Vinili

crystal clear / black marbled smoke vinyl) incl. printed inlay and protection sleeve (200 copies available)

With PERCHTA's sophomore full-length entitled "D'Muata", which translates from her Alpine Austrian dialect to English as "The Mother", mastermind and vocalist Frau Percht and her band have created a feminist manifesto within a folklore influenced black metal context. Femininity in all its facets is a rather niche topic in this genre although it is an inseparable part of everything human and the natural world around us. Taking their name from an alleged pagan goddess, PERCHTA were conceived in Tyrol, Austria in 2017 with an aim to preserve and rejuvenate regional traditions. Three years later, PERCHTA released their debut album "Ufång" (2020), which established the band's reputation as a highly individualistic and unique act. All lyrics of the entire album are intoned in the Tyrolean vernacular. The words are shrouded in a tempest of tremolo guitars and ritualistic folk with bone-piercing extreme vocals on top. Once touring activities resumed after the global break, PERCHTA also began to earn attention for their outstanding live performances, which strengthened the bonds within the band. Now the black witch of the Tyrolean mountains and her pack return with a magical new album that PERCHTA will also bring to the stage!

2024 Reissue: gatefold with 8 pages book, completely reworked graphics and layout

Gold vinyl

Brutal death metal entity BRODEQUIN is now reissuing all three of its full-length records via Season of Mist!
The trilogy of ‘Instruments of Torture’ (2000), ‘Festival of Death’ (2001), and ‘Methods of Execution’ (2004) is a cohesive collection of the relentless, neck breaking brutality that define the Tennessee's vicious sound.

For fans of DEVOURMENT, MORTICIAN, DISGORGE, INTERNAL BLEEDING.

Brutal death metal entity BRODEQUIN is now reissuing all three of its full-length records via Season of Mist!
The trilogy of ‘Instruments of Torture’ (2000), ‘Festival of Death’ (2001), and ‘Methods of Execution’ (2004) is a cohesive collection of the relentless, neck breaking brutality that define the Tennessee's vicious sound.

For fans of DEVOURMENT, MORTICIAN, DISGORGE, INTERNAL BLEEDING.

Gold vinyl 

High Roller Records, reissue 2023, black vinyl, ltd 480, 425gsm heavy cardboard cover, 2 inserts, poster, A5 photo card, mastered for vinyl by Patrick W. Engel at Temple of Disharmony. Cutting by SST Germany on Neumann machines for optimal quality on all levels...

DESTRUCTION - Total Desaster/ Satan‘s Vengeance, ltd 460, insert, deluxe plastic bag

High Roller Records, lyric sheet, ltd 460, Picture shape vinyls are special accessoires, which will look unique, but surely won't provide the listening experience of a conventional vinyl pressing. Primarily they should be considered as collector's items with an optical aspect. Slight deformations caused by the pressing process, which won't affect the record's playability, can occur.

