Vinili

Info : Forged in the underground of Romania, RUYNED unleash their most ferocious and unrelenting material, Profanum Sacrificium, a blasphemous speed metal assault infused with elements of black, thrash, heavy metal.

The Intro sets the calm before the storm. From the ripping assault of “Speedchain” to the depraved madness of "Sex'N Speed" and “Sex Commander 666”, going through the sinister tale of “Vampire of Düsseldorf” inspired by Peter Kürten, RUYNED channel raw violence and decadence in its purest form.
From “Daemonium Ritualis” onward, the record descends into a dark conceptual journey through the European witch hunts of the 15th–17th centuries. Through Profanum Sacrificium, Malleus Maleficarum and Witches Gallow, the band conjures a world of fire, mysticism and ritual death.
The closing Outro retells this tale as a melody sung by a bard at a royal banquet.

Fast. Raw. Rabid. Merciless. Total speed metal violence.
 

LIMITED TO 50 UNITS

Gatefold sleeve with gold pantone overprint and A2 poster, special TSHIRT (please write your size in the order notes!!!), metal pin with enamel and Card handcrafted and signed by the band!

Eight years after the acclaimed Slow Motion Death Sequence, Norwegian experimental visionaries Manes return with To Burn Is To Shine, their sixth full-length album and the beginning of a new chapter in a career defined by fearless artistic evolution. Since their inception in Trondheim in 1992, Manes have consistently refused to remain confined within stylistic boundaries. Emerging from the early Norwegian black metal underground with the cult debut Under Ein Blodraud Maane, the band soon embarked on a remarkable transformation that culminated in the landmark Vilosophe, an album that would become one of the defining statements of avant-garde metal. Throughout the following decades, Manes have continued to blur the lines between metal, dark electronica, alternative rock, trip-hop and experimental music, developing a sound that remains unmistakably their own.

To Burn Is To Shine also features contributions from several distinguished guests, including Ana Carolina Skaret (Mourning Sun), Eskil Blix (Djevel, Vemod), Marita Hellem (Enevelde), Rune Folgerø (Atrox, Drontheim) and Tom Christian Engelsøy (Drontheim), while Vegar Larsen (Whoredom Rife) performs drums on two tracks. The striking visual identity of the album has been created by New York-based designer Michael Houtz, whose handcrafted artwork extends across the physical editions and accompanying merchandise.

Gatefold sleeve with gold pantone overprint and A2 poster

Eight years after the acclaimed Slow Motion Death Sequence, Norwegian experimental visionaries Manes return with To Burn Is To Shine, their sixth full-length album and the beginning of a new chapter in a career defined by fearless artistic evolution. Since their inception in Trondheim in 1992, Manes have consistently refused to remain confined within stylistic boundaries. Emerging from the early Norwegian black metal underground with the cult debut Under Ein Blodraud Maane, the band soon embarked on a remarkable transformation that culminated in the landmark Vilosophe, an album that would become one of the defining statements of avant-garde metal. Throughout the following decades, Manes have continued to blur the lines between metal, dark electronica, alternative rock, trip-hop and experimental music, developing a sound that remains unmistakably their own.

To Burn Is To Shine also features contributions from several distinguished guests, including Ana Carolina Skaret (Mourning Sun), Eskil Blix (Djevel, Vemod), Marita Hellem (Enevelde), Rune Folgerø (Atrox, Drontheim) and Tom Christian Engelsøy (Drontheim), while Vegar Larsen (Whoredom Rife) performs drums on two tracks. The striking visual identity of the album has been created by New York-based designer Michael Houtz, whose handcrafted artwork extends across the physical editions and accompanying merchandise.

Rooted in atmospheric black metal and post-depressive black metal, “A Caress of Autumn for All the Lost” refuses to remain confined within genre boundaries. Balzarini continuously shifts between textures and dynamics, allowing songs to unfold through subtle transformations rather than predictable contrasts. Instead of relying on the conventional loud-quiet formula, each composition develops organically, revealing unexpected turns while maintaining a remarkable sense of cohesion. Throughout the album, delicate melodic brushstrokes occasionally recall the melancholic elegance of fellow Italian visionaries Novembre, enriching an already expansive emotional palette.

The result is a work enveloped in an autumnal melancholy that permeates every note. Its atmosphere is fragile yet piercing, intimate yet expansive, balancing moments of despair with glimpses of fragile beauty. Every transition feels purposeful, every melody carefully placed, allowing the album to flow naturally from beginning to end without sacrificing intensity or emotional depth.

- limited to 50 copies
- booklet
- A3 poster

After the lucky "Usurp The Throne", well-reviewed and extensively played on tour, UBUREN are back with a new harsh, unrelenting strain of black metal full of the usual viking metal edge. Once again, in the new batch of songs their sound sits cold and atmospheric, raw and haunting, built on tremolo-driven riffing in the best tradition of the second-wave black metal. Nonetheless, the underlying melody is never completely lost, highlighting melancholic passages that give the songs a Majestic weight.

Formed in 2010 in Sandnes, Rogaland, Uburen took shape around a shared obsession with Norse mythology and old Norwegian culture — a mutual ideology of resurfacing viking folklore through music built to be felt as much as heard. Following a lineup change in late 2019, Uburen entered the studio with new drummer Wrage Steinarson for what would become 2023's "Usurp the Throne" — an eight-track opus marking a new highpoint for the band. Cold, atmospheric and uncompromising, the album stood as Uburen's most fully realized record up to that point. The new opus, "Dødsdans I Aske", promises to raise the bar even higher.

