Avantgarde Music

Disponibile in taglia M, L, XL o XXL

Per favore specificare la taglia nelle note d'ordine

Le prime spedizioni avverranno nella settimana del 4 Maggio, dopodichè l'offerta continuerà su una base de "print on demand", per cui considerare sempre almeno 7/10 giorni per la stampa

Limited edition 66 pieces - one off press
An essential release for fans and collectors alike, finally bringing Beyond the Forest to life in analog form — not just as an album, but as a complete artistic statement.

Test pressing, numbered to 10 copies, with custom hype sticker

After a whole decade of silence, Downfall Of Nur is back with a new album. The studio project born from Italian-born Antonio Sanna is finally ready to give a proper follow up to the acclaimed debut Umbras de Barbagia (2015). And the Firmament will Burn to Quench the Pain of this Earth unfolds as a profound reflection on the ancestral memory and deeply rooted symbols of Sardinia.
At its core lies the dual figure of the feminine: the Mother Goddess, an ancient archetype associated with fertility, the earth, and permanence, represented in the prehistoric iconography of Sardinia, and human mothers, silent protagonists who carry the restrained sorrow of mourning their children lost to ancestral conflicts, such as the disamistade, a ritualized enmity deeply embedded in Sardinian cultural memory.
The album’s central narrative revolves around the transition of an individual caught in these ancient cycles of hostility. Upon shedding his physical form, his spirit merges with the archetype of the Mother Goddess, an ancestral presence embodying the exhaustion provoked by the endless repetition of violence and death. This union marks a threshold: an essential act of purification that confronts oblivion and halts the ceaseless recurrence of suffering.
Though not explicitly named, the mothers form the ethical and emotional foundation of the work. Their grief transcends the individual and extends into the collective, shaping the social memory and the ontological relationship between human beings and the land they inhabit. The Mother Goddess and the mothers symbolically intertwine, revealing the rupture between humanity and the earth that sustains it. The album posits a breaking point: the weariness of the Mother Goddess in the face of perpetual cycles of vengeance, death, and forgetting. This rupture is not presented as punitive, but as an inevitable act of purification, fire consuming what has been denied by collective memory.
And the Firmament Will Burn to Quench the Pain of This Earth calls for attentive and contemplative listening. It is not a linear or conclusive narrative, but a fragmented ritual space that opens the way to multiple layers of interpretation, where history, mythology, and human mourning converge. Ultimately, the album stands as an act of living memory—a tribute to Sardinia as a sacred, wounded land, bearer of silenced histories—and an invitation to recognize, through listening, the profound sorrow that resides in the broken bond between man, woman, earth, and the divine. 

Sarà disponibile in queste taglie:  Medium / Large / XL / XXL: per favore indicare la taglia nelle note dell'ordine

After a whole decade of silence, Downfall Of Nur is back with a new album. The studio project born from Italian-born Antonio Sanna is finally ready to give a proper follow up to the acclaimed debut Umbras de Barbagia (2015). And the Firmament will Burn to Quench the Pain of this Earth unfolds as a profound reflection on the ancestral memory and deeply rooted symbols of Sardinia.
At its core lies the dual figure of the feminine: the Mother Goddess, an ancient archetype associated with fertility, the earth, and permanence, represented in the prehistoric iconography of Sardinia, and human mothers, silent protagonists who carry the restrained sorrow of mourning their children lost to ancestral conflicts, such as the disamistade, a ritualized enmity deeply embedded in Sardinian cultural memory.
The album’s central narrative revolves around the transition of an individual caught in these ancient cycles of hostility. Upon shedding his physical form, his spirit merges with the archetype of the Mother Goddess, an ancestral presence embodying the exhaustion provoked by the endless repetition of violence and death. This union marks a threshold: an essential act of purification that confronts oblivion and halts the ceaseless recurrence of suffering.
Though not explicitly named, the mothers form the ethical and emotional foundation of the work. Their grief transcends the individual and extends into the collective, shaping the social memory and the ontological relationship between human beings and the land they inhabit. The Mother Goddess and the mothers symbolically intertwine, revealing the rupture between humanity and the earth that sustains it. The album posits a breaking point: the weariness of the Mother Goddess in the face of perpetual cycles of vengeance, death, and forgetting. This rupture is not presented as punitive, but as an inevitable act of purification, fire consuming what has been denied by collective memory.
And the Firmament Will Burn to Quench the Pain of This Earth calls for attentive and contemplative listening. It is not a linear or conclusive narrative, but a fragmented ritual space that opens the way to multiple layers of interpretation, where history, mythology, and human mourning converge. Ultimately, the album stands as an act of living memory—a tribute to Sardinia as a sacred, wounded land, bearer of silenced histories—and an invitation to recognize, through listening, the profound sorrow that resides in the broken bond between man, woman, earth, and the divine. 