High Roller Records, transparent electric blue/ black marbled vinyl, ltd 300, 425gsm heavy cardboard cover with red hotfoil embossing, insert printed on uncoated paper, poster, downlaode code, Mastered by Patrick W. Engel at TEMPLE OF DISHARMONY in October 2023. Legendary US Metal band Warlord was formed in 1981 by Mark Zonder and William J. Tsamis. One year later, in 1982, the song “Lucifer’s Hammer” (based on a novel by Larry Niven and Jerry Pournelle) appeared on the prestigious compilation album »Metal Massacre II«. This resulted in a deal with Metal Blade Records, with Warlord recording their debut mini-album. »Deliver Us« was released in 1983 and is today considered as the blueprint for what was later to be called “Epic Metal”. »Deliver Us« was followed by »And The Cannons Of Destruction Have Begun...« in 1984. After a long hiatus, »Rising Out Of The Ashes« appeared as the comeback album for Warlord in 2002, while it took another eleven years for the follow-up »The Holy Empire« to see the light of day in 2013. Up until the present day, »The Holy Empire« would remain the last Warlord studio album with all new material, as William J. Tsamis sadly passed away on 13th of May 2021 at the age of 60. However, with »Free Spirit Soar«, a brand new studio album by Warlord with all songs having been recorded between March and September 2023, it’s singer Giles Lavery paying tribute to the musical heritage of Bill Tsamis. He is joined by Mark Zonder on drums, Jimmy Waldo on keyboards/synthesizer, Phillip Bynoe on bass and Eric Juris on guitars. “We wanted to finish these pieces of music ‘for Bill’,” explains Lavery, “and the material we felt was certainly strong enough to inspire us to do so.” Regarding the guitar parts he specifies: “Bill is there where we could pull his tracks off the demo recordings, in much the same way the Beatles were recently able to rescue John Lennon’s voice from an old demo tape. Eric does most of the heavy lifting on guitar, but all music was written by Bill and we stayed very very faithful to what he wrote.” All in all, Giles Lavery is very satisfied with how »Free Spirit Soar« turned out: “It was a bit of an uncharted adventure delving into Bill’s demos and unfinished music, and also having to write lyrics and vocal melodies to the songs - the only two exceptions being the two Lordian Guard songs that we selected to ‘Warlord-ize’ …as has been tradition on every Warlord album since »Rising Out Of The Ashes«. Everything but two songs have vocals for the first time, so that entire area of the composition is new … As for the music, I think much of it is unheard, a few bits and pieces you might recognize from some of the catalogue reissues, instrumental bonus tracks etc. As producer of the album it was my job to sort through all the pieces and pull together songs.” MATTHIAS MADER Line-up: Giles Lavery - vocals Eric Juris - guitars Philip Bynoe - bass Jimmy Waldo - keys Mark Zonder - drums Tracklist: 01 Behold a Pale Horse 02 The Rider 03 Conquerors 04 Worms of the Earth 05 Free Spirit Soar 06 The Bell Tolls 07 Alarm 08 Revelation XIX

We are God”, the 3rd full length album by the German band TSATTHOGGUA, is aimed at all the perverted black sado-crazies out there. The original line-up of the band has reunited after more than twenty years to kick some ass and dominate. In true black love, they are once again signed to the renowned Osmose Productions label and offer you nine brutally hellish, blasphemous black terror tracks of the bizarre kind for 40 minutes.
The anthems of hate and contempt were recorded and mixed at the infamous Rambado recording studio. Incredibly powerfully mastered by the fantastic D. Koehne, the new songs promise pure glorious ecstasy.
With this release they are taking a completely new path with their bizarre art paired with the inimitable chaotic style of years past. The next extraordinary artwork was designed by the fantastic artist MorphArts and shows in his art the clear demarcation from everything known from this and past days.
With this release, TSATTHOGGUA show once again that there is no paradise for human sheep. It will pass the time until salvation.

300x heavyweight bloodred 12" (180g) in a microtene innerbag, innersleeve full-color on 220g carton (coated paper), download card, jacket full-color printed on 350g carton, coated paper (semi-gloss), all assembled in a plastic overbag.

ringing together two of Finnish black metal hottest / coldest newcomers, Kaksi liekkiä Saatanalle is pure nastiness distilled into 20 tundra-deep minutes; with two songs a piece here, both AESTHUS and SIELUHAASKA delivered debut albums under the banner of PURITY THROUGH FIRE in 2022 and 2023, respectively. AESTHUS are up first, and whip forth the freezing filth which made their Hänen temppelinsä varjoissa so celebrated in the underground. No more but definitely no less, the quintet stick to classic Finnish black metal in the turn-of-the-millennium tradition, here arguably sounding both more melodic and frantic than said debut album. SIELUHAASKA, for their part, put a more measured twist on Finnish black metal - pensive, anguished, and strangely anthemic - with their Kun aurinkoni kuoli debut, and here continue their hypnotic ways with even more anguish and arguably more mesmerizing gait. Almost honorarily Teutonic by design, their folkish fire might remind of Finnish dark horses like Noenum or Mortualia. Kaksi liekkiä Saatanalle proves, once again, it's always darkest up north...