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Finnish death metal 7" box set series to be released via Svart Records - Part I with Abhorrence, Disgrace & Messiah Paratroops 

Compilation, Limited Edition, Violet

This is part of the story of the birth of early Finnish death metal. The late ’80s and early ’90s were a time when underground extreme metal flourished, and the main centrifugal force that got bands known globally was tape trading. Influences spread like a disease, and young, emerging death metal groups were eager to be more brutal than the next. Lack of money meant that studios couldn’t be booked for weeks, so the first logical release for starting bands was usually a self-released demo tape or a seven-inch vinyl, where they could squeeze in two to four tracks.

Even though we are talking about Finnish death metal here, the American record label Seraphic Decay, run by Steve O’Bannon, plays an important role in this story. It was the label that originally released the first 7” records for three Finnish bands: Disgrace's Debts of God (1990), Abhorrence's Abhorrence (1990) — the band that later morphed into Amorphis — and Messiah Paratroops' The Past (1992).

In the years that followed, death metal evolved into many different subgenres, but here we have three legendary releases rooted in the core of darkness and brutality from the formative years, none of which clock in at over 14 minutes. True gems — rotten little nuggets —for you to enjoy again and again.

Expanded edition of Oslo black metal cultists Isvind's 1996 debut full-length, incl. the tracks from the self-titled 7" EP.

LP (black) incl. polylined inner sleeve, Din A2 poster and protection sleeve (250 copies available)

Expanded edition of Oslo black metal cultists Isvind's 1996 debut full-length, incl. the tracks from the self-titled 7" EP.

LP (transparent/schwarz-marmoriert) incl. polylined inner sleeve, Din A2 poster and protection sleeve (250 copies available)

Limited Edition of 1000 with 20 pages booklet in a thick mediabook

ANTRISCH [Austro-Bavarian term for eerie or uncanny] is a blend of different styles of Black Metal mingled with portions of Doom, Djent and Dark Ambient.
Lyrically ANTRISCH is exploring the inner world that is the wide range of expressions bred by the human mind and inner life
as well as the outer world by treating substantially the vast landscapes and forces of nature experienced through bygone ventures to the world's most extreme sceneries.
This project is a musical & lyrical expedition to the heights of the world and the depths of man.

Transparent turquoise 12" vinyl (33 rpm) in gatefold.
Limited to 100 copies worldwide.

TODOMAL emerged from the arid heartlands of eastern Spain in 2020, forging a deeply personal sound from the solemnity of doom metal, the sweep of cinematic rock and the quiet weight of lived experience. ‘Graveyards of Joy’ is the third album from this Anglo-Spanish duo, and the closing chapter of a trilogy that began with ‘Ultracrepidarian’ (2021) and deepened with ‘A Greater Good’ (2023).
Written in solitude following personal tragedy, ‘Graveyards of Joy’ channels grief, anger and hard-won hope into nine tracks of slow-burning, widescreen doom. The music breathes: vast Hammond-driven passages give way to desolate folk, Morricone-like strings open onto dusty, cinematic plains, and heavy, uncompromising riffs anchor songs that never lose sight of melody. Lyrically, the album conjures a landscape drawn from the ghost towns and depopulated provinces of rural Spain, a terrain that is raw, honest and untamed. Loss runs through every song, but so does the search for something on the other side.
This is a record that balances the dramatic with the delicate, the dark with light, and arrives fully formed: a DIY work of striking emotional depth and modern, alternative edge.

For fans of Katatonia, Candlemass, Anathema, Hamferð.

CD in Digipak with 12-page booklet.

TODOMAL emerged from the arid heartlands of eastern Spain in 2020, forging a deeply personal sound from the solemnity of doom metal, the sweep of cinematic rock and the quiet weight of lived experience. ‘Graveyards of Joy’ is the third album from this Anglo-Spanish duo, and the closing chapter of a trilogy that began with ‘Ultracrepidarian’ (2021) and deepened with ‘A Greater Good’ (2023).
Written in solitude following personal tragedy, ‘Graveyards of Joy’ channels grief, anger and hard-won hope into nine tracks of slow-burning, widescreen doom. The music breathes: vast Hammond-driven passages give way to desolate folk, Morricone-like strings open onto dusty, cinematic plains, and heavy, uncompromising riffs anchor songs that never lose sight of melody. Lyrically, the album conjures a landscape drawn from the ghost towns and depopulated provinces of rural Spain, a terrain that is raw, honest and untamed. Loss runs through every song, but so does the search for something on the other side.
This is a record that balances the dramatic with the delicate, the dark with light, and arrives fully formed: a DIY work of striking emotional depth and modern, alternative edge.

For fans of Katatonia, Candlemass, Anathema, Hamferð.