Avantgarde/Sound Cave exclusive edition  LTD 100

After a whole decade of silence, Downfall Of Nur is back with a new album. The studio project born from Italian-born Antonio Sanna is finally ready to give a proper follow up to the acclaimed debut Umbras de Barbagia (2015). And the Firmament will Burn to Quench the Pain of this Earth unfolds as a profound reflection on the ancestral memory and deeply rooted symbols of Sardinia.
At its core lies the dual figure of the feminine: the Mother Goddess, an ancient archetype associated with fertility, the earth, and permanence, represented in the prehistoric iconography of Sardinia, and human mothers, silent protagonists who carry the restrained sorrow of mourning their children lost to ancestral conflicts, such as the disamistade, a ritualized enmity deeply embedded in Sardinian cultural memory.
The album’s central narrative revolves around the transition of an individual caught in these ancient cycles of hostility. Upon shedding his physical form, his spirit merges with the archetype of the Mother Goddess, an ancestral presence embodying the exhaustion provoked by the endless repetition of violence and death. This union marks a threshold: an essential act of purification that confronts oblivion and halts the ceaseless recurrence of suffering.
Though not explicitly named, the mothers form the ethical and emotional foundation of the work. Their grief transcends the individual and extends into the collective, shaping the social memory and the ontological relationship between human beings and the land they inhabit. The Mother Goddess and the mothers symbolically intertwine, revealing the rupture between humanity and the earth that sustains it. The album posits a breaking point: the weariness of the Mother Goddess in the face of perpetual cycles of vengeance, death, and forgetting. This rupture is not presented as punitive, but as an inevitable act of purification, fire consuming what has been denied by collective memory.
And the Firmament Will Burn to Quench the Pain of This Earth calls for attentive and contemplative listening. It is not a linear or conclusive narrative, but a fragmented ritual space that opens the way to multiple layers of interpretation, where history, mythology, and human mourning converge. Ultimately, the album stands as an act of living memory—a tribute to Sardinia as a sacred, wounded land, bearer of silenced histories—and an invitation to recognize, through listening, the profound sorrow that resides in the broken bond between man, woman, earth, and the divine. 

After a whole decade of silence, Downfall Of Nur is back with a new album. The studio project born from Italian-born Antonio Sanna is finally ready to give a proper follow up to the acclaimed debut Umbras de Barbagia (2015). And the Firmament will Burn to Quench the Pain of this Earth unfolds as a profound reflection on the ancestral memory and deeply rooted symbols of Sardinia.
At its core lies the dual figure of the feminine: the Mother Goddess, an ancient archetype associated with fertility, the earth, and permanence, represented in the prehistoric iconography of Sardinia, and human mothers, silent protagonists who carry the restrained sorrow of mourning their children lost to ancestral conflicts, such as the disamistade, a ritualized enmity deeply embedded in Sardinian cultural memory.
The album’s central narrative revolves around the transition of an individual caught in these ancient cycles of hostility. Upon shedding his physical form, his spirit merges with the archetype of the Mother Goddess, an ancestral presence embodying the exhaustion provoked by the endless repetition of violence and death. This union marks a threshold: an essential act of purification that confronts oblivion and halts the ceaseless recurrence of suffering.
Though not explicitly named, the mothers form the ethical and emotional foundation of the work. Their grief transcends the individual and extends into the collective, shaping the social memory and the ontological relationship between human beings and the land they inhabit. The Mother Goddess and the mothers symbolically intertwine, revealing the rupture between humanity and the earth that sustains it. The album posits a breaking point: the weariness of the Mother Goddess in the face of perpetual cycles of vengeance, death, and forgetting. This rupture is not presented as punitive, but as an inevitable act of purification, fire consuming what has been denied by collective memory.
And the Firmament Will Burn to Quench the Pain of This Earth calls for attentive and contemplative listening. It is not a linear or conclusive narrative, but a fragmented ritual space that opens the way to multiple layers of interpretation, where history, mythology, and human mourning converge. Ultimately, the album stands as an act of living memory—a tribute to Sardinia as a sacred, wounded land, bearer of silenced histories—and an invitation to recognize, through listening, the profound sorrow that resides in the broken bond between man, woman, earth, and the divine. 

