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Il carrello è vuoto
Il carrello è vuoto
Vendita vinili - musica Black Metal e Dark estrema
Following a fourteen-year slumber, cult Swedish industrial black metal misanthropes, DIABOLICUM, now featuring the diseased vocal conjurings of Shining’s Niklas Kvarforth, return with the tormented tones of third full-length, Ia Pazuzu (The Abyss Of The Shadows). Spewing forth nine merciless tracks of sonic scorn, and featuring guest appearances by Malfeitor Fabban (Aborym) and Vargher (Naglfar, Bewitched, Ancient Wisdom), with cryptic artwork by Maxime Taccardi, Ia Pazuzu (The Abyss Of The Shadows) is anguished, devouring and destined to become a new milestone within the industrial black metal community.
High Roller Records, white/ black marbled vinyl, ltd 350, 425gsm heavy cardboard cover with 6mm spine, lyric sheet, 8 page 12" size booklet, A5 photo card, A4 insert, A1 double sided poster, album cover poster (580x580mm)
Remastered and restored by Patrick W. Engel at TEMPLE OF DISHARMONY in February 2026.
Cutting by SST Germany on Neumann machines for optimal quality on all levels... The ultimate audiophile edition of this eternal classic!
Everything created under the name ARCKANUM is an extension of Shamaatae's Thursian spiritual practice and artistic vision. The music is conceived not simply as artistic expression, but as an act of magical will, shaped to evoke specific inner states, esoteric ideas, and atmospheres without compromise or conformity.
From its beginning, ARCKANUM has followed the Left-Hand Path: the way of the outsider, the vargar, standing beyond imposed order and conventional morality. Resistance, questioning, and individual will have always remained fundamental to both Shamaatae's spiritual Work and his approach to art.
The forthcoming album carries this principle further as a complete magical working. Music, lyrics, sound, and visual form have been developed as interconnected parts of the same ritual expression, shaped through intent and devotion within Shamaatae's Thursatru Workings.
Written in Old Swedish (fornsvenska), the lyrics draw upon Old Norse and Swedish poetic traditions while incorporating elements of Swedish svartkonst. They function as mythic charms and narrative incantations, invoking the Thursian current.
Musically, the new material represents a fusion of ARCKANUM's older foundations with Shamaatae's present approach to composition. The new album Beswærilsin cuts deep with a feral, unpolished production, raw with aggression and stripped of unnecessary ornament. Its sound moves between the freezing storms of Niflheimr and the relentless, blazing fury of Múspellsheimr, at once cold and searing, primitive and forceful, carrying the unmistakable spirit of ARCKANUM into a harsher and more dynamic form.
Everything created under the name ARCKANUM is an extension of Shamaatae's Thursian spiritual practice and artistic vision. The music is conceived not simply as artistic expression, but as an act of magical will, shaped to evoke specific inner states, esoteric ideas, and atmospheres without compromise or conformity.
From its beginning, ARCKANUM has followed the Left-Hand Path: the way of the outsider, the vargar, standing beyond imposed order and conventional morality. Resistance, questioning, and individual will have always remained fundamental to both Shamaatae's spiritual Work and his approach to art.
The forthcoming album carries this principle further as a complete magical working. Music, lyrics, sound, and visual form have been developed as interconnected parts of the same ritual expression, shaped through intent and devotion within Shamaatae's Thursatru Workings.
Written in Old Swedish (fornsvenska), the lyrics draw upon Old Norse and Swedish poetic traditions while incorporating elements of Swedish svartkonst. They function as mythic charms and narrative incantations, invoking the Thursian current.
Musically, the new material represents a fusion of ARCKANUM's older foundations with Shamaatae's present approach to composition. The new album Beswærilsin cuts deep with a feral, unpolished production, raw with aggression and stripped of unnecessary ornament. Its sound moves between the freezing storms of Niflheimr and the relentless, blazing fury of Múspellsheimr, at once cold and searing, primitive and forceful, carrying the unmistakable spirit of ARCKANUM into a harsher and more dynamic form.
Everything created under the name ARCKANUM is an extension of Shamaatae's Thursian spiritual practice and artistic vision. The music is conceived not simply as artistic expression, but as an act of magical will, shaped to evoke specific inner states, esoteric ideas, and atmospheres without compromise or conformity.
From its beginning, ARCKANUM has followed the Left-Hand Path: the way of the outsider, the vargar, standing beyond imposed order and conventional morality. Resistance, questioning, and individual will have always remained fundamental to both Shamaatae's spiritual Work and his approach to art.
The forthcoming album carries this principle further as a complete magical working. Music, lyrics, sound, and visual form have been developed as interconnected parts of the same ritual expression, shaped through intent and devotion within Shamaatae's Thursatru Workings.
Written in Old Swedish (fornsvenska), the lyrics draw upon Old Norse and Swedish poetic traditions while incorporating elements of Swedish svartkonst. They function as mythic charms and narrative incantations, invoking the Thursian current.
