Vinili

Limited edition of 199 copies on amber vinyl, incl. gatefold cover, screen-printed B-side and download.

Adorn is more than just a musical endeavour; it is an act of devotion—to the transcendence of art once liberated from the sterile confines of modernity, to the melancholy of deserted halls, and to the fading glimmer of courtly love. By fusing romanticism with atmospheric blackened metal into compositions that veer between solemnity and splendour, the trio creates sonic worlds that shimmer with longing and luminosity.

At the helm is Coeur Loyale (vocals, guitar, bass), whose soul-shaped songs seek to revive a dreamed, not simply lost, world. He is joined by Valliant Desire (violin, piano, choral arrangements), whose melodies sound like ghosted letters from ancient hands, and Bon Valour (drums), whose rhythms echo through cathedral ruins like hooves.

Together, they form Adorn, a sacred community of song and sorrow that resurrects the grandeur of the past by utilising the emotional majesty of the present. They take listeners to a world of twilight where the stars are low, the roses never die, and the heart endures, ever ablaze with noble intent. Their music does more than just play; it hurts, mourns, and exalts.

Adorn is a gift for those who dream in sepia and find the modern world too pale for their desires. A cry into the night. A garland laid upon the altar of lost time. Romantic music for dreamers.

Limited edition of 199 copies on red/yellow galaxy vinyl, incl. gatefold cover and download.

Forged in the twilight of grand manor halls and secret gardens, this album unfolded like a whispered legend between 2021 and 2024 — where shadows dance with light and time drifts softly through castle ruins.

Adorn is more than just a musical endeavour; it is an act of devotion—to the transcendence of art once liberated from the sterile confines of modernity, to the melancholy of deserted halls, and to the fading glimmer of courtly love. By fusing romanticism with atmospheric blackened metal into compositions that veer between solemnity and splendour, the trio creates sonic worlds that shimmer with longing and luminosity.

At the helm is Coeur Loyale (vocals, guitar, bass), whose soul-shaped songs seek to revive a dreamed, not simply lost, world. He is joined by Valliant Desire (violin, piano, choral arrangements), whose melodies sound like ghosted letters from ancient hands, and Bon Valour (drums), whose rhythms echo through cathedral ruins like hooves.

Together, they form Adorn, a sacred community of song and sorrow that resurrects the grandeur of the past by utilising the emotional majesty of the present. They take listeners to a world of twilight where the stars are low, the roses never die, and the heart endures, ever ablaze with noble intent. Their music does more than just play; it hurts, mourns, and exalts.

Adorn is a gift for those who dream in sepia and find the modern world too pale for their desires. A cry into the night. A garland laid upon the altar of lost time. Romantic music for dreamers.

Silver Vinyl

Red [Blood] With Metallic Gold, Black And Halloween Orange Splatter

For the first time ever, a salacious selection of EDGE OF SANITY's obscure, earliest recordings are available officially. Titled “Elegy - Chapter I”, the band’s early (promo, rehearsal or studio) demos “Euthanasia” (1989), “The Immortal Rehearsals” (1990), “kur-nu-gi-a” (1990), “The Dead” (1990) and “Dead But Dreaming” (1991) were hearsed from the cemetary to the mortuary for reanimation by songwriter/frontman/producer Dan Swanö (Opeth, Dissection, Bloodbath).

Featuring a brand-new, hand-drawn cover by visual artist Mark Rudolph (Carcass, Undeath), “Elegy - Chapter I” is by the old guard for all guards to relive or unearth afresh. EDGE OF SANITY weren’t always on the bleeding edge of death metal. No, on “Elegy - Chapter I” the Swedes actually bled death metal. This is a collection of underground old school Swedish death metal at its best!

All five demos have been remastered by Swanö, with the 13 tracks of “Euthanasia”, “kur-nu-gi-a” and “The Dead”.

Realms of Magickal Sorrow - Beer/100   - gold foil stamped jacket w/ insert

Double Marbled Gold & Black Gatefold LP (Limited to 250 copies)

REQUIEM IN WHITE was a Gothic Rock-Opera group (1985-1994) with Lisa Hammer on vocals, Doc Hammer on guitars, bassist Chris Walsh (RIP) and Drummer Javier Madariaga (Reagan Youth). The band had a loyal cult following, influencing many of the Medieval/ Ethereal/ Gothic Rock groups after them.  They played with bands such as Type-O-Negative, Christian Death, Sex Gang Children and Biohazard.

The band formed in the summer of 1985 by core members Doc and Lisa Hammer and Chris Walsh in Boston, Massachusetts, United States.
At that time, in Boston there was no organized gothic scene. Any band with a dark image had to fend for itself. Strangely enough, Requiem in White‘s eclectic, dark and romantic sound and look was gaining more fans and attention than it even knew: they were being bootlegged, widely talked and written about, imitated, and even their humble demo tapes were being hunted down by fans.

By the time they relocated to New York City in 1989, there was a healthy gothic scene, and Requiem in White had achieved a level of status which placed them at the forefront of the gothic movement. Their refusal to ever grant an interview or any kind of publicity created such an air of mystery around them, that they attracted a loyal cult following, one that still grows to this day, even after the break-up.

By 1994 the band was playing to thousands of fans at places like the Limelight, CBGB, Danceteria and the Ritz, headlining or opening up for bigger bands like Type-O Negative, Sex Gang Children, Christian Death and Biohazard. They were constantly in the fanzines, on the internet, on compilations and bootlegs, videos, stickers and on the backs of fans’ jackets. Theirs was truly a “grass roots” fame, of the sort which history has proven to be the most enduring.

The 1994 break-up was painful for all, and fans were devastated. They had seen Requiem in White as the “last original band” in a sea of “goth imitators” and “vapid drum machine clone bands”. Requiem in White had embodied the sound and image of their deepest romantic fantasies.

We are proud to announce that The Circle Music will release for first time “Hymnal of Remembrance” on vinyl, which includes the second album “Of The Want Infinite” (1994) together with the original recordings of the 2 Demos (“World Of Promise/Prodigal Son” (1987) & “Everlasting Piece” (1987)!!! “Hymnal of Remembrance” will also be released on CD in a special Luxurious Triple 7′ gatefold.

We want to sincerely thank everyone who helped find the songs from the 2 demos. We knew in advance that this would be extremely difficult, but after the public announcement of the search for the songs, many fans of Requiem In White came together and now we are delighted to announce that this very important & unique album will finally be released on vinyl after so many years!