in gatefold cover // VERY LAST COPIES LEFT FROM FIRST PRESS!
With their sophomore album Imperative Imperceptible Impulse, Ad Nauseam took a step forward in terms of composition, musical structures and sound. Music is not intended as a mere sequence of riffs that sounds well one after the other, but is now a naturally ordered structure where almost every musical event refers to the past and/or predicts the future, generating very layered and complex patterns dominated by polyphony and polyrhythms and where each instrument has its own role and is essential in the whole. The music represents a merging of many different styles, the most prominent ones being extreme death/black metal, avantgarde, jazz, post-core, doom/sludge and ambient.
The composition process of Imperative Imperceptible Impulse has been heavily influenced by 20th century classical composers like Stravinsky, Šostakóvič, Xenakis, Scelsi, Penderecki and Ligeti, to name a few. Both the concepts of harmony and melody have been put into discussion to get a music where harmony is obtained by means of disharmony and melody by dissonances. To push this method even further, a unique tuning system has been conceived, to allow a new harmonic vocabulary and to eradicate the players from the comfort zone of the usual melodic patterns every guitar/bass player is used to.