After a whole decade of silence, Downfall Of Nur is back with a new album. The studio project born from Italian-born Antonio Sanna is finally ready to give a proper follow up to the acclaimed debut Umbras de Barbagia (2015). And the Firmament will Burn to Quench the Pain of this Earth unfolds as a profound reflection on the ancestral memory and deeply rooted symbols of Sardinia.
At its core lies the dual figure of the feminine: the Mother Goddess, an ancient archetype associated with fertility, the earth, and permanence, represented in the prehistoric iconography of Sardinia, and human mothers, silent protagonists who carry the restrained sorrow of mourning their children lost to ancestral conflicts, such as the disamistade, a ritualized enmity deeply embedded in Sardinian cultural memory.
The album’s central narrative revolves around the transition of an individual caught in these ancient cycles of hostility. Upon shedding his physical form, his spirit merges with the archetype of the Mother Goddess, an ancestral presence embodying the exhaustion provoked by the endless repetition of violence and death. This union marks a threshold: an essential act of purification that confronts oblivion and halts the ceaseless recurrence of suffering.
Though not explicitly named, the mothers form the ethical and emotional foundation of the work. Their grief transcends the individual and extends into the collective, shaping the social memory and the ontological relationship between human beings and the land they inhabit. The Mother Goddess and the mothers symbolically intertwine, revealing the rupture between humanity and the earth that sustains it. The album posits a breaking point: the weariness of the Mother Goddess in the face of perpetual cycles of vengeance, death, and forgetting. This rupture is not presented as punitive, but as an inevitable act of purification, fire consuming what has been denied by collective memory.
And the Firmament Will Burn to Quench the Pain of This Earth calls for attentive and contemplative listening. It is not a linear or conclusive narrative, but a fragmented ritual space that opens the way to multiple layers of interpretation, where history, mythology, and human mourning converge. Ultimately, the album stands as an act of living memory—a tribute to Sardinia as a sacred, wounded land, bearer of silenced histories—and an invitation to recognize, through listening, the profound sorrow that resides in the broken bond between man, woman, earth, and the divine. 

After a whole decade of silence, Downfall Of Nur is back with a new album. The studio project born from Italian-born Antonio Sanna is finally ready to give a proper follow up to the acclaimed debut Umbras de Barbagia (2015). And the Firmament will Burn to Quench the Pain of this Earth unfolds as a profound reflection on the ancestral memory and deeply rooted symbols of Sardinia.
At its core lies the dual figure of the feminine: the Mother Goddess, an ancient archetype associated with fertility, the earth, and permanence, represented in the prehistoric iconography of Sardinia, and human mothers, silent protagonists who carry the restrained sorrow of mourning their children lost to ancestral conflicts, such as the disamistade, a ritualized enmity deeply embedded in Sardinian cultural memory.
The album’s central narrative revolves around the transition of an individual caught in these ancient cycles of hostility. Upon shedding his physical form, his spirit merges with the archetype of the Mother Goddess, an ancestral presence embodying the exhaustion provoked by the endless repetition of violence and death. This union marks a threshold: an essential act of purification that confronts oblivion and halts the ceaseless recurrence of suffering.
Though not explicitly named, the mothers form the ethical and emotional foundation of the work. Their grief transcends the individual and extends into the collective, shaping the social memory and the ontological relationship between human beings and the land they inhabit. The Mother Goddess and the mothers symbolically intertwine, revealing the rupture between humanity and the earth that sustains it. The album posits a breaking point: the weariness of the Mother Goddess in the face of perpetual cycles of vengeance, death, and forgetting. This rupture is not presented as punitive, but as an inevitable act of purification, fire consuming what has been denied by collective memory.
And the Firmament Will Burn to Quench the Pain of This Earth calls for attentive and contemplative listening. It is not a linear or conclusive narrative, but a fragmented ritual space that opens the way to multiple layers of interpretation, where history, mythology, and human mourning converge. Ultimately, the album stands as an act of living memory—a tribute to Sardinia as a sacred, wounded land, bearer of silenced histories—and an invitation to recognize, through listening, the profound sorrow that resides in the broken bond between man, woman, earth, and the divine. 

Barren Canyon, the reclusive Canadian act formed by the mysterious duo of multi-instrumentalists Maikan and Absent, re-emerge with A Virulent Steam, their second release for Avantgarde Music after eight years of silence. Whereas 2018’s World of Wounds contrasted bursts of metal with cold ambient passages, Barren Canyon now return transformed, melding their influences into a tempered miasmic haze. Warmer synth tones drift and swell like a toxic fog, diffusing into harsher textures.

Taking the idea of “atmospheric metal” seriously and literally, A Virulent Stream draws both musically and lyrically upon themes of noxious air, suffocation, and the airborne contaminants of industrial society. The very cover picture is a statement in itself, as the band chose “Smoke from the continuously operating steel plants gives Birmingham its
spectacular nighttime red-orange glow” by Leroy Woodson to visually introduce their opus.

Test pressing, numbered  X/5 copies

Legendary Nortt's 1998 demo finally and officially released after a few unauthorized versions.

