Vinili

By now OFERMOD requires no introduction. Steered by Belfagor aka Mika Hakola since 1996, the Swedish horde have sewn influence and infamy in equal measure.

Now marks the long awaited arrival of “DRAKOSOPHIA”, the bands 5th full-length album in which Belfagor is joined by North American vocalist “Adeptus”, Austrian session drummer “Florian Musil”, and bass by the one and only “Devo” ex-Marduk.

“DRAKOSOPHIA” is genuine Orthodox Black Metal, a subgenre that Belfagor forged nearly 30 years ago as a vessel for Theistic Satanism/ Left hand path esotericism in sonic form.

Evoken’s Funeral Doom/Death Metal debut EP remastered and reissued! Raw, bleak and essential!

Doom Metal, perhaps the most varied of all the metal genres, has been crossing over with plenty of other genres, and surprisingly often, the crossbreeding has been fertile. While the “funeral” brand of Doom Metal sounds like something that lacks the genetics to successfully breed with other metal genres, its nihilism works surpringly well when blended with slowed down Death Metal. Among the masters of that gruesome fusion are Evoken from the United States.

The essential debut full-length from funeral Doom/Death legends Evoken remastered and available again! A majestic sight of everlasting reign!

Evoken are an essential Funeral Doom Metal band. Give “Embrace the Emptiness” a listen and end up being immensely impressed...

limited and numbered to 5 copies! 

NIHILI LOCUS is absolutely a Doomish Black Metal cult act of the Italian scene!
"Semper" is the album that will consecrate the band for years enshrouded in their cult status shadow and now finally ready to emerge in all its dark greatness. The album will allow the band to reap the fruits of a career always characterized by a melancholic pathos embodied in a dark sonorous extremism
It presents heavy riffages paired with disheartened ones, fierce growling and sad atmospheres for a dark and anguished Doomish Black Metal enhanced by melodic elements.
With the great cover realized the great Norwegian photographer Kjetil Karlsen, "Semper" is a documentation of a sombre journey to the dark pit of the unknown.
NIHILI LOCUS, a name, a cult, the history of Italian Extreme Music.

The vinyl version of Fuath's third album comes in gatefold cover, in limited editions of 199 copies on white/black marble vinyl and 199 copies on sky blue/white marble vinyl, incl. download. 

Formed in 2015, Fuath is Marshall’s outlet for a colder, more ferocious vision, melding relentless aggression with haunting, melancholic melodies. The music channels a timeless frostbitten spirit, weaving immersive soundscapes steeped in winter’s bleak beauty, ancient mysticism, and dark folklore.

Though rarely performed live, Fuath’s selective appearances have left a lasting impact, immersing audiences in its stark, otherworldly realm.

Fuath's III, arriving five years after the last album, features four expansive tracks with a running time exceeding 40 minutes. III embodies a cold, atmospheric, harsh, and hypnotic sound, driven by blistering speed and raw intensity, while retaining the haunting melodic depth that defines Fuath’s essence.

The vinyl version of Fuath's third album comes in gatefold cover, in limited editions of 199 copies on white/black marble vinyl and 199 copies on sky blue/white marble vinyl, incl. download. 

Formed in 2015, Fuath is Marshall’s outlet for a colder, more ferocious vision, melding relentless aggression with haunting, melancholic melodies. The music channels a timeless frostbitten spirit, weaving immersive soundscapes steeped in winter’s bleak beauty, ancient mysticism, and dark folklore.

Though rarely performed live, Fuath’s selective appearances have left a lasting impact, immersing audiences in its stark, otherworldly realm.

Fuath's III, arriving five years after the last album, features four expansive tracks with a running time exceeding 40 minutes. III embodies a cold, atmospheric, harsh, and hypnotic sound, driven by blistering speed and raw intensity, while retaining the haunting melodic depth that defines Fuath’s essence.

Natas are back! After the celebrated debut “På veg... til helvette” the Norwegian black metal underground is ready to burst once again with “Mara”, a classic but energetic platter of dirty black metal in the best tradition of the second wave. Sustained by daring vocals and a punk-ish attitude, “Mara” points out, again and again, how Norwegians are able to handle the genre in the best of ways.
 

With this work, SEDNA reach a new synthesis of their sonic language. The album reveals a sound that is raw and instinctive yet more self-aware, one that merges the ferocity of black metal and the weight of sludge and post-metal with a refined melodic sensibility. It is an album that feels like both an open wound and a catharsis: visceral, direct, yet contemplative and profoundly human. While atmospheric black metal remains the most accurate label, to confine SEDNA within a single genre would be limiting. Their music is made of nuances and deviations, a sonic flow that crosses darkness in search of balance between aggression and introspection. “Sila Nuna” stands as the testimony of a fully matured vision, from a band that has learned to turn chaos into form and tension into language 

 With Embrace of Memory (originally released in 2005), Darkestrah reaffirmed their status as one of the most distinctive bands in the black metal scene integrating traditional melodies, instruments, and rhythms into an intense and atmospheric sound that reflects both their cultural roots and their continued evolution.

Founded in Kyrgyzstan and now based in Europe, the band has long stood apart for blending the raw power of black metal with the rich traditions of Central Asian music.
 
Now reissued as CD, LP and Cassette, with a remastered audio and an updated layout.
White 12" (140g) in a black poly-lined innerbag, printed innersleeve, full-color on 220g carton (coated paper), simple jacket, B/W printed on 350g carton, coated paper, all assembled in a plastic overbag.

Sweden's MARDUK are not only one of the most long running and respected black metal acts out there, but also one of the most productive. Even fourteen albums into their storied career, the quartet have never ever delivered a weak album and never wavered from their path of utter blasphemy and misanthropic contempt. Now, the band are re-visiting various much sought-after titles from their vast catalogue. “Wormwood” (2009) now returned on vinyl and CD. While going through possible extras for the “Wormwood” album, the band discovered a fully mastered track called “Shadow Comes”, which was supposed to be a bonus track but remained unused. The album has been mastered for vinyl by Patrick W. Engel.

Reprint, 300x citrus 12" (180g) in a black poly-lined innerbag, BOOKLET: 16pp., full-color on 180g art paper, gatefold, full-color on 350g, all assembled in a PVC overbag.