Vinili

COPIA NUOVA E SIGILLATA MA ARRIVATA CON UN SEAMSPLIT SULLA COSTINA LATERALE

Ltd Blood Red Vinyl

• Reissue of obscure Midwestern demo brutality from the ‘90s
• Includes massive 24-page booklet of flyers, old artwork, zine reviews etc
• Remastered by Arthur Rizk
• Includes a bandcamp download card
• First time co-release between 20 Buck Spin and Hospital Productions
• For fans of Fleshgrind, Deaden, Broken Hope, Dissection, Witch Vomit, Torture Rack

The crown of thorns upon thy head. Blind and numb you wander the sinners path until enlightening comes upon you. Weary feet carrying thy broken legs towards Jerusalem. Incessantly searching for a never ending existence and craving for the good. And him is good. God.

From Hiob to Moses. From Noah to Jona. Relicts of long forgotten times guide the way through a meaningless life. A Legacy built on lies, death and decay. Our Legacy.

Reissue 2021 by The Clandestine Coven

finally available again, reissued   by Funeral Industries

A new official repress on vinyl, by Funeral Industries

The crown of thorns upon thy head. Blind and numb you wander the sinners path until enlightening comes upon you. Weary feet carrying thy broken legs towards Jerusalem. Incessantly searching for a never ending existence and craving for the good. And him is good. God.

From Hiob to Moses. From Noah to Jona. Relicts of long forgotten times guide the way through a meaningless life. A Legacy built on lies, death and decay. Our Legacy.

Approximately three years after it first arose to haunt the domain of the living with "Those of the Catacombs," Scolopendra again emerges from its Italian tomb to deliver its second full-length album, "VM18." Much like its predecessor, "VM18" draws notably on an inherited tradition first established by the band's compatriots in Death SS, by evoking a grotesque atmosphere that would befit an old RG horror comic of the 1970s set to motion picture. In fact, the cover art on both "VM18" and the debut are more than a subtle nod to this literary genre. Musically speaking, Scolopendra deviates from the style of Death SS to some degree by heavily incorporating the sound of ancient U.S. death metal, as perhaps most reflected in the work of Autopsy and Necrophagia. The tempo is primarily in the higher range, with occasional dives into doomier interludes. Driving bass lines are dominantly featured in the mix, as the guitars chug along with them and occasionally rise above with a well-timed lead. Of course, it is almost impossible to imagine a horror-based musical form without keyboards, and Scolopendra makes very effective and judicious use of them without going overboard. Finally, aside from their omission in the two instrumental tracks (not including the short intro), it is perhaps most likely the vocals that will leave the greatest impression on the listener. It is this element that contributes most to the overall grisliness of the sound, as the lyrics are seemingly disgorged from the decomposed vocal tract of an undead being. All told, "VM18" serves not only as a laudable follow-up to its predecessor, but also as a worthy descendant in a long and esteemed lineage of Italian horror metal.
 

With a history of metal steeped in horror and the occult - as previously established by bands like Death SS, Black Hole, and Mortuary Drape - Italy has proven itself a fertile breeding ground for extreme music that explores these themes. Formed in 2018, Scolopendra is the latest to continue in this tradition, as evidenced on its debut album, “Those of the Catacombs.” Unlike its Italian ancestors, however, who have more typically opted for the sounds of doom or black metal, the vehicle that Scolopendra has chosen to deliver its horror-tinged themes is that of death metal. This aspect adds an element to the band’s output that distinguishes itself from its predecessors, thus making it a unique addition to its genre. Consisting of two members with a history of many years of collaboration in several bands, including Abhor, Scolopendra boasts both the pedigree and chemistry to give “Those of the Catacombs” the deathly authenticity that is obvious upon first listen.

Lunar Chamber, a hitherto unknown being of mysterious consciousness, now present in the physical realm for the first time with debut manifestation ‘Shambhallic Vibrations’ , a tale of a journey eastward in search of enlightenment and what may lie beyond.

Ensconced in mysticism, the 5 track nearly 30 minute pilgrimage advances unflinchingly through insane crushing riffs, bewildering solos, tranquil acoustics and illuminated ascendent melodies. “Spirit Body and the Seeing Self” details the start of the journey, self analysis, and the attempts at launching oneself into said “beyond,” while “The Bodhi Tree” is a mirroring tale of Gautama Buddha himself, having meditated underneath it in Bodh Gaya approximately 2500 years ago, attaining enlightenment.

“III. Crystalline Blessed Light Flows… from Violet Mountains into Lunar Chambers” is the ultimate pinnacle of the tale. Having reached a spiritual plane, pulses of light and dark; the very fabric of space-time itself churns. Knowledge is abundant here. Eventually, one is brought full circle, right back where everything began in normal life; albeit with a new sense of everything. But there is so much more to learn… a yearning thirst.

Offering a deluge of jarringly brutal metal, overwhelming progressive physicality and instinctively accomplished memorability inspired by Buddhism, the East and esotericism, Lunar Chamber have just begun their quest of ascension and enlightened knowledge.