Comes with bonus track "Nattens Tale"

Test pressing, numbered  X/5 copies

Test pressing:  5 numbered copies

2024 Edition on single vinyl by DeA

Test pressing, numbered to 3 copies!

Test Pressing of the single LP mastering for this new edition

"Taetra Philosophia" is the NEW studio album by Abysmal Grief after a few side-releases (live albums and a compilation of rarities and oddities).

second press in dark red / black marble

Limited to 175 copies.

Second press in milkly clear vinyl.

'Masks of the Magi' Trilogy, opus II

THE OUTSIDER 

The dreams die and the firmament drowns. Amidst the ashes of a dead forest rises a solitary kingdom. These towers breathe the blackest of magic…

Old Sorcery is a dungeon synth / black metal project from Lahti, Finland, born in 2017 from the ever-creative mind of Juuso “Vrajitor” Peltola (Warmoon Lord, Argenthorns, Vrajitor’s Tenebrarium and many more), which is now in the middle of a trilogy of releases shared between labels Out Of Season and Avantgarde Music.

The Outsider is the second part of this fantasy concept, which here blends dungeon synth with the more atmospheric and escapist part of black metal.
Over 70 minutes long, The Outsider is a real journey through fabled lands and mysteries unknown.

Gatefold cover - extended king size booklet 

Half orange half black

Kanonenfieber's debut Menschenmühle has been one of the self-produced highlights of early 2021. With its mature songwriting and uncommon thematic approach, the album is intended to commemorate the countless victims of World War I.

Men were thrown into a differing reality where only survival would count. Death, fear and hunger as a steady companion in the waist-deep trenches filled with mud. One order transferred people into cannon fodder in the human mill - World War I. The lyrical background of Menschenmühle is based on factual reports, letters and other documents from the surviving and deceased soldiers. The album was written, recorded and produced by Kanonenfieber from September 2020 to January 2021 in the Noisebringer studio.

Limited to 100 copies.

Bone white vinyl.

'Masks of the Magi' Trilogy, opus II

THE OUTSIDER 

The dreams die and the firmament drowns. Amidst the ashes of a dead forest rises a solitary kingdom. These towers breathe the blackest of magic…

Old Sorcery is a dungeon synth / black metal project from Lahti, Finland, born in 2017 from the ever-creative mind of Juuso “Vrajitor” Peltola (Warmoon Lord, Argenthorns, Vrajitor’s Tenebrarium and many more), which is now in the middle of a trilogy of releases shared between labels Out Of Season and Avantgarde Music.

The Outsider is the second part of this fantasy concept, which here blends dungeon synth with the more atmospheric and escapist part of black metal.
Over 70 minutes long, The Outsider is a real journey through fabled lands and mysteries unknown.

Reissue 2026

Gatefold with extensive book, now comes in "Sea Blu" vinyl color
It’s about time to reveal all the faces of the night! Moonlight Sorcery will release their first full-length album entitled Horned Lord of the Thorned Castle on September 29th. Expect nothing but an ice cold blizzard that will conquer your castles, crumble your towers and withhold the daylight forever!

Horned Lord Of The Thorned Castle is a perfect combination of the atmosphere from Piercing Through the Frozen Eternity and the rawness of Nightwind: The Conqueror from the Stars, the band’s two EPs released in 2022 and early 2023.

Moonlight Sorcery wants to raise the bar, and these new nine songs have even more melodic hooks and shreddy guitar work. Frozen synth walls further develop the Finnish trio’s unique sound, a vibe you cannot find in any other black metal record.

Horned Lord Of The Thorned Castle follows a specific narrative, and its nine compositions tell a single tale, with every song starting where the previous one left off. “Basically, our debut could be a single 44-minute song”, the band said. Yet, the pleasure of learning such a tale is yours. Prepare, wanderer, to meet the Horned Lord of the Thorned Castle!

Mixed and mastered at Unisound by legendary producer and musician Dan Swanö
 

Legendary Nortt's 1998 demo finally and officially released after a few unauthorized versions.

Comes with bonus track "Nattens Tale"

Extra limited edition to 80 ex

Legendary Nortt's 1998 demo finally and officially released after a few unauthorized versions.

Comes with bonus track "Nattens Tale"

Digipak edition ltd 300

Legendary Nortt's 1998 demo finally and officially released after a few unauthorized versions.

Comes with bonus track "Nattens Tale"

Marble vinyl edition (150 copies)

Legendary Nortt's 1998 demo finally and officially released after a few unauthorized versions.

Comes with bonus track "Nattens Tale"

Black vinyl edition (100 copies)

Limited edition reprint (200) of the official 2016 re-issue. Co-released with H.O.D. Productions