Vinili

• Second album from German black/death cult band, first album was on Sentient Ruin Laboratories

• Strange death metal set in a fictional world with inspiration from Mayan culture

• Vinyl edition includes 24x24 double-sided poster insert, CD in digipak with foldout insert

• For fans of Timeghoul, Demilich, Profanatica, Tzompantli, Genocide Shrines, Gorguts, Volahn

Opaque Magenta

Cryfemal, the infamous Necro Black Metal act from the Spanish island Tenerife is back with a brand new mini-album entitled: Puro Carbon. Like its predecessor, you can expect more or less the same menu! 9 songs branded with pure hatred, fury and straight forward Black Metal riffing.

These Spanish maniacs keep exploring the vast depths of their Necro attitude with one clear goal, delivering devastating sounds without any remorse or comprehension. Pure 90”s Black Metal is what you get. No Fancy Hipster Bullshit here! Take it or leave it!

First pressing on black double vinyl

DRUDKH is a venerated entity in the realm of atmospheric and pagan black metal. Renowned for their evocative storytelling and profound musical compositions, DRUDKH stands as a paragon of artistic depth, seamlessly melding the corporeal with the ethereal.

With ‘Shadow Play’, DRUDKH offers a mesmerizing odyssey through themes of exile, the cyclical dance of life and death, and a poignant yearning for one's origins. An album which invites you into a realm where silence battles storm, and light intertwines with shadow. A 6-track journey - "Scattering the Ashes" stirs the soul with its introspective melancholy, while “April” envelops you in a meditative trance. The narrative evolves with “The Exile”, capturing the essence of displacement, and continues with the poignant echoes in “Fallen Blossom”. “The Eve” stands as a meditative contemplation on life’s fleeting beauty, and the expansive “The Thirst” culminates this exploration with a profound reflection on human yearning.
‘Shadow Play’ is an evocative experience that challenges you to confront your shadows and revel in the intricate dance of light and dark. Let DRUDKH’s newest release illuminate your path through the bleak human experience.

For fans of AGALLOCH, WINTERFYLLETH, SAOR.

Stunning limited bone vinyl edition housed in gatefold sleeve with 5mm spine, printed on 350gsm coated carton with gold hot foil print. Includes LP sized 12 page booklet printed on 150gsm art paper.

Skagg.Hoest.Thurzur.Lava.

Years in the making, DEATHCULT are returning with their cruel Norwegian black metal, firing the third album of their trilogy on to the world which began with “Cult of the Dragon” (2007) and “Cult of the Goat” (2017).

Pressed on transparent teal/black marble heavy vinyl. Comes with a 2-page insert and a download card. Colors on final record may vary to a degree from the mockup.

The classicistic Swedish Black Metal band TROLLDOM was founded 2004 in the deep woods of Småland by guitarist/composer Swartadauþuz (BEKËTH NEXËHMÜ, MUVITIUM, AZELISASSATH, GREVE, BALWEZO WESTIJIZ).

Following up the long-in-gestation, twin 2022 debut albums "I Nattens Sken (Genom Hemligheternas Dunkel)" and "Av Gudars Ätt...", new album "Tronen" ('The Throne') continues TROLLDOM's quest to 'unshackle the spirit from false bounds of material existence' via symphonic and reverent Black Metal power.

Full color picture disc in custom sleeve made of black card stock feat. hotfoil embossing and alternate artworks, heavy stock insert and a designed download card for the digital album.

FLUISTERAARS return with their sixth full-length, Jacht der Mysteriën — three towering epics centered around the pursuit of the unknown.

Drawing from local legends, mysterious lights in the woods, and close observation of their immediate surroundings, the album was conceived as a live and complete band album and captured in a single take with longtime producer T. Cochrane.

Reamped through the hollow cylinder of an abandoned water tower, the record drifts between presence and disappearance — immersive, urgent, and elusive.

SAOR is Andy Marshall's one-man vehicle for what he calls Caledonian Metal: an atmospheric black metal sound built from Highland landscapes and Scottish ancestral memory. Since founding the project in Glasgow in 2013, Marshall has grown SAOR from a cult curiosity into one of the genre's most distinctive voices.
‘Caledonia’ gathers five songs first heard on ‘Roots’, ‘Aura’ and ‘Guardians’ and rebuilds them from the ground up, produced by Chris Fielding. This isn't a remaster or a victory lap. Marshall wrote these songs before he had the resources or the mileage to realise them fully, and over a decade of touring has reshaped how they live and breathe on stage. The album opens with "Aura MMXXVI", a hushed procession through forests and corries that sets the record's terms early: patience, scale, and a reverence for landscape that never tips into pastiche. "The Awakening MMXXVI" answers with something more urgent, a call to old ways and older gods dressed in Marshall's most direct lyric writing on the record, the kind of song built to be shouted back at a festival crowd. "Carved in Stone MMXXVI", the album's centrepiece and lead single, carries the clearest sense of destiny and prophecy in the track list, its widescreen production giving the song's ancestral imagery real physical weight. "Hearth MMXXVI" turns inward, trading myth for something closer to memory, a meditation on home and belonging that grounds the record before its close. "Tears of a Nation MMXXVI" ends the album on its most elegiac note, mourning loss and ruin in a way that feels earned rather than performed, closing the circle the record opened with.
Guest contributions from strings, whistle, pipes and additional vocals widen the textures throughout without diluting the atmosphere, and the sequencing across all five songs traces a clear arc from landscape to legend to loss.

Silver Vinyl • Poly-Lined Innersleeve • Gatefold • Limited to 150 copies

Back in 2021, Blodtår announced themselves with a self-titled EP steeped in black metal mysticism. The following full-length, “Det förtegna förflutna” (2023), revealed a project capable of refined structure and melodic discipline without sacrificing intensity. Now, on their third release, the Stockholm-based duo ventures deeper still.

Where earlier works balanced woodland atmosphere with icy composure, “Monark” is driven by something more volatile. Conceived in the aftermath of a personal tragedy, the album took shape with uncompromising urgency. The opening track, “Blodtår”, emerged directly from that moment, setting the tone for a work which moves through overwhelming spiritual pain toward a fragile yet undeniable light.

Musically, the folk-infused melodic language remains central – particularly across the first half – but now intertwines with passages evoking older, more archaic currents reminiscent of early Enslaved and Falkenbach. Norse-tinged motifs surface alongside the band’s established Scandinavian melancholy, while the latter half explores tonal shifts that feel brighter, though never unscarred. Beginning in darkness and concluding in illumination, “Monark” traces recurring cycles of mental collapse and resurgence with unflinching honesty.

-Blood red vinyl
- OBI
- insert