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Il carrello è vuoto
Il carrello è vuoto
Vendita vinili - musica Black Metal e Dark estrema
Reissue 2025
Comes in "Vaporwave" vinyl color effect
Reissue 2025
"Candyland" vinyl color
The long Canadian winter has many voices, but few speak with the introspective clarity of Finnr’s Cane. Emerging from the icy expanse of Sudbury, Ontario, the duo’s self-titled fourth album is a meditation on transition: the slow dying of autumn, the silence of snowfall, and the liminal space between nature and civilisation.
Though rooted in atmospheric black metal, Finnr’s Cane forgo many of the genre’s conventions. There is no bass guitar; instead, low-end warmth and mournful resonance are carried by cello and keyboard, lending the music an organic, almost spectral quality. Rather than follow rigid structures, their songs unfold through improvisation, guided by mood and instinct.
Comparable in spirit to acts like Wolves in the Throne Room, Agalloch, and Fen, Finnr’s Cane tread a kindred path but speak in a voice entirely their own – one that has resonated since their 2010 debut, “Wanderlust”, and continued through critically acclaimed releases on Prophecy Productions and Frostscald Records. This latest work marks their first collaboration with Nordvis, a natural home for their singular vision.
To celebrate the first decade of such an important album, Avantgarde Music proudly presents a double-vinyl special edition aptly named Isolate X, which not only includes the original Isolate, but adds a second LP with reworks and reinterpretations from both fellow Avantgarde Music cosmic artists and friends of Mesarthim alike.
Isolate X includes contributions from Mike Lamb and Heike Langhans’ Remina, the newborn Italian black metal band Bianca (featuring members from Hideous Divinity), Australian solo projects Midnight Odyssey and Germ, and the rising cosmic force from Sweden Vrazorth.
With a wonderful handpainting by Heinke Langhans which reimagines the original NASA photo of the Horsehead Nebula, Isolate X is a perfect change to rediscover Mesarthim’s debut from an unexpected perspective, or experience it for the first time.
Comes in a one-off press of 300 copies, with disc 1 Transparent blue with milky clear and disc 2 Galaxy transparent red + yellow
Official release of Ad Nauseam's Live performance in Tilburg (Roadburn Festival) on 21/04/23
Release in one-off limited edition 300 copies
Double colored vinyls, sleeve with die-cut on front!!
Although 'Pale Folklore' stands as Agalloch`s debut record, it already embodies several elements that later became part of the band`s signature sound. Effortlessly picking up from their excellent demonstration cassette, it sees the band refining their sound even further. An audio amalgamation combining the profoundness of early Ulver, with the gloom of old Katatonia and the exalted boldness of Fields of the Nephilim, thus adding unique elements of nostalgia and atmosphere to their own melodic interplay of guitars and excellent musical framework. The album contains strong signs of a band that knew at a young age how to draw their canvas. Influenced by the landscapes of the American Pacific Northwest, and with an essence reminiscent of the Scandinavian wilderness, it firmly put Agalloch on the map and raised eyebrows about what a band from North America can be capable of.
As a person that grew up checking out records based on their cover artwork alone, this album was particularly notable - the wood grain cover with a gold emblazoned logo engraving was instantly enthralling. This is music that glorifies the night sky, envisions campfire magic, heralds nature over humans, arcane arts & poetry, and worships the beauty of a crackling fireplace. It could be the soundtrack for a lone wanderer striving through a wintry storm, only to end up knocking on a faded wooden door to find shelter in a desolate cabin. In many ways the sound of forlorn times.
If you are looking to fill your heart with woodsmoke and the fire of the mountain's spirit, look no further.
"Pale Folklore was a watershed moment in American heavy music, when a few young musicians with a shared love of underground death metal – and broad personal tastes beyond – turned their already virtuosic talents toward a fresh hybrid of metal and neofolk through a gothic lens." Daniel Lake / author of USBM: A Revolution of Identity in American Black Metal
Originally released in 2006, 'Ashes Against the Grain' seamlessly blends heaviness with atmosphere and precision. With their third full-length, the band continued their musical journey, always a step ahead, but without losing grip of their dark metal roots. The album combines elements of black metal, Scandinavian prog-rock, and post-rock with the unique, melancholic, contemplative style that is so typical of Agalloch.
From the driving force of “Falling Snow” to the dissolving trilogy “Our Fortress Is Burning...,” this is Agalloch at their most direct and elemental. A contrast to the warmth firey nightsky of 'Pale Folklore', the monumental poetic folk of 'The Mantle' , 'Ashes...' gazes into a horizon of dying embers with clarity.
The band’s panoramic scope of songwriting - takes on a widescreen scale - combined with the albums imagery, and production all aligned into a monolithic statement — sharp, modern, and unrelentingly melancholic.
"Vedderbaug" second album from Norwegian black metal band LJÅ, marks a significant evolution from their 2006 debut, "Til avsky for livet."
While the first album delivered a raw, chaotic assault reminiscent of the second-wave black metal style, "Vedderbaug" offers relentless drumming, more ferocity with darker melodies.
Deeply rooted in traditional Norwegian black metal, "Vedderbaug" revealed a LJÅ more venomous with time.
Re-issue, updated layout for the best, mastered specially for vinyl.
For fans of Taake, earlier Darkthrone, Isvind.
200x neon violet 2x12" side with a silkscreen print, in a black poly-lined innersleeve, jacket B/W printed on 350g carton, coated paper with UV partial lacquer, all assembled in a plastic overbag.
NORDIC METAL
HELHEIM, founded in Bergen, Norway in 1992 were eager to establish themselves in the Norwegian Black Metal scene and released their first demo in 1993. Heavily influenced by BATHORY and including a cover of VENOM`s “Countess Bathory” to pay tribute to one of their foremost influences, the first demo, while being an interesting document of the time and showing potential, still lacked the depth and ambition of their later work.
Their second demo entitled Niðr Ok Norðr Liggr Helvegr and released in 1994 marked a major leap in style and quality. With a for a demo unusually long playing time of nearly 50 minutes, HELHEIM`s second effort saw the horde introducing female vocals, folk and Viking elements and even trumpets. Obviously influenced by compatriots ENSLAVED, it featured non-linear compositions and a unique sound. This demo is considered a landmark in Norwegian Metal and far surpasses the typical expectations of a demo release. It`s with Niðr Ok Norðr Liggr Helvegr that HELHEIM found their sound and catapulted themselves to the forefront of Norwegian Black Metal.
Remastered from the original DATs by Patrick W. Engel at Temple of Disharmony.
A long and detailed new interview about the time from 1992-1997 was conducted with the band exclusively for these current reissues.
The double-LP comes with a hugh 16-page 12” booklet including the interview and many never before-seen pictures.
An A2 poster will be added to every vinyl too.
Gold Vinyl