Limited to 50 copies
w insert and poster

For over two decades, ISKALD have stood among the leading names in Norwegian melodic black metal. Now performing as a five-piece, the band expands its trademark northern sound with its most ambitious and immersive work to date.
Built as a conceptual journey, "Curse of the Mind" unfolds through four interconnected chapters linked by ritualistic invocations, exploring themes of psychological torment, inner conflict, fragile hope and ultimate sacrifice. Framed within a stark, Norse-inspired vision of Helheim, the story is mythological in setting but deeply psychological at its core. Helheim is not merely a place, it is the shape taken by inner darkness. The true battlefield is the mind itself.
The album unfolds in four movements, connected by four ritual Invocations.

 2026 ninth album from Finnish DESECRESY, the one-man project of Tommi Grönqvist, continuing to develop his distinctive vision of dark, heavy and cavernous Finnish Death Metal. Since taking over vocal duties after the first four albums, Grönqvist has handled all the music himself, consolidating a style built around dense, crushing riffs, predominantly mid-paced and slow tempos, abyssal vocals and an oppressive atmosphere that connects classic Death Metal with darker Death/ Doom territory. “The Secret of Death” retains this unmistakable identity while introducing a more prominent use of synthesizers and more varied rhythmic structures, adding an almost cosmic and hallucinatory dimension.

Limited Purple 2LP version including 8 page vinyl size booklet.

The remastered reissue of "The Somberlain" is the all-time classic debut album from the Swedish melodic Black/Death Metal band Dissection, originally recorded at Unisound Studios and released in 1993. With this remastered edition, the release goes full circle as Dan Swanö himself, the original recording engineer, lies behind the great effort of making this milestone sound better than ever. 

Conceived in the arid deserts of Australia and recorded across the globe in Norway—Carpe Tenebrum’s debut release Majestic Nothingness is undoubtedly a forgotten gem of 90s black metal. Carpe Tenebrum was formed as the solo project by Lord Kaos guitarist Jamie “Astennu” Stinson in early 1994. While Lord Kaos shopped their debut album Thorns of Impurity to record labels, Astennu left for Norway with nothing but his guitar. Once there, he would stay with Head Not Found Records / Slayer Mag founder Metalion and begin recording Majestic Nothingness at the legendary Creative Studios (birthplace of Mayhem’s Deathcrush and the first two Darkthrone black metal albums). The album itself would end up being guitar centric—perfectly spotlighting Astennu’s virtuosic abilities and songwriting prowess. The vocals were supplied by Nagash of Troll and Covenant (the latter of which Astennu would join shortly after the release of this album). While many black metal bands in the late 90s hid their half hearted riffs and regurgitated lyrics with layers of keyboards and vocal effects, Carpe Tenebrum dove fearlessly into chaotic darkness—dragging the listener with them on their respiteless journey. Eerie and sulphuric black metal recorded in 1995 at Creative Studios in Norway (Mayhem/Darkthrone). For fans of early Covenant, Ragnarok and Emperor.

After the lucky "Usurp The Throne", well-reviewed and extensively played on tour, UBUREN are back with a new harsh, unrelenting strain of black metal full of the usual viking metal edge. Once again, in the new batch of songs their sound sits cold and atmospheric, raw and haunting, built on tremolo-driven riffing in the best tradition of the second-wave black metal. Nonetheless, the underlying melody is never completely lost, highlighting melancholic passages that give the songs a Majestic weight.

Formed in 2010 in Sandnes, Rogaland, Uburen took shape around a shared obsession with Norse mythology and old Norwegian culture — a mutual ideology of resurfacing viking folklore through music built to be felt as much as heard. Following a lineup change in late 2019, Uburen entered the studio with new drummer Wrage Steinarson for what would become 2023's "Usurp the Throne" — an eight-track opus marking a new highpoint for the band. Cold, atmospheric and uncompromising, the album stood as Uburen's most fully realized record up to that point. The new opus, "Dødsdans I Aske", promises to raise the bar even higher.

Your patience will be rewarded.

Chile’s Ripper returns with their first full-length since 2016’s “Experiment of Existence”.

“Towards Rebirth” contains the band’s most violent work to date. Razor sharp guitar work, intense drumming and well-crafted songs are still there…only more concise, more vicious.

Recorded, mixed and mastered by Pablo Clares at DM6 Studio. Artwork by Paolo Girardi.

In a world increasingly shaped by disposable content, Chat Pile answer with something defiantly real and organic, a mentality that permeates Who Loves The Sun, their third full-length record. Since the band’s formation just over six years ago, the Oklahoma City-based quartet Chat Pile has grown from a scrappy passion project into one of the defining heavy acts to emerge from the 2020s underground. Ray B. (vocals), L. Manhole (guitar), Stin (bass), and Cap’n Ron (drums) create a crushing, crass, and cathartic take on noise rock that captures a raw, undeniably human essence in an age marked by technological overreach and the cold state of society. Nothing about Who Loves The Sun feels synthetic.

Whereas their debut album God’s Country depicted a particularly American flavor of dread, and the follow up Cool World showed a cruel planet defined by global systemic violence, Who Loves The Sun peels the skin back on how collective indifference defines this new century. Spanning imagery of coastlines devouring cities, dead-end jobs, and submission to data-driven inauthenticity, the album dissects the apathy-bloated state of 21st-century existence as a slow-motion apocalypse.