Musically, the new material represents a fusion of ARCKANUM's older foundations with Shamaatae's present approach to composition. The new album Beswærilsin cuts deep with a feral, unpolished production, raw with aggression and stripped of unnecessary ornament. Its sound moves between the freezing storms of Niflheimr and the relentless, blazing fury of Múspellsheimr, at once cold and searing, primitive and forceful, carrying the unmistakable spirit of ARCKANUM into a harsher and more dynamic form.
Originally released in 1999, Fra Underverdenen represents a pivotal chapter in Kampfar’s evolution and remains one of the most acclaimed works of Norwegian pagan Black Metal.
Expanding upon the foundations laid by the band's earlier recordings, the album seamlessly blends raw Black Metal intensity with epic atmospheres and deeply rooted Nordic influences. Revered for its powerful songwriting and distinctive identity, Fra Underverdenen has earned its place among the genre’s essential releases.
This new reissue marks the return of a sought-after classic, offering collectors and new listeners the opportunity to experience a landmark recording that continues to embody the spirit of ancient Nordic heritage.
Originally released in 1995, The Gospel of Inhumanity stands as the landmark debut album of Blood Axis and one of the most distinctive recordings of the neofolk and martial industrial underground. Combining solemn atmospheres, powerful orchestration, and historical themes, the album established a unique artistic identity that continues to resonate decades later.
Presented here in a newly remastered edition, this definitive reissue delivers the album with enhanced audio quality and meticulously restored artwork.
Housed in a deluxe gatefold featuring premium printing and exceptional production standards, this edition offers the ultimate presentation of a true genre classic.
180g LP, 7mm spine printed on 350gsm cardstock GATEFOLD jacket with SILVER FLOOD, SILVER PANTONE, UV SPOT and thick A2 POSTER.
Limited to 250 copies worldwide Orange Marble [Sunset]
A work of bleak grandeur, elemental force and restless transformation, Marrow Of The Spirit marked the beginning of a new chapter in the history of AGALLOCH.
Mixed at Klangschmiede Studio E and newly mastered by Gus Elg, this 2026 reissue edition brings the album's original vision closer to the foreground. Stock focused on the emotional impact of the recording and on the way its instruments merge into one enveloping soundscape.
A work of bleak grandeur, elemental force and restless transformation, Marrow Of The Spirit marked the beginning of a new chapter in the history of AGALLOCH.
Mixed at Klangschmiede Studio E and newly mastered by Gus Elg, this 2026 reissue edition brings the album's original vision closer to the foreground. Stock focused on the emotional impact of the recording and on the way its instruments merge into one enveloping soundscape.
Info : Forged in the underground of Romania, RUYNED unleash their most ferocious and unrelenting material, Profanum Sacrificium, a blasphemous speed metal assault infused with elements of black, thrash, heavy metal.
The Intro sets the calm before the storm. From the ripping assault of “Speedchain” to the depraved madness of "Sex'N Speed" and “Sex Commander 666”, going through the sinister tale of “Vampire of Düsseldorf” inspired by Peter Kürten, RUYNED channel raw violence and decadence in its purest form.
From “Daemonium Ritualis” onward, the record descends into a dark conceptual journey through the European witch hunts of the 15th–17th centuries. Through Profanum Sacrificium, Malleus Maleficarum and Witches Gallow, the band conjures a world of fire, mysticism and ritual death.
The closing Outro retells this tale as a melody sung by a bard at a royal banquet.
Fast. Raw. Rabid. Merciless. Total speed metal violence.
Gatefold sleeve with gold pantone overprint and A3 poster
Eight years after the acclaimed Slow Motion Death Sequence, Norwegian experimental visionaries Manes return with To Burn Is To Shine, their sixth full-length album and the beginning of a new chapter in a career defined by fearless artistic evolution. Since their inception in Trondheim in 1992, Manes have consistently refused to remain confined within stylistic boundaries. Emerging from the early Norwegian black metal underground with the cult debut Under Ein Blodraud Maane, the band soon embarked on a remarkable transformation that culminated in the landmark Vilosophe, an album that would become one of the defining statements of avant-garde metal. Throughout the following decades, Manes have continued to blur the lines between metal, dark electronica, alternative rock, trip-hop and experimental music, developing a sound that remains unmistakably their own.
To Burn Is To Shine also features contributions from several distinguished guests, including Ana Carolina Skaret (Mourning Sun), Eskil Blix (Djevel, Vemod), Marita Hellem (Enevelde), Rune Folgerø (Atrox, Drontheim) and Tom Christian Engelsøy (Drontheim), while Vegar Larsen (Whoredom Rife) performs drums on two tracks. The striking visual identity of the album has been created by New York-based designer Michael Houtz, whose handcrafted artwork extends across the physical editions and accompanying merchandise.
