Vinili

Limited to 100 copies on 12″ Vinyl.

White/Black Marble Vinyl

Limited 30th anniversary marble vinyl edition of Dødheimsgard's classic 1995 debut of masterful northern grimness.

An essential cornerstone of mid-90's Norwegian Black Metall.

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To fans of black metal, Dødheimsgard need no introduction, being as they are one of the great purveyors of the Norwegian Black Metal creative evolution. The band was formed in 1994 by Aldrahn (Thorns) and Vicotnik (Ved Buens Ende). The early incarnation was that of a raw and at times melodic black metal band, with their debut album 'Kronet Til Konge' also featuring Darkthrone’s Fenriz on bass.

Over time Dødheimsgard became known as one of the premier avantgarde black metal acts after a stylistic shift away from their more old-school origins, as displayed on the band’s most recent output; ‘A Umbra Omega’ and 2023's universally-lauded magnum opus, 'Black Medium Current'.

After 4 years of silence, the Serbian legends of The Stone are back with their 10^th full length album «Kletva»! Just like its predecessor “Kosturnice” which got released during the corona pandemic in 2021, is their newest opus yet another venture into their unrelentless 90’s macabre black metal sound.

Reissue 2025 on Darkness Shall Rise 

Remastered for vinyl from the original recordings by Patrick W. Engel of Temple of Disharmony.

Gatefold-sleeve with UV-varnish on the cover.
Including a huge 20-page 12” booklet with an in-depth interview (divided into 4 parts, this is part 2) with Shamaatae and many never seen before pictures.
An A2 poster will be added to every vinyl too.

The LPs are limited to 500 copies in total.

 limited to 300 copies on transparent verde vinyl, coming in a high quality gatefold-LP.

Trouble’s absolute classic: the legendary album from 1990 and the pinnacle of Trouble’s impressive career.

Heavy Metal was never better than this!

Includes a live bonus LP recorded in Dallas, Texas (USA)!

Orange Vinyl

On the album Soldatenschicksale, Kanonenfieber presents us with reworked versions of the singles Yankee Division, Der Füsilier, and U-Bootsmann, as well as two brand-new tracks.

"Rêverie" isn't about bombast; it's about carefully constructed sonic landscapes built on intriguing juxtapositions. The band deftly blends the weight of post-metal and doom with the expansive textures of post-rock. Expect hypnotic, cyclical riffs that can feel almost obsessive, only to gracefully give way to delicate, dreamlike ambient passages.

“Back to Hermetics and Martial Arts Vol. 1” is an epic adventure through the invisible worlds of Neoplatonic cinema. From mockumentaries about the lost books of occult correspondences, through psychedelic surf noir chambers with ritual suppers, and giallo screams of the world squished by the chthonic grasp, to the original footage of the victorious Belgrade-Dharamsala bicycle marathon of 1931, Morriconesque spaghetti western theophanies, and the saving grace of the Heart pierced by Seven Swords, the album delivers nine movie themes that combine various musical elements into a unique work of cinematic alchemy.”

SIGILLUM S have been exploring unknown territories among extreme electronics, fringe acoustics and occultist noise since 1985.
With an original line-up of Italian experimental electronic composers Eraldo Bernocchi, Paolo L. Bandera and Luca Di Giorgio,
throughout their 40-year gestation, the noise merchants have worked with musicians including Ain Soph, The Sodality, Gerstein,
Iugula-Thor, Out Of Body Experience, Bill Laswell, Zu, Crisis, Thomas Felhmann, Gudrun Gut, Toshinori Kondo, SH Fernando and
the Wordsoundcrew, Dive , Colin Edwin, sculptor Milo Sacchi, multimedia artist Petulia Mattioli and many others.
Having toured extensively throughout Europe and Canada in the early part of their career, the result has been an endless series of
evolution, from the droning ritualism and ethnic explorations of the late ‘80s through to the surreal science fiction soundtracks of the
‘90s, to the super deep complexity of the new millennium. SIGILLUM S have been constantly evolving. The current formation
consists of original members Eraldo Bernocchi and Paolo L. Bandera with the addition of multi-instrumentalist Bruno Dorella and
visual artist Petulia Mattioli.
On new album ‘Aborted Towns, The Deadly Silence Before Utopia’ SIGILLUM S continue to develop their own brand of post-
industrial audio investigations, employing sound as a tool for mapping the subconscious and a reconfiguration of cognitive
processes.
“With ‘Aborted Towns’ we tried once again to expand our sonic vision, pushing further into the realms of immersive, cinematic
sound design. I see dystopian cityscapes where decay and transformation collide in waves of shadowy textures, fractured rhythms,
and spectral atmospheres. Each track feels like a fragment of an abandoned future, a lost reel of sound documenting a world
teetering on the edge of oblivion,” says Bernocchi.
Tracks such as ‘Lemur Agony’ and ‘Forgotten Utopias’ exist in an ever-changing continuum of harsh, irregular beats with sudden
shifts in experimental atmospheres, while ‘Permafrost’ and ‘Infective Carnations’ are unsettling, decadent electronic mutations.
‘Aborted Towns’ is more than just music – it is an architecture of sound, a ghostly residue of memories and echoes. The shifting
balance between claustrophobic tension and vast, desolate space invites the listener into a hypnotic, unsettling journey. It lingers,
seeps into the subconscious, and refuses to be forgotten.

With their sixth full-length "Dread Emperor", SLAUGHTERDAY deliver everything that they excel in, which is also precisely what their fans want from the duo: perfectly executed old school death metal with a wicked twist. From crushing doom-ridden ultra-heavy parts to calculated outbreaks of utter brutality, this record offers everything a still beating death metal heart could ask for. And of course, those cosmic horrors of the Great Old Ones, forbidden sounds, and tentacled death metal are still rising. The German band has also added more deeper meaning to their tales of cosmic terrors as a healthy antidote to stereotypes. Lyrically, SLAUGHTERDAY have always built on the well-established foundations of their genre by taking inspiration from American author H. P. Lovecraft and other masters of horror. And while sinister things crawl and creep through the duo's timeless brutality, they have always portrayed them with a sinister flair of their own. These days, the band has repurposed those monstrous creatures as metaphorical ciphers for relevant contemporary topics.

ENSANGUINATE is Slovenia’s putrid entry into the occult black/death metal grimoire of old, performing dark arts & sinister sounds.
The second album by the East European black/death metal force ENSANGUINATE brings metal of death burning with even more zeal for the old ways and is bolstered by a dose of '70s mysticism and black metal fury!